Categories
News

News Roundup: January 2026

Personal / Website News

This is my first News Roundup post for 2026. This is also my first post of moving to my new schedule of publishing these once a month at the end of each month.

2025 Accomplishment Recap

My recap of 2025 – writing I got done (published or reprinted), vidcasts, podcasts, conferences, etc. is now online.

Five books laid out on a table.
Works published physically in 2025: Three issues of NESS, 1 issue of Burroughs Bulletin, and Merry Creepmas.

Last year was a pretty good year! I did not get to everything I wanted to (Emmanuelle book), but I was pretty prolific! Feel free to read the recap here.

Panthans Journal #344 and #345

The newest issue of the National Capital Panthans Journal has been published. This issue contains a re-print of my review of issue five of of the adult/neo-jungle girl series Vanya: The Lost Warrior. The original version of my review can be read right here.

Cover is by Mark Wheatley and called "The Beasts". It is red hued. It shows Tarzan riding atop of an elephant. Below the elephant are two gorillas and a lion. Behind them is a tree and a setting sun.
National Capital Panthans Journal #344.

The February Panthans issue #345 came out a day earlier on January 31st. This issue has a reprint of my review of Vanya #7, and the original can be read here.

Cover by David Michael Beck. It's a drawing of Tarzan atop an elephant, with 2 axes in front.
National Capital Panthans Journal #345.

As a preview of things to come, the March issue of the National Capital Panthans Journal will contain a reprint of one of my short stories that has been OOP for a few years. Stay tuned!

Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Sincere appreciation to Laurence for the opportunity to have my work published in the journal.

Fan2Fan Podcast Appearance

The cool kids at the Fan2Fan Podcast have been dropping episodes recently about collecting physical media (see below).

Square podcast thumbnail. It is black and orange. It shows a hand holding a music CD. It says: F2F New Fan2Fan Podcast Epiosode! CDs fanpodcast.com
Fan2Fan Podcast episode thumbnail for the episode about CD collecting.

They just dropped an episode about CD collecting and both Michele and I are on it. The episode can be streamed at this link here, via the embedded player below, or via your podcast app of preference.

The One Where We Talk About CDs Fan2Fan Podcast

Following that they have another episode about how Michele and I’s collection of movies, games, etc. and how we collect lots of media.

Thumbnail shows a stack of 4 TVs, one displaying a record, one a CD, one a video game contractor, and one a record. The thumbnail reads: F2F New Fan2Fan Podcast Episode! Physical Media - Movies & Music Special Editions Video Games. Fanpodcast.com
Fan2Fan episode thumbnail on Physical Media.

That episode can be heard here or in the player below.

Physical Media: Heavy Boxes, Special Editions, and Video Games Fan2Fan Podcast

Check out both episodes!

H. P. Lovecast Podcast

H. P. Lovecast Podcast will return in February! We’ve already recorded our discussion on the 80s creature feature classic, The Deadly Spawn, it just needs to be edited and published.

The New Peplum Citations

It has been a hot minute, but new citations for The New Peplum have just popped up!

Cover shows an actress wearing a purple peplum looking over her shoulder to a movie camera.
Audio-Visual Roman Women cover.

The open access collection, Audio-Visual Roman Women: Gender, History & Screen Media, contains two essays that reference The New Peplum. Martin M. Winkler’s essay “Caesar’s Daughter: Lucilla on Screen” while Panayiota Mini’s essay “British Women in a Roman World: Female Figures in Audio-Visual Works about the Ninth Legion” cites Kevin Wetmore’s essay. Always wonderful to see The New Peplum continue to be cited by others.

Audio-Visual Roman Women can be read online here.

Scholars from the Edge of Time

The last episode of Scholars from the Edge of Time in 2025 was on the David Carradine/Roger Corman 80s S&S classic, The Warrior and the Sorceress (1984).

Blu-ray cover shows a woman with 2 sets of breast (really) and a barbarian swinging a sword and the two are dragged by tentacles into a toothy maw.
Blu-Ray of The Warrior and the Sorceress.

The cover promises a lady with four boobies and a Cthulhu and gosh darn it, the movie actually delivers four boobies and a Cthulhu. Our discussion of The Warrior and the Sorceress can be watched on YouTube. Check it out!

For January 2026 we kick of a new year of Scholars on the comedy side by discussing Hercules Returns (1993). An Australian movie that is essential a comedic redubbing of Samson and His Mighty Challenge (1964) with a thin plot of sorts that act as bookends. It’s a hilarious film.

DVD of Hercules Returns is blue. The title is being held up by Hercules on his back. The Blu-ray is a cardboard slipcase. It shows Hercules flexing, with the main character imposed in his toga top.
Personal copies of Hercules Returns on DVD and Blu-ray.

Our discussion of Hercules Returns can also be watched on YouTube.

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2026.

Cover is by Mark Wheatley and called "The Beasts". It is red hued. It shows Tarzan riding atop of an elephant. Below the elephant are two gorillas and a lion. Behind them is a tree and a setting sun.
National Capital Panthans Journal #344.

“All E.T.’s Aren’t Nice: Vanya 06” reprinted in National Capital Panthans Journal #344, January 2026.

Original can be read here.

Cover by David Michael Beck. It's a drawing of Tarzan atop an elephant, with 2 axes in front.
National Capital Panthans Journal #345.

“The Prehistoric Purge: Vanya 07″ reprinted in National Capital Panthans Journal #345, February 2026.

Original can be read here.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path or I am sharing on behalf of my colleagues. Links to these will also be in the CFP page on the navigation bar.

Werewolf Media Journal

Seeking paper abstracts for an upcoming WEREWOLF MEDIA-themed literary journal. Abstracts are open for critical theory papers discussing ANY MEDIA OR FRANCHISE WITH WEREWOLVES. The Horror Scholar Journal Vol 8 aims to be made available online in July 2026. This opportunity is paid 50 USD upon receipt of the final paper. Abstracts should be ~300 words briefly describing the scope and topic of your paper.

Final papers must be anywhere from 2000-5000 words. Not accepting reviews or previously published papers. This journal attempts to prioritize underserved or less published horror academics. Proposals and papers should be submitted in a readable, neutral size 12 font.

CUT OFF DATE FOR ABSTRACTS: FEB 3rd, 2026

CUT OFF DATE FOR FINISHED PAPERS: JUNE 1st, 2026

STEPS FOR APPLICATION:

  1. Submit your abstract via email to horrorscholar@gmail.com, along with your name, a 3-sentence bio, and social media links.
  2. Once your abstract is accepted, a finished paper can be submitted via email any time until the cutoff date above.
  3. Payment for your work will be sent upon reception of the first draft.
  4. Each paper will have 1 round of edits.

ABOUT HORROR SCHOLAR

HS is an independent horror research brand and one-woman publishing operation. It strives to make academic publishing more accessible and to celebrate both critical theory and fandom. @scholarhorror on Twitter or horrorscholar@gmail.com for questions.

Contemporary Indigenous Horror – Creative Writing

Contemporary Indigenous Horror (University Press of Mississippi, 2027) solicits original, unpublished short horror fiction, poetry, and experimental works by self-identifying Indigenous creatives. No work produced with AI will be accepted.

Honorarium: $250 (Canadian) per accepted piece

Deadline for submissions: July 14th, 2026

Name of organizer: Dr. Naomi Simon Borwein and Dr. Krista Collier-Jarvis

Contact email: Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca)

As a companion to analysis in Contemporary Indigenous Horror (contracted with University Press of Mississippi), we are looking for creative pieces to be published within this academic volume.

To acknowledge the various ways in which Indigenous scholarship may engage in an ongoing conversation with other forms of expression and writing, we welcome both traditional as well as more exploratory approaches to fiction, poetry, flash, and related hybrid, experimental intertexts that rupture settler-colonial categorizations of genre. Word/line count should be as follows:

  • Flash Fiction: about 500-1000 words
  • Short Stories: about 1000-4000 words
  • Poetry: maximum of about 110 lines
  • Experimental, hybrid words: some flexibility

Please send submissions and a 100 word bio to editors Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca) by July 14th, 2026.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Student Bodies

Student Bodies (1981) is one of, if not the first, slasher comedy film. It is fairly rough around the edges if I recall, but still an important film in the early days of the genre. It would take a while to kind of juggle the two genres successfully, perhaps the first Scary Movie (2000)?

DVD shows a dead cheerleader, with a megaphone protruding from her mouth. She is laying on a school desk with a blackboard behind her.
Personal copy of Student Bodies on DVD.
Backside of the DVD. Shows images from the film. In the bottom left, in ball point pen, it is signed "Best - Robyn Flanery"
Student Bodies DVD signed by Robyn Flanery.

Way back in the 2000s, I was hooked on buying Mike Nelson commented movies from Legend Films, and they released Student Bodies, so of course I plucked it up. I sent my copy off to actress Robyn Flanery who graciously signed it.

The Strangeness

Two decades before The Descent (2005) there was The Strangeness (1985), though The Strangeness did come 5 years after Alien 2: On Earth (1980), when it comes to subterranean horror.

The Strangeness was one of those films I discovered during my Stephen Thrower/Nightmare USA phase in the 2000s. This movie was talked about in great detail in Thrower’s book, and I was tracking down all the movies I could. The only copy of The Strangeness I could find at the time was a British import from 23rd Century, a DVD label of dubious quality. I mean, look at that skull on the back. Generic much?

Shady looking, quasi bootleg DVD. The cover shells a skull and the inside of a well.
Personal copy of The Strangeness DVD.
Back of the DVD. It has a skull with swirls around it. In black ink it is signed "Best Wishes Nick! Mark Sawicki".
Strangeness DVD signed by Mark Sawicki.

Regardless, I plucked up this film to add to my growing Nightmare USA collection. I did reach out to Mark Sawicki, who worked on the film and asked if he could autograph it for me, and he said sure!

Years later Code Red released a much better version of this film. Time for a re-watch!

New Sword and Sandal Acquisitions

The ever growing peplum research library grows with these recent sword and sandal acquisitions.

The Last Legion and Seventh Son

Michele and I took our periodic trip to Zia Records the other weekend. I’m always on the lookout for some peplum and peplum-adjacent movies when we are out and about and this time I scored two!

DVD of The Last Legion shows Colin Firth is armor about to swing a sword. There is a battle behind him. The Blu-ray for Seventh Son its the standard characters face forward and is not particularly interesting.
Personal copies of The Last Legion and Seventh Son.

