Month: May 2026

Categories
Essays

Call of the Jungle: Severin Films’ Antonio Margheriti Adventure Film Boxset

Just like the title of the Fat Boy Slim album says: “You’ve come along way, baby!”

Back in the late 2000s/early 2010s, a younger Nicholas Diak was enrolled in the liberal arts program at the Tacoma campus of the University of Washington. I was neck deep in my master’s thesis which was about Italian genre filmmaker Antonio Margheriti and his masterpiece, Castle of Blood (1964).

Aside from demonstrating the virtues of Castle of Blood and why it was an important movie in Italian film canon (it was transgressive, showed nudity, depicted lesbianism in a chaste, Italian society, etc.), I had also made a call for the reconsideration of Margheriti as an Italian director of note. I felt at the time (and still do) that he was extremely overshadowed by the likes of Bava, Argento, Fulci, and Leone, and his contributions to the various genres he operated in were not as acknowledged or appreciated as they should have been.

This was extremely apparent at the time in that Margheriti films were next to impossible to procure. While the four directors I mentioned above all had accessible filmographies, made even more available with the rise of DVDs and the emergence of boutique film labels, Margheriti films remained hard to find and obtain, much like the treasures featured in his Indiana Jones knock offs of the 80s. In order to find Margerhiti’s films, I often had to go to Scarecrow Video in Seattle, check the (albeit small) Margheriti section, note the titles and formats, and hope for the best on eBay or websites like the now defunct xploitedCinema. In time I accrued a handsome amount of other region DVDs and VHS tapes of Margheriti’s films. Many hours were spent at the UWT A/V lab transferring those VHS tapes to a DVDr. In the end, these all become my treasures.

It is now 15 to 20 years later. My writing career has been all over the map, but I have never stopped writing about and championing Margheriti. The list at the end of this write up is a consolidated list of my writings and podcast/vidcast appearances talking about the director and his films (if you’re interested). Concurrently, Margheriti’s films did find themselves being released in accessible, restored editions that they deserve.

Castle of Blood has a red spiral with Barbara Steele and other zombies behind her. Alien from the Abyss shows a robot-alien with lots of tubes running from its helmet. It has a huge crab claw that it is using to break a glass window.
Personal copies of the Severin release of Castle of Blood and Alien from the Abyss.

Severin Films, the masters of releasing European genre and sexploitation cinema stateside, has been kind to Margheriti. Prior they had released Castle of Blood (in a couple different editions) and Alien from the Abyss (1989), an underrated knock off of Alien(s) and Predator (1987), and technically, kinda/sorta Blood for Dracula (1974).

Boxset with three black-cased Blu-ray/4Ks.
The Antonio Margheriti & The Jungles of Doom boxset.

The 80s were a prolific decade for Margheriti, where his filmography looked split between two different genres: the post-Raiders of the Lost Ark (1981) adventure film, and the post-Vietnam men-on-a-mission film (both overlapping with jungle settings). Severin’s newest Margheriti masterpiece release, Antonio Margheriti & the Jungles of Doom: His 80s Adventure Films, is an excellent representation of the former. It is a stately boxset with new editions of Ark of the Sun God (1984), Jungle Raiders (1985), and Hunters of the Golden Cobra (1982), though each film is available individually. For fun, I’d like to show off a side by side of these new Severin releases next to what I had to work with back in the day.

The 4K/Blu-ray depicts a man in a blue shirt, white cap, and holding a revolver, behind chased by indigenous folk. There are trees and a waterfall behind him. In the sky is a white suited/white hat Lee Van Cleef and a woman in a safari hat. There is an orante cobra statue between them.
Personal copies of Jungle Raiders on 4K and VHS.

