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Peplum

Back in Blood: Born of Blood Issue 2 Kickstarter and Interview

Born of Blood is a neo-peplum comic published by MERC Publishing, written by Dolan, edited by Murphey, lettered by Joel Rodriguez, with art by Carlos Beccaria and colours by Sebastian Gonzalez. The first issue of the comic was successfully crowdfunded at the very end of 2021 with happy fans receiving their fulfillment orders this Spring (my write up of issue one and the associated Kickstarter look can be read here, check it out!). 

On Friday, May 27th, MERC publishing continues the tale of Giaris, future queen of Sparta, by launching a Kickstarter campaign to fund Born of Blood issue 2. What follows is an interview with Born of Blood writer Dolan interspersed with images from issue two provided by Murphey who also coordinated this interview. Sincere gratitude to them both. 

Cover arts provided courtesy of Murphey.

What was the genesis of Born of Blood?

April of 2021, Murphey had the idea to do a story about a Queen of Sparta. I did some research and found that king Leonidas’ wife, (who had a relatively untold backstory), would be a great choice. It made sense that the greatest warrior would have an equal in a wife.

That same day, I started doing research into the history of Sparta as well as the king’s daughter who in reality was named Gorgo. I told Shawn [Hudachko] and he said, “No that sucks, change it.” So, I researched the Mediterranean for a sexy name and discovered an island called Giara and said, “How about Giaris?” Shawn replied, “Perfect.”

So, I spent about two weeks nailing down a pitch for one comic and then I was asked to extend it to two issues, and three, then four, then five… And finally six. We were effectively done with the first issue by, I would say June, so it took me about a month with edits from Murphey and Shawn.

An immediate thought when reading Born of Blood is that it looks to take inspiration from 300 and Assassin’s Creed Odyssey. What sources would you say Born of Blood are inspired by?

There is some inspiration from 300 but a lot from the region and nation’s history itself. I did a lot of research into the timeline, historical figures, nations, battles, and events. There are a lot of historical elements but we did have some veering from history. I don’t know what Assassin’s Creed exactly is, is that a movie?

Cover arts provided courtesy of Murphey.

What are the challenges you’ve encountered, or conversely, something learned, when creating a comic set in antiquity compared to a contemporary setting?

The challenges were trying to nail down exact dates, familial lineages, and deaths. There’s a lot we know but at the same time, there’s a lot that’s left to speculation and guessing. At the same time, another challenge was telling someone’s life story over six issues and making them exciting. I hadn’t done that before so that was challenging in itself. 

Cover arts provided courtesy of Murphey.

There’s quite a few sword and sandal comics out there, especially from crowdfunded endeavors. What do you feel is unique about Born of Blood that distinguishes it from others of a similar ilk?

What makes this unique is that we’re taking historical figures and events, but setting them in the Merc Publishing world. We’re going to see how this was the foundation for everything to come with Deathrage, Miss Meow, and Katfight. On top of that, we’re not pulling our punches with the violence and gore. The bang will be worth the buck on every issue.

Lastly, this is a female character who won’t be perfect in every way like in modern Marvel and DC Comics. She will be hurt, she will fall, she will fail, she will need help, but she will grow and eventually become Queen. I recently read a new Marvel comic off the stands where the female character knocked out a 250 pound man with one punch. It is completely disingenuous. When Giaris fights, it’ll be grounded in reality. 

Sample pages provided courtesy of Murphey.

What are your favourite sword and sandal texts and how have they left an impression on you?

The Odyssey, to me, is the greatest sword and sandal story ever told. I remember reading it in middle school and was just blown away by it. The Iliad is a close second. Others would be Spartacus300The Rise and Fall of the Roman Empire, and Jason and the Argonauts

The larger than life aspect of these stories truly blew me away when I was younger, especially The Odyssey. A virtual life long journey to different islands with colorful villains with our hero’s hope of eventually making it home to his wife. You never forget stories like that when you’re young. 

