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Cast a Sexy Spell: Death Nell 03

The Story So Far

Nell is a twenty-two-year-old student enrolled at Deus Mortem, a university for necromancy, who has been having a hard time staying awake in class. She has been overcome with sexual urges, which can barely be satiated by her own hand.

Cover shows Nell, wearing black and purple stripped stockings, and 2 giant sailor moon hair funs sitting on a purple bed or couch. It looks blood soaked. There are green flowing tentacles around her legs. She is wearing sneakers. Behind her is a window with the moon beaming through. On the couch/bed are thin vials of different colors. Nell is holding a vial and vapor is emitting from it. She is beckoning with her finger as if saying "Come closer".
Death Nell #3 Aleriia V Cover.

Nell learns that she is half succubus and that she needs to feed on sexual energy. With the assistance of her best friend April, they break into Ms. Flowers’ (the school’s nurse) office in the hopes of summing an imp that can be at Nell’s side to keep her focused. Instead, they summon a s’imp, a red, sexually charged imp named Hans that bonds immediately to Nell much to her chagrin. 

Later during the night, a mysterious cloaked figure slips an envelope under April’s dorm door which contains a picture of Nell’s parents: a human father and a succubus mother.

Issue 03 Plot

After the next classroom session with Professor Reinhart, which was about the differences between krakens and leviathans, April gives to Nell the picture of her parents that was slipped under her door the night before. Hans the s’imp slaps the picture from Nell’s hands, claiming that it is a trap. And it is. When the picture hits the floor a horned purple wolf with a skeleton head manifests and begins chasing Nell, saying “om nom nom!” as it wants to eat her.

April uses her troll powers to stun the beast while Nell uses her succubus singing voice to charm it. Ms. Flowers arrives on scene and casts a spell that melts the wolf into a pile of pink cosmos.

Flowers agrees with the trio that someone is after Nell and that they need extra help. She sends Nell and company to the school’s crypt to begin learning from Frederick, the school’s necromancy instructor.

Nell is being fondeled by 4 skeletons and lots of ghosts who are wide-eyed and drooling. She has her eyes closed and is singing "oooooooooo". All the undead are enthralled with her.
Nell attempts to control the summoned skeletons and ghosts.

Arriving at the crypt, the three are surprised to find that it is a gym full of skeletons. April is immediately smitten with Frederick who is an extremely fit and swole Frankenstien-esque man. To get them started on learning the ways of necBROmancy, Frederick gives Nell, April, and Hans a protein shake that has been enhanced with necromancer ashes. Nell gives her succubus siren song another try and summons a mass of skeletons that begin to fondle her. She loses control of the skeletons, but April smacks her on her butt to snap her back into focus. The skeletons reform and combine into a giant skeleton golem, a skullem!

Commentary

Issue three of Death Nell has a lot going for it: deepening the mystery surrounding Nell, successfully introducing another new character (Frederick), maintaining 80s style sexploitation comedy and doing something “different” with the sex scenes in this issue when compared to issues one and two (throttling it back and placing it on April instead of Nell).

Frederick is laying on his back, performing lifts. He has one blue eye and one purple eye. He is saying "Grrr! The first step to being a good necromancer is to be a part of the swoley trinity. ou need to be swole of mind, body, and spirit. You got that?"
Frederick, the necBROmancer.

This issue introduces the new character of Frederick, a body builder character that, in a Monster High fashion, takes after Frankenstein. His first appearance make him look like a “gym bro”, but he turns out to be anything but. He has been the only adult character in the Deus Mortem University so far who has not either sexually advanced on the main characters, or been antagonistic toward them. Nurse Flowers has made advances to Nell, groundskeeper Edgar has audibly made comments toward Nell, Professor Reinhart has not done any advances toward Nell, but s’imp Hans proclaims something is off about him (this could be jealousy, though Hans has been correct about his other observations such as the cursed picture). Fredrick, instead, opens up to Nell, April, and Hans immediately, welcomes them to the gym, and gets right to work training them. No punishments or demands like from Reinhart, but right into being supportive. He is a good teacher and a positive character.

Nell is naked and eating a slice of pepperoni pizza. She says "nom nom". And she is eating the pizza, with her eyes closed, she has her left hand on Reinhard as he is performing Cunnilingus on Nell and also saying "nom nom". Hearts float around the duo.
Fantasy sequence from issue 1 – Nell eats Pizza.
A recreation of the scene in Lady and the Tramp - April on the left and Frederick on the right. The are eating opposite ends of the same spaghetti noodle. A place of spaghetti sits between the two. Both are naked and staring into each others eyes.
Fantasy sequence from issue 3 – April eats spaghetti.

