Categories
Peplum

Pillage! Plunder! Possession!: Viking Horror in Seidr #1

The past decade has been extremely kind to bringing Vikings (as a historic mythology and a distinct narrative genre) to the pop culture spotlight, beginning with the History channel debuting its original series, Vikings, in 2013. Comics, video games, music (the Viking metal genre had been popular in the extreme music scene since Bathory in the early 90s), books, films, and so on, followed in the wake of the series’ critical success. With the release of Robert Eggers’ The Northman in the spring of 2022 combined with reoccurring appearances of Thor in the Marvel Cinematic Universe, interest in Vikings remains kindled.

Cover art provided courtesy of Michael Nunneley.

Seidr is a three issue comic miniseries that adds to the burgeoning Viking canon. Created by Michael Nunneley (writer) and Tosin Awosika (artist), Seidr aims to distinguish itself from other Viking neo-peplum stories by incorporating elements of horror into its fold. Viking armadas, grandiose battles with undead warriors mixed in, beheadings galore, and a vengeful, magic-wielding seeress, if all this sounds violent, epic, and maybe even a little metal, the feeling is intended. Per Nunneley: “I am a pretty big Amon Amarth fan and I actually listened to the Twilight of the Thunder God album before each interview I did about Seidr #1 to get in the mood. The Vikings show and Vikings: Valhalla were big inspirations for me. I basically wanted to capture the same spirit of the Vikings shows and make [something] paranormal, mythological.”

The first issue of Seidr is told in flashback. Viking warrior Björn Ulrichson stands on trail for murdering King Ingvar’s son Eric and brother Lars. The events leading up to the deed are recounted: Ingvar and his army lead a raid into King Victor’s lands, but encounter a greater resistance army thank expected. However, the tide turns with the arrival of the seeress Völva who resurrects all the dead to fight for King Ingvar. The Vikings may win the battle, but there is a darker future in store for them when Völva becomes vengeful. 

Page art provided courtesy of Michael Nunneley.

Violence and Vikings go hand-in-hand, and Seidr is not short on depicting bloodshed. Vikings and soldiers are immolated, bombarded with arrows, slashed and beheaded, all while falling slain into pools of blood. And yet with all this violence, Seidr (at least issue one) is surprisingly chaste and does not steer into visceral territory. There’s no prolonged suffering (like in a Blood Eagle depiction) or drawn out dismemberment with an emphasis on gory entrails (like one would find in an Avatar published comic). Seidr may draw its action from violence, but it draws horror from elsewhere. Nunneley took the approach of a “slow burn build up” before turning to “violence, gore, the undead and the paranormal.”

Page art provided courtesy of Michael Nunneley.

Sans the splatstick element, Seidr has quite a bit of common with the Evil Dead/Army of Darkness series. Aside from the resurrected army of the dead in both the comic and in the film and buckets of blood, there’s quite a bit of horror drawn from the loss of autonomy when possessed by a malevolent, unseen force. This facet of Seidr works extremely well. The Viking genre has often dipped into the fantasy and sword and sorcery genres (intervening Norse gods, shamans, and so on) and Seidr parlays this aspect successfully by harnessing the innate (but not often explored) horror elements.

If there is a flaw with Seidr, it is the over reliance on narration boxes to tell the story as actual dialogue between characters in scarce. Though the story is told in flashback, it does devalue the other characters by taking away their voice by relying on the disembodied narration of King Ingvar. Telling, not showing – which is unfortunate as the mise-en-scenein the panels does a great job at conveying the Viking excursion and subsequent confrontations, be it human or paranormal. 

Seidr is planned to be a three issue mini series with big plans, and it is off to a promosing start, building on a unique premise for the genre. Per Nunneley, “things just get more crazy and out of hand with each issue” cumulating with the destruction of the Church of St. Cuthbert in the final issue. Aside from Seidr and eventually collecting it into a trade paperback, Nunneley is also writing Omen & Gallows Men and has “a brand new martial arts-fantasy/superhero called Dragon Girl/Albino Warrior #1 coming to Kickstarter in July.”


Seidr can be found at:

Sincere thanks to Michael Nunneley for the quotations used in this article. He, and more information on Seidr, can be found at:

Categories
News

News Roundup W/E 2022-04-10

Personal / Website News

Two Years of Resurrection

Two years ago Michele and I resurrected the H.P. Lovecast Podcast!