Looking at DVDCompare.net, it appears that Jungle Raiders‘ only physical release after the 80s was a German DVD in 2000, the early days of the format. The long abandoned Antonio Margheriti website lists no DVDs of this film. This makes the Severin release the first truly accessible incarnation of the film, unless one happened to hold on to their VHS copy distributed by the Cannon Group (like me!). To be fair, Jungle Raiders does make a great addition to the Cannon library, along side other Indiana Jones-ish fare like Firewalker (1986), King Solomon’s Mines (1985), and its sequel, Allan Quatermain and the Lost City of Gold (1986).

The Severin edition contains a UHD and Blu-ray format of the film, a trailer, and an interview with Edoardo Margheriti, the son of Margheriti who assisted his father in many of his films. The VHS edition does not support any special features, obviously, but I have to give it a point for having fantastic artwork. The Severin Films cover art is nice, and evokes a 1950s style, think Secret of the Incas (1954), but the Cannon VHS screams 80s ‘splosions.

Artwork on both release shows David warbeck, showing off his chest, as he reaches for a Cobra. The Blu-ray has the cobra surrounded by lightning bolts while the VHS has it surrounded by flames.
Personal copies of The Hunters of the Golden Cobra on 4K/Blu-ray and VHS.

Hunters of the Golden Cobra is one of the many, many films Margheriti made with cult film star David Warbeck (read his biography put out by FAB Press many years ago, he talks fondly working with the Italian director). Like Jungle Raiders, it appears Hunters of the Golden Cobra only got one release (well, a DVD and a Blu-ray), put out X-Cess Entertainment in Germany (also lacking an entry at the Margheriti website). There’s no date for this release at DVDCompare.net, but one of the special features is a video with Dr. Marcus Stiglegger, who had contributed to Severin’s own release of Horrors of Spider Island (1960), so that makes this German release fairly recent. That means in the 40-ish years since its release in theaters/VHS, Hunters of the Golden Cobra has not been available at all.

The Severin Films release holds even more treasures than the Jungle Raiders release: two interviews, a Q&A with star Warbeck, a video essay, and trailers. The Vestron Video VHS is a neat artifact of the era, but its cover art does not quite capture the energy in the Indiana Jones-like films. The Severin release definitely takes the VHS artwork and improves upon it.

Two rows of movies. Top one is 2 Blu-rays bottom is three DVDs. All are of Ark of the Sun God, but with different art.
Personal copies of Ark of the Sun God on DVD and Blu-ray.

And finally, there is Ark of the Sun God. As you can probably surmise from the picture above, there are a) a lot of editions of Ark of the Sun God and b) I REALLY like Ark of the Sun God. It is, unironically, one of my top five favourite films of all time. Right up there with von Trier’s Europa (1991) and Kieślowski’s Three Colours: Red (1994). Ark of the Sun God is at that level!

The first academic presentation I ever gave, at the 2009 Popular/American Culture Association Conference, was on Ark of the Sun God. If you look closely at the bottom center DVD, you’ll see, in silver marker, an autograph by Edoardo Margheriti to Michele and I. Back in the late 2000s I posted this film (and a few others) to Edoardo for him to autograph, and it has been one of the jewels in my collection. Thus, for the reasons above (and more) I have a strong affinity to this film.

The bottom row of three DVDs are, well, pretty bad in regards to image quality. They are definitely rips from VHS tapes. The AIP Studios release (bottom left) looks borderline like a Ghanaian film poster, with the cartoonish flames on the tanker and Susie Sudlow looking rather ghoulish.

The Tales of Voodoo Vol 4 DVD (bottom right) has two movies on it: Temple of Hell (which is Ark of the Sun God) and Cannibal Curse (1988). Cannibal Curse is ripped from a subtitled VHS tape, and if the subtitle is too long, it cuts off due to the cropping of the frame. The cover of this DVD looks akin to a cover a horror comic from EC Comics back in its day, though not too fitting for Ark of th – I mean – Temple of Hell, which has no voodoo or even really any gore (the character of Mohammed gets shot and bleeds, but he recovers).