The appearance of Frederick takes the spotlight away from Nell’s sexual appetite and places it on April. There is only one sex scene (fantasy or otherwise) in Death Nell #3, and it does not involve Nell, but April. In fact, one of the series’ best jokes is in this issue. It is a meta joke from Nell directed to April when April begins to fantasize about Reinhard: “You better not be eating pizza in there, that’s my thing.” April has collage sexual fantasies just like her best friend Nell, but instead of pizza she goes the other Italian food route and eats spaghetti a’la Lady and the Tramp (1955). There are roughly three nested jokes in one sequence. It is great!

April slaps Nell's butt. She has furrowed eyes.
SLAP DEM CHEEKS!

The comedy in Death Nell #3 continues with its so-bad-they’re-great Monster High-esque puns: necBROmancer, Skullem, etc. Professor Reinhard saying “get kraken” while giving a lecture on leviathans and krakens is the greatest pun ever. Other great instances of comedy in the issue includes a panel of April slapping Nell on her butt to snap her out of a trance, and it turns the phrase “slap dem cheeks!” into an onomatopoeia.

Ms. Flowers is bent over, rummaging through a cabinet. She is wearing a red dress that is hiked up, showing there white panties that have hearts. She is wearing thigh high stockings that have flowers on them. There are books and potions above her and candles lit with purple flames nearby. She is saying "I'll send a bat with a message to expect the three of you. Also, he may come off as arrogant, but...." (she is talking about Frederick).
Panty and stockings (without garter belt) flashes from, Ms. Flowers.

While the sex is throttled back, there is still 80s style sexploitation gags in Death Nell #3. When Ms. Flowers bends over in her office, her knickers and stockings become “accidentally” exposed, something akin to Linda Blair in Zapped Again!(1990) or Linnea Quigley  in Night of the Demons (1988). All in all, this has been the funniest issue of Death Nell so far.

Covers and Swag Impressions

The third issue of Death Nell was successfully Kickstarted back in October of 2023, with physical fulfillment in January 2024. Those that contributed to the campaign received some nifty art-centric swag and trading cards to go with their chosen cover(s).

Death Nell #3 came in nine different covers, with nude and non-nude options available. The standard cover was done by Aleriia V that goes for a sinister approach to an otherwise comedic series. The Aleriia V cover shows Nell sitting on a blood-soaked couch or bed, tentacles wrapping around her legs, holding potion vials and beckoning the viewer to come forth with her finger. It looks like a gothic crackhead crime scene. Not Alerria V’s best cover, especially considering they did the best cover of Vanya #7 (see here).

The sexiest cover of issue three goes to Xong Bros (who focus on Nell’s masturbatory dilemma) while the whimsy-est goes to Mike Debalfo and Tarella Pablo’s cover which captures a more innocent and unassuming side of Nell.

Nell is topless on a purple beach down that has a skull pattern. She is on a dark beach with sinister clouds in the distance. She is cleaning against a tiki statue. Behind her are tiki torches. At her hands is a hollowed pineapple with a cocktail in it, garnished with an umbrella. A green skeleton magic vapor comes from the cocktail.
Personal copy of Death Nell #3, nude version done by Marissa Pope and Hedwin Zaldivar.

The best cover, hands down, goes to Marissa Pope and Hedwin Zaldivar’s tiki cover. Death Nell has absolutely no exotica/tiki/mid-century elements present, but the artistic duo voodoo-tiki-ify Nell and it pull it off.* Co-artist Zaldivar also did the best cover for Vanya #9 (see here).

Two art prints, side by side. The left one shows Nell and June, but in swapped costumes. June, the purple haired sex bot from Hyperguest, is wearing all purple and her hand is reaching from Nell's breast. Nell is dressed in June's outfit, with is black latex with latex garters that connect to latex boots. The smaller art print shows a naked Nell, sitting on the floor, rubbing the top of her head as a dizzy swirl appears. There is a headless skeleton in a cape holding her. She is wearing purple and black stripped stockings that have holes torn in them.
Art print of Nell and June done by Bruno Sousa next to an art print of the Zheanhmeart cover.

For Kickstarter swag, the Death Nell #3 campaign came with two art prints. One is a 6 x 9 crossover piece that has Nell paired up with June, the protagonist from Bad Bug’s erotic cyberpunk series Hypergeist. Nell is wearing June’s attire and June wearing Nell’s. This piece is done by Bruno Sousa who also did the crossover print of Nell and Bobby Jo that was a part of the Death Nell #2 campaign.