Sample pages provided courtesy of Murphey.

What was the soundtrack/music you listened to while creating Born of Blood? And what is the recommended music for fans to crank it to while reading?

The PERFECT soundtrack would be the soundtrack from the film Conan the Barbarian with Arnold Schwarzenegger. 


The Kickstarter page for Born of Blood issue 2 can be found hereBorn of Blood issue 1 can be purchased at the MERC Publishing webstore

Follow MERC on Social Media:

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Peplum

Fitness to Purpose: Born of Blood Issue One

MERC Publishing is an Indiana-based comic book publisher that came onto the scene in 2020. Taking an approach similar to CrossGen in the late 90s, MERC’s ambitious goal is a shared universe of comic titles with aesthetics of a magazine (complete with faux adverts and story line titles on the cover) and a heavy emphasis on powerful women, such as mercenaries and Spartans. The three MERC product lines so far are Miss MeowDeathrage, and the neo-peplum comic, Born of Blood, all funded via crowdfunding campaigns.

Born of Blood issue one completed its Kickstarter on the last day of December 2021 with backer awards being shipped in early May 2022. With numerous stretch goals realized, backers were treated with a treasure trove of Born of Blood and MERC-brand ephemera. The following is a showcasing of all the swag (in no particular order) packaged with the release of the first issue of Born of Blood followed by a few observations about the comic proper.

All pictures taken of the loot from my collection from backing the campaign.

First, for the non-Born of Blood MERChandise, is a sew-on badge for one’s battle vest and an enamel pin and poker chip that has the MERC mercenary logo adorned on them: a skull with wings giving the people’s eyebrow atop a rank insignia.

There is a trading card for Princess Giaris, the protagonist of Born of Blood. The front of the card displayis the cover art by Jay Ferguson (which is featured prominently on many of the stretch goal items) that gives Giaris a modern-gothic, vampiric look. The back of the card gives a brief bio along with her stats (she’s super strong, fast, and stealthy).

There is a Born of Blood lanyard, with blood-red lettering in a stylized typeface evoking antiquity. 

In addition to the MERC pin, there are also two Born of Blood pins/badges (all which would look snazzy on the aforementioned lanyard). One pin has the Ferguson cover art while the other has the Leirix cover art. 

There are four magnets included in the loot. Three display cover arts by (left to right) Sorah Suhng, Shikarii, and John Royal. The fourth magnet is a 2022 calendar with the Ferguson art.

There are three paper bookmarks as well.

And a paper coaster, though it looks a bit too small to be practical. It could function as a giant pog though.

There is also a Kickstarter sticker which adds an element of exclusivity. Most of the swag at this point is probably destined to be used as promotional items and giveaways by MERC at future comic cons and bonuses in website purchases, but the sticker is nice and distinct for campaign backers.

What is a welcome item in the Born of Blood package is the separate gallery booklet that contains all the Born of Bloodcover variants, both clothed and nude versions. Many comics have a cover gallery in their appendix, but Born of Blood goes the extra mile by putting all variations (and variations of the variations) into its own physical booklet which adds an appreciation factor. The Born of Blood covers are all works of art done by some fairly talented illustrators, and having them all consolidated into a booklet creates an experience akin to when one looks at art books from publishers like Taschen. Each page in the cover gallery booklet also displays a QR code to its respective artist’s online presence, adding functionality to help promote the Born of Blood’s artists even more. 

That’s me!

And finally, no crowdfunding endeavor wouldn’t be complete without a perk to have one’s name immortalized in the final product. This is always a fun thing to do: seeing one’s name in a comic is a highlight and adds a personal touch between buyer, creator, and end result. 

Two variants were plucked up during the Born of Blood campaign: the standard Sorah Suhng variant and the nude virgin (no letters/logos) Mike Krome variant. Of all the covers, the Suhng cover conveys the most sword and sandal iconography with its army of Spartan soldiers standing behind Princess Giaris – it’s quite evocative of Frank Miller’s 300.