The center middle DVD from Pulp Video, the one that is autographed, is my favourite DVD of the trio and the one that I have watched the most. The art on this one is great and really captures the last scene of the film when Warbeck and company find the Scepter of Gilgamesh (there is no Ark in this film) and battle with Turkish Star Wars and his minions.

Shockingly, I have no VHS copies of Ark of the Sun God, and that is because I was able to find the film on DVD(s). What I do have is the 88 Films release of Ark of the Sun God that came out in 2023. This is an import release (88 Films is in the UK), but it is stacked with extras: poster, booklet, a commentary, two interviews, and more. At the time, this looked to be the best treatment Ark of the Sun God would ever receive.

Of course, Severin Film stepped up to the plate to deliver their own release of Ark of the Sun God in early 2026. The Severin Films does not contain the same supplemental material as the 88 Films edition, instead bringing an interview with Edoardo, and interview with the film’s writer Giovanni Paolucci, and Margheriti reminiscing about David Warbeck. The cover art is a much, much better version of the AIP DVD release.

What Severin Film brings that is truly unique is a CD soundtrack that has songs from both Hunters of the Golden Cobra and Ark of the Sun God. For decades the Ark of the Sun God theme song done by Josette Martial has been unavailable, which is unfortunate because the track is an Italio-Disco banger. In 2025 the album got a digital-only release on Amazon via Cam Sugar, but here it is, in physical format for the first time, in Severin’s release. A Holy Grail, er, Holy Scepter of Gilgamesh, album release for sure.

And with that, my little retrospective of comparing old VHS tapes and DVDs of Margheriti’s Indiana Jones movies to their new Severin counterpart concludes. I hope that this boxset is extremely successful because there is a plethora of other adventure/action/jungle movies Margheriti directed in the 80s that would greatly benefit from a re-release. A double Blu-ray of the Indio movies perhaps? A triple boxset of his men-on-a-mission films with Lewis Collins maybe? These are all great, fun, films that capture that 80s action/mercenary film spirit that was prevalent at the time.

If you’ve enjoyed this fun retrospective and want to check out some of my writings on Margheriti, see the links below.

My best piece on Margheriti is no doubt my essay “Welcome to the Jungle: Fun and Games in Antonio Margheriti’s 1980s Mercenary Films” that was published at We Are the Mutants. One of the best things I’ve ever written:

“Welcome to the Jungle: Fun and…”

There is, of course, my master’s thesis that started it all for me. However, it is really old and I’ve become a much better writer since then:

UWT Library – Masters Thesis

And lots more:

I’ve also looked at other Severin Films releases at my website here:

Categories
Comics

It’s Getting Cold: Cavewoman: “Snow” Issue 1

Cover is all white, with blobs of snow falling. Meriem the cavewoman stands in the center, looking up. She has flowing hair. She has a white fur hood on (but not covering her head), a leopard print bikini top and bottom.
Personal copy of Cavewoman, Snow #1.

Plot

A heavy snowstorm falls upon Marshville, a town that has been transported into the prehistoric past, covering the streets in two feet of snow. Due to the strain the winter has put on the powerplant, the town has instituted brownouts for the time being to conserve fuel.

The town’s leaders gather to assess the situation: Meriem the cavewoman, her boyfriend Bruce, Professor Cook, Corporal Mack, Sergeant Marstone, and a few others. Prof. Cook confirms the town’s food supply is in great standing, but heat for the populace is in jeopardy due to the fuel reserves being diminished. He proposes an expedition to the north to investigate a set of tar pits to see if oil can be obtained. Marstone expresses vehement opposition to the professor and his ideas (and in particular to the presence of Meriem), but the other townsfolk embrace Cook’s plan.

Black and white panel from the comic. The professor, Meriem, a police officer, and brice stand in stone at the bank of a tar put that says "Ga-loop! Bloop!"
At the tar pits.

The expedition, consisting of Meriem, Bruce, the professor, and police officer Alex, set off to the tar pits, which they arrive at a day later. The professor gets to work testing the tar pits for oil while Alex, Bruce, and Meriem keep warm by the fire, drinking coffee and rum. Professor Cook returns and confirms: oil!