The second art print is a smaller 5×7 glossy print of the Zheanhmeart cover for Death Nell #3.

four black and white trading cards showing skeletons engaging in different sexual positions, like reverse cowgirl, missionary, prone bone. The target card shows nell holding an urn of ashes on her head. Her eyes are glowing yellow. She is wearing a purple top that has poofy shoulders.
Necro Sutra trading cards and a Wheel of Fortune Tarot Card.

Finally, as with many Bad Bug campaigns, the Death Nell #3 Kickstarter had a handful of different trading/collectable cards. 

First, there is a set of “Necro Sutra” trading cards done by Cari Salviejo (who has worked on other Bad Bug properties such as the aforementioned Hypergeist). These cards show skeletons engaging in a variety of sexual acts and are similar in theme to the sexy skeleton cards that were included with Death Nell #2.

Lastly there is the Tarot Card. Bad Bug has had a great run of making Rider–Waite Tarot Cards sporting their characters. This card is for the Wheel of Fortune and shows an extremely stylized Nell holding an urn of ashes on her head. She has possessed eyes and glowing arms in her palms, perhaps a nod to the Pale Man from Pan’s Labyrinth (2006). The artist is not credited, but it looks akin to the work of Zach Raw.

All in all, a zesty round up of great swag that backers got with their comic.

Conclusion

Death Nell #3 is fantastic. Frederick is a great addition to the series and he treats the main trio respectfully (hoping that issue four or five does not pull a Scooby Doo and turns him into a bad guy). The comedy in this issue is top notch with many humorous panels and puns. Issue three continues to dive deeper into the mystery around Nell (who she is and why others want her dead), while also exploring other characters more closely (such as April’s desires). 


*Note: I am 100% bias toward this cover as I am really into tiki culture. 

For more information on Death Nell and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug:

Death Nell Reviews

Vanya Reviews

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Comics

She’s Got the Killer Instinct: Vanya Issue 01

The Story

In the far future of 2288 AD, mankind has mastered time, dimension, and space travel. Leading humanity’s front-line conquerors are the Astral Guard, fierce warriors who are battled hardened by spending a year surviving in the prehistoric past.

The standard cover for the first issue of Vanya. Vanya is armed with a bow while a triceratops charges at her. There is a full moon in the sky.
Standard cover of Vanya issue 01.

Vanya Tepanov is such a candidate for the Astral Guard, currently eight months into her year of living in four billion years in the past. Each day is a test of her skills, instinct, and luck, as she must deal with the likes of sabretooth tigers, Pteranodons, raptors, and even other Astral Guard trainees, dubbed Time Guards, that she is warned to stay away from. However, a chance encounter (and a night of passion) with a Time Guard named Reed jumpstarts Vanya’s newest escapade where the prehistoric past and the highly advanced future clash. 

Commentary

Vanya issue one is a crowdfunded comic book published by Bad Bug Media, the first in a planned twelve issue run. Kickstarted in August 2021 and shipped to backers in February 2022, Vanya is an ambitious, multi-genre adult comic. The Kickstarter campaign states that the series is for fans of Sheena: Queen of the Jungle, and that it is a “sci-fi twist on the jungle girl genre.” The first issue of Vanya is written by Mike Tener (who is also the editor in chief of Bad Bug), with art by J. C. Fabul (The Dragonfly) and Zoran Jovicic (Burlap), colours by Bryan Magnaye (MilitiaTwin Worlds), and lettering by Aaron Locust (Death NellHyperGeist). 

With its multi-genre approach, Vanya is ambitious and high concept. The future scenes hint at both a Blade Runner colonial setting (replicants at off world colonies vs. Astral Guards conquering new planets) and a Starship Troopers style of fascism (levels of citizen ship). The time traveling aspect of Vanya looks to take inspiration from Ray Bradbury’s story “A Sound of Thunder” in that going to the past is business-like, matter-of-factly, mixing hunting/safari-ing and surviving. Lastly, the jungle girl aspect is greatly emphasized, combining the menacing and awe-nature that dinosaurs evoked in Jurassic Park, the agility and nimbleness jungle girls like Sheena exhibit, and the eroticism of Budd Root’s Cavewoman, but fully embracing the pornographic elements that the genre normally only hints at. This is a lot to juggle, but Vanya anchors itself with its focus on the prehistoric/jungle girl aspect of the comic.

A nude cover of Vanya issue 1. It depicts a naked Vanya emerging from the sea at night. Behind her, off in the distance, is a brontosaur.
Nude cover variant of Vanya issue #01.

