Categories
Peplum

Maiden Voyage: Hearteater #1

Kimona, better known as the Hearteater, is an adventurous pirate lass, who along with her talking raven companion Zephyr, have had their fair share of encounters with treasures, riches, and near death misses. Their newest adventure brings them to Port Harmony, where a magical voice compels Kimona to rescue Finn, a handsome scoundrel of a thief, sentenced to be hung at the gallows. After getting intimately acquainted with each other during the night at an inn, a mystical bell that Kimona wears around her neck begins to glow, signifying a new adventure for the trio.

PDF Cover.

Hearteater is crowdfunded, erotic pirate comic set during the Golden Age of Piracy. Published by the women-owned Laguna Studios, (an offshoot/successor of Unlikely Heroes Studios), the comic is written by Laurie Foster (The SurgeonSuper!), with Cari Salviejo (XenogeistHypergeist) on line art, Patty Arroyo (cover artist for Bombshell & Atomica,Roseblood Manor) on colours, Saïda Temofonte (Number of the BeastDCeased) on lettering and Brian J. Lambert (Wingless Comics founder) and Sarah White (The Surgeon) as editors.

Genre waves come in cycles: rising, cresting, and retreating every few years. The pirate genre is no exception. After a period of cooling from the numerous Pirates of the Caribbean films, the last few years have seen pirates remerging in all corners of media: television (Our Flag Means Death), video games (Sea of Thieves, and Ubisoft’s freshly released, though somewhat maligned Skull and Bones), music (Visions of Atlantis), and comic books (The Pirate and the Porcelain Girl). Laguna Studios’ Hearteater definitely contributes to the pirate genre canon while overtly embracing the erotic angle promised by tales of swashbucklery. 

Kimona is a fun character, who knows what she wants and is always on the prowl for the next promise of adventure, be it by the sword or between the sheets. She is also a liberated character, both in race and gender, which gives her the agency and mobility to do her pirating deeds. Her raven familiar, Zephyr, acts as her voice of reason, but Kimona is the type of character who does not always give into reason.

Issue one of Hearteater is fairly short, there is no seafaring or sword fighting to be found, but there is an escape attempt and a steamy love scene. Kimona proper gets her character foundtations fleshed out and it is easy for readers to latch on to her.

While the narrative sets up the chess pieces as is traditional in first issues of a new series, the art of Hearteater tells a different story: great characters but forgettable backgrounds.

The expressions and details on characters such as Kimono and Zephyr are great.

The characters, especially Kimona, in Hearteater, look great. Kimona has the best facial expressions that compliment her speech bubbles and make transparent her emotions. Her seductive poses are sultry (with some breast jiggle onomatopoeia thrown in for good measure) while her other depictions show her in command, perhaps with air of mystery as readers are learning more about her.

Opening panel of the comic.

The background art, on the other hand, falters a bit. The opening shot of the comic, designed to lure readers in right from the get go, is an aerial shot of Port Harmony, filled with nondescript, featureless, flat buildings. Hearteater may actually be aware of this limitation because subsequent panels focus on closeups of Kimona and other characters, rather than have backgrounds shown in detail. It’s a shame since in the pirate genre, setting is important as readers want to be whisked away to tropical islands and port cities. The look of the characters nails it, but the world proper needs a bit more love.

Hearteater’s Kickstarter campaign concluded in the autumn of 2023 with backers receiving their rewards in February 2024, a pretty quick turnaround. As with many crowdfunded comics, Hearteater sported a variety of alternative covers – both in normal and risque formats – and came with a handful of extras from meeting stretch goals.

Zheanhmeart risqué cover – personal copy.

Artists who contributed covered are Cari Salviejo, Ian Richardson, KodiArt, Dravacus, Zheanhmeart, and Katy Rewston. All the covers are great, making choosing one a difficult process. Salviejo’s cover though, showing Kimona surrounded by green tentacles, hints at the eldritch elements stated in the Kickstarter campaign but not shown in issue one (something to look forward to in the next issue).