As the party make their way back to Marshville they encounter a farm outside town that is surrounded by prints by an unknown animal. They deduce it is an animal that has adapted to the cold.

Back in town, the professor proposes the town’s windmill pump that is on display at a museum be repurposed to drill the oil so it can be trucked in to Marshville. Bruce sets off back north to get the machinations of Cook’s plan underway.

Commentary

The first issue of the “Snow” storyline in Budd Root’s Cavewoman series was published in February of 2011, with the art and story done by Rob Durham. This is an exposition issue, light on action but upfront about the stakes Meriem and the rest of the town are in: dangerous cold and snow, lack of power to keep the town warm, hints of internal strife, and the possibility of an unknown creature lurking outside of town. The peril is real and Durham goes at lengths to establish this.

Black and white panel. Meriem springs into the air, off the street that has piles of snow from having been shoveled. Bruce is below her. She says "C'mon I'll Race you!"
Meriem leaps through the streets.

Though not an action-centric issue, Meriem is still afforded opportunities to display her jungle girl superpowers. She uses her agility to leap gracefully through the icy streets of Marshville while Bruce stumbles and falls. Her healing ability allows her to drink rum without feeling the intoxicating effects (much to her chagrin). There is a discrepancy on how her thick skin handles the cold. At the beginning of the issue, when Meriem arrives at Bruce’s apartment, she comments that she is only a little cold due to her skin. Later on, while at the tar pits, a much more clothed Meriem is observed by Bruce and the professor to not be as adaptable to the weather, and that she is shivering.

Black and white panel from the comic. Meriem is putting on a fur hood. She is bare chested. She says "Good! Cause I think I like it too!" (referring to her new outfit).
Meriem tries on her new outfit.

On the subject of clothing, Meriem is given a new attire for this issue. Made from bits of Bruce’s old racing suit, it is a fur hood with leggings and elbow-length gloves that are leopard print. The outfit still enhances Meriem’s sex appeal, her leopard leggings looking akin to stockings. The attire does underscore her cat-like agility, demonstrated as she leaps through the town as a panther. Unlike the previously reviewed issue of Cavewoman, “Extinction,” which was more kid-centric and kid-friendly, this issue of “Snow” veers into erotic territory, with Meriem and Bruce having sex off page and Meriem going topless, showing off her large breasts, in many panels early in the issue. 

Though the sex appeal is overt, Meriem and Bruce look to have a healthy, affectionate relationship, with concern for each other’s well-being. Meriem is no damsel in distress, and in perhaps a bit of gender role reversal, she plays the physically strong role in a relationship that is usually depicted as fairly traditional.

Black and white panel in the comic. Meriem is standing straight, arms behind her back with a thought bubble that says "Mother...."
Meriem entertains the idea of being a mother.

Regarding traditional gender roles, in “Extinction” the ideas of Meriem being a motherly figure are brought up when she rescues Susie from the cave tentacle monster. In issue one of “Snow” the subject is brought back up. As she placates her cousin Lumpy and his friend Will (who also appeared in “Extinction”) with promises that she will do something fun with them after she returns from the expedition, Professor Cook remarks that she will “make a great mother someday.” Miriem bites her bottom lip as she holds the idea in thought, enchanted by it.

Marstone, Bruce, and Meriem in a black and white panel. Marstone says "Better keep a leash on your Dino lover, Bruce. I think she's gone Rabid. If this is the kind'a treatment I can expect when I suggest a course of action then I don't much see the point in hanging around."
Marstone is not a team player. He can dish out hostility to the professor and Meriem, but whines when confronted back.