Logo by Philip Yount

To celebrate, we got a new logo/thumbnail! Check out this badass piece done by Philip Yount. We love it!

We have a new episode up as well: we recap our last year of podcasting, accomplishments, and talk about goals and upcoming projects. The episode can be streamed at our Buzzsprout website or via your podcast app of preference.

Highlander Call for Papers

Michele has an active CFP on the Highlander franchise. She is looking for essays on the Highlander movies, the television show, comics, everything.

If you’re interested, check out the CFP at her website and please share with others. With a possible reboot on the horizon, this is definitely a book you want to be a part of. 

Unofficial Emmanuelle / Black Emanuelle CFP

Sometime in the latter half of 2022 (after I am finished with AnnRadCon 2022) I plan on publishing an official CFP calling for essays on Emmanuelle and its sequels and spinoffs, Black Emanuelle and its sequels, and all other Emmanuelle knockoffs. I already have an interested publisher, but I want to present to them a fully laid out TOC for an ambitious collection as this.

Though my CFP will not go live until later 2022, if you have any interest in being a part of this collection, let me know! Send me an email or social media message (see my about me page for contact info) to let me know your interest. If you have an abstract already, even better.

General Neo-Peplum News

Elysian Fields Remaster Indiegogo

Michael Oden has an Indiegogo campaign going for a remastered version of his Elysian Fields comic book.

Also part of this campaign is SPQR’s Bizarre Adventures: Rubicon Invaders. The campaign can be viewed here.

Categories
Cocktails

Houston, We Have a Problem: The Tiki Melange

Jasper’s Starlight Tavern is a space-comedy comic strip created by Bob Salley and Jason Sparich that focuses on the interactions the staff of an intergalactic space bar have with their patrons. In 2021, there was a Kickstarter to release the comic in a variety of formats including a compact, hardcover edition.

My copy of Jasper’s Starlight Tavern from the Kickstarter

Like an alluring neon sign, the cover of Jasper’s Starlight Tavern draws readers in with promises of vibrant and terrific artwork. In this department, JST delivers more than promised. The art by Juan Calle, in conjunction with the coloring of Don Mathias, is stunning. Every character looks distinct; each panel pops off the page with a rainbow of colors that emulate well-produced cartoons.

The writing for JST, however, does not live up to its amazing art. The comic strip relies heavily on cameos of characters from popular or cult science fiction sources (usually films and television shows) to convey its humor. Specifically it is the presence of the guest characters themselves that is each strip’s punchline, though in fact the the cameo-ed entities rarely performs any (funny) actions at all.

The following page from JST illustrates the comic’s style of humor:

The joke of the page is literally “we need an extra set of hands because there are a lot of vehicles in the drive through” and those vehicles happen to be spaceships from a variety of sci-fi sources (an Imperial Star Destroyer, a Borg Cube, the Satellite of Love, the Normandy, and so on). Lobot from The Empire Strikes Back is present for an inexplicable reason; instead of adding anything useful or funny, he merely stands there like a drooling mess.

Of particular interest is the appendix of cocktails made specifically for the book titled “Interstellar Mixology Guide.” Sincere there’s no bartender or mixologist credited, one has to assume the writers created the recipes themselves.

The eight cocktails are:

  • Dr. Zoidrosé
  • Tiki Melange
  • The Imposter
  • Mocha-Dimensional Madness
  • Galactic Committee
  • The Solitude
  • The Kraken Strikes Back
  • Ecto 1

Each drink is paired with a drawing of what the cocktail looks like in the JST universe, ingredients, and measurements. However, there are no directions of any kind for the cocktails. Stirred? Shaken? Swizzled? With or without ice? Strained? Floated? These are all absent.

The Tiki Melange is JST’s attempt at a tiki cocktail.

Tiki Melange

  • 1.5 oz Kraken Spiced Rum
  • .5 oz Oregeat [sic] Syrup (or Amaretto)
  • 1 oz Lime
  • 1 oz Pineapple

Looking at the ingredients along with the artistic depiction, it is fairly obvious that this cocktail will not work with primitive Earth mixolo-technology and ingredients, but it is a curio and warrants a deeper dive.

Limited edition Kraken from the personal stash.

