Author: Nicholas Diak

For well over a decade, D. J. Kirkbride has been writing some of the most creative and unique comics to have hit the market. From Amelia Cole to The Biggest Bang, from Never Ending to The Once and Future Queen, Kirkbride has a signature light-hearted wit that compliments his fun and engaging speculative-fiction stories. His latest comic book series is Errand Boys – a sci-fi adventure that sees two brothers as interplanetary couriers – and was originally published as a five issue run at Image Comics. This spring season sees a release of a trade paperback version of this comic from Dark Horse Comics. 

What was the catalyst for Errand Boys? How did the comic come about?

The story started with me working out something personal in the only way I know how: wild and weird comic book adventure tales filled with lots of aliens and absurd technology and shenanigans.

I have a kind of Brady Bunch times two or three family, and the relationship between brothers who share one parent but didn’t really grow up together was definitely something I wanted to explore. Different types of families and what it means to be family. Dealing with loss was a big part of the story, too. The comic is not at all literal or a one-to-one with my experiences, but they’re all present or represented in some way.

The ever-growing gig economy, people working not just weekly paycheck to weekly paycheck, but gig payment to gig payment, with no real infrastructure or insurance or any of the things I grew up thinking was everyone’s goal was another aspect of it. That kind of uncertainty can sometimes lead to a lot of us making hasty decisions with potentially heavy consequences.

What is the primary goal you wanted to accomplish with Errand Boys?

Entertainment is always the goal! Wage inequality and the devastating environmental impact of big corporations along with family tragedy and stepping up for those in need is all in this story, but if it’s not a fun ride that keeps readers turning the pages, it belongs scribbled in my diary, not in a beautifully illustrated and designed book from Dark Horse Comics, you know?

Cyberpunk stories, such as Snow Crash, Johnny Mnemonic, and the video game Mirror’s Edge, prominently feature couriers and, despite the super presence high tech, take the low tech, sneaker net approach to delivering goods and information, something echoed in Errand Boys. Do you have any sort of affinity to the cyberpunk genre or has it had an influence on you?

I just started reading Snow Crash a few days ago, oddly enough. I’m digging it so far, but, suffice it to say, it wasn’t an influence on this Errand Boys. Also, and this is strange given what I write and watch and read, but I don’t really play video games, so I don’t know Mirror’s Edge. Johnny Mnemonic I saw in the theater when it came out, but I’ve not read the source material. 

Having said all that, so much of this type of work is in the culture, and influences influence other influences to the point that I’m sure echoes of all of these stories made it into my over-caffeinated brain. 

No one in Errand Boys is as cool as Keanu Reeves in Johnny Mnemonic (or Keanu in any other movie), though. Jace doesn’t even own a snazzy suit.

What are texts that you feel have their DNA in Errand Boys?

In the original pitch, I put forth the idea it could be looked at like a story about the type of characters in the background of Star Wars movies, the ones who don’t have any Jedi friends and aren’t fighting in giant intergalactic skirmishes. These are the folks just trying to get by and afford the occasional blue milk and all that. 

Someone, either a review or a comment, said Errand Boys seemed inspired by Futurama to them, which didn’t occur to me until I read that. I see it now, though.

The best intergalactic settings have unique planets and a variety of memorable non-human characters. How did you and artist Nikos Koutsis work together to accomplish this aspect for Errand Boys?

Originally, I pictured this more as almost a science/speculative fiction world designed like a Wes Anderson movie. The story was a little more static and introspective. Co-creator/artist Nikos Koutsis, genius that he is, took the script for the original pitch pages, and made them into a budget-less blockbuster movie. Suddenly, and happily, where I originally saw mid shots and formal framing, we had action-packed angles and crazy energy.

When I write, I try to figure out how much description to give to each artist. Nikos would take something like, “Bear is Jace’s heavyset, cigar chomping boss who always has a stain on his shirt,” and make him that amazingly designed alien creature that he is. Nikos did that with all the characters and the tech in Errand Boys.

He influenced the writing and pacing, too. Lots of conversations went from taking place in a room or something to happening while being chased or running or jumping off of all sorts of structures way too high for people to jump off of, and it made the book so much more exciting. 

He’s a great collaborator and became a friend as we worked on this book. I hope to work with him again. 

You’ve written quite a few speculative fiction comics. What would you say is the most distinguishable, uniquely you, aspect about your writing?

That might be for others to say. I’m not the best at intellectualizing what I do or why I do it, if that makes any sense. My hope is that the comics I work on entertain readers and make them feel some emotions. Even the all-ages fun stuff has real stakes that I hope affect readers young and old!

What were some of the new challenges, or perhaps learning something you didn’t know before, that you encountered with Errand Boys?

The background, kind of nuts ‘n bolts of comic book publishing, how much it’s changed since I started working in comics, was, and continues to be really eye opening. Our experience with Errand Boys has been a long and winding road, filled with surprises and challenges that ultimately made me realize that, for the types of stories I like to help tell, the trade format is probably better than single issues. I grew up on single issues, and there are titles I enjoy buying that way, but I don’t know if the market is conducive to that publishing style for my work or level in this zany industry.

What are you most proud of with the comic?

In terms of writing, it was a big breakthrough for me. I always weave in some personal details and whatnot, but this one was the most honest while also being silly and fun, I think. That our characters truly grow and change from the start to finish in ways that feel organic and true was nice, and hopefully readers of the trade will take that journey. Nikos along with color flatter Mike Toris and letterer/logo designer Frank Cvetkovic, all brought the story to life beautifully, and I’m really proud of it.

In one of the scenes of Errand Boys, there’s an alien chilling poolside with a multi-straw libation. This is a perfect segue to ask you how you got into tiki culture and what your favourite tiki cocktail is.

Ah, hmmmmm… my partner introduced me to a nice little place called Ventiki in Ventura, CA. I’m sure I had a tiki cocktail or two before that, but that opened me up to a whole new world of tasty, fancy, fun drinks! It’s become a must visit when we’re near, and we like finding tiki bars in other towns we visit. I enjoy the style and happy vibe of most of those places, but I’m fairly ignorant of the actual culture that inspired this style. It’s something I need to read up on and learn more about, actually.

As for my favorite drink, that’s a tough one! A Mai Tai, in almost all of its variations, is always good to try out when visiting a new place. There’s a drink called the Jet Pilot that I also really like, as I’m a fan of cinnamon. 

What are upcoming projects or news you’d like to share?

Nothing set in stone at the moment. One pitch is being pitched, and another is being lettered now, and I have some ideas scribbled in my notebook, so… hopefully more soon!

Finally, and most importantly, (but not related to Errand Boys), why does Amelia Cole eat tacos from the top? 

That’s a question for artist/co-creator Nick Brokenshire. Once he drew her eating a taco like that, though, co-writer/co-creator Adam P. Knave and I acknowledged it as perfectly in character and noted it in the script the next time she had a taco for lunch.

Sincere thanks to D. J. Kirkbride for allowing me to interview him. The trade paperback edition of Errand Boys will be published April 13. Errand Boys can be ordered via your favourite brick and mortar comic book store, or check out these purchasing options listed at Dark Horse Comics.

Kirkbride can be found at his website and his other publications can be found at his Amazon author page.