The last theme of “Snow” revolves around the notion of community in Marshville, working together to survive not just being in the prehistoric past, but also a cruel winter. Professor Cook acts as a de facto leader of the town, though no doubt under a dotted line hierarchal relationship to the town’s police force and mayor. There is, of course, dissent in the community that should be unified, particularly with the character of Marstone, who takes umbrage to Meriem and the professor, and suggests they should begin clearcutting the jungle surrounding the town for fuel. This could be a character that truly cares about his community but is extremely skeptical to having to rely on others, or he has nefarious intentions and perhaps wants to seize command to do things his way.

Conclusion

The first issue of “Snow” is off to a great start. There is the introduction of multiple dilemmas (the snow, the tar pits expedition, the unknown creature, internal communal strife, etc.) that will no doubt coalesce during the next three issues. It sounds like a lot to juggle, but Durham has done a great job at keeping everything linked together and relevant. Durham’s art style is always top notch in the Cavewoman series, especially when depicting Meriem, be it pinup style, or jungle girl heroine style. A great issue and a great beginning to a new Cavewoman storyline.

For more information on Cavewoman “Snow” issue one or my other Cavewoman reviews, check these links:

Categories
News

News Roundup: April 2026

Personal / Website News

I did not get much published at my website in April, but that does not mean a lot of news didn’t happen!

GosT/Perturbator Concert Archival Write Up

James Lollar, the mastermind behind the dark/synthwave band GosT passed away earlier this month. He was a pioneer of the retrowave genre.

GosT in a skeletal mask, behind a cloth covered table, playing electronic instruments.
GosT performing.

I was lucky to have seen GosT perform with Perturbator back in 2017. I did a concert write up that was published at Heathen Harvest, but that website is long since dead. Since it has been on my radar to bring some of my old articles back online and host them here, and I want to do what I can to help keep Lollar’s memory eternal, I’ve gone ahead and dug up my concert report and put it online. I’ve also included more photos than the original publication.

My republished write up can be read here. Enjoy!

Exotica Moderne #31

It has been a few years since my last piece being published in Exotica Moderne, but I am back!

Cover shows a blonde pinup girl, earring a tiki top and skit. She is holding a cocktail glass in her right hand. She is leaning against a palm tree. She is on the beach, with a wave crashing behind her and a mountain in the distance. The sky is blue-green with a few clouds. There is a parrot flying toward her. At her feet are some shells.
Exotica Moderne #31

Back in November 2025 I had the honour to interview Alex Lamb and Max Well, the filmmakers behind the documentary The Donn of Tiki. That interview will be published in the next issue of Exotica Moderne, which is issue #31. In fact, orders for that issue are already being taken at the House of Tabu website (product link).

I have other article ideas that have been on the back burner for Exotica Moderne, such as an essay on Secret of the Incas. It is probably a good time to realize them. Exotica Moderne has always been a great periodical and one of the best venues I have ever written for.

Vanya #10 Compendium

The neo-jungle girl comic series Vanya: The Lost Warrior (which I’ve covered extensively at my website here) had a successful Kickstarter this month to fund issue ten.

Banner says "Vanya: the lost warrior - cover D by Ignacio Noe. Launching April 14th on Kickstarter". The banner shows Vanya, holding a vine in her left hand, looking kind of angry, as a T-rex rampages in the jungle behind her. In the distance a volcano erupts.
Vanya 10 Kickstarter Banner

One of the items every backer will receive with their pledge is a digital compendium that includes supplemental material, such as character bios, universe lore, a short story, and even a recap of what transpired from issues one to nine to allow folks a quick way round catch up in the story.

I was humbled and honored to be asked by the Bad Bug Editor in Chief, and writer of Vanya, Mike Tener, to write this summary to be included in the compendium! So, keep an eye out here, or the various Bad Bug outlets (Facebook link here) for news on how the development of issue ten goes.

Panthans Journal #347

The April issue of the National Capital Panthans Journal has been published. This issue contains a reprint of my review of issue eight of Vanya: The Lost Warrior. The original can be read right here.

A black and white cover. It shows a four armed alien holding swords and a bow. Next to it is an alien gorilla.
National Capital Panthans Journal #347.

Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Sincere appreciation to Laurence for the opportunity to have my work published in the journal.

Fan2Fan Podcast Appearance

I had the honour to appear on two episodes of the Fan2Fan podcast that were published this month.

First, Michele and I are both guests on the episode where the topic is the 90s monster film, The Relic.

Thumbnail with a big monster on it that has teeth and looks rubbery. It says "F2F - New Fan2Fan Podcast! Monster Mania! The Relic"
Fan2Fan Podcast Thumbnail for The Relic episode.

It is a good movie, and a unique monster in that decade between the fall of the Berlin Wall and 9/11. The episode can be streamed at the Fan2Fan website here or in the player below:

Monster Mania – The Relic – Fan2Fan Podcast

Next up there is an episode where I talk generally about the different Lovecraft monsters out there, from Cthulhu to Azathoth.

Banner says: F2F New Fan2Fan Podcast! Monster Mania! Lovecraft Monsters.
Fan2Fan – Lovecraft Monsters

That episode can be streamed here or in the player below.

Monster Mania: Lovecraft's Creatures – Fan2Fan Podcast

Sincere appreciation to Bernie and Pete of Fan2Fan for having Michele and I on as guests!

Scholars from the Edge of Time

For Scholars from the Edge of Time for April Michele and I went old school via new school and watched the new Deathstalker film. To sum it up: it ruled.

Graphic novel is hardback and has a wraparound of the original movie poster. The Blu-ray shows all the characters collage together with mountains behind them.
Deathstalker the graphic novel and the Deathstalker remake on Blu-ray.

Listen to our musings about this reinterpretation of a classic 80s S&S series on YouTube.

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2026.

Cover shows a blonde pinup girl, earring a tiki top and skit. She is holding a cocktail glass in her right hand. She is leaning against a palm tree. She is on the beach, with a wave crashing behind her and a mountain in the distance. The sky is blue-green with a few clouds. There is a parrot flying toward her. At her feet are some shells.
Exotica Moderne #31

“Tellers of Tales: Interview with Alex Lamb and Max Well on The Donn of Tiki” in Exotica Moderne #31, May 2026.

Product page at House of Tabu.

Cover is by Mark Wheatley and called "The Beasts". It is red hued. It shows Tarzan riding atop of an elephant. Below the elephant are two gorillas and a lion. Behind them is a tree and a setting sun.
National Capital Panthans Journal #344.

“All E.T.’s Aren’t Nice: Vanya 06” reprinted in National Capital Panthans Journal #344, January 2026.

Original can be read here.

Cover by David Michael Beck. It's a drawing of Tarzan atop an elephant, with 2 axes in front.
National Capital Panthans Journal #345.

“The Prehistoric Purge: Vanya 07″ reprinted in National Capital Panthans Journal #345, February 2026.

Original can be read here.

Cover is called "The Land that Time Forgot" by Mark Whetley. It shows a man, crouched on one knee, holding a rifle, with safari attire, but shirt open. Next to him he has a barking dog that kinda look like Benji. Behind there is a roaring T-rex, a triceratops, and pterodactyls flying.
National Capital Panthans Journal #346.

“Journey to Agharti” reprinted in National Capital Panthans Journal #346, March 2026.

A black and white cover. It shows a four armed alien holding swords and a bow. Next to it is an alien gorilla.
National Capital Panthans Journal #347.

“Warpath and Rampage: Vanya 08” reprinted in National Capital Panthans Journal #347, April 2026.

Original can be read here.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path or I am sharing on behalf of my colleagues. Links to these will also be in the CFP page on the navigation bar.

Dragon Age: Worlds of Power and Play

Edited by Adam Crowley (Husson University) and Daniel Reardon (Missouri University of Science and Technology) 

The Dragon Age franchise (BioWare, 2009–present) stands as one of the most narratively and philosophically ambitious bodies of work in contemporary role-playing games. Across its major titles, the series constructs a world shaped by conflict, belief, and consequence—where institutions govern bodies, identities are contested, and player choice operates within systems that both enable and constrain action. 