First, the Kraken Spiced rum is not necessarily a bad call. Spiced rums get a lot of hate in the tiki community, usually under the guise of “you don’t know what is in spiced rum, it could be anything” and “you should be able to control what your drink tastes like.”

To the first sentiment – pluck up a bottle of Kraken and look at its label: “rum with natural flavors and caramel colour.” Now pick up your bottle of Angostura bitters (the salt and pepper of the cocktail world) and read its ingredients: “alcohol, water, sugar, gentian, natural flavors and caramel color.”

Natural flavors can mean anything, so why is it not acceptable in spiced rums but acceptable in Ango (and other bitters)? True, Ango has been around for a long, long, long time – but what’s actually in it is still proprietary and obfuscated. The best way to view spiced rum is to envision it as a rum that has built in bitters.

Take a drink of spiced rum. Now you know what it tastes like. Now you know (and can control) what is going in your drink. For the Tiki Melange, one definitely does not want to use a pricier rum in the cocktail, and the Kraken imagery of tentacles go hand-in-hand with the intended Lovecraftian cosmic horror.

Next, the amaretto or orgeat. These two ingredients are not interchangeable; their only commonality is they are both sweet and both have almond flavors. One is a syrup, the other is a liqueur and they each have different roles in cocktails. One can walk into an establishment and order an amaretto sour and enjoy a fantastic drink. One would not order an orgeat sour, as this would be an affront to all cocktails in existence. For best practice, treat the two as non-interchangeable.

Finally, the lime and pineapple. These are often found together in many tiki drinks, with the Jungle Bird being a notable example that uses both to balance its bitter Campari. Unfortunately, as will be shown, the Tiki Melange is far from balanced.

Looking at the artwork, there is no way these ingredients can achieve this look on their own. There are no directions, but because citrus is present, the best practice is to shake with ice and then strain. There’s no ice in the cocktail proper, so it is either getting its coldness from being shaken with ice and/or the futuristic glassware being chilled. There is the slim, but possible, chance that the drink is dry-shaken and poured into a chilled glass.

There is also a color gradient in the drink: brownish red on the bottom, yellow on top. That coloring is not from the square glassware, so is this cocktail floating its lime and pineapple on top of the orgeat and Kraken? Typically, it is the other way around: the rum is floated on top. There is also a lack of foam on top of the drink, which would be present if the drink was shaken with pineapple juice. With this aspect in mind, the cocktail was either stirred (with no ice) or left out for a length of time for the foam to disperse, both of which are horrible practices for this (or any) type of libation.

The Tiki Melange is a paradox, so the best way to tackle it is to make both versions: an orgeat Tiki Melange and an amaretto Tiki Melange.

The orgeat Tiki Melange has a brownish foam, with the pineapple dominating and the lime in a close second. The Kraken, surprisingly for having a fairly distinct taste, is absent from the flavor profile. There is a slight sweetness from the orgeat, but not much.

The amaretto Tiki Melange has a white foam, with the pineapple also dominating. This incarnation is tarter than the orgeat variation. Both have awful colors and should not be served in clear glassware.

Though the art depicts the drink without ice, this cocktail definitely needs to have ice in it to be even remotely palatable. The pineapple and lime are fighting for dominance in both versions, as this drink is horribly unbalanced. It can be suspected that this cocktail is attempting to be an extremely stripped down version of the Royal Hawaiian Mai Tai.

Neither iteration of the Tiki Melange taste good. Unfortunately, for folks who are adventurous and like to try new cocktails, the other exclusive cocktails featured in Jasper’s Starlight Tavern look to suffer the same fate. While the comic book delivers spectacularly with its artwork, it burns up in orbit with its humor and cocktail recipes.

Thanks to Jay Mize for edits and second set of eyes for this article.

Links

Categories
News

News Roundup W/E 2021-09-12

Personal / Website News

Book Review: Mists and Megaliths

I did a write up of Catherine McCarthy’s short story collection Mists and Megaliths. The review can be found here.

New Episode of HP Lovecast

First episode for September for HP Lovecast is up! In this episode we discuss the one-shot comic book Lady Lovecraft, written by Mike Shea and art by Don Wilkinson. Episode can be found on our Buzzsprout website or via your podcast app of preference.

Episode thumbnail by Michele Brittany