It has been a while so it is time to dive back into my bread and butter, the world of the neo-peplum, so here is a brand new review online.
Cover art for Rome Eternal #1.
I’m fairly timely with this review as Rome Eternal came out in November, and I have issue #2 (which came out in January) in my paws as well. Should I aim to do back to back reviews?
Anywho, Rome Eternal is a neo-peplum comic about an Ancient Rome that did not fall but instead became a huge superpower that is just as corrupt and nasty as it has ever been. Just this time they have laser spears.
Sincerely chuffed that editor Naomi Simone Borwein mentions Michele and I in her acknowledgments in her upcoming edited academic collection, Global Indigenous Horror, from University Press of Mississippi.
Acknowledgments from Global Indigenous Horror.
We had the honour of having Dr. Borwein present at a past Ann Radcliffe Academic Conference and to have her presentation published in Horror Literature from Gothic to Post-Modern.
I’ve shared prior, but want to re-iterate how awesome the cover art for Global Indigenous Horror is:
Cover of Global Indigenous Horror.
Global Indigenous Horror is slated to be published April 15th and can be pre-ordered at the UPoM website.
Scholars from the Edge of Time: Gentlemen Broncos
First episode of Scholars from the Edge of Time of 2025 is now online!
Cyclops from Gentlemen Broncos.
Back in 2024 Michele and I watched Krull and loved it (that episode can be viewed here). The cyclops in Krull made me recall that Gentlemen Broncos has homages to the iconic one-eyed character, so we decided to give that film a shot! The vidcast episode can be watched on YouTube, check it out!
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.
I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my external publishing endeavors so far in 2025.
Panthans Journal #332
Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.
Panthans Journal #333
Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.
Merry Creepsmas – The Red Book
“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.
Burroughs Bulletin #109
“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.
Selling Scary Movies: Horror Film Promotion & the American Market
While American horror cinema is among the most widely examined of all entertainment formats, scholarship on this topic has mainly focused on film content or its reception. Consequently, despite representing a profuse component of horror’s inter-textual replay, the marketing of such films remains under-theorized and supported by a relative paucity of case-studies. Indeed, the promotion of scary movies still tends to be imagined rather reductively as a nightmarish mix of terror, loathing, threat, violence, and monstrosity, exemplified by such oft-quoted taglines as “be afraid, be very afraid” and “keep repeating it’s only a movie!”. This collection of essays therefore proposes to broaden conceptions of how chillers, thrillers, and the like have been promoted on the US market. It shall do so by uniting diverse approaches focusing on the industrial, social, discursive, and aesthetic dimensions of horror film marketing across a range of industry sectors, windows of release, and time periods. In so doing, the collection aims to expand and clarify the terms under which we understand one of the most pervasive yet poorly appreciated aspects of American audiovisual culture.
Accordingly, the editor of this collection therefore solicits original essays of 6000-8000-words offering a variety of perspectives on topics including but not restricted to:
Marketing campaigns of individual horror films
Repacking horror films across windows of release
Marketing campaigns across horror film trends and sub-types
Horror film and print advertising
Horror film and audiovisual advertising
Horror film and radio advertising
Horror film and viral advertising
Horror films and synergy
Horror films and publicity tours
Exploitation sector marketing
Indie/Art horror marketing
Marketing extreme or niche horror
Hollywood horror marketing
Targeting horror at specific audiences
Promoting imported horror on the American market
Horror in the marketing of non-horror films
Non-horror in the marketing of horror films
Please send 200-word abstracts plus a short academic bio – or any questions and queries – to richardandrew.nowell@amu.cz
Abstract due date (31 May 2025), chapter submissions (circa. January-May 2027).
Miscellaneous Tidbits
Some fun things and shout outs from these past few weeks.
New Acquisitions
Gladiator 2
Gladiator 2 was release in theaters back in November 2024 and Michele and I got to see it on the big screen in December. I started a draft of a write up of the film, got 80% done, but decided to shelve it for when the Blu-ray comes out so I could re-watch it.
Gladiator II 4K Blu-ray.
And now, the movie is out on physical media! I got my pre-order the other week, so expect an upcoming Peplum Ponderings about the film, but also a Scholars from the Edge of Time episode devoted to it.
Helen of Troy
A recent pick up for an old film, here is Helen of Troy (Robert Wise, 1956).
Personal Blu-ray copy of Helen of Troy.
I have not seen this one yet, but this will be a great watch in tandem with Ruby Blondell’s Helen of Troy in Hollywood.
Personal copy of Helen of Troy in Hollywood.
Autographed Treasures
Lots of cool autographed treasures I’ve shared on Bluesky these past few weeks.
Rodan/War of the Gargantuas
I love kaiju films, but I am far from an expert on all the Toho and Toei monster films out there. Don’t laugh, but one of my favorite Godzilla films is All Monsters Attack (1969, Ishiro Honda).
Personal DVD copy of “Rodan” and “War of the Gargantuas” signed by Russ Tamblyn.
I have quite a Godzilla film collection, but I have only one autographed kaiju film, and that is War of the Gargantuas (1966, Ishiro Honda) by Russ Tamblyn. There was a West Side Story anniversary Hollywood Collector’s show way back in the day, and he was in attendance, so I had to get my monster movie signed!
When Women Ruled the Earth / War Goddess
Luciana Paluzzi is an iconic starlet of Italian genre cinema, and she has made frequent appearances at conventions, mostly James Bond-themed ones due to her being in Thunderball.
Personal DVD copy of “War Gods of Babylon” and “war Goddess” signed by Luciana Paluzzi.
I actually really liked her in the Eurospy film The Venetian Affair (1967, Jerry Thorpe). Paluzzi starred in her fair share of pepla, including the very late era peplum War Goddess (1973, Terence Young), which she signed my copy of.
Strike Commando
Reb Brown rules and Yor, the Hunter from the Future rules.
Personal Copy of the Mercs multipack DVD autographed by Reb Brown and the Severin Blu-ray release of Strike Commando.
Reb has done many other cult films and is probably (aside from Yor) best known for Space Mutiny which was on MST3K.
However, he was in a handful of other Italian genre films of the 80s, including the men-on-a-mission film, Strike Commando, which is awesome. Severin Films did a nice Blu-ray release a few years back, but 20 years ago the only way I could watch the film was in a multi-film budget DVD set called Mercs: Soldiers of Fortune 10 Feature Film Collection which contained a low quality copy of Strike Commando, which Brown graciously signed to me.
News from Friends
Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.
Bible Films Blog – House of David
Matt Page over at his Bible Films blog is on a roll doing write ups about season one of House of David. Check them out:
Standard cover of Becca Boo #3 by Kenan Halilovic. Photo taken from PDF.
This has been a fun adult comic from Obscura Comics. I previously reviewed issue one and issue two. My issue two review has been updated to reflect that the publisher corrected their missing swag issue and sent it on over. Top notch for Obscura!
Castle of Horror Podcast Appearance
My first podcast appearance of 2025 is on the Castle of Horror Podcast! I was invited on to talk about Antonio Margheriti’s 1964 gothic horror classic, Castle of Blood.
Castle of Horror podcast Logo
The episode can be streamed at the Castle of Horror Spreaker website here, via the embedded player below, or through your podcast app of preference. Sincere appreciation to Jason Henderson for having me on.
If you can’t get enough of me talking about Castle of Blood, make sure you give a listen to the Fan2Fan Podcast episode where I talk about the film.
New Edge Sword and Sorcery 5, 6, and 7
New Edge Sword and Sorcery are currently crowdfunding the next three issues of their magazine, which will be two issues of sword and sorcery and one issue of sword and planet!
Collage of the three upcoming New Edge Sword and Sorcery Magazines.
I am excited to announce I’ll be part of this project! The NESS magazines have featured cocktails in prior issues done by Kevin Beckett, and I’ve been asked to develop brand new cocktails for these upcoming three.
Here is a graphic from the Backerkit campaign of the authors involved in these three issues, and I am chuffed to be listed among them all!
Author list for the upcoming NESS issues.
The Backerkit Campaign for NESS 5,6,7 can be found here. Please consider contributing! The campaign ends on March 15th. Sincere appreciation to Oliver Brackenbury for having me on board for this project.
If you’re curious, I did a short interview of issue 00 back in 2023, so check that out!
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.
I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my external publishing endeavors so far in 2025.
Panthans Journal #332
Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.
Panthans Journal #333
Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.
Merry Creepsmas – The Red Book
“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.
Burroughs Bulletin #109
“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.
Medieval + Monsters in Comics
Online Sponsored Session Proposed for Medieval + Monsters: Medieval Association of the Midwest (MAM), Mid-America Medieval Association (MAMA), Illinois Medieval Association (IMA) Joint Conference with The Newberry Library Hosted at Dominican University & the Newberry Library 17-18 October 2025
The Medieval Comics Project and the Monsters & the Monstrous Area of the Northeast Popular/American Culture Association seek proposals of 250 words for a proposed online panel devoted to the theme of the medieval and the monstrous in sequential art, comics, manga, and related media.
Topics might include:
Adaptations of medieval monsters in modern comics/manga/related media
Monsters in sequential art of the medieval era
Monsters in marginalia in medieval manuscripts (akin to modern panel comics)
New monsters in comics/manga/related media set in the medieval era
The use of horror in comics/manga/related media set in the medieval era
The use of monstrosity to represent issues of class/gender/race in comic/manga versions of the Middle Ages
Please send submissions (250-word proposal plus a short biographical statement) to the session organizers (Michael A. Torregrossa, Karen Casey Casebier, and Benjamin H. Hoover) at Comics.Get.Medieval@gmail.com by 15 March 2025.
Some fun things and shout outs from these past few weeks.
Boris and Natasha DVD
Someone posted on Bluesky that they made a Letterbox list of original movies for Showtime. Seeing that made me recall I have some of those films on DVD, including this stately copy of Boris and Natasha: The Movie, signed by Sid Haig and Sally Kellerman (both RIP).
Personal copy of Boris and Natasha DVD signed by Sid Haig and Sally Kellerman.
I know next to nothing about Rocky and Bullwinkle, maybe seeing a handful of cartoons growing up. However the Boris and Natasha live action movie was on all the time, and I thought it hilarious when I was a kid.
Sid Haig I met at Crypticon in SeaTac in the late 2000s. Sally Kellerman was at a Hollywood Collectors show, either late 2000s or early 2010.
Teenage Mutant Ninja Turtles Vol 1
I am a kid of the 80s, so of course I grew up with the TMNT cartoon and live action films. I had not really been into TMNT since I was a kid, but every one in a while I check something out in the franchise. Last month I watched Mutant Mayhem and it was awesome!