The first is The Last Legion (2007). I’ve been on the prowl for this one for a while, especially since it is mentioned in Dr. Wetmore’s essay in The New Peplum. That’s on the to watch pile for sure, and possible Peplum Ponderings article?

The second is Seventh Son (2014). I’ve never heard of this movie before and bought it because it looked like a post LOTR cash grab. Turns out I was wrong and it is based off a series of grim dark young children’s fantasy novels from the Spook’s series by Joseph Delaney. So, this is more of a post-Harry Potter cash grab as kids fantasy was in. Didn’t no one learn from Eragon (2006) a decade earlier? Regardless, it could be fun, so I look forward to checking it out.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele Brittany and Travis Lakata have some brand new episodes of their Ride the Stream vidcast where they dive into season 2 of the cult television series Lost.

Here is their discussion of season two episode ten:

And season two episode eleven:

Their discussion on Season 2 Episode 12:

John 3:16 Remix

Philippe Gerber has a new remix that just dropped.

Black and white cover. It looks like a swipe of black paint with scratches in it.
Sobaki Tabaka Remixes cover art.

Under his John 3:16 moniker, Philippe has done a remix of the song “V Bezdne” by Sobaki Tabaka that appears on the remix album Sobaki Tabaka Remixes. The album is released by Industrial Complexx and is available at Bandcamp.

New Janet Joyce Holden Books

My friend Janet Joyce Holden has two books that are coming out at the very beginning of February.

Two book covers. Palladium's Resolution is white, with a symbol on the cover that looks like a bunch of music symbols. There are drops of blood next to it. Palladium's Insurrection is green. It has a symbol on the cover too that looks like a swirl of flames.
Palladium’s Resolution and Palladium’s Insurrection by Janet Joyce Holden.

They are titled Palladium’s Resolution and Palladium’s Insurrection. Blurb below for what these are all about.

Here is the Amazon link for all of the books in Holden’s Palladium series.

Press Blurb

Rogan is a troubled clairvoyant who can see more than most, but when he teams up with the monstrous Jake, a Khir’gham Guardian of the Void, it’s for an undeniably good cause. Keeping the hungry Void from invading Jake’s home of Palladium, and thereby saving Rogan’s own world from destruction.

Except a hitherto mysterious threat has now fully revealed itself. Carl Drake, visionary CEO of Stormquell and secretly one of Palladium’s mighty dragons, is not only hellbent on breaking his exile and reclaiming what he has lost, he has greedy ambitions regarding Rogan’s world, too.

The series reaches its climax in the final two novellas, Palladium’s Insurrection, and Palladium’s Resolution. The confrontation they always feared is now on the horizon, its arena shifting from the glossy mansions of Benedict Canyon, to the Southern California high desert, and finally into the fragile world of Palladium, and it’s up to Jake and Rogan to save the day. Except the task of killing dragons, not only seems impossible, its consequences will prove devastating and unforgivable. Perhaps Rogan and Jake will survive, but at what terrible cost?

Palladium is a series of high fantasy and dark adventure, containing monsters, dragons, interdimensional worlds, along with the all too human attributes of trust, courage, and family treachery.

Arriving on Tuesday 2nd February.

New Fan2Fan Episodes

Brand new episodes of the Fan2Fan podcast are now online. Aside from the CD collecting episode above, there’s a plethora of other episodes since the end of December. Check these all out:

First there is “2025 Horror: The Monkey, 28 Years Later, Good Boy & More“:

2025 Horror: The Monkey, 28 Years Later, Good Boy & More Fan2Fan Podcast

Then “Best of 2025: Movies, Music, and More“:

Best of 2025: Movies, Music, and More Fan2Fan Podcast

Followed by their first episode in their physical media series “The One Where We Talk About Physical Media“:

The One Where We Talk About Physical Media Fan2Fan Podcast

And “VHS Collecting with Cory Gorski“:

VHS Collecting with Cory Gorski Fan2Fan Podcast

And then “VHS Collecting with Jim Karl“:

VHS Collecting with Jim Karl Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

Apocalypse Later Film Review: The Giant of Marathon

Hal A. F. Astell has a new film review up at his Apocalypse Later website, this one on the sword and sandal classic The Giant of Marathon (1959).

Black thick DVD case. The cover shows Hercules with a shoulder wound standing in an arena. Below shows Hercules walking with a lady and a crowd of people behind him.
Personal copy of the Clash of the Olympians DVD collection.
Back cover of the DVD. Shows a group of archers lined up. The text reads: A Colossal Collection of Epic Adventures! Take a mythological journey back in time with this Herculean compilation of lavish sword-and-sandal films filled with muscle-bound men, ravishing ladies, malicious monsters and awesome action. Movies: Ali Baba and the Seven Saracens (1964) The Avenger (1962) The Giant of Marathon (1959) The Giants of Rome (1964) The Giants of Thessaly (1960) Goliath and the Sins of Babylon (1963) Hercules and the Captive Women (1961) Hercules Against the Moon Men (1964) Hercules Against the Mongols (1963) Hercules and the Masked Rider (1963) Hercules and the Princess of Troy (1965) Hercules and the Tyrants of Babylon (1964) Hercules Unchained (1960) Herod the Great (1960) Kindar the Invulnerable (1964) Spartacus and the Ten Gladiators (1964)
Clash of the Olympians DVD collection, back cover.

Check out the review at the Apocalypse Later website.

Categories
Essays Peplum

Down Willcox Way: 2025 ECOF Recap

The Edgar Rice Burroughs Chain of Friendship (ECOF) Gathering is a periodic, small convention of sorts, hosted by a member of the Burroughs Bibliophiles in different cities across America. It is an event that allows Bibliophiles and the public to get together to celebrate the works of Edgar Rice Burroughs, purchase books and memorabilia in the “Huckster Room”, listen to presentations, have a banquet, bestow awards, or partake in a huge event, such as the 2023 ECOF in Palm Springs that centered on the unveiling of a star on the walk of fame in Palm Springs for Burroughs.

The 2025 ECOF was held in Willcox, Arizona over the weekend of September 26th through the 28th, and was hosted by Bibliophile Frank Puncer, who had hosted a 2019 Burroughs event also in Willcox. The 2025 ECOF’s primary focus was to celebrate Burroughs’ 150th birthday and commemorate his military service as part of the 7th U.S. Cavalry at the nearby Fort Grant. The ECOF proper was held at the Willcox Elks Club, with the main attraction, the unveiling of the Burroughs monument, occurring at the Willcox city hall, that once served as the town’s train station (the very same that Burroughs arrived at), that was just a short walk away.

Michele and I have been extremely excited to attend the 2025 ECOF. Having moved to Phoenix in 2020, we have been eager to do more road trips to explore the desert lands of Arizona and see more of the Old West. The trip southeast to Willcox promised adventure. We also knew of THE THING?, a tourist trap on I10 on the way to Willcox, and we love to play tourist. We were excited to finally meet Puncer in person, who I have been in correspondence with since moving to Arizona and who has been the most welcoming individual in the Burroughs Bibliophiles since I joined. I was also invited to give a presentation, an opportunity I jumped at. There is quite a bit of cross over between the works of Edgar Rice Burroughs and the peplum genre (my specialty), so I had been working on a talk about the sword and sandal elements of Burroughs’ book Tarzan and the Lost Empire.

With all of this in mind, Michele and I counted down the days that we could get a respite from work and go on a road trip and partake in a unique, momentous event. What follows is a recap of the 2025 ECOF along with multiple photo galleries of pictures I took to document the occasion. 

Thursday

We left Phoenix around 9:00 am Thursday morning, our mighty Fiat filled with our luggage, snacks, items to sell, and items to have autographed. The day started off bright and sunny with bagels in our tummies. As we got closer to Tucson, however, the horizon started to darken, with curtains of rain off in the distance. We stopped at a Pilot Express truck stop on S. Rita Rd. to get some Slushies, and we could start to see lightning and pillars of rain becoming more common. 

Desert landscape taken from a truck stop. The clouds are thick and grey, with occasional pockets of sun coming through. In the center is a pillar of rain coming down.
Curtains of rain in the not too far distance.

Shortly after getting back onto I10 our radio cut out with an emergency broadcast: warnings of heavy rain, flash flooding, and hail. And we were driving right into it.

Driving down I0. It's a near empty freeway that dips down and then back up a hill. Three cars far up the road. The entire sky is slate gray.
Ominous horizon.

Once the sky turned apocalyptic dark, the temperature dropped rapidly. Feeling the window on the door it was super cold. Lots of thunder in the distance, and then the sky broke with extremely heavy rain, huge globules battering the Fiat (lucky no hail). We had to pull off to the side of the freeway for a spell. We saw poor motorcyclists pull over to put on their raincoats. The rain would soon abate and stop by the time we reached Benson. For the rest of the day, however, the skyline would be perpetually dark with storm clouds and rain pillars.

When it became safe to drive and we were back on our way, the billboards along I10 decreasing stopped advertising lawyers and instead, more and more, began advertising, THE THING?.

Billboard along the desert freeway, surrounded by green shrubs. The billboard is yellow. It says "THE THING? Exit 332 Black Hills Gold". Also there is a Shell and Dairy Queen logo.
One of the many THE THING? signed on I10.

These yellow billboards were everywhere, sometimes one right after the other. With each one we passed we got increasingly excited about checking out what THE THING? was. We hyped it up for ourselves so much, it had to be amazing.

After driving through Texas Canyon, which is filled with eroded boulders and rockscapes that make it look like a planet from the original Star Trek series, we could see just down the freeway, THE THING?, beckoning to us.

The Thing?

Pulling off I10, the outside of THE THING? looks like a large Shell station with a Dairy Queen attached to it. An aside, southern Arizona takes their Dairy Queens seriously. We saw more roadside adverts for Dairy Queens than any other fast food burger chain.

Nondescript white building side with a pair of black glass double doors. Above it, in stylized font, it says "THE THING? Entrance". Michele stands below it, pointing at the sign in amazement.
Michele stand in front of the entrance to THE THING.

Walking inside THE THING?, to the right was a bustling Dairy Queen, and to the left, a huge gift shop. This shop was filled with snacks, postcards, shirts, local artist doodads, toys, necessities, jewelry, novelties, stickers, rocks, crystals, Dinosaur things, just everything. The store could probably be said to be 1/3 devoted to THE THING?, 1/3 devoted to general Arizona trinkets, and the rest to normal travel items. 