Usually, the first issue of a new comic IP is unwieldy as it tries to accomplish too much (introduce characters, setting, plot, and so on) in too little space. Vanya is surprisingly quite concise in setting its game pieces: the one page pseudo-Star Wars opening text paints the big picture, while the comic proper does a succinct job at establish Vanya’s personality and goals (she wants to become an Astral Guard so her and her girl beau Serah can move to another world), establishes the risks, dangers, and day-to-day life in the prehistoric past (dodging tigers to fending off infections). As with the multiple genres, most comics would crumble under the weight of what Vanya is going for, but instead it pulls it all off effortless, at least in this debut issue.

Like the dinosaurs of the past, Vanya goes big, and its first issue is cleanly edited, drilled down to a concise story that could scatter in too many directions but does not. The action scenes are thrilling (taking down an entire Pteranodon and riding it into the ground), there is an air of intrigue that comes from unknown forces in the future, and the sex and nudity is integrated into the plot and not simply there to just be titillating. 


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out other reviews I’ve done of titles published by Bad Bug:

Death Nell Reviews

Vanya Reviews

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Comics

[S]extra Curricular Activities: Death Nell Issue One

Death Nell is an erotic horror comedy (in the Beetlejuice vein) comic published by Bad Bug Media in early 2023 after a successful Kickstarter campaign of their first issue in the summer of 2022. Issue one is written by Bill Stoddard with Cammry Lapka (Cat TailsBlack Market Heroine) doing art, Bruna Costa on colours, and Erek Foster (The Surgeon) providing lettering. 

Nell, her undead cat, and April.

The titular Nell is a twenty-two year old student at the Deus Mortem school for necromancers where she spends her time sleeping during class and fantasizing about her teacher, Professor Reinhart, instead of paying attention. At the suggestion of her best friend, April (who is a half troll), Nell visits the buxom school nurse (curse lifter?) Madame Flowers. It turns out that Nell’s sleeping issue is from exhaustion due to her insatiable desires despite a regime of self pleasuring. An alchemy spell later and the root cause is discovered: Nell is part Succubus and she needs to om nom nom on the sexual energies of others. Thankfully there happens to be a party coming up that promises lots of action…

Grave digging attire.

As a playful, lighter fare, Death Nell can be placed in a similar camp of monster-school stories such as Nicholas Doan and Gwendolyn Dreyer’s Monster Elementary, the Monster High media franchise, and even the prequel film of Monsters Inc.Monster UniversityDeath Nell’s art reflects its comedic tone, as the colours are vibrant (the fun gothic colours of purple and black) and the characters realized in an anime/manga-inspired fashion (drool, bonks on heads, pursed lips, etc.). The women of Death Nell do adhere to a specific type of depiction: eye liner as big as bats and hips as thicc as gravestones. It’s a fun style that juggles sexy and cartoonish – Hot Topic patrons will definitely approve (and mimic!).

Madame Flowers.

Death Nell’s comedy falls in line with school sex comedies of the 80s and the 2000s. This can be both a blessing and a curse depending on perspective. Because she’s an attractive succubus, the faculty of Nell’s school begin to lust after her (the aforementioned Madame Flowers, the graveyard undertaker Edgar) with only professor Reinhart seemingly immune to her passive powers. In reality, this, of course, is a big no-no in classroom power dynamics, yet it is also an extremely common plot device in pornographic stories (“teacher, there has to be something I can do to pass this class!”). The tone of Death Nell is much too lighthearted to even approach levels like David Mamet’s Oleanna, but might find itself in “Penny Pax spends times in detention” territory. The nudity and sexual acts are presented in wanton abandon. 

NSFW version of the issue one cover with art by Lapka and Costa.

As is SOP with mature comic books made possible via crowdfunding, the first issue of Death Nell comes in a variety of alternative covers, with nude variants of each. The campaign to fund issue two of Death Nell (which ends February 15th) follows suit.

There was also additional, fun swag that came with copies of Death Nell issue one:

Art prints

Art Prints that have a crossover with Bag Bug’s other erotic series, Vanya.

And cards.

The first issue of Death Nell is fun-n-flirty, school sex comedy. Nell has to deal with typical college problems of being socially awkward and get good grades, while also finding out who she is as a person. Er, succubus. 

We’ve all been there. 


For more information on Death Nell, check out these links:

Also, consider checking out other reviews I’ve done of titles published by Bad Bug:

Death Nell Reviews

Vanya Reviews