Image from 300 found via Google Images.

The Krome variant is the most alluring and seductive of all the covers. The clothed version has Giaris looking akin to sword and planet heroine Deja Thoris from the John Carter universe. 

Deja Thoris status from my personal collection.

All in all, the Born of Blood issue one Kickstarter contained a treasury of fun trinkets, beautiful art, and a transgressive neo-peplum comic. 

Born of Blood issue one is the origin story of Princess Giaris who will form one of the pillars of the MERC shared universe. The first panel of the comic grabs a reader’s attention immediately as it depicts a blood covered Giaris (in a very Kill Bill Vol 1 fashion) having dealt a mortal blow to an Argive warrior, right to his exposed genitalia. 

The sword and sandal genre is perhaps the most body-centric narrative genre out there and Born of Blood leans into this facet with wanton abandon. The men channel the traditional Hercules strong man portrayal that has been a genre staple since the original Italian run of films in the early 1960s. Princess Giaris goes through a body transformation herself, somewhat parodied by one of the issue’s faux advertisements, from lithe and slender to muscular yet very much feminine.

An interesting aspect of Giaris is that within the story proper, she only appears nude once, in a bathing scene as she is recuperating from her injuries while undergoing forced combat training against Spartan warrior Mor. Her body is very much on display, usually in a gown or a Red Sonja-esque bikini armour, but she isn’t overly sexualized in the comic’s pages. It is the issue’s various cover arts that depict Giaris in different states of undress and poses, be it seductive, commanding, or both. The plethora of variant covers adds a new aspect to pepla’s relation to the body: for a consumer of sword and sandal media, one not only can gaze at the body, they can also control/select the desired body to be gazed at, in this case via the covers. (Note: a similar concept can be found in video games that has a character creation process). 

Body portrayal aside, Born of Blood borrows quite a bit from Assassin’s Creed Odyssey, specifically from the character of Kassandra. Both characters have similar noble Spartan backstories and combat abilities, juggling stealthy kills to more brute force, mercenary tactics. Kassandra has more autonomy than Giaris who is thrown into a dungeon by her father, Spartan King Cleomenes, to endure months of combat training with the hopes she endures and becomes a hardened Spartan Warrior (she does). Kassandra has choices (though dictated by the player), while future Queen of Sparta Giaris has the illusion of choice of what she wants to become. If she had not been thrown into the dungeon, should would’ve have been content to live a simpler, royal life. 

In the final panel of the comic, after putting her strength and wits to the test by defeating a regiment from Argos, Giaris is depicted as completely transformed in attitude and body as she waves to her subjects, the people of Sparta, from the center of a coliseum in an excellently executed panel. Since the rest of the MERC universe takes place in modern times, it will be fascinating to see Princess Giaris’ journey to be incorporated into fold while at the same time contributing to the greater neo-peplum canon.

Excellent, commanding portrayal in the ending page.

More information about Born of Blood and MERC Publishing can be found at the below websites and social medias: 

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Peplum

Hidden Inside: Unpacking the Troy Director’s Cut Boxset

Picture by Nicholas Diak. Boxset from my own collection.

The essay “Hail to the Lions: Gold Ninja Video’s Fury of Achilles” lamented about the lack of special edition treatments given to physical releases of pre-neo-peplum era sword and sandal films. However, post-Gladiator neo-peplum films benefitted from the DVD boom of the 2000s and saw releases spread across a variety of forms: standard, special, outlet exclusive, and ornate boxset editions. The physical releases of Wolfgang Petersen’s 2004 film Troy demonstrates this spectrum of editions during the aughts, with its DVD Director’s Cut boxset edition showcasing Caligula levels of luxurious excess.