On the far back wall, a counter manned by a very disinterested youth, where it costs $5 a person or $10 for a family (reasonably priced!) was the door proper to THE THING?. Here is a slide show of the major points of interest of THE THING?:

  • An alien, holding a laser gun, sits atop a raptor that has cyborg implants on its head. The exhibit looks like it is from the desert. Behind it, it says "Aliens vs. Dinosaurs".
  • A jackalope - which is a rabbit with antlers, poses on the rocks under a Dino tail.
  • A large triceratops. It is brown with blue eyes. it is roaring. Behind it, on the mural, is a UFO swooping in.
  • Three aliens stand in front of the ramp that leads to a blue and green lit UFO. They look like they are scouting around like a Star Trek away team.
  • A large T-rex with its mouth open going Roar. The mural behind it shows aliens shooting lasers at dinosaurs and UFOs flying away from explosions.
  • One of the many walls that shows a timeline and how aliens interacted with history. The one picture here is of the Roman Empire. It is captioned "Ancient history retold".
  • A red model T. It has 2 seats. Its wheels have wood spokes. It looks incredibly uncomfortable to sit in.
  • A black Rolls Royce. In the back seat is a mannequin of Winston Churchill. A grey Alien is driving the car.
  • The Placard says: Here lies...the thing? What is it? That question has bewildered us for over 50 years! Some have had their theories. It was suggested an ancient curse was placed upon it and dire consequences awaited those who touched it. Or, could it be part of a large government scandal to cover-up a secret so terrifying, it could cause mass hysteria? What if... this is the ancient artifact discovered deep within the copper mines of Arizona? This display represents what the setting may have looked like when it was discovered. Of course, no one may ever know! So, we are still left to wonder... What is this mystery of the desert, the thing?
  • In a glass case, lit with orange and blue lights, lay the thing. It looks like a mummified person, holding a mummified baby, with a hat placed over them.

So, what is THE THING? Despite the name, it has nothing to do with the John Carpenter movie of the same name. However, ironically enough, back up the road in Benson, there is a road that runs parallel to the freeway called Dark Star Road, which is named after Carpenter’s directorial debut. Overall, it can best be described that someone watched every single episode of History Channel’s Ancient Aliens, decided to go all in on that theme, and set up an elaborate backstory that would cumulate into THE THING?.

THE THING? can basically be divided into two large segments that each make up half of the exhibit: the dinosaur portion and the alt-history portion. 

The first, dinosaur, section of THE THING? tells the story about an alien race, the RAH’thians, that came to Earth during the Dinosaur times. They used their technology to enslave the Dinosaurs. There were also cave dwellers. At some point there was a civil war between the good and bad alien factions, and the Earth got destroyed (start of ice age). This entire portion of the exhibit was over the top, with many statues of aliens, dinosaurs, fossils, and placards that went into intricate “what if” history of the aliens in the prehistoric past. Each wall was a mural depicting Jurassic times, or epic space and land battles.

The second, alt-history, portion of the exhibit focused on the aliens returning back to earth and shaping human history. The good aliens did good things, and the bad aliens did bad things, like back Hitler. The walls had timelines from ancient Greece and Roman times up to World War 2 times were everything, from atomic bombs to sunken ships, are all entwined with the aliens. This portion of the exhibit also contained many old vehicles, like stagecoaches and wagons, old Model T cars, and even a Rolls Royce purported to have been owned by Winston Churchill.

This all cumulated into a small, dimly lit room made to look like the inside of a deep mineshaft, with a glass display case hugging the wall that contains… THE THING?, which is supposed to link all this alt-history and dinosaurs and aliens and cave dwellers together. THE THING? itself looks to be a mummified woman holding a mummified baby with a hat placed atop of them. I like to think it is an actual mummy found out in the desert a long time ago, but it also might be a fake. Regardless, the whole experience was AWESOME. Getting pumped seeing the billboards, arriving at THE THING?, seeing the outlandish story of the aliens and dinosaurs, all leading to the mummy. 100% worth it.

Enthralled having experienced the awe that is THE THING?, I purchased an armload of postcards, fridge magnets, hot sauce, peanuts, and a T-shirt like the tourist I am. We were soon back on the road and heading east to Willcox which was about twenty minutes away.

Willcox Cemetery

We arrived in Willcox a shade before 2:00 pm. Since our check in at the Holiday Inn Express was at 3:00 pm, we had some time to kill, so we drove straight to the Willcox cemetery at the northeast corner of the town, more-or-less right behind the Elks Lodge that we would be hunkered in for the next few days.

The road to the cemetery was unpaved, and with the sky threatening another storm, would easily turn into mud which would no doubt trap our Fiat. Because of this, and the armies of red ants that awaited us, we could not stay long at the cemetery. Oh yes, red ants. There was probably a ratio of three red ant hills to every grave in the cemetery. The cowboy ghosts have much company.

The cemetery. Not many grave stones or markers are visible as most have toppled over, and the cemetery is overran with weeds and cacti. The distance is dark and full of storm clouds. The mountains in the distance show the Dos Cabezas Peaks. It looks like a pair of lips pursed up, trying to kiss the sky.
Willcox Cemetery.

The cemetery dates from the late 1800s, so all of the graves we saw were from that time period. The area proper was overgrown with prickly weeds, which, of course, I was wearing shorts while adventuring. The majority of graves had toppled over, broken into pieces and were slowly dipping back into the earth. A few wooden markers somehow survived the century. With the thunder clouds approaching and the general quiet of the high plains of Willcox, the cemetery was indeed atmospheric.

Grave of Warren Earp. It is made out of metal. It says "Warren Baxter Earp 1855 - 1900, The way it was". The grave has a picture of a cowboy hat, a bottle, a gun, a sheriff star, and a bull head.
The grave of Warren Earp.

Warren Earp’s grave was at the far end of the cemetery, forcing us to traverse through weeds, red ants, and accidentally stepping on fallen graves (sorry about that!). Warren Earp may not have been present at the infamous O. K. Corral gunfight, but he none-the-less has his own notoriety. There is even the possibility he might have driven the coach that took Burroughs to Fort Grant!

But, it was humbling standing before Earp’s grave. Right in front of us, was a legend of the Wild West, whose own history was connected to Wyatt Earp, Doc Holliday, the frontier, and so on. His grave stood out in the cemetery, as it was made of metal and seemed invincible among the crumbling ruins elsewhere.

After visiting the grave, Michele and I made our way out of the cemetery and proceeded to the Holiday Inn Express in hopes of an early check in. Awaiting in the lobby, also hoping for an early check in, was prolific author Jeffrey J. Mariotte, who was also the guest of honour at the 2025 ECOF! I had the privilege to interview Mariotte the other month in anticipation of the ECOF, and that interview can be read here. It was fantastic to finally meet Mariotte in person, he was extremely affable and quiet soft spoken.

Our room turned out to be on the top floor, lucky number 313. It was a room that had seen some wear-and-tear, with chipped wall fragments and a window leak above the AC unit. But the beds were comfy, the pillows were huge and fluffy, and we had William Shatner hosting paranormal nonsense on the History Channel, so we were all good! 

Looking west from the hotel room. The sky is very clouds, but also fiery from the setting sun. There is also a truck stop with many semis pulled in for folks to get some sleep.
The sun sets on Willcox.

Our room had a great view looking west and we got to watch some great sunsets and lightning storms during our stay. 

Friday

Early to bed means early to rise Friday morning, the first official day of the ECOF. Michele and I had breakfast in the dining area of the Holiday Inn Express, a rather small area at that. Attendees of the ECOF were not the only folks headquartered at the Holiday Inn, but The International Cessna 170 Association as well. Older folks with name tags galore: are they there for Tarzan or tailspin? Both parties present meant the breakfast area got cramped quick, so Michele and I would not linger too long. Eat and leave so other folks could have our spot. We do have to give kudos to the Holiday Inn for continental breakfast variety: hot foods (scrambled eggs, omelets, potatoes, biscuits, gravy, sausages), a pancake making Rube Goldberg machine, cinnabons, cereal, yogurt, juices, milk. 

The conference’s hotel is about two miles as the crow flies northwest of the Elks Lodge, a super quick less than ten minute drive. On the way over we could see storm clouds already forming on the horizon.

We arrived perhaps a little before 9:00 am, and the ECOF’s room was probably halfway set up by the other vendors. Michele and I chose an empty table near the back, being neighbors with guest of honour Jeffrey Mariotte. Before we could get fully setup, we had to go register where we got our name tag:

A rectangular badge that says "Edge Rice Burroughs Chain of Friendship - ECOF 2025 - Nicholas Diak - Willcox, Arizona". The lanyard is blue.
My badge for the 2025 ECOF.

A copy of the program:

And a goodie bag!

The Goodie Bag

When attending conferences and conventions it is always cool to get a bag-o-swag. The ECOF 2025 goodie bag was loaded with treasures. Here is a slide show of each item (use the arrows to flip through):