Rewards for the campaign included a metal bookmark and a chibi-esque sticker of Kimona.

Backers also received both digital and physical prints done by Mike Watson and Veronica Smith.

Pirates are awesome and Hearteater is looking to be fantastic as well. The erotic elements are definitely sexy, Kimona and company look to be fun characters to invest in and see their adventure continue, especially if it might venture down into Lovecraftian/Eldritch horror territory while maintaining the pirate atmosphere. A Lovecraftian-Erotic-Pirate story? Yes, please!


Links to know more about Hearteater:

Categories
Essays

[S]extra Curricular Activities: Death Nell Issue One

Death Nell is an erotic horror comedy (in the Beetlejuice vein) comic published by Bad Bug Media in early 2023 after a successful Kickstarter campaign of their first issue in the summer of 2022. Issue one is written by Bill Stoddard with Cammry Lapka (Cat TailsBlack Market Heroine) doing art, Bruna Costa on colours, and Erek Foster (The Surgeon)providing lettering. 

Nell, her undead cat, and April.

The titular Nell is a twenty-two year old student at the Deus Mortem school for necromancers where she spends her time sleeping during class and fantasizing about her teacher, Professor Reinhart, instead of paying attention. At the suggestion of her best friend, April (who is a half troll), Nell visits the buxom school nurse (curse lifter?) Madame Flowers. It turns out that Nell’s sleeping issue is from exhaustion due to her insatiable desires despite a regime of self pleasuring. An alchemy spell later and the root cause is discovered: Nell is part Succubus and she needs to om nom nom on the sexual energies of others. Thankfully there happens to be a party coming up that promises lots of action…

Grave digging attire.

As a playful, lighter fare, Death Nell can be placed in a similar camp of monster-school stories such as Nicholas Doan and Gwendolyn Dreyer’s Monster Elementary, the Monster High media franchise, and even the prequel film of Monsters Inc.Monster UniversityDeath Nell’s art reflects its comedic tone, as the colours are vibrant (the fun gothic colours of purple and black) and the characters realized in an anime/manga-inspired fashion (drool, bonks on heads, pursed lips, etc.). The women of Death Nell do adhere to a specific type of depiction: eye liner as big as bats and hips as thicc as gravestones. It’s a fun style that juggles sexy and cartoonish – Hot Topic patrons will definitely approve (and mimic!).

Madame Flowers.

Death Nell’s comedy falls in line with school sex comedies of the 80s and the 2000s. This can be both a blessing and a curse depending on perspective. Because she’s an attractive succubus, the faculty of Nell’s school begin to lust after her (the aforementioned Madame Flowers, the graveyard undertaker Edgar) with only professor Reinhart seemingly immune to her passive powers. In reality, this, of course, is a big no-no in classroom power dynamics, yet it is also an extremely common plot device in pornographic stories (“teacher, there has to be something I can do to pass this class!”). The tone of Death Nell is much too lighthearted to even approach levels like David Mamet’s Oleanna, but might find itself in “Penny Pax spends times in detention” territory. The nudity and sexual acts are presented in wanton abandon. 

NSFW version of the issue one cover with art by Lapka and Costa.

As is SOP with mature comic books made possible via crowdfunding, the first issue of Death Nell comes in a variety of alternative covers, with nude variants of each. The campaign to fund issue two of Death Nell (which ends February 15th) follows suit.

There was also additional, fun swag that came with copies of Death Nell issue one:

Art prints

Art Prints that have a crossover with Bag Bug’s other erotic series, Vanya.

And cards.

The first issue of Death Nell is fun-n-flirty, school sex comedy. Nell has to deal with typical college problems of being socially awkward and get good grades, while also finding out who she is as a person. Er, succubus. 

We’ve all been there. 


For more information on Death Nell, check out these links: