I take a look at the debut issue of Hearteater, a NSFW erotic pirate adventure comic. It can be read here.
HP Lovecast Podcast
A new episode of HP Lovecast Podcast is also online!
We have a returning guest, David Rose, on the show talking about his short story collection of Lovecraftian military fiction, Monsters in the Bush. The episode can be streamed at the HP Lovecast Buzzsprout page, via the embedded player below, or through your podcast app of preference.
The February Scholars from the Edge of Time vidcast is now online.
Michele and I start our retrospective of the peplum films of Bella Cortez with Vulcan, Son of Jupiter. I’ll be typing up my notes as a “Peplum Ponderings” article later this month.
The episode can be watched on YouTube. Stay tuned in March for the next Bella Cortez film we tackle which will probably be The Tartars (1961).
I’ve also started annotating Emmanuelle scholarship and posting it here at my website so other scholars have a nice bibliographic resource. The bibliography and annotations can be found hereand it’s a major WIP.
Miscellaneous Tidbits
Recent Peplum Acquisitions
I never heard the term “spear and fang” before as a genre, I just kinda called them “prehistoric peplum,” but alas, it’s a term and it has its roots in a Robert E. Howard story of the same name (story found here).
Coincidentally, at the same time of learning about “spear and fang” I had ordered such a film from Amazon. I never heard of it before, but it is called Alpha (2018). I learned of it while researching my In the Name of the King 2: Two Worlds write up in that both films star Natassia Malthe).
I’ve never seen it, but it looks tough. I also know the poor pupper is not going to make it.
In the mood for some new peplum music to write to I plucked up off discos the soundtrack to the Conan TV series of the 90s.
This was a series that was greenlit to capitalize on the success of the Hercules/Xena shows. Conan managed to slip by me growing up, so I’ll have to hunt down the boxset of it to watch (but it’s way OOP). It does star Ralph Möller who is always bad ass, from Universal Solider to Gladiator. He looks like a good Conan on the cover of the album.
The music is fun – great background music to write to.
On the subject of Möller and music, I’d be remiss if I didn’t bring up his guest appearance in the E Nomine song “Schwarze Sonnne” which has Möller wielding a sword in a post- apocalyptic city while fighting tech ninja. The song slaps hard:
Next up is In The Name of the King 3: The Last Mission.
After seeing Two Worlds, I felt obligated to complete the trilogy. I hope in this one they actually lean into the modern day soldier/merc doing stuff in Medieval times. If you want to read my thoughts on In the Name of the King 2: Two World, click here.
Also procured is Damon and Pythias (1962), another classic era sword and sandal I have not seen.
I’ve been trying to get the Warner Archive releases of sword and sandal films when I can. I heard scuttlebutt that Warner was going to wind down their production of physical media, which would be a shame because they actually took care of their films so their peplum releases actually look decent on home video.
I don’t know how I stumbled across it, but it was random on Discogs, but I had to have a copy of Inferno’s The Roman Empire.
Someone on a Sword and Sorcery Discord I go to said the cover looks like Encarta barfed all over it (they’re not wrong!). I am going to try to hunt down all the pictured that where used in the collage work on this album. I’ve identified one: The chariot and horse scene near the top left is from the Hercules Unchained poster (see bottom right):
The music is early 90s Eurodance style. It’s campy, but kinda catchy and fun. If I can find more image sources I’ll do an article proper on this album.
A brand new episode of H. P. Lovecast Podcast, and the last one for 2023, is now online.
This is a recap episode where Michele and I talk about what we accomplished with personal projects and podcast stuff for 2023 and what to expect for 2024. The episode can be streamed at the HP Lovecast Buzzsprout website, via the embedded player below, or through your podcast app of preference
Lots of citation news for The New Peplum. Two books have recently been published that cite essays in The New Peplum.
First is “The Performance of Plasticity: Method Acting, Prosthetics, and the Virtuosity of Embodied Transformation” by David LaRocca, published in Plastics, Environment, Culture, and the Politics of Waste by Edinburgh University Press. The editor of this tome is Tatiana Konrad, who wrote the essay “Laughing at the Body: The Imitation of Masculinity in Peplum Parody Films” that appears in The New Peplum.
Next up is Brill’s Companion to Ancient Greek and Roman Warfare on Film edited by Konstantinos P. Nikoloutsos and published by Brill. This collection contains five essays that cite contents from The New Peplum:
“Brad’s Biceps and Dwayne’s Delts: Stardom as Physicality and Digital Spectacle in Troy (2004) and Hercules (2014)” by Djoymi Baker (who also wrote the Hercules essay in The New Peplum)
Swords Made of Rubber: Cinematic Antiquity through the Lens of War” by Konstantinos P. Nikoloutsos
“Romans and Zealots in the Global War on Terror: Asymmetric Warfare and Counterinsurgency in Risen (2016) and Ben-Hur (2016)” by Oskar Aguado-Cantabrana
“Atalanta as Celluloid Warrior in Jason and the Argonauts (2000) and Hercules (2014)” by Patricia Salzman-Mitchell
“Rockules’ Revenge: The Portrayal of the Veteran Warrior in Brett Ratner’s Hercules” by Owen Reese
Unfortunately, I don’t have copies of the above books so I can’t say what specifically is mentioned. Once I suss that out I’ll add the information to the page for The New Peplum. As always, even years later, I am super happy and flattered to see scholars still citing the essays in The New Peplum.