Personal copy of Teenage Mutant Ninja Turtles: The Ultimate Collection Vol 1.
Donatello Sketch by Kevin Eastman.
Anywho, I do have some of the IDW collections of the original mid-80s Turtles comics. I’ve met Kevin Eastman a few times at different cons, but at a Long Beach Comic Con in the later 2010s I took him the Ultimate Collection Vol 1 to autograph, which he did, and he drew a sweet Donatello (my favorite turtle) in it!
Adventure Time: Bitter Sweets
Another treasure from a comic book con, a copy of Adventure Time: Bitter Sweets signed by artist Chrystin Garland.
Personal copy of Adventure Time: Bitter Sweets.
Interior cover page of Adventure Time Bitter Sweets signed by Chrystin Garland.
I had the honour to meet Garland at a Wondercon in the mid 2010s.
Burden of Dreams
Fitzcarraldo is probably my favorite Herzog/Kinski collaboration, both on screen and off screen. Burden of Dreams is a documentary that captures the mammoth undertaken of this tour de force film.
Personal copy of the Criterion Collection DVD of Burden of Dreams signed by Les Blank.
Les Blank, who passed away a few years ago, was gracious to let me post him my DVD back in the late 2000s to be autographed by him. Probably time for a re-watch, and to also re-watch the supplement where Herzog eats his shoe!
Phantasm & Reggie Bannister
Fangoria reports the sad news that horror icon Reggie Bannister has entered hospice care due to dementia and Parkinson’s. They have an article up letting people know where to send fan mail to him to keep his spirits up (link).
DVD copy of Phantasm signed by Reggie Bannister, Bill Thornbury, Kathy Lester, and Don Coscarelli.
We’ve met Bannister at a few different horror cons over the years. The first time was at a horror con in Seattle that was also a reunion of Phantasm alumni. There Michele and I got our DVD copy of Phantasm signed by Bannister, Bill Thornbury, Kathy Lester, and Don Coscarelli. Bannister joked he loved to sign over Angus Scrimm’s face to tease him.
Back in 2023 Michele appeared on the Fan2Fan Podcast to talk about her memories of Phantasm. Give it a listen!
My friend Lee Mitchell has a new book out! It is called The Eternal End. It’s the third book in her “Divine Darkness” trilogy after The Divine Darkness and The Lasting Light.
Cover art for “The Eternal End” by Lee Mitchell.
More information about the book can be found at Mitchell’s Substack. The book can be found at Amazon as well as at all major book vendors online.
Gyro and the Argonauts!
Joshua Pruett, who has been on many episodes of the Fan2Fan Podcast, and even appeared on our H. P. Lovecast Podcast has a new book coming out, and it is kiddo neo-peplum! It is called Gyro and the Argonauts! and I am super excited for it.
Cover art for Gyro and the Argonauts!
This book can also be ordered at Amazon and other major vendors.
Michele’s 2025 Reading Vlog #2
Michele has a new Vlog up about her 2025 Book challenges!
If you want to see Michele talk about what she is reading as well as seeing some cat cameos, give it a watch!
New Ride the Stream Episodes
Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.
Here is their discussion of episode seven of season 1:
And episode eight:
New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.
My first website content for 2025! I dig Bachelor PadMagazine, and I love stockings and nylons, so I was totally excited when they announced they were going to start a new line called Nylon Nightcap. When announced, I pre-ordered a copy immediately, and it is a fantastic issue.
Cover art of Nylon Nightcap #1. Provided by Bachelor Pad.
I’d like to do what I can to help get the word out about this issue, so I’ve done a write up about it and included quotations from Jason “Java” Croft, Miss Corsair Debonair, and Miss Penelope Pink. Check out my write up here!
Burroughs Bulletin #109
I have not one, not two, but three publication announcements!
Firstly, as part of Michele and my retrospective of the peplum work of Bella Cortez that we did in 2024, I conducted an interview with Cortez about her work on the Italian Tarzan knock off, Taur the Mighty (1963).
Burroughs Bulletin #109
This interview has now been published in issue 109 of The Burroughs Bulletin, the journal of the Burroughs Bibliophiles. This is my first time being published in the journal and I am super excited.
Queen Akiba (Bella Cortez) as Queen Akiba in Taur, The Mighty.
Sincere appreciation to Cortez for her time in being part of this interview.
For more information on the Burroughs Bibliophiles, how to join, and how to get copies of the Bulletins, check out https://www.burroughsbibliophiles.com or contact editor Henry Franke III at BurroughsBibliophiles AT gmail.com.
Merry Creepsmas
I have a sword & sorcery dark comedy/horror short story appearance in the anthology Merry Creepsmas: The Red Book from Wicked Shadow Press. My story is called “There’s Always Room.”
Merry Creepsmas – The Red Book
This is actually a short story I wrote 8-9 years ago for a different Christmas themed anthology that didn’t get accepted. The story has been in my repertoire for all this time, and when I saw this call for story submissions, I thought why not dust off the story, spruce it up a bit, and submit. Chuffed that it was accepted!
The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #3.
Panthans Journal #333
Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.
Podcast Stuff
HP Lovecast Podcast is still going, we’re just a bit erratic about it. We will have an episode for The Prophecy up, and we’ll be exploring doing some shorter comic-book reviews in between bigger episodes, perhaps resurrect the old Fragments line.
BlogTalkRadio shut down in January. This means all the podcasts I appeared on (Voice of Olympus, Chatting with Sherri) are no longer available, which is unfortunate. However, I have saved all my appearances as mp3s. I’ll be looking into having them edits and published elsewhere (with permission), perhaps at Archive.org or another venue.
This past week I’ve been a guest on Fan2Fan and also on the Castle of Horror Podcast. Stay tuned for when those become published online.
Michele is also cranking out episodes of her Ride the Stream vidcast with Travis Lakata. She’s also done an episode of Fan2Fan as well.
So, we are both still heavy in the world of vidcasting and podcasting. We are just kind of all over the map now. As always, if you’d like me to be a guest on your podcast or vidcast, do reach out! I love appearing on other folks’ shows.
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.
I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my external publishing endeavors so far in 2025.
Panthans Journal #332
Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.
Panthans Journal #333
Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.
Merry Creepsmas – The Red Book
“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.
Burroughs Bulletin #109
“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.
Horror Studies Now 2025
Horror Studies Now: A Two-Day Conference (29-30 May 2025, Northumbria University, UK)
Researchers working in the broad field of “Horror Studies”, are invited to submit abstracts about their research for an in-person conference, hosted by the Horror Studies Research Group at Northumbria University, on 29-30 May 2025.
Speakers will each deliver a 15-minute talk about their research, followed by extended discussion and questions from the conference delegation. We welcome submissions from scholars at any career stage, but are particularly open to hearing from early career researchers and new voices in the field. The event is intended to provide a welcoming space in which to develop ideas, network, and forge collaborations with fellow Horror Studies researchers.
The event seeks to explore areas and approaches that have not yet been adequately accounted for or represented in the field, encompassing (but not limited to):
The diversity of perspectives, identities, and voices that comprise Horror Studies and horror production
Independent horror production, alternative histories, and horror produced outside of Europe and North America
The field’s methodological richness, including archival approaches, audience research, practice-based research, and new theoretical perspectives
The breadth of cultural perspectives that inform Horror Studies and horror media
Papers that address horror in all its media forms including games, film, comics, music, social media, television, literature, art, and so forth
We seek to foreground scholarly excellence within the field by embracing a wide range of approaches, confronting representational biases within the canon, highlighting strategies to counter these biases, and contributing to a more diverse and inclusive academic landscape. We encourage and welcome expressions of interest from members of the global majority and people from underrepresented or marginalised groups.
Special guests include:
Dr Cüneyt Çakırlar (Nottingham Trent University; editor of Transnational Horror: Folklore, Genre and Cultural Politics [Liverpool University Press, 2025])
Dr Maxine Gee (Bournemouth University; screenwriter of short film Standing Woman [2020] and web series Tales of Bacon [2018])
Professor Maisha L Wester (University of Sheffield/Indiana University, Bloomington; author of African American Gothic in the Era of Black Lives Matter [Cambridge University Press, 2025])
The deadline for abstracts (of 250 words) is 23:59 (GMT) Friday 14 March 2025. Abstracts should be accompanied by a biographical statement (of 50-100 words) and submitted at the following link: https://forms.office.com/e/FgdAxxxWxy.
A small fee will be required to attend to cover catering expenses; however, we are striving to keep this cost as low as possible. All speakers, unless they choose to decline, will have their work considered for the new Peter Hutchings Award for Outstanding Contribution to Horror Studies. The award includes a certificate for the winner and a publication (subject to revision) in Studies in the Fantastic.
Applicants will be notified of the outcome of their proposal within 14 days of the deadline. Any questions should be directed to horrorstudies@northumbria.ac.uk
The Horror Studies Research Group at Northumbria: Northumbria University is internationally renowned as the home of horror scholarship. This research specialism was founded by our late Professor Peter Hutchings, and the Horror Studies Research Group formalises Northumbria’s concentration of experts in this area. Our core team are widely recognised as leaders in this area, publishing field-defining monographs, presenting keynote lectures at major conferences, delivering talks at numerous European film festivals, holding positions on the editorial boards of the field’s primary book series and winning major research grants. Our global reputation for research excellence in Horror Studies is further proliferated by our many genre-based PhDs and alumni.
Dracula: A Companion
Dracula: A Companion is intended to both be an essential guide to interpreting Bram Stoker’s Dracula and a collection of new perspectives supporting a reshaping of the way the text is taught and engaged with by students.
Fundamental to the approach of this companion is placing the text at the epicentre of its own cultural afterlife and pop culture status. Beginning with the novel’s inception and influences, Dracula is positioned as a ‘spark’ that ignited the character’s enduring popularity and presence across the globe. From here, the familiar topics the novel is understood through will see novel perspectives, accounting not only for new and exciting research, but exploring how Dracula’s immortality stems from how it can be subjected to new approaches, showcasing the versatility of the book, and its continued capacity to lend itself to readings that speak of topical cultural concerns.
The final sections prioritise the way the text has been reshaped to suit contemporary audiences, distanced from the ‘original’ novel through adaptation and literary pastiche. Every ‘version’ of Dracula has the potential to be someone’s first encounter with the character, and may be what they think of when hearing the name. By giving this aspect a clear focus it establishes to students and readers alike that ‘Dracula’ is not contained within the novel, but has become a myth recognised across the globe.
We kindly request abstracts of no more than 250 words for either full essay style chapters of 4,500 words or shorter case studies focusing on individual texts of approx 2000 words. We are also open to further ideas, suggestions, and questions. The deadline for abstracts is Monday March 31st 2025. Full contributions are expected to be due at the end of Summer 2025.
