Michele and I has our monthly appearance on the Scholars from the Edge of Time segment of the Voice of Olympus podcast. This month we discuss the toga and sandal film Caesar and Cleopatra (1945). Great discussion and keep an eye out on a write up about the film here at my website. In the meantime, the episode can be downloaded/streamed at BlogTalkRadio.
Screen capture from the Eclipse release of Caesar and Cleopatra. Pictured is Claude Rains as Caesar and Vivien Leigh as Cleopatra.
This upcoming Tuesday we will have a mini episode on Voice of Olympus as well.
General Neo-Peplum News
Polis Part 2 Comic
Jave Galt-Miller informs via Kickstarter that the second part of his Polis: The Trail of Socrates has been printed and in his possession. He expects to ship out to backers in the next couple of weeks. Historic info about the project can be found on Kickstarter.
Cover art of issue 2. Copyright by Jave Galt-Miller
Of note, back when I wrote for Fanbase Press, I did a review of issue one of Polis. It can be read here.
There is a cover reveal and a product page for The Many Lives of The Twilight Zone: Essays on the Television and Film Franchise over at McFarland now! There’s no publishing date yet, but I am imagining it will be out late spring/early summer. To refresh, I have an essay in this book titled “Strange Realities: Twilight Zone-sploitation in Encounter with the Unknown” which does a deep dive into the 70s horror anthology film Encounter with the Unknown that Rod Serling narrated.
Issue 11 of Exotica Moderne has a cover reveal as well! In this issue I conduct an interview with Miss Pinup Miami.
Podcast News
Michele and I recorded a brand new episode of the H. P. Lovecast Podcast. In this episode we discuss William Eubank’s 2020 film, Underwater. Check it out on Buzzsprout or on your podcast platform of preference. Side note: we are finally on Pandora now!
General Neo-Peplum News
Sword and Sorcery Sketchbooks
Sword and Sorcery artist Gilead is selling sketchbooks of his fantasy art. If you’re in the US you can purchase them via PayPal for $12.00 at gilead@cox.net. More info in Gilead can be found at his Patreon.
Art copyright by Gilead.
Imperial Age to Debut New Song
Russian symphonic metal band Imperial Age, whose modus operandi is a melding of lots of different aspects of antiquity/mythology, has released a statement they will be debuting a new song on 2021-04-09 across all streaming platforms along with a music video on YouTube. The band is not doing preorders, and releasing the song’s title or cover art, though other things are being revealed via the band’s Facebook page and emails: screenshots seems to show the music video being vampire themed and Jane sings 100% of the vocals on the song.
Screencap of the new music video, promotional image made available on the band’s Facebook page.
Along with all of this, the band is working on a brand new album as well called New World.
The Midnight’s Horror Show Releases
Horror Show, the newest release from synthwave act The Midnight, was released this past Friday. The physical versions will be released later, but for now fans can enjoy digital incarnations at the project’s Bandcamp page. The release contains the track “Neon Medusa” which contains shades of mythology. Hope to dive into that track for a possible article.
I conducted an interview with G. A. Lungaro about his Neo-peplum/Lovecraft comic series, Isidora and the Immortal Chains.
General Neo-Peplum News
Byzantine Conference
The 47th annual Byzantine Studies Conference has a CFP open. More details can be found at the Byzantine Studies Organization of North America’s website. The CFP closes May 1st. Because of Covid, there’s a 50-50 chance it will either be in person or all online.
Soundtracks
Intrada released a 40th anniversary edition of the soundtrack for Ulysses 31, an old school anime which took the story of Odysseus and bumped it to the 31s century.
G. A Lungaro is YouTuber and a fantasy author, best known for his Covenant of Souls series. He is also the writer and creator of Isidora and the Immortal Chains, a comic series that combines elements of neo-peplum and the Lovecraft mythos. The first issue of the series was successfully Kickstarted in 2020 and tells the story of Isidora, a super-powered lady from ancient Pompeii, existing in a modern day metropolis, acting as the herald of the King in Yellow. Lungaro has graciously allowed me to interview him about his newest endeavor.
Isidora Logo, used with permission from G. A. Lungaro
How did you get into writing?
I have always had a fascination with writing and creating worlds. My first attempt was a terrible fanfiction of the Nintendo game Metroid back in 1988 when I was 14. I even made a cover, cut it to paperback size, and bound it with glue.