  • A black bag that has the Gilead event poster art on it.
  • The ECOF pin. It's a match of the poster. Art by Gilead. In blue lettering it says "Edgar Rice Burroughs Chain of Friendship - ECOF 2025 - ERB 7th Cavalry Monument, Willcox Arizona, September 25-28, 2025, Celebrating ERB's 150th Birthday". The top of the poster shows Burroughs in uniform, Tarzan, John Carter, Dejah Thoris, a green alien with four arms, and the Apache kid. Below them is a row of old houses.
  • The ECOF poster. Art by Gilead. In blue lettering it says "Edgar Rice Burroughs Chain of Friendship - ECOF 2025 - ERB 7th Cavalry Monument, Willcox Arizona, September 25-28, 2025, Celebrating ERB's 150th Birthday". The top of the poster shows Burroughs in uniform, Tarzan, John Carter, Dejah Thoris, a green alien with four arms, and the Apache kid. Below them is a row of old houses.
  • A postcard of the Edgar Rice Burroughs Plaque. It reads: Edgar Rice Burroughs 7th US Cavalry, 1896-1897. Edgar Rice Burroughs arrived in Willcox, Cochise County, Arizona Territory by train on May 22, 1986. With only one dollar in hand, he was able to get a room at the Willcox Hotel, a meal, and a bath. The next day, he traveled by stage to Fort Grant, where he was sworn in as a private in the 7th US Cavalry. As a Solider in Troop B, he counted for the outlaw Apache Kid and his band north of Willcox in the summer of 1986. Burroughs became world famous as the creator of "Tarzan of the Apes," "John Carter of Mars," and other works of fantastic fiction. His cavalry service inspired him to write two historical novels of the Apache Wars. Arizona left an indelible mark on the author, who featured it in a number of his stories. This plaque honors Burroughs' military service and all troopers, Buffalo soldiers, and Apache scouts who served with him at Front Grant, A.T. Dedicated September 1, 2025 on the 150th anniversary of the birthday of Edgar Rice Burroughs (1875-1950). Donated by the Burroughs Bibliophiles, Burroughs Family, Sulphur Springs Valley Historical Society, and the City of Willcox. The plaque is bordered by black and white photos of ERB, The Apache kid, Fort Grant, and Company A of Apache Scouts.
  • A magnet of the Edgar Rice Burroughs Plaque. It reads: Edgar Rice Burroughs 7th US Cavalry, 1896-1897. Edgar Rice Burroughs arrived in Willcox, Cochise County, Arizona Territory by train on May 22, 1986. With only one dollar in hand, he was able to get a room at the Willcox Hotel, a meal, and a bath. The next day, he traveled by stage to Fort Grant, where he was sworn in as a private in the 7th US Cavalry. As a Solider in Troop B, he counted for the outlaw Apache Kid and his band north of Willcox in the summer of 1986. Burroughs became world famous as the creator of "Tarzan of the Apes," "John Carter of Mars," and other works of fantastic fiction. His cavalry service inspired him to write two historical novels of the Apache Wars. Arizona left an indelible mark on the author, who featured it in a number of his stories. This plaque honors Burroughs' military service and all troopers, Buffalo soldiers, and Apache scouts who served with him at Front Grant, A.T. Dedicated September 1, 2025 on the 150th anniversary of the birthday of Edgar Rice Burroughs (1875-1950). Donated by the Burroughs Bibliophiles, Burroughs Family, Sulphur Springs Valley Historical Society, and the City of Willcox. The plaque is blue, with the text in yellow. The plaque has a yellow border.
  • A pen. It has a copper tip and clingy bit. The rest is black. In white it reads "Edgar Rice Burroughs".
  • Small, thin paperback book. It is white, with a black and white photo of Burroughs leading a horse. The font color of the title is red.
  • A coin and a display, still in its packing. The coin is large and has a headshot of Burroughs. It says "Edgar Rice Burroughs - creator of Tarzan and John Carter".
  • Back of the coin. It reads "150 Years - Celebrating the master of adventure, 1875 - 2025"
  • A paper booklet, almost a zine. It is a preview of Mariotte's upcoming book. The artwork shows a man fighting a lion, in the archery of some stone ruins, with a ruined London (there's Big Ben present) in the background. In black ink it is signed by Mariotte.
  • A black and white map of southeast Arizona from 1895.
  • Two keychains made out of beads, turquoise in color.
  • The Willcox Medallion's back shows a train, with farm lands, and 2 cows. It looks like a little kid drawing. It says "Willcox Arizona, founded 1880". The back of the peace coin says "War Peace Honour in both Dragooon Mts. A.T. Treaty by Cochise Gen. O. O. Howard To Jeffords".
  • The Willcox coin shows an Arizona flag, a man on horse chasing a bull, a train, a tractor, and a native American holding a flag on a horse. The perimeter of the medallion reads "City of Willcox, incorporated May 1915" The Peace treaty coin shows 2 hands shaking. Its perimeter reads "Chiricahua Apache Peace Treaty Oct 10, 1872 - 2022"
  • Blue USB stick with a blue cord.

Included in the swag bag, which was black and adorned with the event’s poster art done by Gilead, was:

  • The program
  • A poster of the ECOF event done by Gilead
  • A pin of the poster
  • A postcard of the ERB monument
  • A refrigerator magnet of the monument
  • A Burroughs pen
  • A copy of Arizona Connections: In the Life and Works of Edgar Rice Burroughs by Alan Hanson
  • A large commemorative coin from ERB Inc. of Edgar Rice Burroughs
  • A sample chapter from Mariotte’s Beyond Thirty: A World Reborn (this was actually supposed to be part of the swag bag, but it did not arrive in time to be included, so copies were at Mariotte’s table. But I am including it here)
  • A black and white map of southeast Arizona from 1895
  • Two beaded keychains (from a local artist?)
  • Medallions commemorating Willcox and the Chiricahua Apache Peace Treaty
  • And a USD stick with Burroughs home movies

This goodie bag was set aside for the first fifty registrants to the event, and there is lots of good stuff in here!

Vendors

Goody bags procured, it was time for Michele and I to set up our table proper. This has been only the second time we have ever vended at an event, the first time being CoKoCon back in 2023. 

Half of our table. This shows all of Michele's arts and crafts: there's greetings cards (a cute halloween one with a cat), and journals and folios. Michele sits behind the table wearing a denim jacket because she is a cold panda.
Michele’s wares at our table.

Hard to believe that going to comic book conventions and other events for almost twenty years, we have never really vended before. So, we are total newbies at it. Rotten luck on top of it, the Elks Lodge’s wifi was not accessible, on top of there being no cellular reception, made it that our Square would not work. This turned out to be ok, everyone paid in cash and Michele wrote up receipts for everyone.

Our table! It show's Michele's half of crafts and the other half with stacks of our books from McFarland (James Bond book, Horror in Space book, Horror Literature book, The New Peplum, The Twilight Zone book, and the Stranger Things book).
Our table!

As shown, we had a pretty good setup with a range of stuff to sell. Michele had her crafts: cards, journals, and folios (make sure to check out her Facebook page for all her work). My half of the table was all of our books, from The New Peplum to Stranger Things. Since The New Peplum has an essay in it talking about the John Carter movie, that book sold the most. 

Jeff sits at his table, which has a blood red table cloth with vines and roses on it. He's got a skull with a raven atop it. A pile of pens and markers. He's got piles of books, from westerns to thrillers to super hero stuff. He also has a sword.
Guest of Honour Jeffrey Mariotte at his table.

As mentioned prior, we set up shop next to Jeffrey Mariotte. Mariotte is a seasoned pro at cons, with a red tablecloth and decorations like a skull with a raven on it, a pile of pens for every autographing scenario, stacks of books from all the different genres he’s written in, and some other IPs as well, and, the most important thing, a sword! Mariotte was able to bring in a replica cavalry sword from his personal collection that would have been akin to what Burroughs would have used when he was stationed at Fort Grant.

Four folks stand together, arms around each other. Christopher Paul Carey is super tall compared to everyone else. Sullos is wearing a tiki-style shirt but of the desert.
ERB Inc. Left to right: Christopher Paul Carey, Cathy Wilbanks, Llana Jane Burroughs, and Jim Sullos.

Next to Mariotte were the tables for ERB Inc. which were staffed by Christopher Paul Carey, Cathy Wilbanks, Llana Jane Burroughs, and Jim Sullos. Sullos was rocking some tiki-style shirts throughout the convention. I have not seen the ERB Inc. folks since pre-Covid, probably the last time at Wondercon, so it was great to see them all again. Their table was half books, with a focus on newer editions, such as the authorized Tarzans, and half shirts and wearables. They also had more of their commemorative coins for other ERB characters. Lots of great merch.

Griffin and Buckingham at their table. In front of them are Griffin's Tarzan books and copies of their newly launched magazine, Reverberate.
Scott Tracy Griffin (L) and Gary Buckingham (R) at their table.

Across from Mariotte and ERB Inc.’s tables were Scott Tracy Griffin and Gary Buckingham. Gary had a huge spread of his many Wild Adventures of Edgar Rice Burroughs books, such as Tarzan and the Lion of Judah and Tarzan: Untamed Frontiers, and Griffin had copies of his ornate Tarzan film books. Together they had copies of issue one of their newly launched magazine, RevERBerate, and issue two, which they just debut at the ECOF. Michele bought the second copy of the second issue and got it autographed by the duo.

There were, of course, tables with other vendors and authors. Authors Robert Lupton, Robert Leeper, Doug Hocking, Frank Puncer (who we finally got to meet for the first time and he was incredibly friendly), had tables with their books or website posters. There was one vendor with many boxes of old pulp magazines, from Weird Tales to Amazing Stories. Robert Leeper’s write up about the event at Nerdvana (link here) contains many more photos that showcase the Elks Lodge and the vendors within.

Roughly an hour after getting set up and getting acquainted with the vendor’s room (Huckster Room) the clock struck 10:00 am and it was time to begin the presentations for the day.

Friday Presentations

The small stage on the west wall in the Huckster Room served as the presentation place, and I liked this. Many conferences, those on the larger side, typically separate presentations and panels into a side area from the vendor space. Since the ECOF was a lower key affair, everything was in one room, which allowed all of us vendors, and everyone else, to hear the presentations. The downside was the entrance to one of the bathrooms was right behind the podium. 

Dr. Seymour stands at a podium. The center of the picture is a pull down projector, flanked by 2 Elk heads. The slide being presented shows spears, pistol pieces, and other artifacts.
Dr. Deni Seymour presents on the newest discoveries of the Coronado expedition found near the local area.

The first presentation given was by Dr. Deni Seymour titled “Recent Discoveries about the Coronado Expedition (1539 – 1541)”. This was a fantastic presentation detailing all the archeological finds Dr. Seymour has been encountering along the San Pedro River. The slides showed so many artifacts: cannons, pistols, arrows, spears, jewelry, and so on. She talked about how they discover where the expeditions camped and where they got into skirmishes, and then using this information to form trajectories as to where the next movement of the expedition went. She also talked a little about the clandestine nature of the work because these sites are vulnerable to being visited by others and ruined/objects taken/vandalized/etc. A great presentation with lots of awesome visuals of what Dr. Seymour is uncovering.

Me! I am wearing a cowboy tiki shirt, standing at a podium, with a mic in my right hand, and script in my left. There is a giant elk head judging me.
Nicholas Diak presenting on Tarzan and the Lost Empire. Photo by Scott Tracy Griffin.