This edited collection invites scholars to examine Dragon Age as a site of meaning-making across narrative, mechanical, cultural, and philosophical dimensions. We seek contributions that engage the series not simply as a set of texts, but as a structured system in which power, identity, agency, and belief are produced, negotiated, and experienced. 

This collection takes a comprehensive view of the franchise, including Dragon Age: Origins, Dragon Age II, Dragon Age: Inquisition, and Dragon Age: The Veilguard. At the same time, Dragon Age operates as a transmedia world rather than a closed set of game texts. We therefore welcome contributions that engage the broader narrative and paratextual ecosystem of the series, including novels, comics, strategy guides, codices, and reference works such as The World of Thedas volumes, as well as screen-based media such as Dragon Age: Redemption and animated adaptations. Essays may focus on a single game, trace developments across multiple titles, or examine how meaning emerges through the interaction of game systems and transmedia storytelling. We are particularly interested in work that attends to the relationship between narrative, system design, and player experience across these materials. 

Areas of Interest 

1. Power, Authority, and Institutions 

Essays in this category may examine the structures that organize and regulate life in Thedas, including the Chantry, the Circles of Magi, the Templar Order, and the Inquisition. Approaches may include political theory, rhetorical analysis of governance, institutional critique, and studies of legitimacy, surveillance, and control.

2. Identity, Embodiment, and Otherness

This section invites work on race, gender, sexuality, and the body within Dragon Age. Topics may include the construction of elven, Qunari, dwarven, and human identities; representations of difference and marginalization; romance and intimacy systems; and the relationship between player identity and character embodiment. 

3. Systems, Choice, and Player Agency 

Contributions may explore how Dragon Age structures player action through dialogue systems, branching narratives, and moral decision-making frameworks. We welcome analyses of agency, constraint, consequence, and the role of the player as a co-creator within designed systems. 

4. Lore, Worldbuilding, and Transmedia Storytelling 

This category focuses on the narrative architecture of Dragon Age across games, codices, novels, comics, and other media. Topics may include paratexts, environmental storytelling, worldbuilding practices, and the role of distributed narrative in shaping player understanding. 

5. Ethics, Belief, and Moral Philosophy 

Essays may address the ethical and philosophical questions at the heart of Dragon Age, including justice, faith, sacrifice, and moral responsibility. We invite work that engages the series’ treatment of belief systems, divine authority, and the player’s role in navigating complex moral landscapes. 

Please submit proposals by June 1, 2026. Drafted chapters will be due September 15, 2026. 

Submission Guidelines

  • Abstracts: Maximum 750 words 
  • Include: Title, abstract, and brief bio (100–150 words) 
  • Format: Word document (.docx) 
  • Email submissions to: reardond@mst.edu 

New Sword and Sandal Acquisitions

The ever growing peplum research library grows with these recent sword and sandal acquisitions.

Goliath and the Barbarians and Goliath and the Vampires

Michele and I went down to Tucson in mid-April to catch the Ray Harryhausen exhibit (that write up is forthcoming!) but also explore a little bit of the city. We wound up going to Booksmans on Speedway and one of the treasure I found in the cult movie section was this Goliath double feature.

Clear DVD Case. Top says "A Goliath Spectacular Double-Feature Program!" The bottom says "Another great double bill from Wild East". Center of the DVD sleeve shows two posters, one for each film. Goliath and the Barbarians shows Steve Reeves in shackles, with a fleet of horse back riders under him, and a woman in a red skirt holding a torch. Goliath and the vampires shows two strong men wrestling in a case. Two women look on, a man in a crown in the back holds a thunderbolt. A silhouette is at the cave entrance.
Personal copy of the Wild East 2 movie set of Goliath and the Barbarians and Goliath and the Vampires.