During those teenage years, I also picked up and read my first full length (I should say complete trilogy) fantasy novel, Dragonlance’s Legends trilogy by Margaret Weis and Tracy Hickman. Those books opened my eyes to a fantastical world and compelled me to want to create my own world. Concurrently I was also a big comic book collector, my mainstay being DC comics.
The love of the fantasy genre prompted me to read Tolkein and GRR Martin’s works that ignited the passion for writing that began with that Metroid fanfiction. My first serious attempt began around 2004 when my wife (at the time) and I were playing an online browser-based RP game, which planted the first seeds for my fantasy novel Souls of Magic’s Dawn. After many re-writes, start overs and hair pulling, I finished it in 2010. It wasn’t until 2018 that I began the publishing process in earnest and hired an editor. Shortly after, I ran a successful Kickstarter campaign.
What was the genesis of Isidora?
With comics and fantasy being two of my biggest passions, I successfully entered the world of fantasy writing. I had still not tried my hand at comic writing, mostly because I had no idea how to get an artist and write in that format in which most, if not all, the exposition is visual.
The indie comics movement and my position as a YouTuber put me in place to start networking and talking to people who are involved with comics. I went on a writer’s stream with Preston Poulter, learned some of the comic writing format basics, and learned online tools to write in that format correctly.
With that, the fun part began. I am a child of Italian immigrants, a first-generation American; this prompted a love and appreciation for Greco-Roman history, art, and mythology. I wanted this character to originate from that time. Fun fact, the name Isidora is a Roman name that is also the lead character’s name in my fantasy novel.
Samantha Branch cover for Isidora #1. Imaged used with permission from G. A. Lungaro.
How did you go about designing the character of Isidora? She is quite progressive for both genres: the peplum genre confines women to bellydancers and damsels unless you’re Xena, Red Sonja, or Kassandra from Assassin’s Creed: Odyssey, and in Lovecraft’s work, women are practically absent.
Yes! This was of extreme importance to me when creating and writing this character. Being a man, there are experiences, motives, and perspectives of a woman’s life that I will never understand. I have seen those tropes many times. While they can be entertaining on some level, eventually, they become cliché and not very appealing to many readers, especially women. My partner Marie and my daughter Alexandra played a significant role in helping me create this character. My editor is also a woman, and she helped tremendously with the final touches.
Being from ancient Rome, I will show some of the reality women faced in those times. Realities that did indeed make them very strong in their own right. There will also be some devastating truths and events that happen to her because she lives in a very male-dominated world. All of this plays a critical role in her development and the powerful woman she has become as an agent of the Old Ones
Any plans for flashback sequences for Isidora to explore her sword and sandal roots in subsequent issues?
Yes, most definitely. It will be mostly relegated to Isidora’s character development and provided a glimpse of her past that has molded her to what she is today 2000 years later. There are some essential elements in that very short mortal life that she lived that play a significant role in her outlook on the world and her place in it.
How did you get into the writings of H. P. Lovecraft?
I did not discover Lovecraft until my mid-30s. I knew of things like Cthulhu but never really read any of the stories and lore that grew from that world and mythos. I began reading works like The Dunwich Horror, which fostered a curious appreciation for those worlds. It wasn’t until the TV show True Detective mentioned the King in Yellow that my curiosity reached new heights.
I was fascinated with this mystery that popped up on a contemporary TV show. I researched it and discovered more of the Lovecraft mythos and its history going back to Robert W. Chambers’ plays. It was a sandbox I knew I wanted to play in one day but didn’t quite know how until I began dabbling in comic writing.
Since you have your feet in two different genres and fandoms (Lovecraft and pepla), what are your thoughts on the current state of media coming from both camps?
I have to say I have not seen much recently concerning peplum. I loved shows like Spartacus, Rome, and of course movies like Gladiator. I heard about Ridley Scott making a sequel to Gladiator, but I feel that may not live up to the original. Cleopatra coming up with Gal Gadot looks intriguing; however, I wish there was more as it seems to have fallen from popularity recently. As for Lovecraft, it seems to be on a pretty significant upswing. Unlike peplum, Lovecraftian Mythos can be adapted for any time period, locale, and setting and make a story from it, much like the recent Lovecraft Country, which I thought was spectacular.
There are lots of (indie) Lovecraft comics out there. What aspect of Isidora do you think sets this comic out from the rest?