The next presentation of the day was me! My presentation was titled “Tarzan nella valle dei Romani: Tarzan as a peplum strongman in Tarzan and the Lost Empire” (sorry folks, it was a mouthful). In the novel Tarzan and the Lost Empire Tarzan finds himself in a hidden valley in Africa that has two mini Roman empires in it, both at odds with each other. Tarzan fights Roman soldiers and eventually finds himself in the arena, becoming a gladiator, an even fighting a lion like Hercules fights the Nemean Lion. For all purposes, Tarzan becomes just like a sword and sandal strongman character (Hercules, Ursus, Maciste, Atlas, etc.) and placed in an antiquity setting. This is what my presentation deep dove into, and I will probably wind up editing it and putting it into a formal essay and submit it someplace.

At the Q&A at the end of my presentation someone asked, “who would win in a fight, Tarzan or Hercules.” In a room of full of Edgar Rice Burroughs fans, scholars, and even representatives from ERB Inc. itself, I replied with “Hercules because he is a demigod.” The boos I got were warranted, but I stand by my decision. I do concede Tarzan is much more agile, which is in alignment with neo-peplum characters, such as Perseus in the Clash of the Titans remake who can do flying spin kicks while wielding a sword.

After my presentation was an hour break time in which sandwiches, wraps, chips, cookies, sodas, and snacks were brought in. It was also a good time to mingle. Between presentations I got to talk to other folks and meet some in person for the first time, such as Robert Lupton and Jim Goodwin, who both gifted me books. Bernd Brand, one of the upcoming speakers, was extremely outgoing and complimentary toward my presentation. 

Scott Tracy Griffin wears a green shirt and stands on stage, giving his talk. No slides for this one, but the two Elk heads still look on.
Scott Tracy Griffin presents on RevERBerate #2 and deep diving into ERB’s sources.

The presentations resumed at 1:00 pm with Scott Tracy Griffin discussing his and Gary Buckingham’s new publication, RevERBerate, and its newest issue, which focuses on the Westerns of Burroughs. Griffin deep dives into the ten sources that Burroughs used as reference for his writings, of which he was able to track down eight. Per Griffin, Burroughs was able to anchor his Westerns into real life stuff by leveraging the sources he had at the time.

Brand stands at the podium, pointing at the screen which is showing the AZ flag and ERB's headshot.
Bernd Brand presents on “Apache Scouts working for the U.S. Army with an overview of the life of the Apache Kid”

The next presentation was done by Bernd Brand and titled “Apache Scouts Working for the U.S. Army With an Overview of the Life of the Apache Kid.” Brand focuses on the Apache Scouts, from 1860 to 1947, and all the sorties they were involved in and their accomplishments.

At major conventions like Wondercon and San Diego Comicon, ERB Inc. usually hosts a panel showcasing all their works they have in the pipeline or have recently released. For the 2025 ECOF, Christopher Paul Carey, Cathy Wilbanks, and Jim Sullos had much to show to audience. Here is a few images from their presentation in this slideshow: 

  • Carey stands at the podium, the slide shows a picture of the ERB HQ in Tarzana.
  • Carey at the podium, the screen shot the cover art for the ERB autobiography, Trailblazer.
  • Slide shows two book covers, both covers show a hideous face, one hooded.
  • Slide shows the cover art of the reprint of Beyond Thirty, which has a dude trying to take on a pride of lions unarmed.
  • Slide shows the wraparound cover of the Taschen book (at the time). It is green, it shows Tarzan surrounded by monkeys.
  • The Woola plushy is adorbs. It is green, has multiple legs, big eye, and teeth that stick out.
  • Slide has the Victory Harben Logo and an empty landscape.

Some of the major releases from ERB Inc. include

  • Trailblazer, the Edgar Rice Burroughs autobiography
  • Concluding the Authorized Library editions of Tarzan and now moving on to editions for John Carter
  • A re-release of The Monster Men (a rare Burroughs foray into horror) and a new book, Return of the Monster Men, by Josh Reynolds
  • A re-release of Beyond Thirty
  • Jeffrey Mariotte’s sequel, Beyond Thirty: A World Reborn
  • Sequel to the “Dead Moon Arc” of Korak at Earth’s Core done by Win Scott Eckert (coming 2026)
  • New Victory Harben tales in 2026 with a possible TV deal
  • The Land that Time Forgot: Kingdom of Skulls by Mike Wolfer (2026)
  • Chris Adams’ Gauntlets of Mars (the 14th book in the Wild Adventures of Edgar Rice Burroughs series) which made its debut at the ECOF. This book will reveal how Barsoom became a dying planet.
  • Return to Pellucidar story, which will be a follow up to a Joe Lansdale story
  • A huge tome from Taschen which will reprint the Hal Foster Sunday Tarzan comics, edited by Dian Hanson
  • Burroughs expansions to the Overpower CCG
  • A John Carter figurine from Frazetta Girls
  • Amazon carrying Burroughs audio books
  • Plushies of Woola!!!!!

Jim Sullos talked a bit about film and television projects that were outstanding and waiting for actions:

  • A Korak adult anime series
  • A John Carter Warlord of Mars animated series (per Sullos, younger folks are more interested in Carter than Tarzan)
  • Victory Harben animated series in conjunction with Flying S Films (the hope here is to use Victory Harben as the glue to hold together a true ERB universe)
  • An option on The Land Time Forgot
  • An option on Carson of Venus, which has been held up due to requirements demands of streaming services (need a director, a writer, a screenplay, the actors, etc.)

After some small technical difficulties and a computer swap later, ERB Inc. ended their presentation showing an AI generated clip of Burroughs, speaking to the audience and thanking his readers. 

The final presentation of the day was from Gary Buckingham, who compliments Griffin’s talk about their RevERBerate endeavor. Buckingham also gave some insight into his time of being a writer, the woes he encounters getting his books printed, and how he goes about researching to make sure his period pieces reflect the times appropriately such as lingo used. Buckingham talked about how he used his story, Tarzan: Untamed Frontiers, to plug the narrative holes in Burroughs’ canon.

And with that, the presentations for Friday came to a close. The next activities for the ECOF where a board meeting for the Bibliophiles followed by a screening of Tarzan and his Mate. Michele and I, however, were famished and weary from the day’s events, so we called it early. We had dinner in downtown Willcox at Isabel’s South of the Border. Michele had a quesadilla and I had a chile relleno and two margaritas. Bellies bursting full, we headed back to the Holiday Inn to call it a day.

Saturday

Saturday began with a continental breakfast in the downstairs dining area of the Holiday Inn Express, mingled in with the ECOF attendees and the Cessna Club folks. We got to the Elks Lodge at around 9:00 am when it opened up and killed time talking with others and table browsing before walking to the train station/city hall for the big event at 10:00 am: the monument unveiling!

Monument Dedication

For the monument unveiling, the section of the street, S. Railroad Ave., in front of the train station / city hall was blocked off. Two canopies and foldout chairs were placed underneath, though thankfully this Saturday was a sunny day, a respite from the last two days of rain and thunder.

White, fold out table. Two postal workers present. The table is covered in stamps, envelopes, and copies of the program.
Post office setup, selling stamps and doing cancellations.

Set up on the deck of the city hall was an impromptu postal station, with postal workers selling stamps and performing cancellations using a special ERB commemorative stamp for the event:

The stamp is for the US Army. The pink stamp cancellation thing, the thing they do when they stamp the stamp when you mail something, shows Burroughs next to a horse and an Arizona. It says: "Edgar Rice Burroughs 7th Cavalry Historical Monument - ERB Monument Dedication Station, September 27th, 2025, Willcox AZ 85643."
Close up of an envelope, stamp, and cancellation.

There was quite the queue of folks who wanted their stamps cancelled! It was a neat service and definitely added a unique, “you-had-to-be-there”, aspect to the whole ceremony/ECOF. 

After a bit of milling about, with folks taking photos of other folks guissied up, the dedications began. Here is a slide show of the speakers:

  • Sunny day with blue skies and white clouds. There are two canopies setup with fold out chairs underneath. People are mingling about.
  • Seven folks stand in front of the train station /city hall, with 4 dressed up: a soldier, a prospector, Tarzan, and another soldier.
  • Mayor Hancock at the mic in front of the city hall.
  • Franke III in a veteran cap at the mic.
  • Mariotte in a blue shirt and sunglasses at the mic.
  • Griffin in a purple shirt, white hat, and sunglasses at the Mic.
  • Both Burroughs great-grand daughters at the mic.
  • Tracy Scott Griffin, Frank Puncer (seated), Llana Jane Burroughs, Kathy Klump (seated), Kate Bonnaud.
  • Bonnaud is wearing a black hat and speaking into the mic.
  • Gray is in a cavalry uniform speaking into the mic.
  • The monument (obscured by roses from my angle), Bonnaud, her son, Llana Jane Burroughs, and Frank Puncer, who all lifted the cover of the stone memorial.

Folks who introduced the event and talked about Burroughs and the community included:

  • Frank Puncer, who was the master of the ceremonies
  • Greg Hancock, the mayor of Willcox, who talked about growing up with Tarzan
  • Kathy Klump, the president of the Sulphur Springs Valley Historical Society
  • Henry G. Franke III who talked a bit about Burroughs’ military career
  • Jeffrey Mariotte, the guest of honour
  • Scott Tracy Griffin, who introduced the Burroughs great-grand daughters
  • Floyd Gray, a Buffalo Soldier historian who talked about what Burroughs would have seen his first nights under the open sky
  • Kathy Bonnaud
  • Llana Jane Burroughs

Before unveiling the plaque, it was revealed that the boulder it was installed in was brought down all the way from Fort Grant, so it very well could have been a boulder that Burroughs had laid eyes on. Periodically during the speeches, a train would pass behind the station, halting the ceremony temporarily, but definitely adding to the ambience and the lore of Burroughs getting off the train station, right there, at Willcox.

The Burroughs family lifted the covering of the monument, and like the amazing photographer I am, did not take a clear picture of it. But, Robert Leeper took many, so take a look at his coverage at Nerdvana. There are also photos of the dedication and monument at the Cochise County Voice.

After the dedication, we would be remiss if we did not check out the interior of the train station/city hall, which had its public area converted into a museum. Here are a couple of pictures:

  • And old wooden desk with chair. A black typewriter sits alone. On the left wall are black and white photos on the right wall are maps. In the center wall, it has a black and white photo of the train station. The display is called "Honoring our roots"
  • Photos and placards describing the restoration of the train station. There is also a door knob and a broom.
  • Four liquor bottles, the one in the center is broken. One is called "Tanlac" and it is a "Splendid tonic". The one next to it is "Splancaster Bourbon". Then "Old Prentice Whisky" and then a tiny bottle that has directions on it.