The 2000s was, perhaps, the first and only golden decade of the DVD medium. The 90s saw the emergence of the platform, with most DVDs being extremely barebones, with “interactive menus” as the primary special feature. The later 2000s saw the introduction of HD-DVD and Blu-Ray formats, which would eventually usher in the end of the DVD medium.

Though home viewers had traded in their VHS players for DVD players (very likely in the form of a Playstation 2), they had not quiet yet swapped in their CRT TVs for plasma and flat screen TVs. To accommodate both types of home systems, DVDs were often released in fullscreen and widescreen editions. In addition, each of these editions might seen a standard edition with no features, or a special edition with additional supplemental material, often spread across multiple discs. On top of this, retailers (such as Best Buy, Circuit City, Target, Wal-Mart, etc.) also put out their own exclusive versions.

$1.99 at Amoeba Records in LA! Picture by Nicholas Diak. DVD from my own collection.

Troy saw two disc full and widescreen editions along with a three disc full/widescreen edition that was exclusive to Best Buy. Present in the two disc version was a folded insert that contained images from the movie along with the film’s chapters. A DVD insert was common place – almost expected! – back in this era, but like video game manuals, they would be phased out in the next decade.

The aughts also saw the proliferation of extravagant boxset releases. Often times these were anniversary releases of older films, but presented in ornate packaging and including many physical extras, such as mini-books, faux-lobby cards, fold-out posters, and other trinkets. The reason for these over-the-top releases was to entice buyers to give up older (probably VHS) versions of movies they already owned. Why own a classic on pan-and-scan VHS when you could have the ultimate DVD collectable edition? This can be exhibited in the 2002 luxurious re-re-re-release of Ben-Hur.

Blurry photo taken from Google Images search.

The practice wasn’t exclusive to re-releases, but also afforded to contemporary films, including neo-peplum. For example, Scott Snyder’s 300 was released in a boxset that contained a Spartan helmet. A European edition of Ridley Scott’s Kingdom of Heaven came in a 4 disc fold out digipack with slipcase. Troy is another neo-peplum on the receiving end the luxurious treatment.

Bought for $9.00 at Zia’s Records! Photo by Nicholas Diak, from his personal collection.

Troy: The Director’s Cut comes in a sturdy cardboard box with a close up of Achilles on the cover.

Photo by Nicholas Diak

The box flips open like a giant pocket or satchel. There are three smaller boxes inside: a folded digipack for the DVDs, a small hardcover booklet, and other paper flip pocket/satchel.

Photo by Nicholas Diak

The outside of the digipack shows Achilles running toward the camera, shield full of arrows.

Photo by Nicholas Diak

The digpack opens first to reveal some smooching.

Photo by Nicholas Diak

Then opens all the way to show the two DVDs that make up the movie and supplemental material. Both discs simply say “Disc 1” and “Disc 2” so one has no idea what is on what until you put the DVD in.

Photo by Nicholas Diak

The next item is a small, hardcover book titled The Art of Troy Director’s Cut.

Photo by Nicholas Diak

Inside are production photographs, maps, sketches, models and concept drawings, with some pages printed on transparent vellum paper. There isn’t any associated textual commentary, though art pieces have proper attribution credits.

Photo by Nicholas Diak

The last item in the boxset is the smaller flip envelope that mimics the outer casing. The back of the box calls this the “Director’s Portfolio.” There is a plethora of inserts contained within.

Photo by Nicholas Diak

The first is a personal message from director Wolfgang Petersen himself! Well, it’s not so personal since it’s addressed to “Dear Movie Fan.” It’s a small missive that state he first had to deliver a studio cut of the film, but once released and successful, he could go and release the version he wanted to. In other words, the studio gets to cash in twice!

Photo by Nicholas Diak

Next is a letter from lead star, Achilles himself, Brad Pitt, to Wolfgang Petersen and producer David Benioff with production ideas of what the characters should look like and why.