Starting with Isidora and the Immortal Chains #1, I planned to make something as unique as possible and add a new paradigm to the Lovecraft Mythos. I feel this stands out in the Mythos because it is a mashup of multiple elements all put together in a genre I call “The Lovecraftian Dark Heroverse.” I am taking features of the broader horrific Lovecraft Mythos and bringing in elements of classic cosmic and mystical hero comics. Think Lovecraft meets Constantine meets Silver Surfer. She [Isidora] is a herald to the King in Yellow, much like Silver Surfer to Galactus, and weaving in characteristics exhibited by characters like John Constantine, all set in a Lovecraftian world.
The neo-peplum element comes from a few places—my Italian heritage for one and a literary perspective. One of my favorite authors outside the fantasy genre is Anne Rice and her Vampire Chronicles. The ancient vampire Marius, who was born during the Roman Empire, always intrigued me. The idea of an immortal beginning their life in Greco-Roman times like Marius and living through history to end up in the modern day was an interesting perspective I wanted to explore in the pages of this comic.
What was your soundtrack while creating Isidora? Conversely, what is the suggested soundtrack to readers while reading the comic?
I never get asked this question; thank you so much for asking it. I know for many writers, a musical accompaniment helps drive the writing process. Certain verses, tones, and beats can set me on overdrive in the writing process. I am also going to say my soundtrack and the suggested soundtrack are going to be the same.
Anything Evanescence and Within Temptation, specifically “And We Run” by Within Temptation, “Away from Me” by Evanescence, and also “Undeniable” by Seckond Chaynce.
What is the main thing you want to accomplish with Isidora?
In the Lovecraft Mythos, the spotlight and focus are typically on a very human element, madness, and at the end, a hopeless and powerless feeling of powers we cannot understand or comprehend. My goal is to tell a story from the viewpoint of an agent of the Old Ones, who once was human at one time, finding that there can be hope and a way to overcome these powers. I want to display this in a very gritty and real light that does not hold back in a visceral nature and inspires the sense that there can be hope in a world where, even if it is only one person, can stand up to be a hero.
What were the some of the major obstacles you encountered while creating the comic?
Right at the start, the biggest challenge was finding artists that can both share the vision I have and also present it beautifully and accurately. It took a lot of searching and researching, but eventually, I ran across Alper Gecgel, a young artist from Turkey. When I viewed his portfolio I was floored by the haunting beauty of his work. It has a gritty simpleness to it but conveys the feel I want the reader to get while reading it.
The challenge didn’t end there. English is not Alper’s first language, and all of our communication was over Facebook messenger. There were many times I had to make awful sketches to convey what I wanted to see on the pages. The fact he understood and brought those ideas to life is a testament to his dedication and skill.
Aside from those challenges, just attempting to create a crowdfunded, indie project is a daunting task from the start. It was an uphill battle to find that core audience to build a fandom around to get the grassroots effort started. I can’t thank some of my Youtube friends enough for promoting it and extraordinarily loyal and generous subscribers to my channel that supported this project.
Nicholas Diak’s Isidora #1 Kickstarter Loot. Photo by Michele Brittany.
Since its release, what has been the reception of Isidora?
The dreaded feedback all writers fear but also crave as much as life itself. I am always terrified something I create will not be received well by people outside of close friends and family. I suffer from Imposter Syndrome as much as any up-and-coming creative person.
I will say that the reception has been overwhelmingly positive so far from my backers’ word of mouth. I also just ran a survey questionnaire, and currently, it is at about a 4 out 5 average as an overall rating. This is better than I could have ever.
What are your next big plans you’d like to share/promote?
I don’t have anything currently to promote other than my nerdy YouYube channel, The Grey Council. The channel plays an integral part in my social interaction, promoting any new projects I am working on and building a geeky sweaty nerds community who loves things from Star Wars to comics to fantasy. My fantasy novel that I published in February 2020, Souls of Magic’s Dawn, is also available on Amazon.
However, I am currently working on [Isidora] issue #2, which I am about halfway through writing, and hope to launch a crowdfund campaign by this summer.
Last week the CFP for the neo-medieval project came to an end. I’ve spent the last week juggling the project and came to the decision to shutter it for the simple reason that I did not receive enough abstracts to justice the project to any publisher. The medieval project is officially dead. However, keep an eye out here later in the year for a CFP for a different project. Thank you to all who submitted.