It was neat seeing the restoration effort done on the train station, the glow up from being run down to the restored building it is today.

Saturday Presentations

The canopies and the chairs began the breakdown process and it was time to wander off. Michele and I spent some time walking around downtown Willcox, exploring an antique store where we ran into ERB Inc. folks doing their own shopping.

Franke at the podium under the Elk head on the wall. The projected slide is a run down of Burroughs' military highlights.
Henry Franke III speaks about Burroughs’ military career.

The ECOF presentations resumed at 2:00 pm, with three scheduled for the day. The first was Henry Franke III giving a speech on Burroughs’ military career. Though Franke had mentioned Burroughs’ service during the dedication earlier in the day, this talk went into greater detail, covering his time in the cavalry to his time in World War 2 as a war correspondent. An interesting fact Franke shared was that Burroughs had spent much of his life signing books to others that he flipped the tables during the Pacific Campaign and started collecting autographs of the servicemen he encountered.

Gray stands at the podium, with the projected screen titled "What did a 20 year old Edgar R. Burroughs see at Fort Grant in 1896-1897?"
Floyd Gray talks about Buffalo Soldiers.

The martial-themed presentations continued with Floyd Gray talking about the history of the Buffalo Soldiers and how integral, yet unacknowledged, they are in United States history. He spoke of why folks joined the Buffalo Soldiers, how they were confined to the west, and their accomplishments. 

Leeper at the podium. The projected screen shows images from a John Carter comic, of him wandering into the cave.
Robert Leeper talks about possible locations of John Carter’s cave.

The final presentation for the day, and for the ECOF, was from Robert Leeper titled “Geography vs. John Carter’s Arizona Cave”. Leeper talked about being in attendance at a pop culture event in Arizona, talking about John Carter, and having many folks question him as to where the location of the cave that John Carter found was. Leeper had a giant map of the south and east portions of Arizona and went through likely locations of where the cave could be. Using text from one of Burroughs’ books, he settled on the cave being located near the White Mountains in Eastern Arizona.

And with that, the presentations of the ECOF came to an end and the Huckster Room closed. Michele and I, and everyone else, packed up our tables to clear the area. It had been a fun two days headquartered in the vending/presentation room for the ECOF, but it was time to transition to the finale of the event: the banquet!

Banquet

The last bit of official programming for the ECOF was the banquet from 6:00 pm to 8:00 pm. The banquet was held in a dining area of the Elks Lodge, with a buffet style dinner: BBQ pulled pork sandwiches, beans, and vegetable lasagna. Kathy Klump brought in a homemade pineapple cake that was the centerpiece for the first part of the banquet: the Edgar Rice Burroughs birthday celebration. Pictures of folks going up to talk about Burroughs can be viewed in this slide show:

  • Small banquet room, filled with tables and filled to capacity with ECOf attendee.
  • Lana Kane Burroughs standing in the door frame with a mic.
  • Kate Bonnaud and her son. Kate has the mic.
  • Mariotte uses a mic stand and has notes. One of the Elk Heads peers in from behind him.
  • Franke III stands in the doorframe with the mic stand.
  • Frank holds a wall plaque that says "outstanding achievement award" and poses with Jim and Mike.
  • Jim Sullos in the door frame talking on the mike. The Elk head strikes again!

Llana Jane Burroughs wished Edgar Rice Burroughs a happy birthday, which lead to the room singing the birthday song. Jeffrey Mariotte took the mic stand to talk about his youth and getting into fencing and sword collecting, and also his encounters with speculative fiction writing luminaries while he worked at various bookstores in California. 

The last portion of the banquet was devoted to honouring Frank Puncer, who was bestowed an Outstanding Achievement Award by the Burroughs Bibliophiles for all the work he had done, not just for putting on the 2025 ECOF, but all his prior Burroughs centric endeavors (which are many). The award was truly well deserved. Puncer worked super hard to make sure everyone had a memorable and successful ECOF. Michele and I certainly did.

Autographed Treasures

When I attend events like comic book conventions or horror cons I love to bring things to be autographed (just look at any of my social media or news posts at this website and you will see me often sharing my autographed treasures). The 2025 ECOF was no different as Michele and I brought a box of books and comics to get signed by folks at the event. Here is some of that loot.

Christopher Paul Carey

The last time I saw Carey I had an armload of then-recently published ERB comics put out by American Mythology. In the years since I have gotten more books and comics he’s had his paws in. Here is a gallery of what I brought to be signed:

  • Paperback of Before They Were Giants. The cover shows an astronaut in a retro looking space suit, holding a ray gun, standing above a canyon. Above him is a giant, tentacled, floating monster.
  • Copyright page. In blue ink it says "Christopher Paul Carey".
  • Planet Stories double feature. It shows Sojan and the main character from Under the Warrior star, standing back to back. Sojan is holding a pistol and a shield while the dude from Warrior Star is holding a crystal sword.
  • Copyright page. Blue ink it is signed "Christopher Paul Carey".
  • Graphic novel. It shows Harben in the center in a colorful, alien jungle. She has a ray gun in her hand and a white small cat-like alien on her shoulder. In gold ink at the bottom it is signed by Christopher Paul Carey.
  • Grphic novel. Shows Victory Harben with her back to the reader, holding her ray gun up. There is a purple, space sky and the white cat alien who is now super huge. In gold ink it is signed Christopher Paul Carey.

Firstly, going old school, many moons ago Carey worked at Paizo and one of the lines he worked on was the Planet Stories series of books, which were reprints of classic sword and planet stories along with other sci-fi fare. I love the sword and planet genre and I have been collecting these books when I happen across them. Two of the books I have, the anthology Before They Were Giants, and the double book that contains Sojan the Swordsman by Michael Moorcock and Under the Warrior Star by Joe Lansdale, were edited by Carey. I really love Under the Warrior Star, so much so that I may have designed a cocktail based on the story which is slated to be printed in an upcoming issue of a certain fantasy magazine. (Shhh! Secret!).

Next, going new school, are my Kickstarter copies of two Victory Harben graphic novels: Ghosts of Amos and Warriors of Zandor. Apparently, Carey had never signed the Kickstarter editions of these comics before, so that was cool I got to be the first. I like Victory Harben, and I think her stories are the future of ERB Inc. I know Tarzan is the company’s bread and butter, but Victory Harben feels much more modern and connected to today and she does not have the baggage that Burroughs’ work carries. I really hope her cartoon series happens because I have a feeling it will be amazing.

Jeffrey J. Mariotte

While conducting my interview with Mariotte I tried to get my paws on as many books and comics he had his hand in as possible. A writer as prolific across so many genres and mediums as he, there is so much out there to check out! So, I brought my modest collection of items for him to sign (I wish I could have procured his Conan books!). Here is the gallery:

  • Cover shows Tarzan holding a knight and wearing a loincloth. Behind him is a black horse, kicking around. They are in a desert canyon, with a rock wall behind them and small cactus trees and logs.
  • Bookplate is a faded version of the covers, sans the horse and Tarzan. It is signed by Jeffrey Mariotte, Douglas Klauba, Chris Gardner, and has a repro signature from Burroughs.
  • Title page of Tarzan and the Forest of Stone. It is inscribed "For Nick, at ECOF 2025! Great to meet in person! Jeffrey J Mariotte".
  • Issue 1 of The Next Generation/Deep Space Nine crossover. There are five characters on the cover, but the only one I recognize is Picard and he is holding a laser rifle.
  • Issue 2 of the Next Gen/DS9 crossover. There's 4 characters on the cover. One looks like he's wearing a green smock. Picard is in the background.
  • Issue 3 of the Next Gen/DS9 Crossover. Dr. Beverly Crusher is on the cover holding a phaser. There is a Star Fleet dude holding a lady in his arms. There is also a blobby alien in the corner.
  • The fourth and final issue of the Next Gen/DS9 crossover comic. There is a dude holding a green vial. There is a Star Fleet guy running, holding a rifle in one hand and a lady in red in the other. The green vial has JJ Abrams lens flare on it, foreshadowing that he will be directing a Star Trek movie in the future.
  • Cover shows two space ships over two planets.
  • Title page. In black ink it is personalized "For Nick, at ECOF! Jeffrey J. Mariotte"

Firstly there is Tarzan and the Forest of Stone, Mariotte’s first contribution to the Burroughs canon. I bought my copy directly from the ERB website and it came with a bookplate already signed by Mariotte, Douglas Klauba, and Chris Gardner. However, I wanted my copy personalized and Mariotte gladly did so. It is the perfect book for the 2025 ECOF as it mixes Tarzan and the Wild West.

Next are the four issues of the Star Trek: Divided We Fall run that was published by Wildstorm. The story is a crossover comic of The Next Generation and Deep Space Nine and all four issues were edited by Mariotte. I am not a huge Trekkie, but I did watch a lot of Next Generation in the 90s when I was a teenager. I had gotten into the series when I started collecting the Star Trek: Next Generation CCG that Decipher was putting out. I was not able to watch much DS9, but probably my favourite episode I ever saw was the one where they time traveled back to the “Trouble with Tribbles” episode of the original series. I was able to find copies of these comics at my local comic bookstore, High Score Comics.

Finally, and related to Star Trek, is Andromeda: The Attitude of Silence. I recall in my college years, going home to visit my parents, and catching a few episodes of Andromeda, but I am far from familiar with the series. This was a random purchase: I was at Bookmans, browsing about looking for Mariotte’s Conan books in the sci-fi IP section of the store and happened upon this tome, so I plucked it up.