Please email abstracts or any other enquiries to madeline.potter@ed.ac.uk & m.crofts@hull.ac.uk
Potential topics (but by no means limited to):
Theatrical Influences on the novel’s form Historical influences
Transylvania as a mosaic (Hungarian and Irish Parallelism)
Stoker: a biographical reading
Global Dracula Stoker’s own travels
Dracula in translation
New perspectives on sexuality: LGBTQA+ readings/drag
New scientific & medical readingsNew perspectives on race
Romany enslavement
Dracula as Sensation fiction/Victorian popular fiction
Publishing practices
Reception of Dracula
Reading Dracula as a werewolf text
Neo-Victorian readings
Wider cultural understanding of Dracula [Intended as shorter chapters, akin to case studies of texts]
Dracula adaptations, appropriations and pastiches
Neglected adaptations (eg. The Claes Bang/Gatiss version, The 1977 Louis Jourdan version)
Neglected adaptations from non-anglo/American countries
Non-Western Draculas
Dracula for children: eg. Hotel Transylvania eg. Count Duckula
Dracula games (computer and table-top)
Dracula in New Media & Fandom
Twenty-First Century Neo-Victorian Gothic: Deviance and Transgression on Page and Screen
For a volume in the Genre Fiction and Film Companion series published by Peter Lang Oxford, we solicit papers on the topic of Neo-Victorian Gothic literature and film adaptation in the twenty-first century.
Neo-Victorian Gothic represents a contemporary revival of Gothic themes, often exploring deviance and transgression in the context of Victorian society as a challenge to the rigid structures imposed by Victorian society and a re-examination of marginalized voices and experiences. This genre not only revisits the aesthetic and narrative structures of the Gothic, but also critiques and reinterprets the cultural anxieties of both the Victorian and modern societies. Neo-Victorian texts frequently engage with themes of sexual and social deviance thus reflecting on contemporary concerns about identity, gender roles, and morality too.
The neo-Victorian Gothic critiques historical injustices, especially regarding gender inequality, violence, sexual transgression, and neurodiversity through intricately weaving together themes of deviance and transgression, with a critical lens on both Victorian history and contemporary culture. By revisiting Gothic conventions such as encounters with the uncanny in all its manifestations, with ghosts and the doppelgënger, neo-Victorian works illuminate the persistent shadows of social constraints and anxiety while advocating for a deeper understanding of identity and morality in both past and present contexts. Moreover, the genre heavily relies on intertextual references to Victorian literature, thus drawing parallels between the past and the present and reflecting on the continuity of certain social issues across time.
While aware of the many renowned masterpieces of neo-Victorian Gothic literature from the previous century, the proposed volume will explore how our twenty-first century engages with the topics of deviance and transgression. Will Self’s Dorian, An Imitation (2002), Julian Barnes’ Arthur and George (2005), Diane Setterfield’s The Thirteenth Tale (2006), John Harding’s Florence and Giles (2010), Rosie Garland’s The Palace of Curiosities (2013), Gregory Blake Smith’s The Maze at Windermere (2018), Nell Stevens’ Briefly, A Delicious Life (2022) are some of the many novels published in the past twenty-odd years. What is more, neo-Victorian novels are frequently adapted for the screen: for example, the novels of Sarah Waters’ Tipping the Velvet (2002), Fingersmith (2005), Affinity (2008) and Michel Faber’s The Crimson Petal and the White (2011) or more recent productions such as Guy Ritchie’s Sherlock Holmes films, and TV series like Sherlock, Ripper Street, Whitechapel, and Penny Dreadful. The Companion will therefore revisit the issues of deviance and transgression as embodied in literary texts and adaptations in the context of the challenges set by the contemporary reading audiences and viewers.
Please send abstracts of about 300 words and short bios for consideration by 1 April 2025 to Prof. Rossie Artemis at: artemis.r@unic.ac.cy
Authors will be notified about the status of their proposals by 1 May 2025, and the first drafts of essays (about 4500 words) will be expected by 1 November 2025.
Some fun things and shout outs from these past few weeks.
Rest in peplum David Lynch
David Lynch passed away last month, and he deserves as rest in peplum (Dune is sword and planet enough for me!). Lynch is one of my all time favorite directors, and many of his films, especially Lost Highway and Mulholland Drive, had a huge impact on my and my appreciation of cinema as a whole. I’d like to recap some of my Lynch thoughts, my exposure to his work, and share some of my Lynch treasures.
Personal copy of Lost Highway DVD signed by Greg Travis.
The first David Lynch movie I ever saw was Lost Highway. This was in the late 90s and I checked it out because I was a hardcore Rammstein fan at the time and Rammstein was in the soundtrack.
I recall renting the movie on VHS and watching it, and my dad walked in and decided to sit down and give it a watch too. And then Patricia Arquette pops on screen and does a striptease. Awkward!
It was a surreal movie, and I didn’t know too much about film noir at the time, but I remember enjoying it! The soundtrack was rocking, Bill Pullman was fresh of ID4 and he ruled, and the movie was mysterious and interesting. I was a fan!
Years later Michele and I would meet actor Greg Travis, who played the aggressive motorist who gets beat up, at a convention were he autographed my DVD of Lost Highway (and Michele’s copy of Starship Troopers).
Nicholas Diak, Michele Brittany, and Greg Travis at a Hollywood Collectors show in 2010.
Years later Mulholland Drive came out. I was a student working on my bachelors and I was hyped about this film. This was the agonizing days of waiting months and months for a film to be released on DVD after it had been released in theaters.
I watched Mulholland Drive and it was basically Lost Highway done even better. The noir elements, the erotic elements, the recreation of people into other people. While Lost Highway had a “distance” to it, Mulholland Drive was more emotional. I was a super fan of it immediately.
Personal copy of Mulholland Drive DVD signed by Rena Riffel.
At a different convention Michele and I met Rena Riffel, perhaps better known for her appearance in Showgirls and various women-in-prison films by Lloyd A. Simandl. She had a small part in Mulholland Drive where she is under the employ of the seedy Mark Pellegrino. I was so happy we got to meet her and she signed my Mulholland Drive DVD.
Nicholas Diak, Michele Brittany, and Rena Riffel at a Hollywood Collectors Show in 2010.
After Mulholland Drive I was pretty much a Lynch convert and watched nearly all of his movies. I dug Elephant Man. I could never get through Dune. I don’t recall Wild at Heart too well unfortunately. Blue Velvet was amazing. I have a Twin Peaks boxset, but have been afraid to dive into it unfortunately.
In the late 2000s there was a Twin Peaks anniversary convention at the Hollywood Collectors show that Michele and I went to and met lots of awesome actors and actresses.
I met Jennifer Lynch who signed the documentary she did about her father’s painting, Pretty as a Picture.
Personal copy of Pretty as a Picture DVD signed by Jennifer Lynch.
Jennifer, Charlotte Stewart, and Catherine E. Coulson all signed my Eraserhead boxset. This boxset I purchased from Scarecrow Video up in Seattle. Eraserhead is, well, it’s an odd film. It’s surreal, and I dug it, but nowhere near the level of Lost Highway and Mulholland Drive. But I appreciate the hell out of it.
DVD boxset for Eraserhead 2000, signed by Stewart, Coulsonm and Lynch.
Notice the little squiggly face by the vertical 2000 on the right side? That’s Jack Nance. When Coulson signed my DVD, she closed her eyes and reached out to the long departed Nance, who guided her to draw his face. I was so flattered she did that. RIP to Coulson who sadly passed away 10 years ago.
Nicholas Diak and Catherine Coulson at the Hollywood Collectors Show in 2010.
One other artifact I was to share is this boxset of Dumbland. It’s in the same dimensions as the Eraserhead boxset, so I believe it was put out by the same company. This boxset I also bought at Scarecrow (plug: hear me talk about Scarecrow Video at the Fan2Fan podcast!)
Personal copy of the Dumbland DVD boxset.
I remember watching this and thinking… well.. that’s David Lynch for you!
One last note, my friends over at the Fan2Fan Podcast have dropped a new episode, and it is on Lynch’s Blue Velvet. Give it a listen!
Every year I like to do a recap of accomplishments for the prior year and talk about future projects and goals. You can find prior year end summaries here:
In short, 2024 was not a prolific year for me, especially compared to 2023. In terms of quantity of getting things published, it was a painful year. I definitely was not on my A-game this year. Now, part of this has been my focus on the Emmanuelle/Black Emanuelle book, which has had its ups and many downs. That manuscript will be done soon and sent to the publisher, freeing me up to tackle my backlog and other items on my to do list.
Despite this, there was some pleasant surprises in 2024. Let’s take a look!
Publication Accomplishments
In the realm of physical publications, I had zero new essays published this past year. However, 2024 was the year of the reprint because I had a ton of content from my archives get a new life. I’ve never had reprints of my work before, so this was a comforting accomplishment.
“A Hero Will Endure”: Essays at the Twentieth Anniversary of Gladiator, which contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling” saw a softcover edition published in November.
A Hero Will Endure.
4K/Blu-ray boxset edition of Danse Macabre from Artus Films.
Portions of my master’s thesis on Antonio Margheriti’s film Castle of Blood was reprinted in the booklet for the Artus films release of the film.
National Capital Panthans Journal #328.
National Capital Panthans Journal #327.
National Capital Panthans Journal #329.
The National Capital Panthans Journal reprinted six of my Edgar Rice Burroughs comic book reviews and convention writeups across six issues.
My essay I did for Weird Tales was mentioned in Ellen Datlow’s The Best Horror of the Year #16.
Here at my website I had 13 articles published (so a bit better than 1 a month):
Peplum Ponderings = 3
Comic Book Reviews and Articles = 3
Book Reviews = 2
Music Reviews and Essays = 2
Interviews Conducted = 2
Videogame Articles = 1
Podcast Accomplishments
Michele and I went into 2024 with big plans and goals for the H. P. Lovecast Podcast. Early in the year though, however, we had a bad encounter, which killed our podcasting momentum. That, and combined that I was working on the Emmanuelle book and Michele on her Mummy ’99 book, we put HP Lovecast on the back burner until the autumn when we resumed making new episodes. We are climbing out the rut for sure.
23 Podcasts and Vidcasts in 2024:
11 appearances on Scholars from the Edge of Time
7 appearances on Fan2Fan
5 episodes of H. P. Lovecast
2025 Expectations
I’m hoping 2025 will be a big turnaround for me. There’s lots on my to do list and even a few items that floating out there waiting to be published.