I’ve also started annotating Emmanuelle scholarship and posting it here at my website so other scholars have a nice bibliographic resource. The bibliography and annotations can be found hereand it’s a major WIP.
Publishing Recap
Below is a recap of my publishing endeavors for the year of 2023. Next week this section goes blank, so wish me luck as I crank out a new batch of essays to be published in 2024. Thank you to everyone who took an interest in my publications for last year. You not only supported me, but you supported the different publishers and editors who gave me venues.
Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”
Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”
Published in early August, Dark Dead Things #2 contains my essay “Correlating the Contents: Mimetic Desire in H. P. Lovecraft’s ‘The Call of Cthulhu’.”
Published late November/early December of 2023, my essay “An Imperial Decree? Soitenly! Matri-Phony as Proto-Toga and Sandal Comedy” appears in the debut issue of The Journal of Stoogeological Studies.
A new episode of our monthly HP Lovecast Podcast is online!
Angela Sylvaine returned to the podcast to talk about her debut novel, Frost Bite. The episode can be streamed at our Buzzsprout website, via the embedded player below, or through your podcast app of preference.
Later this month we will be discussing Mimic 3 on the podcast, concluding our year tradition of diving into the Mimic franchise (Listen to Mimic and Mimic 2).
McFarland Horror Sale
My publisher, McFarland, is having a sale this month on their horror titles. If you use code HALLOWEEN2023 during check out you’ll get a 25% discount on the horror tiles. An entire list of eligible titles can be found here.
Numerous books I’ve been a part of are included in this sale. If you want to pluck something up I’ve either co-edited or contributed an essay to, now is a good time!
Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”
Published in early August, Dark Dead Things #2 contains my essay “Correlating the Contents: Mimetic Desire in H. P. Lovecraft’s ‘The Call of Cthulhu’.”
Michele is teaming up with Sean Woodard to do an edited collection on The Mummy series. They have a CFP listed at UPENN, but I am also sharing a copy below.
Essays sought for an edited collection focused on Universal Pictures’ The Mummy franchise.
The 1999 Universal reboot of The Mummy, starring the indelible duo of Brendan Fraser and Rachel Weisz, remains a tentpole of ’90s popular culture and cinema. Not only did The Mummy launch two sequels, a spin-off series, and a reboot, but it has lived on as a cult film, loved by fans for its mixture of horror, action/adventure, and humor. The film has also developed a strong meme culture on social media — one of the most viral examples contains a photo of a car bumper sticker proclaiming: “Honk if you’d rather be watching the 1999 cinematic masterpiece ‘The Mummy’ starring Brendan Fraser and Rachel Weisz.”
While academic research has been focused on various releases of The Mummy (1932, 1959, 1999, and 2017), there has not been a singular scholarly text devoted to the film franchise. The recent “Brenaissance” in Fraser’s film career and the film’s anticipated 25th anniversary in 2024 make it an appropriate time to celebrate and re-evaluate the film.
The purpose of this edited collection is to place The Mummy into a cultural and theoretical context, as well as critically analyze the franchise, its connections to other genre films, and its continued influence.
We seek proposals for chapters that approach the subject matter with theoretical concepts that will appropriately meet the rigorous expectations of an academic work, but through a prose style that shall be accessible for both an academic audience and a general readership.
Topics may include, but are not limited to:
Resurgent interest in Brendan Fraser/“Brenaissance”
Stephen Sommers as an auteur
Representation of Egypt in popular culture and early filmic representation
Eastern mythology/culture/religion
Exoticism of non-western cultures
Post/De-colonialism
Heroic representation
Body horror
Eco-horror/Ecocriticism
Gender representation
Toxic depictions in film
Queer/LGBTQ+ representation
Meme/GIF culture
Psychoanalysis
Generational nostalgia
Element of music/film scoring
Genre hybridity
Film cycles/reboots/retcons (such as The Scorpion King, The Mummy animated series, Universal Classic Monsters, Hammer Studios, Dark Universe, etc.) and related adventure/archaeological-driven films (such as Ark of the Sun God, The Sphinx, The Librarian franchise, etc.)
Please send abstracts of 300 – 500 words with a working title and five (5) keywords, accompanied by a short third-person author bio (100 words max), to mummybookproject@gmail.com as a Word document. Final essays should be 6,000 – 8,000 words in length, including endnotes and bibliography, and be formatted according to the Chicago Manual of Style, 17th edition. The collection is being considered by a leading academic press.