Burroughs Bulletins

One of the perks of being a member of the Burroughs Bibliophiles is you get copies of their journal, The Burroughs Bulletin. The journal publishes writings done by Bibliophile members and range from interviews to essays to galleries to retrospectives and other types of articles. My interview with pepla starlet Bella Cortez and her work on the Italian unofficial Tarzan film, Taur the Mighty, was published in issue 109. Since some of the attendees of the 2025 ECOF had articles published in the Bulletin, I brought a stack of issues, getting many of them signed by contributors. Here is a gallery of those issues:

  • Cover depicts humanoid with red skin and lots of cybernetic implants standing over a sleeping woman looked up to a machine. The room is filled with wires and lights.
  • Page 87 of the issue, the first page for Puncer's article "Edge Rice Burroughs and Wild Willcox" signed by Frank Puncer in black ink.
  • Page 144 of the issue "Interview of Neal Adams" signed by Gary Buckingham in blue ink.
  • Cover depicts Tarzan, crouching on a moss covered tree with a blank panther sitting behind him in an upper branch.
  • Page 60 of the issue, "Interview of Mike Grell" autographed by Gary Buckingham in black ink.
  • Cover shows Tarzan, tackling a lion with a knife in hand, and in turn the lion is attempting to tackle a gorilla.
  • Page 3, "Interview of Mike Grell, Second Session" signed by Gary Buckingham in blue ink.
  • Cover shows a tank-like vehicle with a giant drill on the front emerging from the ground (Think of those things the Shredder drove around in, in Teenage Mutant Ninja Turtles). There is a jungle girl in the foreground, a man approaching her, and his butler. In the background is a jungle and a T-Rex sticking his head out of the foliage.
  • Page 14 "Interview of Joe Jusko" signed by Gary Buckingham in blue ink.
  • Page 38 "Interview with Rob Dorsey, Author of the Barsoom Pentalogy" signed by Scott Tracy Griffin.
  • Issue 100-102 signed by Frank Puncer and Gary A. Buckingham
  • Issue 104-105 signed by Gary A. Buckingham
  • Issue 107 signed by Gary A. Buckingham
  • Issue 108 signed by Gary A. Buckingham and Scott Tracy Griffin

At the next Burroughs-centric event I hope to get even more issues signed! 

Tarzan and the Lost Empire

And finally, since my whole presentation was centered on the Burroughs novel Tarzan and the Lost Empire, I had to bring the new authorized library edition ERB Inc. published fairly recently to be signed by those involved. Here is a gallery of those signed pages:

  • Hardback of Tarzan and the Lost Empire. It is from the "Edgar Rice Burroughs Authorized Library". The cover depicts Tarzan in a Roman-style colosseum, standing triumphantly over a defeated gladiator.
  • Afterword page autographed by Henry Franke III.
  • Page 232 talking about the archives, signed by Cathy Wilbanks.
  • Cover depicts Tarzan in a leopard skin, crouched over a slain lion, holding his knife, in the middle of a Roman-style arena.

I was able to get this handsome edition signed by Henry Franke III who composed the afterword and Cathy Wilbanks who wrote about the archival matter. Included in these images is the way old school Dell paperback of Tarzan and the Lost Empire, a gift from Frank Puncer, which I will cherish. 


 
 
 
 
 
 

Categories
News

News Roundup 2025-10-05

Personal / Website News

It has been since August since I last posted to my website here! September was simply a crazy month. At work I am on two implementations at the same time, so that has been a big focus for me. The other thing was getting prepared for the 2025 ECOF that happened last weekend. I’m right in the middle of doing a big write up and picture gallery that recaps the event, which I’ll have posted this Wednesday. After that, back to the Emmanuelle book and cranking out the backlog of comic book reviews. In the meantime, here is a month’s worth of news to catch up on!

Panthans Journal #340 and #341

Since my last website update, two issues of The National Panthans Journal have been been published.

Issue #340 contains a re-print of my interview with Jeffrey Mariotte, “Thunder in God’s Country: Interview with Jeffrey Mariotte.” I also sent in a letter to the editor where I go over some Edgar Rice Burroughs inspired libations.

Cover of Panthans Journal #340. Art is done by David Michael Beck. It depicts Tarzan stabbing a dinosaur (A T-rex?) through the next with a spear, while the dinosaur stands atop a tree of roots and vines.
National Capital Panthans Journal #340

Issue #341, which came out this past Saturday, contains a reprint of my review of the third issue of Vanya, which can also be read online here.

Cover of Panthans #341 by Mark Wheatley. It's monochrome - black and brown. It shows Dejah Thoris in the center holding a sword and being her John Carter and a 4 armed alien. Behind them are the silhouettes of a city full of towers.
National Capital Panthans Journal #341

Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Sincere appreciation to Laurence for the opportunity to have my work published in the journal.

Scholars from the Edge of TimeClash of the Titans (2010)

In June, Michele and I announced we would start covering the three Clash of the Titans films: the original, the 2010 remake, and Wrath of the Titans for Scholars from the Edge of Time.

Our dialogue for the original film went online back in June. We had to skip July because someone (me) decided to fracture a toe.

Blu-ray that contains the two Clash of the Titans films and Wrath of the Titans. the cover is divided into three horizontal sections, with each section showing the title of the film and a scene/poster art of it.
Personal copy of the Clash of the Titans ’81, Clash of the Titan 2010, and Wrath of the Titans 3 Movie Blu-ray set.

Well for August we are back, baby! Our discussion about the Clash of the Titans remake can be watched on YouTube here. Give it a watch/listen!

For September we were scheduled to talk about Wrath of the Titans, but that Thursday we were in Willcox, AZ for the Edgar Rice Burroughs Chain of Friendship gathering. Instead, when we got back, on Tuesday we did a recap of our adventures and talked about THE THING, the ECOF, and my presentation on the peplum elements of the novel Tarzan and the Lost Empire. That can be watched on YouTube.

Hardback of Tarzan and the Lost Empire. It is from the "Edgar Rice Burroughs Authorized Library". The cover depicts Tarzan in a Roman-style colosseum, standing triumphantly over a defeated gladiator.
Personal copy of the hardback edition of Tarzan and the Lost Empire.

In October we will finally conclude the trilogy by discussing Wrath of the Titans.

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Panthans Journal #338. Cover is by Mark Wheatley. It shows Dejah Thoris riding atop a mountain against a red martian landscape with a domed building in the background.
Panthans Journal #338

“She’s Got the Killer Instinct: Vanya Issue 01” reprinted in the National Capital Panthans Journal #338.

Original can be read here.

Cover is by Mark Wheatley. It shows a 4 armed aliens holding two swords, in a dungeon, fighting John Carter and Dejah Thoris.
National Capital Panthans #339.

“Hunter – Lover – Killer: Vanya 02” reprinted in the National Capital Panthans Journal #339.

Original can be read here.

Cover of Panthans Journal #340. Art is done by David Michael Beck. It depicts Tarzan stabbing a dinosaur (A T-rex?) through the next with a spear, while the dinosaur stands atop a tree of roots and vines.
National Capital Panthans Journal #340

“Thunder in God’s Country: Interview with Jeffrey Mariotte” reprinted in the National Capital Panthans Journal #340.

Original can be read here.

Cover of Panthans #341 by Mark Wheatley. It's monochrome - black and brown. It shows Dejah Thoris in the center holding a sword and being her John Carter and a 4 armed alien. Behind them are the silhouettes of a city full of towers.
National Capital Panthans Journal #341

“Jungle Romps and T-Rex Chomps: Vanya 03″ reprinted in the National Capital Panthans Journal #341.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things I shared online from these past few weeks. Highlighting things from my personal collection of pop culture artifacts. Or artifacts I’m digging out of the archive. Just, general cool or unique things to show off.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Final Exam

Final Exam, a film that rides that early wave of 80s slasher movies. I have not watched it in many years, but I remember digging it, and also how it tip toed into genre meta-ness before the likes of Deadly Spawn and Scream.

Standard black DVD case. Artwork show a silhouette of a person holding a knife standing in front of a campus. In silver ink it is signed "Nick! Radish rocks!
Personal copy of Final Exam DVD signed by Julia Marchese.

Horror film aficionado, podcast, and film director Julia Marchese moderated the commentary track on the old DVD copy of the film, and she was kind enough to let me post it to her way back in the day to autograph.

Challenge the Devil

More Bella Cortez, queen of the pepla, goodness!

As folks know, I’m a super fan of peplum starlet Bella Cortez, got to interview her, and also had her autograph the films in my collection she stars in.

Blu-ray in a black case. The cover is a poster art. It's gothic: there is a woman in white in the center holding a chalice. Behind her is a castle being struck by lightning. At her feed is an open grave and a woman screaming, her hands brought to her mouth.
Personal copy of Challenge the Devil from the Severin Christopher Lee box set.
The white other side of a standard Blu-ray sleeve. In black ink it says "To Nicholas, Bella Cortez".
Challenge the Devil Blu-Ray sleeve, reverse side, signed by Bella Cortez.

While Cortez is mostly known for her sword and sandal appearances, she did star in a handful of other Italian genre films, such as the gothic horror film Challenge the Devil, which saw a new edition not too long ago in Blu-ray format as part of a Christopher Lee boxset from Severin Films. Here is the sleeve of the Blu-ray signed by Cortez.

New Sword and Sandal Acquisitions

The ever growing peplum research library grows with these recent sword and sandal films acquisitions.

William Castle pepla

On my last news roundup I shared I found a lobby card for a William Castle peplum film called Slaves of Babylon (1953). I was so caught off guard that the maestro of horror cinema had some some historic epics that I set out immediately to collection them. And here they are!

Two DVDs. The left is for "Slaves of Babylon". It has a frame from the movie of a procession of people, walking in the desert, toward a rainbow. The DVD on the right is a 4 movie collection called "William Castle Adventure Collection". It's a collage of different art pieces from posters from the films: a dude embracing a girl, a knight in main, a nile Princess with Bettie Page bangs, and knights on horse back charging with their sabres up.
DVDs of William Castle’s pepla films

No Blu-ray treatments for these films, but I’m excited to give them a watch and see how the compare to the likes of House on Haunted Hill (1959). I ordered from Alpha Video the aforementioned Slaves of Babylon, and then got on eBay and found this multi-film set that contains the Egyptian peplum Serpent of the Nile (1953) and two other historic epics: Charge of the Lancers (1954) which takes place during the Crimean War (1853-56), and The Saracen Blade (1954) which is during the Crusades.

In the meantime I went to a sports card store and got a plastic sleeve big enough to hold my lonny card until I can get it proper framed.

The Norseman

I have a huge soft spot for the films of Charles B. Pierce. I was first introduced to his work by way of Boggy Creek 2 on MST3K when it first air on the Sci-fi Channel back in the 90s, and I thought it was a great episode! Years later I would finally watch the original Boggy Creek film, and it is a terrific faux documentary/horror film. In the 2000s I collected all the films of his that I could get my paws on at the time, such as his westerns. However it totally flew under my radar that he did a Viking peplum!

Standard blue case Blu-ray. Cover art shows a viking, standing atop... a small hill? There are two Native American warriors and a Native American woman who looks a bit like Teegra from Fire and Ice below the viking. There is a viking boat in the background.
The Norseman Blu-ray.