Podcasting
2025 marks the 10 year anniversary of the HP Lovecast Podcast! What do Michele and I have planned? Not sure yet, but we will get it sussed out. We have an episode on The Prophecy that will be published in February (it was going to be our X-mas episode, so a little late).
Michele and I will also be continuing with the Scholars from the Edge of Time vidcast in March.
I’m already queued up to be on the Castle of Horror Podcast to talk about, well, Margheriti’s film Castle of Blood! So, folks, if you want me on your vidcast or podcast, feel free to reach out!
And not me, but I do want to plug Michele’s new vidcast, Ride the Stream, with Travis Lakata. They’ve got LOTS of episodes in the pipe on the TV show Lost.
Publications
The Emmanuelle/Black Emanuelle book will be sent to the publishers in the next month or so. So, cross fingers all goes well for it!
Hopefully my essay on peplum cats will see publication this year.
I am on the hook to do a Roger Corman and Sampling essay due later this year. After doing the Gladiator and Sampling essay, it will be fun to build on my existing scholarship.
I’ve got a backlog of comic book and book-book reviews I am hoping to churn out for my website. Some of these writings will also be concurrently published in the Panthans Journal.
I’ve been asked to create some unique cocktails to be published in a few issues of a magazine (not tiki, surprisingly!). More info when I’m allowed to spill more beans.
On the subject of tiki, I’ll be getting some articles out there for Exotica Moderne as well.
Finally, my interview with peplum starlet Bella Cortez will be published in an issue of the Burroughs Bibliophiles Bulletin later this year.
Conferences
I’m only slated for one conference this year which will be the Edgar Rice Burroughs Circle of Friendship that will be in Willcox, AZ in late September. I have a presentation I’ll be doing on the sword and planet genre.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.
On top of personal ongoings, (I am working on getting my driver’s license, yay!), 2025 is going to be BUSY. I am not expecting my output to be like it was in 2023, but I’m optimistic I’m going to realize some cool stuff.
Thank you to all the friends, peers, and colleagues who support what I do. And thank you, yes you visitor to my website, as well.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2025.
Panthans Journal #332
Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.
The Handbook of Trans Cinema
Chapter proposals are invited for The Handbook of Trans Cinema. Join confirmed contributors like Cáel M. Keegan, author of Lana and Lilly Wachowski: Sensing Transgender. We seek a broadly international group of scholarly contributors.
Past books have provided in-depth studies of transgender themes and filmmakers in selected works of cinema, e.g., Rebecca Bell-Metereau’s Transgender Cinema (2019), Eliza Steinbock’s Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change (2019), and Akkadia Ford’s Trans New Wave Cinema (2021). As a next step, The Handbook of Trans Cinema provides an encyclopedic overview of international trans cinema, with chapters examining the variety of genres of trans cinema from around the world, as well as the connections between these films and core concepts in trans studies and in film theory. Each chapter will provide a broad overview of its subject, with extensive references to both trans theory and film theory. In addition to giving surveys of the chapter’s topic, chapters will include in-depth discussion of at least three films. Abstracts for proposed chapters should include several references to both trans theory and film theory, and abstracts should list at least three films that will be explored in-depth.
Please see the list of high priority chapters at the end of this CFP. Proposals for other topics will also be considered, but all chapters will offer broad overviews of their subject, and not traditional scholarly analyses of a single film or filmmaker. To be most competitive, each chapter proposal should examine films from multiple countries and in multiple languages, with the exception of chapters in the handbook’s Part IV. “National Overviews of Trans Films,” which will each focus on a single country’s films. (See the listing of high priority chapters for the four parts of the book at the end of this CFP.)
Interested authors should submit a 300-word abstract, a 200-word biography, and a sample of a previously published chapter or article to https://bit.ly/HandbookofTransCinema no later than January 30, 2025. Proposals submitted by email will not be accepted. Abstracts and biographies should be submitted as Word documents, and previously published chapters or articles should be submitted as PDFs. Both Word files and PDFs should contain the author’s name in the file names. Please include your email address in your biography file so we can contact you with our decision about your proposal.
You are welcome to submit more than one abstract. If you decide to submit multiple abstracts for different chapters, please add a note at the top of each abstract to indicate whether you wish to be considered for writing only a single chapter, or whether you wish to be considered for writing more than one chapter.
The most competitive proposals will detail the author’s argument. It is not enough to describe what you plan to do in your chapter. You should summarize what you will conclude. For example, it’s not enough to say you will examine multiple films from diverse countries. List the specific films you propose to include and then explain what your analysis will demonstrate.
Authors will be notified whether their proposals are accepted by March 20, 2025. Partial first drafts are due by July 15, 2025; solid first drafts of full chapters are due by October 1, 2025; and final versions that cross-reference other chapters extensively are due December 1, 2025. All chapters must include at least one author with a PhD. In your 200-word biography, please note the year and university where you earned your doctorate. Only previously unpublished works will be considered.
Part IV. National Overviews of Trans Films (National Overviews Are Also Encouraged and Warmly Invited for Other Countries Not Listed)
Trans Cinema from Argentina
Trans Cinema from Australia
Trans Cinema from Brazil
Trans Cinema from Canada
Trans Cinema from Chile
Trans Cinema from China
Trans Cinema from Costa Rica
Trans Cinema from Egypt
Trans Cinema from France
Trans Cinema from Germany
Trans Cinema from Ghana
Trans Cinema from Hong Kong
Trans Cinema from India
Trans Cinema from Indonesia
Trans Cinema from Iran
Trans Cinema from Iraq
Trans Cinema from Israel
Trans Cinema from Italy
Trans Cinema from Japan
Trans Cinema from Mexico
Trans Cinema from New Zealand
Trans Cinema from Nigeria
Trans Cinema from Norway
Trans Cinema from Poland
Trans Cinema from Russia
Trans Cinema from South Africa
Trans Cinema from South Korea
Trans Cinema from Spain
Trans Cinema from Sweden
Trans Cinema from Switzerland
Trans Cinema from Taiwan
Trans Cinema from Thailand
Trans Cinema from the United Kingdom
Trans Cinema from the United States
Technical and Professional Knowledge in Late Antiquity
Society for Classical Studies 157th Annual Meeting JANUARY 7-10, 2026 SAN FRANCISCO
Call for Papers for Panel Sponsored by the Society for Late Antiquity
Organized by Betsy Bevis, Department of Classics, University of Illinois Urbana-Champaign
The Society for Late Antiquity invites papers that in some way situate themselves at the intersection of intellectual and economic history (broadly conceived) and speak to aspects of technical or professional knowledge in the long Late Antiquity. Because professional and technical knowledge is often knowledge intended to be put into practice, we encourage submissions that incorporate archaeological and other material evidence.
The past decade has been especially fruitful for both economic and intellectual histories of the ancient Mediterranean. Monographs, such as Bond 2016, or Hawkins 2016, have expanded our understanding of specific professions in the classical world, while intellectual histories such as Johnson 2010, Eshelman 2012, or Gellar-Goad and Poult 2024 have tackled topics such as reading, intellectual communities, or the transmission and creation of knowledge. Recent works such as Mark Lettney’s (2023) The Christianization of Knowledge in Late Antiquity, or Salvatore Cosentino’s (2022) “Pillars of Empire,” that deal specifically with the later centuries of Mediterranean Antiquity continue these trends into Late Antiquity. This panel endeavors to bring together these two strands of scholarship and examine their continuing impact in the post-Classical world.
Ideas for submissions might include:
Technical Treatises – such as agricultural, military, or magical manuals. What role do compendia and encyclopedic works play in the transmission of technical and professional knowledge?
New Professions and Technologies – such as the expansion of imperial bureaucracies, professionalization of Christian clergy, or technologies (e.g., large-scale water mills, or tube-constructed vaulting) and art forms (e.g., cage cups or gold-sandwich glass) that expanded or developed after the 3rd century CE.
Technologies of Knowing – codices, tabulation, exegetical or typological readings of text or iconography.
Technique/Technology within Space – where and how is professional and technical knowledge visible in the environment? Can we reconstruct changes in technical knowledge from changes in workshop spaces?
Fragments of Knowing – where and how do technologies and professions end or break down? Processes of recycling, deconstruction, or de-skilling.
Professional Education and Organization – how did one become a “professional”?
Please send abstracts that follow the guidelines for individual abstracts (see the SCS Guidelines for Authors of Abstracts) by email to Betsy Bevis, University of Illinois, Urbana-Champaign at (ebevis@illinois.edu) by February 14, 2025.
Please ensure that the abstracts are anonymous.
The organizers will review all submissions anonymously, and their decision will be communicated to the authors of abstracts by March 21, 2025, with enough time that those whose abstracts are not chosen can participate in the individual abstract submission process for the upcoming SCS meeting.
Miscellaneous Tidbits
Some fun things and shout outs from these past few weeks.
Wildfire 7
I lived in Orange, CA from 2010 to 2020, so I am no stranger to the fires that happen in SoCal, but these fires going on right now are just Earth-shatteringly tragic. There’s places I’ve been to before that simply don’t exist anymore. I’m lucky that none of my friends have lost their homes, but thousands of others have.
I saw in the news about deployed prisoner fire fighters and it reminded me of the movie Wildfire 7:
DVD of Wildfire 7 signed by Bourque, Penikett, and DeVry.
My copy is signed by the director, Jason Bourque, and actors Tahmoh Penikett and William DeVry.
I have not seen this movie since the late 2010s, so I’ll be fuzzy on remembering the plot, but basically Tracy Gold is the victim of domestic violence, but winds up going to prison anyways, and joins the fire fighting squad in California. I’m pretty sure the movie is probably extremely relevant today regarding the punishing the women victims and the ideas of putting prisoners into legal slavery.
Nightmare Weekend
A fun one I shared on BlueSky, here is my copy of Nightmare Weekend signed by Andrea Thompson, best known for her portray of Talia Winters on Babylon 5.
Nightmare Weekend signed by Andrea Thompson, part of a Troma 3 DVD boxset.
We met her at an autograph show back in 2009. Here we are!
L – R, Michele, Andrea Thompson, Me at a 2009 Hollywood Collectors Show.
The Monuments of Mars
An odd duck in my autograph media collection, here is a copy of The Monuments of Mars: A City on the Edge of Forever signed by author/conspiracy theorist Richard C. Hoagland:
Personal copy of The Monuments of Mars: A City on the Edge of Forever.
The Monuments of Mars signed by Richard C. Hoagland.
Why do I have this book in my collection? Well, growing up in the 90s, the channel I watched the most often was the Sci-Fi Channel (Saturday Anime! MST3K!) An aside from commercials shilling Dianetics, the commercial that appeared the most often on the network was for a VHS tape of the Monuments of Mars: A Terrestrial Connection:
So, I grew up seeing that commercial many times a day.