Photo by Nicholas Diak

A four page stapled excerpt from the book Troy: Embedded in the Trojan War, written by Petersen’s son Daniel Petersen is included. Daniel was present for the Troy shooting, acting as an assistant to his father. The four pages contain some of his musings and observations.

Photo by Nicholas Diak

The next item is an except of Wolfgang’s shooting script.

Photo by Nicholas Diak

This is the most useless item in the boxset as it has no practical functionality other than a curio for someone who has never seen a script with handwritten notes on it before. Either the script in its entirety should be present (so thus it has a practical use) or it should be absent.

Photo by Nicholas Diak

Finally, there is a set of ten postcards that show various scenes of production.

Photo by Nicholas Diak

These postcards, unlike the script, are a nice addition to the boxset.

Photo by Nicholas Diak
Photo by Nicholas Diak
Photo by Nicholas Diak

The only let down in the boxset is the script. All the other trinkets present in the Director’s Cut boxset are rather nice, informative, or contain some neat pictures and/or artwork. Do the accessories add to the moving going experience? Not really. Are they neat? Absolutely.

Getting into the 2010s, studios began to shift away from these extravagant boxset releases. Certainly there were some nice Blu-Ray sets, but Blu-Ray wasn’t enjoying the success or longevity as DVD had, mostly due to be overtaken by streaming services. Physical media is on the decline while digital is on the rise.

Boutique labels still deliver the goods on on cult films with luxury releases. Simply take a look at this unboxing article of Severin Films’ All The Haunts Be Ours boxset.

Photo by Nicholas Diak. Blu-Ray from my own private collection.

Major studios, however, seem to be taking a cue from the budget release companies by releasing/re-releasing films in multi-film discs. While certainly economical for a consumer, there is not much love for the collector. Although there is an irony to this specific three pack release pictured here: it seems the director’s cut of Troy is now the preferred, canonical version instead of the theatrical version.


If you enjoyed this unboxing article, consider checking out these other ones:

And also these DVD/Blu-ray write ups:

Categories
News

News Roundup W/E 2021-12-12

Personal / Website News

General Life/Project News

This weekly news report is a bit on the lighter side. Part of that is its the holidays, but the main reason is Michele and I are knee deep in projects that will bear lots of fruit in 2022:

  • Michele and I are conducting a top secret interview with another person for a book to be published in 2022.
  • Prepping for an interview with another author for my website.
  • I am starting an essay for a magazine that’s due at the end of January. My biggest magazine writing gig yet!
  • Knee deep in coordinating the interviews for this month’s HP Lovecast Podcast which is focused on the book Attack From the 80s.
  • Plotting the first three months of HP Lovecast in 2022 (take a look at the podcast page for a sneak preview).
  • AnnRadCon coordination.
  • Editing a previous essay of mine to submit to a journal.

So as you can see, there is lots of big stuff going on behind the scenes! Stay tuned as these projects come to completion. In the meantime, here is some general personal and peplum news.

McFarland Mythology & Folklore Book Sale

My publisher, McFarland, is having a sale on their books classified as mythology and folklore. Until December 19th, if you use the code MYTHOLOGY25 during check out, you’ll get a 25% discount on these books.

The New Peplum
Cover art for The New Peplum

Included in this sale is my book, The New Peplum. If you’ve been curious about the book, (maybe as a Yuletide gift?), check it out at McFarland’s product page.

AnnRadCon CFP December Deadline

The CFP for the Ann Radcliffe Academic Conference closes at the end of the month.

AnnRadCon Logo by Greg Chapman

Details of the CFP can be found at the StokerCon website.

General Neo-Peplum News

Frozen Shield’s Ínia Review

Hal C. F. Astell has reviewed the new Frozen Shield folk/Viking metal album, Ínia, at his website, Apocalypse Later.

Kara Cooney’s Afterlives New Episode

If you have not been listening to Kara Cooney’s podcast, Afterlives, you should!