Podcast News
New episode of the H. P. Lovecast Podcast is live! In this episode Michele and I discuss “The House on Curwen Street” and “The Watcher from the Sky” both from August Derleth’s The Trail of Cthulhu. The episode is available on our Buzzsprout website or via the Podcast application of your preference.
General Neo-Peplum News
Swords, Sandals, and Synthwave
It’s not often the synthwave genre dives into subject matter older than the 80s, let alone into antiquity, yet The Midnight (retro wave band) is releasing a new LP called Horror Show that contains a track called “Neon Medusa.” The LP is available for pre-order on vinyl, cassette, and digitally at the band’s Bandcamp page and will be released March 19th.
Clash of the Titans 2010 on HBO Max
Article at Looper praising Clash of the Titans 2010 remake and encouraging folks to check it out on HBO Max.
Peplum Erotica Gaming
Ubisoft isn’t the only publisher/developer that has the market cornered in sword and sandal gaming, with their Assassin’s Creed series and Immortals Fenyx Rising. There is a WIP game on steam called Slaves of Rome that takes an erotic approach to the genre.
Slave of Rome banner provided by the developers
The game appears to be a BDSM simulator that allows players to create, train, trade, and have sex with enslaved persons in an ancient Roman setting. More info about the game can be found on the developer’s Patreon, Twitter, and Reddit.
SPQR Comic Ships
After a few minor setbacks and misprints, Riley Hamilton’s Kickstarted comic SPQR issue #1 has begun being shipped. If you didn’t contribute to the Kickstarter, no worries, the comic is available for purchase at Hamilton’s website.
I contributed to the Kickstarter so I reckon my copy will arrive in the next few weeks, so stay tuned for some sort of write up about it.
Rest in Peplum
British actress Nicola Pagett passed away at the age of 75 from a brain tumor. She played Messalina in an episode called “Claudius” in the 1968 miniseries The Caesars and Talia in The Viking Queen (1967).
ICYMI in the wake of Fry’s Electronics closing down, I penned a short article about the Roman-themed Fry’s that was in Costa Mesa, CA.
Call for Papers – Closed!
The Call for Abstracts for the collection of neo-medieval media is now closed. I’ll be assessing the submissions over the next couple of days to determine if the project is go/no go. But in advance, thank you to all who have submitted.
Podcast News
Our newest episode of the H. P. Lovecast Podcast is live! In this episode we dive into the anthology Cthulhu Deep Down Under Volume 2 and look at three stories: “Dead End Town” by Lee Murray, “The Island in the Swamp” by J. Scherpenhuizen, and “Depth Lurker” by Geoff Brown. The episode can be streamed at Buzzsprout or your favorite podcast program.
Also earlier this week Michele and I had an episode of the Scholars from the Edge of Time podcast. In this episode we interviewed Dr. Jeremy Swist on ancient worlds and heavy metal. That episode can be streamed/downloaded at Blog Talk Radio.
General Neo-Peplum News
Peplum Children’s Book
Children’s author and classicist Annelise Gray will have a new fiction book titled Circus Maximus: Race to the Death published by Head of Zeus on March 4th. It’s elevator pitch is Ben-Hur meets National Velvet for 9-12 year olds.
Rest in Peplum
Italian director Giancarlo Santi passed away at the age of 81. He was an assistant director on the Lou Ferrigno Hercules films: Hercules (1983) and The Adventures of Hercules (1985).
After a prolonged illness, British actor Ronald Pickup passed away at the age of 80. He played Orpheus in the Atlantis (2013-2015) television series, played King Sharaman in Prince of Persia: The Sands of Time (2010), and an appearance in the biblical peplum In The Beginning (2000).
Acclaimed sound editor Alan Robert Murray passed away at the age of 66. He worked on:
On Tuesday February 23rd mega retailer Fry’s Electronics announced it was immediately suspending operations and permanently closing all of its remaining thirty-one stores. While the announcement was sudden, it was not unexpected: Fry’s had been in a death spiral for many years with many speculating its end. Customers, past and present, turned to social media to share their nostalgia of the former titan of electronics and reminiscence over each store’s unique theme.