Looks like the company who put this out, Wild East, closed their doors earlier this decade. They seemed to have specialized in spaghetti westerns, with this Goliath and the Barbarians / Goliath and the Vampires DVD being their sole sword and sandal output. This looks like a lot of fun!

Rest in Peplum: Gerry Conway

At the end of April comic book legend Gerry Conway passed away. Conway appeared at many of the comic book conventions in the LA area and I had the honour to meet him a few times. Here is a picture of the first time I met him back in 2014:

Nick Diak and Gerry Conway at Gerry's Booth. We both have on glasses. He has short, red hair. We both have black shirts on, and an open over shirt over those.
Meeting Gerry Conway at a 2014 Long Beach Comic Expo.

Conway is probably best known for co-creating the Punisher, but I revered him for his contributions to the sword and sorcery genre. He wrote Conan the Destroyer (1984) and the Ralph Bakshi animated Fire and Ice (1983).

Standard blu-ray case. The sleeve is the poster art for the film. At the top is says Fire (in red) and Ice (in blue). There is an axe wielding barbarian standing on a cliff edge. In front of him is an amazing lady with a purple bikini top and black hair. There is a blonde warrior holding a dagger. Lunding at them looks to be a goblin or orc.
Personal copy of Fire and Ice Blu-ray autographed by Conway, Gordon, and Tataranowicz.

One of my prized sword and sorcery possessions is my Blu-ray of Fire and Ice signed by Conway, and artists/animators Steven E. Gordon and Tom Tataranowicz.

A true, sincere rest in peplum to Conway.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

New episodes of Michele Brittany and Travis Lakata’s vidcast, Ride the Stream, are online. The duo continue their deep dive into the sci-fi series Falling Skies.

Here is their discussion on season one episode seven:

Episode eight:

Episode nine:

And episode ten:

After this Ride the Stream pivots to talk about Dark Winds. Here is their analysis of season one episode one:

Make sure to subscribe the Ride the Stream YouTube channel to see when new episodes drop. There is also a BlueSky social media as well.

New Fan2Fan Episodes

Brand new episodes of the Fan2Fan podcast are now online. Pete and Bernie continue their discussions on different monster movies. Aside from the two monster movies episodes mentioned above, here are the others that dropped in April.

First they have an episode on Pumpkinhead:

Monster Mania: Pumpkinhead – Fan2Fan Podcast

And then one on Godzilla:

Monster Mania: Godzilla – Fan2Fan Podcast

Followed by another Godzilla episode:

Monster Mania: Godzilla Versus – Fan2Fan Podcast

And finally, an episode titled “When Monsters Lose Their Mojo“:

Monster Mania: When Monsters Lose Their Mojo – Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference. There is also the Fan2FanFacebook page.

The Many Worlds Interpretation of Azure Cove by Ian Welke

Author Ian Welke has a new book that just came out! It is called The Many Worlds Interpretation of Azure Cove and it is a loose sequel to The Azure Cove Assignment which came out last year. The cover art is done by Kelly Lyon-King.

Cover is a square within a circle. The circle has obelisks jutting out of it and from those there are tree branches. Inside the square are leaves and 4 eyes. It looks like a burst of water is happening behind the odd sigil type thing.
The Many Worlds Interpretation of Azure Cove by Ian Welke (photo provided by Welke)

The Many Worlds Interpretation of Azure Cove can be found on Amazon.

Beyond Thirty: A World Reborn by Jeffrey J. Mariotte

Edgar Rice Burroughs, Inc. announced that pre-orders are now open for the brand new ERB Universe novella, Beyond Thirty: A World Reborn. This book is penned by the prolific Jeffrey J. Mariotte, the guest of honour at last year’s Edgar Rice Burroughs Circle of Friendship.

Cover shows a woman in Native American attire, holding a rifle, standing on a cliff made of debris, next to a lion.
Beyond Thirty: A World Reborn cover by Daren Bader.

The product page for all the different editions of this novella can be found here at the ERB website.