New episodes drop every Monday. Last week’s episode is called “A Leaders Power and Trickle Down Economics” and can be heard on Apple Podcasts and other platforms.

Recent Acquisitions

I’ve scored lots of neo-peplum and adjacent loot this past week! Hey, it’s Yuletide season, I can treat myself, right?

First up, arriving in the mail last week, is a vinyl copy of the Ex Der album, The Thirteen Years of Nero, autographed by Maurizio Iacono. I love it! The new album is stellar and I love the song “Imperator.” Both Ex Deo and Warkings are the two prominent metal acts that are just slaying the neo-peplum genre when it comes to music.

Next up, we had a friend and academic colleague visit us on their road trip. We decide to treat them by taking them to one of the Zia’s in Phoenix, which of course we love to go to and scavenge for cool loot. First up, got some new Blu-rays to upgrade my copies of 300 and 300: Rise of an Empire.

For only $9.00 I plucked up this Troy DVD boxset. This was too good to pass up, it full of so much swag. I think I’ll do a separator unboxing post showing off its stately contents.

Lastly, I purchased King of Kings by Leaves’ Eyes and The Witch of the North by Burning Witches.

Leave’s Eyes is symphonic Viking metal that, to me, sounds like a cross between Corvus Corvax, Qntal, and Die Prophezeiung-era E Nominee. I really dig it.

Burning Witches isn’t really peplum-metal, but there’s trace elements of Norse, Viking, and Medieval, so I’ll allow it. Very catchy all-female heavy metal.

Categories
News

News Roundup W/E 2021-05-23

Personal / Website News

StokerCon and HP Lovecast

This past weekend was StokerCon and Michele and I were super busy co-chair the AnnRadCon panels, doing Q/A, watching presentations, and so on. I believe some of the content will be available after the con, so stay tuned either here as I learn more, or follow the various StokerCon/HWA websites/social medias.

However, we were so busy we didn’t get a chance to finish up the newest episode of HP Lovecast, which will drop next weekend.

Mark My Words

Lee Murray and Angela Yuriko Smith are publishing a new how-to book called Mark My Words: Read the Submission Guidelines and Other Self-editing Tips. The chapbook was part of one of Murray’s workshops at StokerCon, but is getting a release via Yuriko Publishing. Both Michele and I were asked to contribute advice to the book. I’ve added this book to the bibliography, but once it officially becomes available for purchase I’ll add in store links as well.

General Neo-Peplum News

Messalina Blu-ray Release

Boutique blu-ray publisher Twilight Time has just release a version of Messalina. DVD Beaver has the details along with screen caps.

300 Part 3

IndieWire has an article about Zack Snyder’s unmade part three to 300 that was going to focus on Alexander the Great.

Isidora #2 to Launch

Part 2 of the neo-peplum/Lovecraft comic Isidora by G. A.Lungaro is set to launch a crowdfunding campaign in June. A sign up page to be notified when the campaign goes live can be found here.

Categories
News

News Roundup W/E 2021-03-14

Personal / Website News

Interview with G. A Lungaro

I conducted an interview with G. A. Lungaro about his Neo-peplum/Lovecraft comic series, Isidora and the Immortal Chains.

General Neo-Peplum News

Byzantine Conference

The 47th annual Byzantine Studies Conference has a CFP open. More details can be found at the Byzantine Studies Organization of North America’s website. The CFP closes May 1st. Because of Covid, there’s a 50-50 chance it will either be in person or all online.

Soundtracks

Intrada released a 40th anniversary edition of the soundtrack for Ulysses 31, an old school anime which took the story of Odysseus and bumped it to the 31s century.

Peplum Parody

The folks at ScreenRant have done a faux pitch meeting for 300.

Rest in Peplum

Comic book artist and writer Frank Thorne passed away at the age of 90. He was known for his contributions to the Red Sonja comic during the 1970s.