My first experience with Fry’s was while living in Phoenix in the early 2000s. At the time I was attending a tech school, working on my Bachelors of Science, and the store was a mecca. Myself and many of my friends would go to the Aztec-themed Fry’s on Thunderbird and get lost in the store for hours. This was the era of PC games still being released in big boxes, and niche music labels such as Mute and Metropolis had albums for sale. I greatly rounded out my KMFDM collection at this Fry’s while plucking up computer games and an occasional part or two for my PC. As a tech student, Fry’s was heaven.
I vividly recall my final purchase at this Fry’s: a copy of Persona 2 on the Playstation in the discount bin, which now goes for 100s of dollars on eBay.
When I moved back to Washington, the Fry’s in Renton became the go-to Fry’s for Michele and I. By this time my interests has shifted: I was knee deep in my masters on film studies. While we didn’t visit this Fry’s as much, (and I unfortunately cannot recall its theme), I was always impressed by its massive DVD section: huge aisles broken into genres. I was able to load up on quite a bit of exploitation and foreign films at this Fry’s that I was unable to get elsewhere.
In the 2010s Michele and I moved to Orange CA and the Fry’s in Anaheim became our home base. Unlike the Renton Fry’s, the Anaheim Fry’s was mere minutes away from our apartment. This Fry’s was to say rather lackluster in its theme, which was NASA and Cape Canaveral. What should be a fairly easy to execute theme, this Fry’s was rather bland and generic. It was also quite empty. I recall the Aztec Fry’s in Phoenix in the early 2000s being filled to the brim with customers, with long queues to get in. The Anaheim Fry’s, 10+ years later, a ghost town. Regardless, it was often our place of preference to pick up a last minute movie, or find a cheap video game. By this time, the movie section was obliterated: the genres all gone and everything condensed to simply “blu-ray.” The music section was practically absent. However, I was able to load up on Skylanders figures extremely cheap.
And thus my history with Fry’s Electronics. What does this have to do with the peplum genre? In the very late 2010s the news really started to pick up traction of Fry’s closing down. There were a plethora of articles about shuttered stores and Fry’s that were entirely empty of product. Directly south of me on the border of Costa Mesa and Fountain Valley was a Roman-themed Fry’s. Not wanting to miss out on seeing this Fry’s before it shuttered, in October 2019 Michele and I went and checked it out. What follows below is a gallery of images I took of the Roman-theme Fry’s, highlighting its many embellishments of antiquity while also documenting a store in decline.
There are a few things to note about this Fry’s. First, its address was on Kalama River Ave, which resonated with me for I grew up in Kalama Washington on the Kalama River. Secondly, this Fry’s was 80% empty. Entire aisles were void of product, which you might get a hint of in these photos. However, all of the Roman statues and faux-architecture was still quite a sight to behold, which is what this gallery focuses on. Much like how we behold the glory of a fallen empire by marveling at its crumbled ruins, one can get a glimpse of what Fry’s would have been like back in its heyday.
The Call for Abstracts for my collection of essays on neo-medievalism is live. The CFP can be found here. This upcoming week is the final week this CFP will be open.
HP Lovecast Podcast
Our newest episode of the H. P. Lovecast Podcast will be going up later today. Yesterday our podcast host, Buzzsprout, was the target of DDoS attacks, so we really couldn’t access anything.
General Neo-Peplum News
Academic Talks
Dr. Jeremy J. Swist gave an online lecture earlier this week called “An Unholy Trinity: Antiquity, Heavy Metal, and White Supremacism.” That talk is now available on YouTube and can be streamed here.
Of supplemental interest, Dr. Swist gave another online lecture in 2019 called “By Spartan Law: Laconophilia in Heavy Metal Music” that is also on YouTube.
Sean Woodward writes an extremely positive review of Horror Literature from Gothic to Post-Modern over at Horror Buzz. 9 out of 10 stars!
Call for Papers
The Call for Abstracts for my collection of essays on neo-medievalism is live. The CFP can be found here.
General Neo-Peplum News
Rest in Peplum
Valeria Gagealov passed away. She starred in Romanian pepla, such as The Column (1968) and the historic epic Michael the Brave (1971).
Cannot find a news source to back this up and I only seen scuttlebutt on Facebook groups, but Reg Lewis may have passed away at the age of 85. He was in Colossus of the Stone Age (1962).
Secret Rites is a neo-peplum, mythological comic by Sammy Ward. The one-shot comic was successfully Kickstarted and subsequently published in late 2020. The comic provides an alternate viewpoint of the myth of Persephone and Hades by being told from the point of view of her mother, Demeter. Simultaneously, the comic also not only depicts, but acts as an extension and interpretation of the Eleusinian Mysteries. This places the comic in the same canon as other artifacts of antiquity and paintings that depict the mysterious rituals.