Proposed Timeline
October 1, 2023 thru December 15, 2023 — Call for Papers
January 15, 2024 — Notification of abstract acceptances sent to authors
January 15, 2024 thru June 15, 2024 — Book chapters drafting period
June 15, 2024 thru July 15, 2024 — Initial editorial review of submitted chapter drafts
August 1, 2024 thru October 1, 2024 — Double-blind Peer Review Period
October 1, 2024 thru November 15, 2024 — Contributor revision period
December 1, 2024 — Final editorial acceptance decisions
December 1, 2024 thru January 15, 2025 — Layout design, indexing, and proofing stage
January 15, 2025 thru February 15, 2025 — Copies of chapter proofs sent to contributors for copyediting review
March 1, 2025 — Final manuscript submitted in hard copy and digital formats to publisher
Here are some of the autographed treasures I shared on social media these past two weeks.
First up is my copy of Nightmare of Ecstasy: The Life and Art of Edward D. Wood Jr. signed by longtime Wood collaborator, Conrad Brooks.
In the latter 2000s I contacted Brooks via his website and he reached out to me via phone. He actually thought I was a lady, probably because of my less-than-masculine voice. He let me send him all my Ed wood stuff for him to autograph (this book included) and he also sent me back some of his movies he directed himself and released via Alpha Video. He was a charming dude and we talked on the phone a few times, but I lost contact with him after we moved to California. I was sad to find out he died, one of the last vanguards of singular era of exploitation films.
Next, following along with classic exploitation, is The Complete Night of the Living Dead Film book, signed by John Russo.
Back in the latter 2000s Michele and I lived in Federal Way and our comic book shop was Spy Comics owned by Richard Spychalski. Richard was the man and we go to his shop every week to pick up our orders we made from Previews and stay well after the shop closed, talking with him and petting his dog Ollie. The bulk of my comic book collection was bought from Richard during this time.
This book popped up as something to order through Previews. The book is actually from 1985. I suspect Avatar Press, which was publishing some NOTLD comics, probably got a box of these books from Russo who has them sitting in his garage and asked for the publisher to sell them. Slap an autograph on them and a certificate of authenticity and voila! Anywho, I liked NOTLD well enough so I ordered this book with one of my previews orders and Richard was able to get it in for me.
I really, really miss having a local comic book store.
To go with my Mike Nelson autographed copy of Plan 9 From Outer SpaceI shared on 8/27, here’s my copy of Carnival of Souls signed by the MST3K alumni.
I bought this way back in early 20004 while living in University Place. This was an era I was hungry for more MST3K stuff, and at the time only Mike Nelson was doing anything like it. This version of Carnival of Souls was the first time I ever seen the cult film. It’s a great one – a very slow burn one.
#HorrorGameOctober
For #HorrorGameOctober I’ll be (well, am currently) playing two games: The Evil Within and The House of the Dead Remake.
There’s a theme to these two games: they both have lenticular covers!
Michele bought me The Evil Within as a yuletide gift way back in 2015. I played it for a bit, but something stopped me from getting too far in it. Something wasn’t jiving? I got distracted by another game? I’m not sure, but here I am 8 years later giving it a legit go.
The House of the Dead I used to play when I was a teen in the arcade at the Three Rivers Mall in Kelso. I never got far. The game was for sale dirt cheap on Amazon this summer so I plucked it up. I was able to beat it a few times, something I would never think I would do! The game made me feel very nostalgic. I’m going to give it a few more play throughs this month and score a few more Xbox achievements.
I am going to try and fit in a proper write up about these two horror games before the month ends.
As usual, lots of stuff going on behind the scenes. A small recap of things I am juggling:
Book reviews galore. I overcommitted myself to reviews I need to dig myself out of.
Michele and I are judges for an upcoming film festival, so we’ve been watching lots of short films for it.
Submitting the Emmanuelle proposal to publishers.
Next HP Lovecast Podcast episode will be an interview with Angela Sylvaine about her debut novel Frost Bite.
Will be a guest on a few upcoming Fan2Fan podcast episodes.
Next Scholars from the Edge of Time episode will be on Ironmaster.
Work has gotten hectic with project management work and implementations.
Other essay projects on the to do list I keep deprioritizing to get above items done.
Ooof. I’ll get my desk cleared off. Someday. I hope. It’s nice to get things done, but I need to manage better and learn to say no.
Book Review: The Scourge Between Stars
It’s been a bit since I published something here at my website. To break the spell I’ve done a book review on Ness Brown’s space horror novella, The Scourge Between Stars.
Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”
Published in early August, Dark Dead Things #2 contains my essay “Correlating the Contents: Mimetic Desire in H. P. Lovecraft’s ‘The Call of Cthulhu’.”
I did it. After watching G2: Mortal Conquest and doing a Scholars at the Edge of Time vidcast about it, I went out and bought a copy of The Swordsman 2: Gladiator Cop off eBay.
Oh yes, expect a podcast or an essay or a review – a something! – about this magnificent bastard of a film.
Autograph Stuff
Here are some of the autographed treasures I shared on social media these past two weeks.
First is the xbox game Darks of Days.
Michele and I saw this game demoed at PAX 2009? Around there. We have a shirt in a box somewhere. It’s an underrated time travel FPS game. It mostly takes place during the Civil War, but also WW1 and WW2, with a concentration camp scene being especially harrowing. The ending of the game is totally neo-peplum and totally epic: you’re back in Pompeii as Mt. Vesuvius is erupting. You got future armor and gun and you can just mow down Roman soldiers as folks run about. It is hectic and chaotic. Calls for an essay someday that’s for sure.