Years, years later I am at a Half Price Books in Tacoma Washington, and a copy of the book was sitting there, on the shelf, all autographed, for not even eight dollars. Nostalgia kicked in and I bought it.
Have I ever read it? Not a chance. I am certain 95% of the book is totally made up.
Ride the Stream Vidcast Episodes
Michele and Travis have some brand new episodes of their Ride the Stream Vidcast online at YouTube. They dive into the next few episodes of Lost.
Here is part 2 of discussing the pilot:
Here is their discussion on the episode “Tabula Rasa”:
And here is their discussion on the episode “Walkabout”:
Happened across two new citations of my Stranger Things/synthwave essay, so I’d like to share them and invite you to take a gander at these scholars’ work:
The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #2.
Panthans Journal #332
Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn@gmail.com in a Word document for consideration.
A Hero Will Endure Paperback Relese + Discount
Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!
A Hero Will Endure.
The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.
In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.
I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already.
Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2025.
Panthans Journal #332
Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.
The Gore Gore Film Book
Edited by: Fernando Gabriel Pagnoni Berns (Universidad de Buenos Aires) Kevin Wetmore (Loyola Marymount University)
We, the editors, are looking to put together an edited collection on gore on film and gore films. The recent success of films such as the Terrifier franchise and Smile has shown that there is a growing interest in gore films. This interest is not recent, as the gore film began in the mid-sixties, with the godfather of gore, Herschell Gordon Lewis, directing Blood Feast, a fringe hit that would bring gore to the forefront. That first success would be followed by others, each of them bloodier (The Wizard of Gore; The Gore Gore Girls) but gore would not reach mainstream cinema until the 1980s, with the rise of the slasher and its inventive murders. This new visibility would clash many times with the MPAA and feed the UK “video nasties” controversy. Magazines like Fangoria would be in charge of rescuing the gore scenes from the editing room floor, putting exploded heads on their covers.
However, gore was always frowned upon, a trashy resource to attract unsophisticated viewers. It is in our contemporary times that gore reached a novel point: mainstream recognition as another cinematographic tool to tell a story and appeal to the spectator’s sensorium. Today gore seems to have reached a certain degree of respectability.
However, it has not yet achieved critical recognition, with few studies on gore cinema within academic scholarship. This edited collection aims to begin to fill this gap by offering several chapters that conceptualize gore from different interdisciplinary perspectives, while offering close readings of gore films.
This collection will be divided into two main theoretical sections: the first will be focused to analyzing gore itself, centering on its aesthetics, its ethics, its relationship with the spectator, etc. The second section will be devoted to close readings of gore films of any period and nationality.
Contributions could include, but are not limited to, the following topics:
Section I:
Gore and aesthetics (including color, thickness, digital blood vs. practical blood, etc.)
Gore and humor
Gore and ethics
Gore and theology
Gore and spectatorship
Gore and art house sensibilities
Gore and the body
Gore on video vs. gore in cinema
Gore and horror film magazines
Section II:
American slashers
Auteur cinema
Gore in mainstream horror films
European gore films
Asian gore films
Herschell Gordon Lewis’s films.
Gore in classic films
We are open to works that focus on other topics as well. Prospective authors are well to contact the editor with any questions, including potential topics not listed above. Please submit a 300-500-word abstract of your proposed chapter contribution as a Word Doc (not PDF) with a brief bio (in the same document), current position, affiliation, and complete contact information to editors Kevin Wetmore and Fernando Gabriel Pagnoni Berns to goregorebook@yahoo.com by 28 February 2025. Full chapters of 5,000-6,000 words are likely due in October 2025. A renowned publisher has shown preliminary interest.
Please share this announcement with anyone you believe would be interested in contributing to this volume.
Note: Acceptance of a proposed abstract does not guarantee the acceptance of the full chapter
Fernando Gabriel Pagnoni Berns (PhD in Arts, PhD Candidate in History) works as Professor at the Universidad de Buenos Aires (UBA) – Facultad de Filosofía y Letras (Argentina)-. He teaches courses on international horror film. He is director of the research group on horror cinema “Grite” and has authored a book about Spanish horror TV series Historias para no Dormir (Universidad de Cádiz, 2020) and has edited books on Frankenstein bicentennial (Universidad de Buenos Aires), one on director James Wan (McFarland, 2021), the Italian giallo film (University of Mississippi Press, 2022), horror comics (Routledge, 2022) and Hammer horror films (Routledge, 2024). Currently editing a book on Baltic horror. He is Director of “Terror: Estudios Críticos” (Universidad de Cádiz, Spain), the first-ever horror studies series in Spain.
Kevin Wetmore (Ph.D., University of Pittsburgh) is a professor of Theatre Arts at Loyola Marymount University, teaching courses in horror cinema and horror theatre, among others. He also transforms his university library into a literary haunted house every October. He is a six-time Bram Stoker Award nominee, author of thirteen books including Eaters of the Dead: Myths and Realities of Cannibal Monsters (Reaktion, 2021) and Post-9/11 Horror in American Cinema (Continuum, 2012), and editor or co-editor of another nineteen volumes, including The Streaming of Hill House (McFarland, 2020), Theatre and the Macabre (University of Wales Press, 2022) and The Many Lives of the Purge (McFarland, 2024).
Miscellaneous Tidbits
Some fun things and shout outs from these past few weeks.
Shadows Over Main Street
I shared over on my BlueSky account (link) my copy of Shadows Over Main Street.
Personal copy of Shadows Over Main Street.
Shadows Over Main Street Title page. Signed by editor D. Alexander Ward.
Stephanie M. Wytovich’s story “The 21st Century Shadow” signed by the author.
James Chambers’ story “Odd Quahogs” signed by the author.
Lucy A. Snyder’s story “The Abomination of Fensmere” signed by the author.
“A Fiddlehead Party on Carpenter’s Farm” by Josh Malerman.
“The Ogre” by Lisa Morton
I got my copy autographed by a handful of contributors at one of the StokerCon events: D. Alexander Ward, Stephanie M. Wytovich, James Chambers, Lucy A. Snyder, Josh Malerman, and Lisa Morton. Scroll through the gallery above to check them out.
Biblical Pepla Haul
On New Years Eve Michele and I visited our local Zia Records to do a little shopping of used music and movies. I walked away with way too much loot, but also procured three Biblical epics on Blu-ray.
Blu-ray copies of Samson and Delilah, The Robe, and Demetrius and the Gladiators.
The three movies were Samson and Delilah (Cecil B. DeMille, 1949), The Robe (Henry Koster, 1953), and its sequel, Demetrius and the Gladiators (Delmer Daves, 1954). Plucking up Demetrius and the Gladiators on Blu-ray was extremely fortuitous. Twilight Time, a now defunct boutique label, released the Blu-ray edition and it is way out of print and commands absurd prices on eBay (the same fate as with their Blu-ray release of The Egyptian [Michael Curtiz, 1954]). Note: I did a write up of the Twilight Time release of Messalina (Vittorio Cottafavi, 1960) which can be read here.
Ride the Stream Podcast Episode 01
Michele and Travis Lakata have started a vidcast together called Ride the Stream. They are currently going through each episode of the cult TV series Lost. The vidcast’s debut episode just got published. The episode can be watched on the Ride the Stream’s YouTube channel or via the embedded player below.
One of my favorite electro-pop bands is Hyperbubble. I’ve been a super fan of theirs since buying a copy of Candy Apple Daydreams from A Different Drum way back in the late 2000s.
Hyperbubble put together a documentary about the making of their Western Ware album, and their exploration of country and cowgirl/boy (pop toy) aesthetics. The documentary is called Cowgirls and Synthesizers and more information about it can be found at the Hyperbubble website.
Screenshot of Thank Yous from Cowgirls and Synthesizers.
I am super chuffed to discover I am listed in the Thank You section in the credits!
One more article up here at the website before 2024 ends and I am going out talking to what I believe is the video game of the year: Arzette: The Jewel of Faramore.
Personal copy of Arzette: The Jewel of Faramore on Xbox. The packaging mimics that of a CD-i game.
I had pre-ordered this game from Limited Run thinking it would be a fun little CD-i Zelda curio, but it turned out to be a fantastic adventure/Metroidvania that I could not put the controller down (I beat the game across all difficulties in just a few days). I loved this game and I hope you check out my write up about it here.
Fan2Fan Podcast Appearances
The cool kids at the Fan2Fan Podcast have dropped two episodes that I am a guest on.
These episodes can be streamed via the links above, or the embedded players, or through your favorite Podcast App. Check them out!
Sincere appreciation to the Fan2Fan crew for having me on their podcast.
Vilioti Noir
Sincerely chuffed to find myself name dropped in the new book Vilioti Noir: Interviews with the World’s Greatest Neo-Noir Creatives. What an honour!
Cover for Vilioti Noir.
The book is the brain child of Lady Medusa and Jimmy Vargas. I’ve reviewed Vargas’ fiction in an issue of Exotica Moderne, and I’ve reviewed Medusa/Vargas’ prior collaboration, Vilioti Vintage, right here at my website. Give it a read!
Thank you page from Vilioti Noir.
I don’t think Vilioti Noir is out in the wild for purchase yet, but when it is, it will probably be found at the Vilioti Press website.
Citation News
The New Peplum has been cited in Ronald Blankenborg’s essay “The Wide Canvas of human Drama: Fantasizing Antiquity Through Graphic Novel” in the open source/access journal Thersites.
Did you miss out on McFarland’s Black Friday sale of 35% off books? Well, worry not for the publisher is still doing an online sale, though at 20% off instead of 35% off. Still a great deal! During check out, use code HOLIDAY24 to get 20% off your order.
If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:
Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!
A Hero Will Endure.
The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.
In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.
I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already.
Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2024.
National Capital Panthans Journal #326.
Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.
National Capital Panthans Journal #327.
Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.
National Capital Panthans Journal #328.
Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.
National Capital Panthans Journal #329.
Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.
National Capital Panthans Journal #330.
“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.
Panthans Journal #331
Comic Book Review: “The Moon Maid: Catacombs of the Moon #1″ reprinted in the National Capital Panthans Journal #331.
Miscellaneous Tidbits
Some fun things and shout outs from these past few weeks. I shared a lot of autographed swag on Bluesky, so I’m going to reshare them here.
Forgotten Realms Campaign Boxset
Last year I shared the tale of how my Local Comic Book Store back in Federal Way had Jeff Grubb as a customer and did a meet-n-greet and signing event with him. I shared that Grubb has signed one of my Forgotten Realms modules, “Endless Armies”. That recap can be read here.