Sincere thanks to Sammy Ward for allowing the following interview about her comic.
Secret Rites cover
Tell us a bit about your background and how you got into art and comics.
I’ve always been creative and enjoyed drawing. My first interest in comics came when I discovered Kabuki by David Mack. I was really interested in how he used different media and how it didn’t follow the typical conventions of a comic book. It opened up the medium to me and I realised it wasn’t all just super heroes.
Tell us more about the catalyst that started this comic, that is when you happened across the Eleusinian Mysteries? What was the big “A-ha! I want to make comic from this!”
The first spark for me was when I did an illustration of Persephone for a drawing challenge back in 2018. I wasn’t following the usual prompt list but drawing deities from different cultures. Persephone is so fascinating as a symbol of life and death as well as being presented as powerful and a victim. When I was researching Persephone I read about the Eleusinian Mysteries. It just captured my imagination in that it was a real mystery so it opened up all these possibilities that I played around with for a while before writing what is now Secret Rites.
What texts did you use to draw inspiration from?
I’ve read Circe by Madeline Miller which explores Circe’s defiance as a witch and a mother against the Olympians. That defiance was definitely a theme I wanted to use in Secret Rites. I also enjoy listening to a lot of soundtracks whilst working and I find it can be inspiring. The God of War OST has probably been the main one but I also discovered the Hadestown the musical by Anaïs Mitchell whilst creating Secret Rites. It’s a different Greek Tragedy with a modern take but I still found it inspirational in creating the characters for Secret Rites where each one has a selfish agenda.
What texts and resources did you use for research materials?
I found articles by Mark Cartwright and Joshua J. Mark very helpful which led me to discover The Myth of Er by Plato (said to be an initiate himself) which describes the character Er joining the afterlife and then returning to reality. I also came across a talk from Terence Mckenna who was an ethnobotanist and mystic. He discusses the use of Ergot, a deadly black fungus found on wheat and barley with psychotropic properties which was a component in a drink consumed during the ritual. I found the link of this and Demeter being the goddess of the harvest very alluring.
Interior page depicting a scene of the Eleusinian Mysteries
What is your relationship with Greek mythology?
I think my interest in Greek mythology started when I was at school studying Greek playwrights in drama class. It’s not something I’ve devoted loads of time throughout my life but mythology and folklore have always fascinated me. I love reading different stories from all over the world whether it’s the Poetic Edda or Russian fairy tales. That’s my constant go to for books and comics.
Are you into any sword and sandal media?
I do enjoy the 1963 Jason and The Argonauts and [the] 1981 Clash of the Titans. I have a big appreciation for the Ray Harryhausen era of stop motion animation that really captures those stories. I also really enjoy reading Wonder Woman comics, I especially enjoyed the 2011 relaunch written by Brian Azzarello and illustrated by Cliff Chiangs and Tony Akins. Again, women defying the power and will of the Gods seems to be a favourite theme of mine.
What were some of the biggest challenges you encountered while realizing Secret Rites?
Whilst the actual concept and story came pretty naturally, the script process was challenging as it would change whilst I was creating the art. There are good and bad aspects of being both writer and illustrator. I started illustrating the book in 2019 but my art has changed/improved a fair bit since then so I went back and changed a few pieces I had previously completed. My first comic, Scavengers, is a silent comic so I managed to create a story without having to do any lettering other than the intros which I hand lettered. Learning to letter Secret Rites has been a really fun journey for me though a slow one. Lettering is it’s own art form.
Secret Rites and pin-up art from a Kickstarter package. Photo by Nicholas Diak.
Do you any any successor plans to Secret Rites?
Secret Rites is a one shot so there are no sequels planned. Not to say I wouldn’t be interested in exploring the mythos a little more. I’m very interested in exploring more deities from the Greek pantheon and from many different cultures and religions. I would also like to collaborate more in the future especially with those writing mythology and folktales.
Do you have any upcoming projects on the horizon that you’d like to share?
I worked on some original pieces illustrating winter and Christmas deities which are available from my Etsy store along with my comics. I’m currently working on a comic/zine hybrid which will involve deities but I can’t say much more at this stage, it will include more mixed media in terms of art and will be a lot more experimental.