Way back then I contacted the developers, 8Monkey Labs, if they would autograph my copy. They said sure, I snail mailed it to them, and voila, here it is.
Next up is one of my most prized possessions, an Arkham House publication, Nameless Places, signed by author Gary Myers, Ramsey Campbell, and over artist Tim Kirk.
Gary is an old friend who has been a big inspiration to me for writing and getting into Lovecraft, especially the Dreamlands. I will never not plug his work when I can (check out his collection Country of the Worm!!!). Campbell I met at StokerCon 2018. Kirk I met at a Vintage Paperback Show in Glendale. He did a doodle in my book and its adorbs.
The monthly Transmissions episode of our H. P. Lovecast Podcast is online.
In this episodes we interview Ness Brown about their debut space horror novella, The Scourge Between Stars. The episode can be streamed at the HP Lovecast Buzzsprout page, via the embedded player below, or via your podcast app of preference.
In September or October we *should* be resuming our twice a month schedule. This summer has been crazy with projects, obligations, work, and prepping for CoKoCon.
Scholars from the Edge of Time
Michele and I did a second episode of Scholars from the Edge of Time in August. Michele talked about The Swordsman and I talked about the video game Starsand. Check it out on YouTube.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2023.
Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”
Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”
Published in early August, Dark Dead Things #2 contains my essay “Correlating the Contents: Mimetic Desire in H. P. Lovecraft’s ‘The Call of Cthulhu’.”
Here is a round of autographed ephemera I’ve shared on social media the last two weeks.
First up is my copy of Bizarre Sinema! Horror all’italiana 1957-1979:
This is an incredible book. There’s an entire chapter + interview with Antonio Margheriti which I’ve cited in my masters thesis on Castle of Blood and in other essays as well.
Michele and I met Barbara Steele at a Hollywood Collectors Show back in July of 2010. She signed many of my movies but also my copy of Bizarre Sinema! in which she penned the foreword:
And, here is a picture of all of us from way back when. Queen!
Next up, part of my comprehensive Oliver Gruner library, is Crackerjack 3.
This DVD is signed by Gruner along with Bo Svenson, director Lloyd Simandl and WWE Diva Amy Weber. We met Amy Weber back in 2010 at a celebrity show in Burbank:
The folks at Boundheat Films coordinated the director signing my DVD. His auteur elements of including WIP/Lesbian Slave elements in his films are found in Crackerjack 3.
Next is Bikini Beach signed by the grooviest babe of the AIP beauty party films, Donna Loren.
These movies are always a lot of fun, especially when old guard folks like Buster Keaton show up.
Any finally, for this week, I have The Year’s Best Fantasy Stories: 3 signed by Gary Myers and George R. R. Martin.
Gary Myers is the bloody man and I would say is the most instrumental of me getting into the work of Lovecraft and cosmic horror. Myers’ Dreamlands stories are the best iteration of the Dreamlands and I suggest folks check his collection out.
George R. R. Martin was the guest of honor at StokerCon 2017 and that is were I got his autograph. I’ve never read Game of Thrones or watched the series, so his short story here is the only work of his I am familiar with.
CFP List
Here are a few interesting CFPs I want to help proliferate.
Music Medievalism In Popular Culture at ICMS in Kalamazoo (May 9–11, 2024)
Sponsoring Organization: Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture Organizer: Anna Czarnowus
Jonathan Le Cocq (forthcoming, 2024) defines music medievalism as either the influence of the medieval on later music, or the impact on medieval music (real or imagined) on any later cultural practice. In popular culture, we can find both the music that has been influenced by the actual medieval one and music influenced by some folk music imagined as medieval. Medievalist music such as pagan folk music (Troyer in: Meyer and Yri, 2020) can be used in various media and there are various genres of it. Some music videos can be an example of the cultural practice that is influenced by the imaginary medieval music. Medievalist video games also contain “medievalized” music.
Please consider such topics and similar ones:
medievalist music as background
medievalist music and similar videos
medievalist music/folk music as medievalist
Please send your abstract to: annaczarnowus@tlen.pl by September 1, 2023, but an official proposal can only be made and accepted through https://icms.confex.com/icms/2024/cfp.cgi by September 15th.
Creating Camelot(s): The Idea of Community in Arthurian Texts (virtual)
Sponsored by Alliance for the Promotion of Research on the Matter of Britain and International Arthurian Society, North American Branch (IAS/NAB)
Organizers: Michael A. Torregrossa and Joseph M. Sullivan
Call for Papers – Please Submit Proposals by 15 September 2023 59th International Congress on Medieval Studies Western Michigan University (Kalamazoo, Michigan) Hybrid event: Thursday, 9 May, through Saturday, 11 May, 2024
Session Objective
Although we often refer to the Matter of Britain as the Arthurian tradition, the figure of King Arthur is merely the center point of the story. The tales are in fact about the community that Arthur builds and the ways those inside it (and outside as well) interact with each other. Through Arthur and those he surrounds himself with, Camelot becomes a living thing, and we experience its birth, maturity, and death, as well as its re-creation across the ages. In this session, we’d like to highlight the multiple ways that Arthur’s realm has been constructed from the Middle Ages to the present. Submissions can explore the Arthurian legends from across time and/or space as represented through diverse genres and media. We seek contributions from a range of scholars–those within the disciplines of Arthurian Studies and/or Medieval Studies as well as those in outside fields, including beyond the humanities–as they consider at least one of the following questions:
● What are the origins of Camelot? How do Arthur’s literary and/or historic predecessors (Ambrosius Aurelius, Arthur of Dal Riada, Constantine, Fionn mac Cumhaill, Lucius Artorius Castus, Riothamus, Uther Pendragon, Vortigern, etc.) influence the creation of his home base? What real locales inspired the idea or site of Camelot? ● Moving forwards, how has Camelot been built as a physical place whether in the Arthurian past or in post-Arthurian re-creations? What does the site look like? How does it function as a space where individuals live and work? ● Also, how has Camelot been shaped as a communal space, a location for people to come together in fellowship, and who has been included within this group? In what ways does the community grow and change under Arthur and/or his successors? ● Alternatively, who has been excluded and/or expelled from the space(s) of Camelot, and in what ways have those individuals dealt with this loss? ● Similarly, who has been invited to join the community at Camelot but resisted its entreaties and/or rebelled against Arthur and his rule (or that of his successors)? What are the reasons for their rejection of Camelot? How do their actions impact the Arthurian world? ● Lastly, do those removed from and/or repelled by Camelot ever integrate (or re-integrate) and become part of the community? How does this acceptance shape them and/or the world of Camelot?
Submission Information
All proposals must be submitted into the Confex system at https://wmich.edu/medievalcongress/call by 15 September 2023. You will be prompted to complete sections on Title and Presentation Information, People, Abstract, and Short Description. Be advised of the following policies of the Congress: “You are invited to make one paper proposal to one session of papers. This may be to one of the Sponsored or Special Sessions of Papers, which are organized by colleagues around the world, OR to the General Sessions of Papers, which are organized by the Program Committee in Kalamazoo. You may propose an unlimited number of roundtable contributions. However, you will not be scheduled as an active participant (as a paper presenter, roundtable discussant, presider, respondent, workshop leader, or performer) in more than three sessions.”.
Thank you for your interest in our session. Please address questions and/or concerns to the organizers at KingArthurForever2000@gmail.com.
For more information on the Alliance for the Promotion of Research on the Matter of Britain, please visit our website at https://KingArthurForever.blogspot.com/.
For more information on the International Arthurian Society, North American Branch (IAS/NAB), please visit our website at https://www.international-arthurian-society-nab.org/ and consider becoming a member of our organization.
There’s been an uptick in work being cited lately and I am here for it!
Firstly, my essay “Lost Nights and Dangerous Days: Unraveling the Relationship Between Stranger Things and Synthwave” from Uncovering Stranger Things has been cited in the essay “‘Dad, every serial killer is somebody’s neighbor!’ The Problem of White Supremacy in Summer of ’84” by Erika Tiburcio Moreno and published in the edited collection The ’80s Resurrected: Essays on the Decade in Popular Culture Then and Now.
The book was published by McFarland in March earlier this year. More info can be found on the book’s product page at the McFarland website.
Next, Hannah Mueller’s essay “Male Nudity, Violence and the Disruption of Voyeuristic Pleasure in Starz’s Spartacus” from The New Peplum has been cited by James K. Beggan in his essay “Why is he there? Male presence in a sexually explicit magazine geared towards heterosexual men” that was published in the Porn Studies journal.
Cover art for The New Peplum
If you have access the essay can be read at the journal’s page at Taylor and Francis.
New Episode of HP Lovecast
A new episode of our monthly Transmission program is now online.
For July we interviewed Chelsea Pumpkins, editor of the horror anthology AHH! That’s What I Call Horror: An Anthology of ’90s Horror. The episode can be streamed via our Buzzsprout page, the embedded player below, or through your podcast app of preference.
The schedule for CoKoCon 2023 is starting to take shape! You can find Michele and I on the following panels:
Saturday Sept 2 9pm – Fiesta Ballroom 2: From EC Comics to Shudder: Horror Comics That Excite and Scare Us
Sunday Sept 3 6pm – Coronado: Creepy, Crawly, Otherworldly Bumps in the Night, or Cosmic Horror Films
Monday Sept 4 1pm – Coronado: 1pm: Weird West in Popular Culture
I’ll be on premises the entire con, so feel free to hunt me down to say hi! Michele and I will also have a table we were sill be selling and signing books.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2023.
Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”
Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”
Kino Lorber just had a summer sale on their Blu-rays so I took the opportunity to pluck up some Italian films for the library.
The Last Hunter I already had on DVD, from Dark Sky Films. In fact, here is my copy autographed by Antonio Margheriti’s son, Edoardo Margheriti:
I did a presentation on The Last Hunter at the Southwest Popular/American Culture Association conference waaaaaaay back in 2010. Not my best presentation and still very green at being an academic, but the text of it can be read at my Academia.edu account.