Forgotten Realms Campaign setting boxset signed by Jeff Grubb.
Grubb signed lots of other stuff from Michele and I. One of the other items he signed was my Forgotten Realms campaign boxset. Check that bad boy out! And I still have everything in it too!
Space Truckers DVD
Someone on Bluesky did a post that shared their adoration of the Stuart Gordon movie Space Truckers (1996), which afforded me the perfect opportunity to share my autographed copy of the film.
Personal copy of Space Truckers signed by Stuart Gordon.
I’ve shared my autographed copy of RobotJox (1990) before (link here), but I never talked about how we met Gordon (RIP). He was a guest at a Monsterpalooza event in the LA Area, and here is a picture of all of us. He will be missed!
Nicholas Diak, Michele Brittany, and Stuart Gordon.
Cherry 2000 DVD
The 80s gave us lots of cyberpunk films, from Bladerunner to Akira to Max Headroom. Cherry 2000 is, I feel, a forgotten film of 80s cyberpunk. I have a copy of the DVD signed by cult actor Tim Thomerson and Connie Woods.
Personal copy of Cherry 2000 signed by Tim Thomerson and Connie Woods.
Connie Woods was in an episode of the original run of Twin Peaks. I met her at Twin Peaks reunion at a Hollywood Collector’s show where she signed my DVD:
Nicholas Diak and Connie Woods.
Italian Sexy Comedy
A book from the collection, here is Italian Sexy Comedy. This book is 99% pictures from Italian sex-comedy films, so stockings everywhere. I love it.
But, I also love it in that its shore foreword is pretty informative in talking about how Italian horror films faved the way for the sex comedies. This actually become a big point in my masters thesis back in the day.
Personal copy of Italian Sexy Comedy.
My book is also signed by starlet Barbara Bouchet!
Barbara Bouchet page from Italian Sexy Comedy signed by the actress.
Victoria Vetri Autographs
A couple months ago I sent off my Blu-ray sleeves of When Dinosaurs Ruled the Earth (1970) and Kings of the Sun (1963) to Hammer Glamour lady Victoria Vetri, and I just got them back. Check them out!
Blu-ray of “When Dinosaurs Ruled the Earth” signed by Victoria Vetri.
And:
Kings of the Sun Blu-ray autographed by Victoria Vetri.
Since one film is a spear and fang movie and the other a Mesoamerican Historic Epic, Michele and I will probably wind up talking about them on a vidcast next year.
The Children of Gla’aki
Finally, one more sharing of autographed loot from the archives, is my copy of The Children of Gla’aki.
Children of Gla’aki cover.
My copy is signed by the legendary Ramsey Campbell:
Children of Gla’aki title page signed by Ramsey Campbell.
And the prolific Tim Waggoner:
Tim Waggoner’s story signed by the author.
If folks recall, Michele and I rebooted the HP Lovecast Podcast talking about stories from this book. That episode can be streamed at this link, the embedded player below, or through your podcast app of preference.
This is a little outside my comfort zone as I’m no expert on crime fiction, but I took a dive into Andrew Nette’s novel Orphan Road and enjoyed it. Check out the review proper here.
Artus Films have just released Antonio Margheriti’s Castle of Blood, under the Danse Macabre title, in a luxurious UHD Blu-ray boxset.
Artus boxset of Castle of Blood + swag.
The boxset has 3 discs, postcards, pins and buttons, and a near 100 page booklet. The final page of the booklet contains a snippet from my master’s thesis on Castle of Blood!
Final page of the Danse Macabre booklet.
Super chuffed to have some of my scholarship appear as part of a physical release of a movie I adore. The boxset can be purchased at the Danse Macabre product page at the Artus Films website.
H. P. Lovecast Podcast
Brand new episode of H. P. Lovecast Podcast is now online!
HP Lovecast Podcast episode thumbnail for episode 62 – Flesh Eaters.
In this episode we take a look at issue 1 of the comic book Flesh Eaters by Philippe Gerber, Orville Thurstan, with art by Okiko. The episode can be streamed at the HP Lovecast Buzzsprout, via the embedded player below, or through your podcast app of preference.
We have one more podcast for 2024 that we are planning to do. Nothing says X-mas time like angels, so we will be watching and talking about the 1995 film The Prophecy. Stay tuned!
The Best Horror of the Year Vol 16
Every year Ellen Datlow puts out a recap book called The Best Horror of the Year where she recounts notable releases and reprints some of the best stories and poetry.
Cover for The Best Horror of the Year volume 16.
Volume 16 just dropped and I’m chuffed to find out I’m mentioned in the book regarding my essay in the cosmic horror issue of Weird Tales. I’m super flattered!
Nicholas Diak mention on page xxiii.
This is actually the second time I’ve been mentioned in one of these books. A few years ago both Michele and I were mentioned in The Best Horror of the Year: Volume 13 regarding the collection we edited, Horror Literature from Gothic to Post-Modern: Critical Essays.
Cover for The Best Horror of the Year volume 13.
Here is the text from that edition:
Nicholas Diak and Michele Brittany mention on page xiv – xivi.
Both volumes can be ordered from Amazon – here is the link to #13 and here is the link to #16.
Panthans Journal #331
The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #1.
Panthans Journal #331
Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn@gmail.com in a Word document for consideration.
McFarland Holiday Sale
My publisher, McFarland, is having a Holiday sale on all of their tiles! From November 15th to December 2nd, if you use code “HOLIDAY24” during checkout, you’ll get a 35% discount.
If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:
Normal Price: 19.99 35% = 6.99 Price after coupon: 12.99
A Hero Will Endure Paperback Relese + Discount
Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!
A Hero Will Endure.
The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.
In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
ECOF 2025 Flyer (original)
I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already.
Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2024.
National Capital Panthans Journal #326.
Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.
National Capital Panthans Journal #327.
Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.
National Capital Panthans Journal #328.
Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.
National Capital Panthans Journal #329.
Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.
National Capital Panthans Journal #330.
“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.
Panthans Journal #331
Comic Book Review: “The Moon Maid: Catacombs of the Moon #1″ reprinted in the National Capital Panthans Journal #331.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.
Play and the Gothic
[Note: I = Simon Bacon]
I have a speculative CFP on “Play and the Gothic” to encompass any kind of gaming, boardgames, role-playing games, toys, construction games (Lego etc), dolls, collective or individual games across mediums, history and cultures that can be read in terms of play, playful, interactive, immersive, virtual, problem solving, psychological, well-being, materiality.
Their role in fictional fictional and non-fictive spaces, as the focus and instigators of narrative, their relation to the ludicrous gothic, their ability to gothicise spaces, or how they become gothicised via their use or environment.
This can equally involve the relationship between gaming/games/toys to certain kinds of gothic; happy gothic; regional gothic; ecogothic; folk gothic; children’s gothic; female gothic; religious gothic; gothic monsters (vampires/werewolves/ghosts/etc); the weird; cosmic gothic.
If interested send abstracts/ideas to me by Jan 31, 2025 at: baconetti@gmail.com
(Final essays of 6-7,000 words would potentially be needed mid 2026)
Monstrous Consumption: The Diets of Monsters and Monstrous Diets in the Popular Imagination
Another Simon Bacon CFP:
If we are what we eat, what things do we eat to make us monsters And what things do monsters eat to make them so monstrous?
This can be read as broad as you like, and across history and cultures and in any media (games, comics, music, performance, literature, film, TV).
Possible areas could be, but in no way limited to:
magic foods that transform people into monsters
diets/foods that make other cultures/peoples monstrous
additives/secret ingredients with monstrous effects
diets/foods specific to monsters
the role of cannibalism and/or forbidden foods
toxins/poisons/drugs
shrooms/mezcal and hallucinogenic foods
allergies and intolerances
transgressive foods/diets
supernatural and/or magical foods
foods that are alive
food/diets in rituals/religious practices and the transgression of those
role of vegetarianism and veganism
The call is going really well, but don’t let that put you off if you have an idea.
Consuming Identity: Cannibalism and the Beyond Human Subject
Connectedly….there has been a lot of interest within this around Cannibalism with the possibility of a separate collection solely on this. So if you have any left field ideas to do with cannibalism in regards to:
Historical cases
Philosophy
Theology and religion
fantasy and science fiction (alien cannibals)
indigenous and cross-cultural examples
cannibalism and eco-criticism/environmentalism
cannibalism and decolonisation
Deadline for receiving abstracts is 31st December 2024, with final essays due early to mid-2026. If you have thoughts, abstracts, or relevant essays looking for a home…drop me a message at: baconetti@gmail.com
Panel: Airborne Gothic
ASLE 2025 Panel Organized by the Society for the Study of American Gothic
July 8-11, 2025
University of Maryland, College Park
This panel sets out to consider how gothic is carried and transmitted through air. Airborne gothic takes many forms: stories told around campfires; plague and Covid narratives; texts featuring ominous flying creatures (birds, bats, and bugs!); radiation/nuclear gothic; propagandistic talk about windmills as killing machines; airplanes or spacecraft as gothic sites; the winds and wutherings that course through so many gothic stories; and more. How do gothic texts evoke unrest, turbulence, undeadness, and/or trauma by way of airborne vectors? How does airborne gothic both thwart and encourage collective atmospheres?
Please send one-paragraph abstracts and short bios to Jennifer Schell (jschell5@alaska.edu) and Eric Anderson (eandersd@gmu.edu) by December 20, 2024.
TV Matters (Intellect Books)
Editor: Sabrina Mittermeier
TV Matters is a new series of short monographs (40,000 to 50,000 words) on television series, analysing their production history, cultural context, main themes, as well as fandom and audience reception. The focus is on shows that both have critical acclaim (as reflected by awards, media reviews), but more importantly, are genuinely ‘popular’. That means they have had a robust viewership and ideally an active fandom (watercooler discussions on- and offline, as well as fan production such as fic, art, vids etc.) and/or an unusual reception history (cases of bans, censorship or similar). As the intended audience for this book series extends beyond academia, we expect an engaging/accessible writing style. This however does not mean less academic ‘rigour’ – authors should thoroughly research production history (incl. where possible through interviews with creators or archival research), include a solid textual analysis of main themes and should show familiarity with concepts and theories of fan and audience studies.
The aim of this book series is to engage with TV shows that were and are truly popular rather than just part of a canon of ‘quality TV’ or ‘cult TV’. The scope includes scripted/fictional programming, both live action as well as animation, but also reality TV, casting shows and documentary formats, if they fill the criteria. If it mattered to people, it qualifies!
This crucially also means shows outside of a Eurocentric lens of media production – K-Drama, Telenovelas, any popular TV in its respective cultural contexts, but also productions that crossed border lines and were adapted transnationally. In case of particularly long-running shows such as soaps or procedurals, or non-scripted content, ongoing series are also open to consideration. To illustrate examples, series that tentative authors have already been approached about include Bridgerton(2020–), Game of Thrones (2011–2019), Ted Lasso (2020–2023), Ducktales (1987–1990), Star Trek: Voyager(1995–2001) and the Eurovision Song Contest.
At this point, we are open to any proposals on series meeting the criteria, but are especially looking for someone interested in writing on Supernatural (2005–2020), Friends (1994–2004), Buffy the Vampire Slayer(1997–2003), Grey’s Anatomy (2005–), Doctor Who (1963–), the CSI, NCIS, Law & Order franchises or long-running reality TV and transnational competition formats such as Survivor, Big Brother or Strictly Come Dancing. If this sounds like you please approach us!
As a first step, just send a short (!) pitch (500 words max), including what series you’d want to write on and why you think it matters, to the series editor Sabrina Mittermeier (Sabrina.Mittermeier@uni-kassel.de). If deemed a good fit, we move on to a more formal proposal. We expect the series to launch in 2026.
Gothic Crossroads
A conference exploring and celebrating the multi and interdisciplinary crossings of Gothic and Horror Studies.
Manchester Centre for Gothic Studies, Manchester Metropolitan University, 25th-27th June, 2025
Plenary Speakers: Prof Rosario Arias (University of Malaga, Spain), Dr. Maisha Wester (Global Professor, University of Sheffield, UK)
Physical crossroads have long been sites where the human, divine and demonic were felt to converge and potent sites for magical, religious encounters, rituals of transformation, binding of undesirable spirits, siting of gallows and links to ancient cosmology. This conference also considers the crossroads as a space where the boundaries between differing spheres are negotiable, asking what it means to walk in the interdisciplinary pathways and cross currents of the Gothic.
The crossroad is a geographical location and ancient symbol closely associated with folklore where two or more realms touch. It is historically and imaginatively connected with travellers and travelling, strange encounters, omens, choice and indecision, danger, suicide, criminality, apocalypse and renewal, guilt and judgement, punishment, ritual and ceremony, lovers’ meetings, hanging, summoning, access to Gods, devil dealing, casting out and death. The choice between paths can also lead to repercussions and consequences of “the wrong path”, “the path not taken” and “straying from the path”.
This conference invites creative and scholarly consideration of any aspect of these areas or any other creative/critical spin on themes of crossing/crossover/cross currents, travelling, intersection, interception, (con)junction, incursion, deviation and transitioning in any/all aspects of cultural production as it relates to Gothic and horror.
It also proposes the crossing as a metaphor for presenting and thinking on the interdisciplinary work of the Gothic and the intersectional/transnational spaces where the gothic is engaged and approached. Thus, we are particularly interested in “paths less travelled” and contributions from scholars and ECRs working in the intersections where the cultural work of Gothic and horror studies crosses boundaries and spheres, engaging with fields and disciplines beyond the traditional, and where new “crossings” can be discovered. This includes, but is not limited to: Gothic and horror in gaming, architecture and heritage, creative writing and practice, comics and graphic novels, scriptwriting, theatre, music, geography, plant studies and environmentalism, anthropology, libraries and archives, sociology and social studies, broadcasting, publishing, media and graphic design. We are sure there are more, so feel free to surprise us with your wanders, crossings, and encounters!
Please submit a 250-word abstract for 15-minute presentations by 28th February 2025 to Dr Emma Liggins and Dr Eleanor Beal at gothic@mmu.ac.uk
For all submissions, be sure to include your name, a short (50-word) biographical sketch, institutional affiliation (if any), and contact details. Please send your submission as an attachment (as opposed to a link to a server such as Googledocs).
Submissions for panels should be sent as a single submission with three to four 250-word abstracts, a brief statement of the theme of the panel and the information above about each of the presenters.
Submissions for workshops should indicate the length of the workshop (max. 45 minutes).
If accepted to deliver a paper or workshop, a number of travel bursaries up to £100 are available for selected international and UK postgraduates on application.
Miscellaneous Tidbits
Some fun things and shout outs from these past few weeks.
My publisher, McFarland books, is having a Holiday sale on all of their tiles! From November 15th to December 2nd, if you use code “HOLIDAY24” during checkout, you’ll get a 35% discount.
If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:
Normal Price: 19.99 35% = 6.99 Price after coupon: 12.99
A Hero Will Endure Paperback Relese + Discount
Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!
A Hero Will Endure.
The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.
In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already.
Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2024.
National Capital Panthans Journal #326.
Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.
National Capital Panthans Journal #327.
Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.
National Capital Panthans Journal #328.
Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.
National Capital Panthans Journal #329.
Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.
National Capital Panthans Journal #330.
“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my paths. Links to these will also be in the CFP page on the navigation bar.
Edited by Dr. Naomi Simone Borwein and Dr. Krista Collier-Jarvis
Building on discussions in the edited volume, Global Indigenous Horror (University Press of Mississippi, 2025), this is a call for chapter proposal submissions focused on the topic of Contemporary Indigenous Horror. Beautiful, luminous and resonant moments of horror exist in the work of writers like Shane Hawk, Kim Scott, Tiffany Morris, Waubgeshig Rice, or Ambelin Kwaymullina. But Indigenous horror tales thrive in many narrative or storying forms—from fiction, plays, and music, to graphic novels, art installations, or experimental films fortified by sonic and oral manifestations.
In response to the forthcoming inaugural essay collection, Global Indigenous Horror (2025), Judith Leggatt states, “Global Indigenous Horror is a timely and welcome addition to the growing field of Indigenous Horror studies.” Over the past decade, there has been a (re)surgence in Indigenous works focusing on tales of horror, such as Anoka: A Collection of Indigenous Horror (2011; Hawk); Ajjiit: Dark Dreams of the Ancient Arctic (2011; Tinsley and Qitsualik); Never Whistle at Night: An Indigenous Dark Anthology Collection (2023; Hawk and Van Alst Jr.); Whistle at Night and They Will Come: Indigenous Horror Stories (2023; Soop); Midnight Storm, Moonless Sky: Indigenous Horror Stories (2022; Soop); Taaqtumi: An Anthology of Arctic Horror Stories (2019), Moosebumpz: Scary Stories from the Rez, and The Land Has Spoken—Tales of Indigenous Horror (2024; Hawk and Rogers), and Zegaajimo: Indigenous Horror Fiction (2024; Akiwenzie and Adler), just to name a few.
Responding to the widening gap between Indigenous horror and academic responses to it, editors Naomi Simone Borwein and Krista Collier-Jarvis solicit contributions for Contemporary Indigenous Horror. Shane Hawk broadly defines horror as that which “prioritizes the fear factor, often using graphic depictions of violence, monstrous beings, or otherworldly threats to achieve its effect. The ultimate purpose of horror is to confront the reader with their deepest fears, creating an experience that is visceral and unsettling.” When taken up by Indigenous storytellers, horror often engages with a colonial past that has never really passed, and as such, it haunts contemporary Indigenous peoples and communities. Indigenous horror thus often blends traditional stories as well as Indigenous ways of knowing and being with contemporary issues. In many cases, Indigenous horror is about our lived experiences, not as the victim of ongoing coloniality, but as resistance. According to Elizabeth Edwards and Brenna Duperron, “Indigeneity is a resistance — in the usual sense of opposition, repudiation, and refusal to comply […but also] resistant to assimilation. Indigeneity is the lived and embodied experience of peoples who have participated in that resistance” (94). In many other cases, Indigenous horror is about what Scott Gordon calls “colonial whiplash,” where “white people who haven’t turned into zombies [or other monsters] are at the mercy of the oppressed”—their Indigenous saviours. And in other cases, what Indigenous horror is has yet to be revealed.
Chapters (6,000-8,000 words including bibliography) may examine modern, contemporary representations of Indigenous Horror from a variety of perspectives. With a focus on analysis of current horror (narrative) production by self-identifying artists, writers, and other creators, some areas of consideration include, but are not limited to:
the future of Indigenous Horror;
Indigenous futurisms;
Indigenous futurism in relation to Afrofuturism;
the post-apocalyptic;
after the Anthropocene (or other labels);
pre-contact/post-contact;
Indigenous “monsters”;
Indigenous identity/identities;
unsettling, activism;
love, reciprocity, and horror;
Indigenous horror and visual, digital, or textual sovereignty;
mixed media, experimental media;
virtual, embodied, extended, or augmented reality;
multisensory installation and the horror experience;
ecological discourses and horror manifestations in relation to speculative narratives;
interrogation of “rewilding” and alternatives;
decolonization of Indigenous stereotypes in mainstream Horror and their counterparts in Indigenous narratives;
authentic Indigenous horror images, visions, “metaphors” or “motifs”;
social media and h/Horror in relation to fiction marketization;
sonic landscapes of horror;
systems of Indigenous horror that move between fiction, film, music, and other media;
NDN and Horror media;
inter-tribal horror/Horror and trans-Indigeneity or pan-Indigeneity;
exploration of various land-based, place-based, sky-based, star-based, or water-based horrors in narratives by Indigenous creators;
blood, heredity, categorization, and holocaust/genocide narratives;
reconciliation;
virtue signalling, horror, media cultures and spaces;
metacommentary;
analysis of Indigenous Gothic and Horror;
Indigenous Horror fiction and ways of knowing;
reading (and teaching) Indigenous horror fiction;
horror systems as epistemologies;
Indigenous Horror fiction and scholarship;
and more.
This follow-up collection seeks contributions from self-identified Indigenous scholars in any stage of their academic journey. We also encourage submissions from allies to the community. To acknowledge the various ways in which Indigenous scholarship may emerge, we welcome both traditional as well as more exploratory approaches, including submissions of proposals for non-fiction works by self-identified Indigenous storytellers reflecting on the process of writing, or otherwise producing, horror.
Please send a 250-word abstract and a 100-word bio to editors Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca) by May 30, 2025. Accepted chapters will be due June 30, 2026.
Miscellaneous Tidbits
Some fun things and shout outs from these past few weeks.
Gladiator 2 Cinemark Popcorn Bucket
Collectable popcorn buckets are becoming a big thing now. Gladiator 2 has one, of course. Thankfully this bucket could be ordered online instead of actually going to a Cinemark theater. So, of course I ordered a bucket:
Gladiator 2 Popcorn Bucket – Side View
Gladiator 2 Popcorn Bucket – Top View
Sword and Sandal Blu-rays
Coinciding with the release of Gladiator 2 in November, there’s been a handful of older pepla getting new releases on UHD/Blu-ray. In mid November three came in the mail: Steelbook edition of the original Gladiator (2000), a new cut of Caligula (1979), and a new edition of Hercules Returns (1993).
4K/Blu-ray releases of Gladiator, Hercules Returns, and Caligula.
Rest in Peplum Tony Todd
Tony Todd, horror actor extraordinaire best known for his portrayal as Candyman, passed away. He starred in a handful of pepla: Xena (1995-2001), Hercules (1995-1999), Beastmaster 3 (1996), and Minotaur (2006).
Michele and I had the honor to meet him way back in 2008 at a horror con in SeaTac. He autographed my Criterion Collection edition of The Rock (1996):
Criterion Collection version of The Rock, autographed by Tony Todd.
When Candyman 2021 came out I did an article on bands that sample dialogue from the original Candyman (1992). Do check out that article to see some innovative ways that Todd lives on via textual sampling.
Art of Michele Brittany
Michele has started a Facebook Page devoted to her crafting and art. If you want to check out her projects or purchase some of her journals, give the page a like and follow!
A brand new Scholars From the Edge of Time vidcast is online!
For the spooky month of October Michele and I revisit the world of sword and scary with a horror-filmed Neo-peplum film, The Head Hunter (2018)!
Head Hunter DVD.
The episode can be viewed on YouTube here – check it out!
Panthans Journal #330
The newest issue of the The National Panthans Journal has been published. This issues contains a re-print of my convention coverage of the Edgar Rice Burroughs, Inc. panel at Wondercon 2019.
National Capital Panthans Journal #330.
Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn@gmail.com in a Word document for consideration.
ECOF 2025
In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).
Here is a flyer for the 2025 event:
ECOF 2025 Flyer (original)
I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.5K of 5K has been raised already.
Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well.
Publishing Recap
Below is a recap of my publishing endeavors so far in 2024.
National Capital Panthans Journal #326.
Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.
National Capital Panthans Journal #327.
Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.
National Capital Panthans Journal #328.
Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.
National Capital Panthans Journal #329.
Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.
National Capital Panthans Journal #330.
“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.
A side note, I’ve done some organizing on my bibliography page. The magazines/zines/etc. section was getting rather long so I broke it up into a section for Exotica Moderne, a section for Panthans, and a section for the rest. In the future, when a particular outlet starts to appear more than a few times I’ll parse it to its own area as well.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my paths. Links to these will also be in the CFP page on the navigation bar.
Metal Music Studies Retrospectives
In celebration of the 10th year of Metal Music Studies, we (Ross Hagen and Edward Banchs) are compiling a section of short retrospectives on foundational and important publications for the reviews section. We are aiming for a mix of titles that includes books aimed at general audiences in addition to academic monographs and edited collections. We are looking for short retrospectives of around 1000-1500 words that would address the following threads of inquiry:
What is the significance of the work?
What did it contribute to Metal Studies?
What aspects of the book still seem most relevant today?
Are there aspects of the book that you are critical of?
The tone of the writing does not need to be rigorously academic; we are looking for more personal sorts of reminisces about these publications.
If you are interested in writing a retrospective, please reply with up to three titles you are interested to write about. We’re operating on a “first-come, first-served” basis so it will be good to have some alternative titles in case your first choice is already spoken for. We would like to have the first drafts by Dec. 1 – it’s a quick turnaround but since these will be short and less academic hopefully that won’t be too much of a discouragement.
We have reviews lined up already for the following:
Christie, The Sound of the Beast
Dawes, What are You Doing Here?
Kahn-Harris, Extreme Metal
Moynihan, Lords of Chaos
McNeil, Please Kill Me
Clifford-Napoleone, Queerness in Heavy Metal Music
Roccor, Heavy Metal. Die Bands. Die Fans. Die Gegner.
Hein, Hard Rock, Heavy Metal: Histoire, cultures et pratiquants
We would like to get 5–10 more pieces to round out the section. We’d be particularly interested in reviews of some of the early collections like Scott & von Helden’s Metal Void: The First Gathering (2010)along with other edited collections and special issues of journals.
Some fun things and shout outs from these past few weeks.
Autographed Crawlspace
The folks at RedLetterMedia recently did a two-part episode on Full Moon’s Puppet Master series of films. They briefly brought up Puppet Master one’s director David Schmoeller and how he did a movie called Crawlspace (1986) with Klaus Kinski who was a nightmare to work with – so much so that Kinski became the inspiration for the Blade puppet.
Personal copies of Crawlspace (signed by Charles Band and David Schmoeller) and “Please Kill Mr. Kinski (signed by Schmoeller).
Back in the late 2000s I contacted Schmoeller and asked him if I could post him my copy of Crawlspace to be autographed and he said sure! So, pictured here is my copy of Crawlspace, signed by Schmoeller (and producer Charles Band), along with a copy of “Please Kill Mr. Kinski” that Schmoeller sent as a gift.
Art of Michele Brittany
Michele has started a Facebook Page devoted to her crafting and art. If you want to check out her projects or purchase some of her journals, give the page a like and follow!
Folks probably know that I am a big fan of the Margheriti film Yor, the Hunter from the Future. I was excited a month or so ago when I stumbled upon that Antarctic Press was reprinting the comic in English! You better believe I ran to my local comic book store and put it on my pull list.
It’s been a while since I’ve had some citation news, but here is a new one, fresh off the presses!
My essay, “Lost Nights and Dangerous Days,” was cited by Gabrielle Berry in her essay “[Bones cracking]: Reading and listening to Foley and captions” which was published in the journal The Soundtrack, vol 16, Sept 2024 by Intellect. Super flattered!
Panthans Journal #329
The newest issue of the The National Panthans Journal has been published. This issues contains a re-print of my review of Carson of Venus / Warlord of Mars #1.
I love the cover by Mark Wheatley!
Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn@gmail.com in a Word document for consideration.
Scholars from the Edge of Time
The September episode of Scholars from the Edge of Time is online!
For this vidcast Michele and I discuss the early 80s cult sword and planet film, Krull. How we have gone our entire life without watching this film is near criminal because it ruled.
Personal copies of the Krull Blu-ray and the soundtrack.
The episode can be watched on YouTube, have a listen/watch!
Below is a recap of my publishing endeavors so far in 2024.
Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.
Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.
Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.
Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.
Calls for Papers/Proposals
Here are some new pop culture CFPs that have crossed my paths. Links to these will also be in the CFP page on the navigation bar.
Roger Corman’s Horror Movies: Collected Essays
Edited by Sue Matheson
Part of theseries edited by Carl Sederholm
Indie filmmaker Roger Corman is known for producing and directing hundreds of B-movies, discovering industry stars (like Jack Nicholson, Martin Scorsese, and Robert de Niro), anticipating Hollywood’s New Wave, and founding a profitable empire that included New World Pictures and Concorde/New Horizons. Entertaining, literate, and campy, his fast-paced, low-budget genre films, aimed at the youth market and generally shot in less than two weeks, included horror movies, horror comedies, and sci-fi/horror. The Beast With a Million Eyes(1955), It Conquered the World (1956), The Undead (1957), Not of This Earth (1957), A Bucket of Blood(1959), The Wasp Woman (1959), The Little Shop of Horrors (1960), Creature from the Haunted Sea (1961), The Intruder (1962), The Terror (1963), The Man With X-Ray Eyes (1963), The Haunted Palace(1963), and Dementia 13 (1963) helped make Corman “The King of the Drive-in” and the “King of Cult.” Cult classics, the gothic horror films of his Edgar Allan Poe cycle (House of Usher [1960], The Pit and the Pendulum [1961], Premature Burial [1962], Tales of Terror[1962], The Raven [1963], The Haunted Palace [1963], The Masque of the Red Death [1964] and The Tomb of Ligeia [1964]) also revived the careers of Boris Karloff, Vincent Price, Basil Rathbone, and Peter Lorre. As the “Orson Welles of the Z movies,” Corman was not only an auteur filmmaker and influencer; he was also a producer and distributor of horror movies. The last movie he directed was the under-appreciated Frankenstein Unbound (1990). Corman’s better-known works have been taught in courses on the history of the horror genre and cult films, while many others deserve critical reexamination.
This anthology seeks previously unpublished essays that explore Roger Corman’s body of horror films and mashups. It is open to submissions on films belonging to his Edgar Allan Poe seriesfranchise and his well-known cult horrors, but will particularly welcome interdisciplinary approaches that can illuminate overlooked films like The Beast With a Million Eyes (1955), It Conquered the World (1956), The Undead (1957), Not of This Earth (1957), Attack of the CrabMonsters (1957), Night of the Blood Beast (1958), Attack of the Giant Leeches (1959), The Intruder (1962), Tower of London (1962), The Man With X-Ray Eyes (1963), and Frankenstein Unbound (1990).
This volume will be interdisciplinary in scope, including approaches from philosophy, literary studies, film studies, gender studies, history, psychology, popular culture studies, hauntology, ecology, etc. The chapters will be peer-reviewed, scholarly, and written at a high academic level.
Contributions could include, but are not limited to, the following topics:
Thematic and structural analysis of one or more films
Visual style
Notions of evil
Photography and cinematography
The supernatural
Corman as an auteur and/or influencer, producer, distributor
Mash ups and updated horror
Soundscapes and music
Film as philosophy/philosophy in film
Failed parenthood
Comedy, black humor, and irony
Social and cultural contexts
American youth and youth culture
Drive-in film culture
Landscapes as sites of horror
Literary and gothic adaptations
Exploration of the sub- and unconscious
Class, sexuality, abject, gender and queer readings
This anthology will be organized into thematic sections around these topics and others that emerge from submissions. It is open to works that focus on other topics as well. Prospective authors are welcome to contact the editor with any questions, including potential topics not listed above. Please share this announcement with anyone you believe would be interested in contributing to this volume. Please submit a 250-word abstract of your proposed chapter contribution, a brief CV / bio, current position, affiliation, and complete contact information to Sue Matheson (smatheson@ucn.ca) by the 30th of December 2024. Full chapters of 6,000-7,000 words are likely due in June/July 2025 after signing a contract with the publisher.
Note: Acceptance of a proposed abstract does not guarantee the acceptance of the full chapter.
![Cover shows a UFO emerging from space. Below it is a processing of silhouettes walking through the desert, holding the Ark of the Covenant. In black pen it is signed "To Nichola [sic] and Michele, Enjoy your journey! Tim R. Swartz"](https://i0.wp.com/nickdiak.com/wp-content/uploads/2024/11/Ancient-Aliens-Season-6-DVD.jpg?resize=580%2C812&ssl=1)