Ironmaster I have not seen. It sounds like an Italian sword and sorcery flick, but in a prehistoric age. I am a fan of Umberto Lenzi’s work so this should be a fun watch.
Lastly is Yesterday, Today and Tomorrow, which I also have not seen. I’ve seen the iconic image of Sophia Loren slipping off her stockings that I feel like I’ve seen the film. I always think of Mastroianni from Divorce, Italian Style.
Pasolini’s The Gospel According to St. Matthew Commentary
Matt Page, author of 100 Bible Films, has recorded a commentary for Paolini’s 1964 Biblical peplum, The Gospel According to St. Matthew. The commentary and be streamed from YouTube. Criterion Collection recently released a Pasolini boxset that contains this film.
Call for Papers
Michael Torregrossa has a few CFPs out there. I’m sharing them here to help get the word out. Check them out and consider submitting!
Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel)
Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Monsters & the Monstrous Area of the Northeast Popular Culture Association
Organized by Michael A. Torregrossa, Richard Fahey, Carl Sell, and Benjamin Hoover
Call for Papers – Please Submit Proposals by 30 September 2023
55th Annual Convention of Northeast Modern Language Association
Sheraton Boston Hotel (Boston, MA)
On-site event: 7-10 March 2024
The Old English epic Beowulf remains an important touchstone for connecting us to the medieval past, yet it also has continued relevance today through its various transformations in cultural texts (especially works of popular culture). Our hope with this session is to expand our knowledge of these works and assess their potential for research and teaching.
Please visit our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (available at https://beowulf-transformed.blogspot.com/) for resources and ideas.
Over a millennium old, the story of Beowulf is disseminated primarily through its editions and translations and its transformations. These three types of Beowulfiana represent a massive corpus of over 1000 works according to the Beowulf’s Afterlives Bibliographic Database; though, as medievalists, we tend to focus on the first two categories rather than the last concentrating on scholastic pursuits rather than entertainments. Consequently, many are often surprised by the variety and vitality of this corpus and its vast potential for research and teaching.
New versions of the Beowulf story feature in all forms of modern mediævalisms, yet (as is true with most medieval texts) research continues to focus primarily on depictions of Beowulf on screen (about 100 examples according to the Internet Movie Database). We hope in this session to expand our view of Beowulf’s reception by creators and look more deeply at the text’s wider use.
We are particularly interested in explorations of the adaptation and/or appropriation of the text, its characters, and its themes in works of fiction (at least 250 examples according to the Internet Speculative Fiction Database and much more recorded by the Beowulf’s Afterlives Bibliographic Database) and comics (at least 380 examples according to the Grand Comics Database), as well as their representations in new and neglected works on screen (including film, television, entertainment consoles, and the Internet). Additional versions of Beowulf can be found in works of creative, performative, and visual arts that also need more attention.
We hope to make our conversation productive. Therefore, we request that submissions highlight the ways the new text transforms the old (for example as interpretations or appropriations of the poem or as an intertext for another work) as well as its value in furthering the Beowulf tradition rather than focusing solely on any perceived defects.
Please see our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (at https://beowulf-transformed.blogspot.com/) for a growing list of ideas, resources, and support.
All proposals will also be considered for a themed issue of the open-access journal The Heroic Age: A Journal of Early Medieval Northwestern Europe.
All proposals must be submitted into the CFPList system at https://cfplist.com/nemla/Home/S/20596 by 30 September 2023. You will be prompted to create an account with NeMLA (if you do not already have one) and, then, to complete sections on Title, Abstract, and Media Needs.
Notification on the fate of your submission will be made prior to 16 October 2023. If favorable, please confirm your participation with chairs by accepting their invitations and by registering for the event. The deadline for Registration/Membership is 9 December 2023.
Be advised of the following policies of the Convention: All participants must be members of NeMLA for the year of the conference. Participants may present on up to two sessions of different types (panels/seminars are considered of the same type). Submitters to the CFP site cannot upload the same abstract twice.(See the NeMLA Presenter Policies page, at https://www.buffalo.edu/nemla/convention/policies.html, for further details,)
For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://MedievalinPopularCulture.blogspot.com/.
First new article up at my website is an interview with the authors of the brand new book, Heavy Music Mothers: Extreme Identities, Narrative Disruptions.
I had the honor to talk with Joan Jocson-Singh and Julie Turley on their book. It can be read here.
H. P. Lovecast Podcast
New episode of H. P. Lovecast Podcast is online!
Michele and I return back to the Lands of Dream to talk about the one-shot comic Dreamquest by Clay Adams and Mick Beyers. The episode can be streamed at our Buzzsprout website, via the embedded link below, or via your podcast app of preference.
And for fun, here is my autographed copy from the original Kickstarter campaign:
Fan2Fan Appearance – Akira
2023 marks the 35th anniversary of the legendary anime Akira.
The cool kids over at Fan2Fan have invited me on their podcast to talk about the iconic Japanimation film. Part one can be streamed at the Fan2Fan Libsyn, in the embedded podcast player below, or via your podcast app of preference (Akira part 2 is with Allan and Rebecca and can be streamed here).
Also, here is my trustworthy, old school Vampire Hunter D DVD:
Book Reviews
A few reviews of some of the books I’ve been involved in have popped up.
First, there is a fairly positive review of The New Peplum that appears in Cadmo: Journal for Ancient History, 2022, No. 31., written by Inês Simão Sebastião. The review is in Portuguese.
Next, there is a review of Horror Literature from Gothic to Post-Modern in the debut issue of The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale. The review, by Hogan D. Schaak, is not a positive one at all. Take it with a grain of salt since the reviewer butchers Michele’s name as “Brittany Michelle.”
Publishing Recap
Below is a recap of my publishing endeavors so far in 2023.
Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”
Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”
Mighty prolific last two weeks with articles, podcasts, and other projects. It’s also three consecutive weeks of me publishing an article at this website, and I have another one queued up this Wednesday. Feeling good!
Buzzworthy Book Review
I have a new book review up at my website. I return to the world of Jennifer Croll’s homage cocktails. Previously I did a review of her Art Boozel.
Croll’s newest book, Buzzworthy, was published earlier this month, and holy smokes in a rare instance of me being timely, I had a review of it written up and posted. Not to brag, (but I will), I think one of the things I do when I review cocktail books that other websites don’t do is actually make some of the cocktails inside. Anywho, my review of Buzzworthy is online, check it out and consider plucking up Croll’s newest release.
Claus Larsen Interview
Next up I return to my roots of music journalism! I have not really written about/interview anyone since my Heathen Harvest days, so I thought it would be fun to dip back into penning an article on something industrial.
Claus Larsen’s EBM act, Leæther Strip, recently released a new album and I enjoyed it throughly. I reached out to Larsen to ask if I could ask him some questions about it and he said sure! So, here is my mini-interview with Larsen about his newest album, Last Station.
New H. P. Lovecast Podcast
Happy three year anniversary to the resurrected H. P. Lovecast Podcast! Back in 2020 when the pandemic had really started, Michele and I brought the podcast back and have done quite a bit since: read some good (and bad) works, interviewed lots of cool people.
On this episode we discuss the 1970 AIP adaptation of The Dunwich Horror. Arrow Video did a restored release of the film on Blu-ray this past January and we had hoped to do an episode then, but house stuff and other projects got in the way. So, a little late but here is our episode. It can be steamed at the HP Lovecast Buzzsprout page, via the embedded player below, or through your podcast app of preference.
Princeton University Press recently published the book, Helen of Troy in Hollywood, by Ruby Blondell (a super expert on classics and Helen of Troy canon).
Very flattered to see essays from The New Peplum cited in this tome! Unfortunately I don’t have a copy of the book so I am using preview pages from Google Books to deduce what has been cited. From what I can tell:
Steven Sears’ afterword
My introduction
Haydee Smith’s “Queering the Quest: Neo-peplum and the Neo-femme in Xena: Warrior Princess“
Valerie Estelle Frankel’s “Hercules, Xena, and Genre: The Methodology Behind the Mashup”
Paul Johnson’s “Adapting to New Spaces: Swords and Planets and the Neo-peplum”
I love to see The New Peplum continued to be cited and used in new scholarship. More information about Helen of Troy in Hollywood can be read at the Princeton University Press’ product page for the book.
Fan2Fan Podcast Appearances
The cool kids at the Fan2Fan Podcast are doing a series of episodes about folk’s favorite theme songs from TV shows.
Michele and I are on an episode talking about ours which can be heard at the Fan2Fan Libsysn, on your podcast app, or via the embedded player below. Sincere thanks to Bernie and Pete for having us on.
A side note, one of the shows I mention is the theme song to Mission Hill, which is an edited version of Cake’s “Italian Leather Sofa.” It’s one of my favorite cartoons ever and I talk about why on the episode.
But, for fun, here is my autographed copy of the Mission Hill DVD signed by Brian Posehn. I met him at an Emerald City Comic Con way back in the late 2000s.
Emmanuelle / Black Emanuelle CFP
The Call for Papers for Emmanuelle, Black Emanuelle, and Emmanuelle derivative films is open until the end of this month (April 30th).
Emmanuelle the Private Collection Soundtrack.
The CFP can found on this page. If you know other scholars who would be interested in this project, please share! I’d be super appreciative to get the word out.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2023.
Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”
March went by fairly quiet and BOOM!, first week of April do I have some epic and awesome news to share.
Weird Tales Issue #367
The big, big, big news is issue 367 of Weird Tales that is slated to be published this May. Yours truly got to contribute an essay to this legendary periodical!
Look at that! My name on the cover with some other titans of horror with a cover by Mike Mignola. Talk about a milestone, I am extremely elated.
My essay is about cosmic horror back in the 1920s and 1930s issues of Weird Tales. The issue is available for pre-order, so check it out at the Weird Tales website.
I’ll also be conducting mini-interviews for this issue as well.
Cinema Highball Writeup
New cocktail article is posted at my website as well!
As yall know I love diving into the esoteric, weird, forgotten, and sometimes, kinda nasty, cocktails. The PDT Cocktail Book has a recipe for the Cinema Highball which I actually gave a shot on Twitter back in 2021:
However that was made with Bacardi. The real recipe calls for Flor de Cana, and this time I am doing it for realz. Have a read!
New Episode of H.P. Lovecast
We have a new episode of H. P. Lovecast Podcast online!
As conveyed in previous posts, March was a pretty hectic month for Michele and I. We still are settling into the house and we had essays due at the end of the month (for the cats in cinema book) and just a few other obligations that popped up. Because of this, we didn’t get a normal episode of the podcast online, but we did get a Transmissions episode online. In this episode we got to interview weird fiction author Michael Cisco about his new novel, Pest, and one of our academic colleagues, J. Rocky Colavito, about his Giallo-inspired novel, The Night Scavengers. The episode can be streamed at the HP Lovecast Buzzsprout website, via your podcast app, or via the embedded link below.
We are hoping to be back on track in April as we will finally get our episode online of the Dean Stockwell Dunwich Horror.
Fan2Fan Appearances
Michele and I have made a few appearances on the Fan2Fan Podcast which have been published in the last two weeks.
First up is the Fan2Fan episode on the classic Larry Cohen film, The Stuff. That episode can be streamed via the Fan2Fan Libsyn page, via your podcast app of preference, or the embedded player below:
Next, Fan2Fan sometimes does short podcasts on Fridays called “Five Minute Fridays.”
Michele and I appeared on one to talk about what cosmic horror is. That episode can also be streamed via your podcast app of preference, at the Fan2Fan Libsyn, or via the embedded player below.
As always, sincere thanks to Bernie and Pete of the Fan2Fan crew for having us on their show. We sincerely appreciate them.
Emmanuelle / Black Emanuelle CFP
The Call for Papers for Emmanuelle, Black Emanuelle, and Emmanuelle derivative films is open until the end of this month.
Recent acquisitions to the collection: Emmanuelle in Paradise and Emmanuele (single “L”) 3. Also notice the Silvia Castell vs. the iconic Sylvia Kristel.
The CFP can found on this page. If you know other scholars who would be interested in this project, please share! I’d be super appreciative to get the word out.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2023.
Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”
Friend and colleague Sean Woodard has just had his first physical publication, his essay “‘But Illusions Don’t Kill’: An Examination of Giallo Tropes and Gender in Satoshi Kon’s Perfect Blue” in the newly released academic collection Bloodstained Narratives: The Giallo Film in Italy and Abroad.
The Bram Stoker Preliminary Ballot has been published and like last year on the podcast we are looking to spotlight some of the authors on the list and help get the word of their works out and entice readers to consider their works. Because of this, we are also flipping the order of episodes this month: Transmissions in the first half, normal episode at the end.
For this special episode of Transmissions Michele and I interviewed David Aquilone about Kolchak the Night Stalker: 50th Anniversary and Donna Lynch about Girls from the County.
The episode can be streamed via our Buzzsprout website, via the embedded player above, or through your podcast app of preference. Give it a listen and consider checking out Aquilone and Lynch’s works.
Scaredy Cats Podcast Appearance
Back in 2021 I had the honor to be a guest on the Scaredy Cats Podcast to talk about the influential slasher film, The Slumber Party Massacre (episode link here).
Host Sherri invited me back on the podcast, along with co-host of the Schitt’s Simply the Best Podcast, Katie, to talk about the 2015 meta-horror-slasher film, The Film Girls. It was a lot of fun to watch the film and then discuss it.
The episode can be streamed at the Scaredy Cats Buzzsprout page here or via your podcast app of preference. Sincere gratitude to Sherri for being asked on.
Emmanuelle / Black Emanuelle CFP
The Call for Papers for Emmanuelle, Black Emanuelle, and Emmanuelle derivative films is open.
Severin DVD (left) vs Full Moon Blu-ray (right) of Emanuelle and the White Slave Trade.
The CFP can found on this page. If you know other scholars who would be interested in this project, please share! I’d be super appreciative to get the word out.
A Hero Will Endure Preorder
A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiatoris available for preorder at the Vernon Press website.
This collection contains my essay “Dance or Dēcēdere: Gladiatorand Industrial Music Sampling” and is slated to be released later this month.
Miscellaneous Tidbits
New Edge Sword and Sorcery Kickstarter
The Kickstarter for New Edge Sword and Sorcery is now live!
The Kickstarter campaign can be found here. The project is currently (evening of 2/12) at 71.77% funded with 19 days left. Consider backing it!
Miss Corsair Debonair YouTube Channel Launch
Pinup/stockings model Miss Corsair Debonair (who I interview for Exotica Moderne issue 14) has launched a YouTube channel (found here).
Her first video (which can be found here or in the embedded player above) has her showcasing a vintage pair of tan RHT stockings. One of her kitties makes a cameo! Check out her video, consider subscribing so you can see her next stockings/nylons/kitties video.