That film is The Norseman (1978), which was released in that empty void of pepla, before 1979’s Caligula and before the Conan cycle of strongman films. The movie was apparently shot in Florida, which when I think Vikings, I think Florida. I do recall watching and enjoying Pathfinder (2007), which also deals with Vikings encountering North American indigenous folk, so this might be a good pair of movies to compare and contrast together.

The Rabbit Joint – Zelda vinyl

Back in the latter half of the 90s, during those halcyon days of Napster, apparently there was a parody song circulating out there called “Zelda” that was sung to the tune of the Zelda theme, and attributed to System of a Down. How this never, ever, ever showed up on my radar is a surprise to me.

Last month I get a news letter from Light in the Attic records about the song getting a vinyl release. What struck me was the cover art for the vinyl – showing princess Zelda under a tree with a town behind her. I really liked it! So I impulsively bought the record based on the lore behind it, and the cover art.

7" vinyl sleeve and record. The record is dark green. The cover shows princess Zelda, holding a sword, standing under a tree, with a town in the middle of a forest behind her.
The Rabbit Joint’s “Zelda” vinyl.

Turns out the song sucks bad. It’s really annoying. It sounds shades like Group-X (remember Group-X? The “Mario Twins” song?). But, it is an interesting curio in the Zelda history, and to an extent, sword and sorcery history.

Digital versions of some of the tracks can be bought off Bandcamp thought I did a physical pre-order at Light in the Attic.

George Bernard Shaw’s Caesar and Cleopatra Magazine Advert (and other swag)

Aside from the lobby card of Slaves of Babylon, I found another fun toga and sandal thing at the antique mall: a magazine advert for Caesar and Cleopatra (1945). There was a booth that was selling just advert pages from old magazines, and I saw this one a plucked it up. It’s really nice looking.

  • Colour page from a magazine in the 40s advertising Caesar and Cleopatra. There is a giant Vivian Leigh face at the top, and 4 scenes from the film around her. The advert proclaims "..in her first great tole since Scarlett in Gone with the Wind"
  • DVD boxset of three movies from George Bernard Shaw (Major Barbara, Caesar and Cleopatra, and Androcles and the Lion). The boxset's top is light orange, the bottom is dark orange. There is a ribbon of stills from the movies in the center.
  • Old book of the play of Caesar and Cleopatra. There is a mask in the center, but no other graphics.

Back in 2021 Michele and I talked about this film on an episode of Scholars from the Edge of Time. However, that episode was hosted on BlogTalkRadio, which went defunct earlier this year. Luckily, I saved an MP3 of the episode, I just need to find a venue to host it. Maybe in the meantime I should re-watch it for a Peplum Ponderings article.

Anywho, I have the Eclipse (Criterion Collection) boxset of some of the movies adapted from Shaw’s plays, and a copy of the Caesar and Cleopatra play in book form, so check all those goodies out in the slideshow above.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Fan2Fan Episodes

Bernie and Pete have lots of new episodes of their Fan2Fan podcast online. Since it has been a month+ since my last news round up, there is a lot of epodes to get caught up on!

First they have an episode on the classic 1990 film Tremors (which will always rule):

And then another episode on the Tremors franchise proper:

Tremors and Creature Features! Fan2Fan Podcast

And an episode on the cult vanity project film, GetEven:

Champagne and Bullets Fan2Fan Podcast

Then this episode on Jaws knock offs and other sharksploitation fare:

Sharksploitation Fan2Fan Podcast

Followed by an episode devoted to the UK Video Nasties of the early 80s:

Video Nasties Fan2Fan Podcast

The duo also spend two episodes interviewing Jim Carl, the Senior Director of Programming at the Carolina Theatre in Durham, NC. First part:

Retro Movie Programming with Jim Carl Part 1 Fan2Fan Podcast

And part two:

Retro Movie Programming with Jim Carl Part 2 Fan2Fan Podcast

Next Pete and Bernie take a dive into the 2023 comedy-horror film Totally Killer:

Flash Frights – Totally Killer Fan2Fan Podcast

Followed by another comedy-horror, You Might Be the Killer:

Flash Frights – You Might Be the Killer Fan2Fan Podcast

And then kick off October, the month of horror films, they talk about 1980’s Hospital Massacre:

Flash Frights – X-Ray Fan2Fan Podcast

Followed by the found footage film Frogman:

Flash Frights – Frogman Fan2Fan Podcast

Then Mr. Crockett:

Flash Frights – Mr. Crockett Fan2Fan Podcast

And finally, bringing us current, the Italian horror film, Night Killer:

Flash Frights – Night Killer Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

Michele Appearance on Mount Olympus Vidcast

Hercules Invictus, who hosts our Scholars from the Edge of Time vidcast, does tons of other programming. He recently did a panel vidcast on mythical creatures – winged humanoids. Michele was a guest on the episode, talking about the first Mimic film. Give it a watch on YouTube.

A side note, Michele has been recording new episodes of Ride the Stream with her co-host Travis Lakata, so expect to see new episodes soon!

Categories
Interview

Thunder in God’s Country: Interview with Jeffrey Mariotte

With a writing and editing career that spans decades, Jeffrey J. Mariotte has done everything. From working in the comics industry (at major publishers IDW, DC, and Wildstorm), penning novels and comic books of popular IPs (such as CSI30 Days of NightBuffy/Angel, Conan the BarbarianStar Trek, and many others), to his own fiction work that encompasses a variety of genres (especially the western), Mariotte’s canon is impressive and prolific.

By his own admission, one thing Mariotte has not yet done is be a guest of honour at a pop culture convention. That career milestone is about to be crossed off his list as Mariotte will be the guest of honour at the upcoming Edgar Rice Burroughs Chain of Friendship (ECOF) Gathering that will be held in Willcox, AZ the 25th to the 28th of September. Mariotte, who wrote the Tarzan novel Tarzan and the Forest of Stone, is the perfect guest for this event being held in the town that is central to the mythology of the American west as it is the birthplace of Rex Allen and the burial spot of the youngest of the Earp brothers, Warren Earp. 

Jeffrey Mariotte is wearing a black had, sunglasses, and a blue denim shirt. There is a blue, cloudless sky behind him.
Jeffrey Mariotte author photo (provided courtesy by Mariotte).

In anticipation for this upcoming event, Mariotte has graciously allowed me to interview him about his writing, westerns, working with IPs, Edgar Rice Burroughs, and Tarzan.

As scholar of sword and sandal films, my obligatory first question has to be peplum related. Growing up, did you watch any old school sword and sandal films? Was it a genre you liked or had interest in?

I definitely did. The animated skeletons in Jason and the Argonauts both fascinated me and scared the crap out of me. Around the same time, I found Ben-Hur and Spartacus riveting (except I found the leper colony scenes in Ben-Hur disturbing, but the chariot race more than made up for it). My parents also took me to see Whatever Happened to Baby Jane in the theater in 1962, I don’t think they were intentionally trying to mold a horror writer, but it didn’t hurt.

From those roots, I graduated to swashbucklers on film and TV. I loved Disney’s Zorro, Errol Flynn’s The Adventures of Robin Hood and Captain Blood, and their ilk. Also, Johnny Weissmuller’s Tarzan, it should go without saying, and later the Ron Ely TV version. I spent four years, from the ages of 5 to 9, in France, where my father worked for the US Department of Defense and where old buildings, bridges, etc. were really old. Every antique store had swords and other forms of ancient weaponry galore, and I was enthralled by all that. I also fell in love with comic books there, which will become important later in this interview. In the summer between junior high and high school, I went back to France on a student trip, and I came home with a WWI-era Austrian light cavalry saber (in 1969, you could strap that to your suitcase and still get onto an ocean liner). In high school I took up fencing and archery, and I continued fencing in college. 

Sword and sandal, of course, leads to sword and sorcery. You worked on a few Conan novels in the Age of Conan line: Ghost of the Wall (2006), Winds of the Wild Sea (2006), and Dawn of the Ice Bear (2006). How did you get involved with writing Conan, and was Robert E. Howard an author who had an influence on you?

My discovery of Conan came with the Lancer paperback series, particularly Conan the Barbarian, with Frank Frazetta’s Conan wrestling a huge ape with a red cape. Once I read one – and they tied directly in with my fencing interests and growing sword collection – I had to read them all. And the comics. And then Leiber and Moorcock and everybody else. The early 1970s were the golden age for sword and sorcery fans.

Paperback book. Shows Conan fighting a gorilla with a flowing red cape.
Lancer paperback of Conan photo provided courtesy of Oliver Brackenbury of New Edge Sword and Sorcery.

When the Age of Conan MMORPG came out, I had a friend who worked for Ed Pressman, who was somehow involved with the Conan rights and an executive producer on the first two movies (uncredited on Destroyer). That friend was dealing with Ace books on the tie-in novels, and he came to me and asked if I wanted to write them. The remit was to write books set in Conan’s Hyborian Age, but without Conan as a main character, fleshing out the rest of the world. I mostly did that, but I did slip in a Conan cameo appearance, and they let me keep it, so I became the first writer in the 21stcentury to write Conan into a novel.

I don’t know that Howard was an influence on me stylistically, but in terms of inspiration, he absolutely was. I admire his work tremendously and his imagination even more. As an adult, I was lucky enough to meet Mike Moorcock and Fritz Leiber and L. Sprague de Camp and many of the other writers who toiled in those fields during my early days of discovery. Later I also met Roy Thomas and Gerry Conway and Barry Windsor-Smith and Neal Adams, and a bunch of the folks who made the early Marvel run so great.

The Age of Conan is still going, albeit far from as popular as its heyday, but it is one of those few post-World of Warcraft MMORPGs that still survives. Did you ever play the game perchance? Or perhaps dive into any other MMOs out there? 

I have the game box with its cool physical elements, but I gave my free code to play to a friend, because I don’t play MMOs at all. I was actually involved with two – I also wrote and edited a comic book that tied into the 2009 MMORPG Freaky Creatures, which apparently never really caught on with its target audience.

What was your introduction to the work of Edgar Rice Burroughs (ERB)?

I wish that I could remember the exact progression of that process. It started with Johnny Weissmuller’s movies, as mentioned earlier. They were seemingly on TV every week in my childhood and watching them created a fascination with jungle adventure movies that has never waned. At some point, I became aware that there were books behind them. I was also aware of the book All in Color for a Dime, by Richard A. Lupoff and Dick Thompson, because of my growing comics hobby. I read some of Lupoff’s novels, and I ran across his Burroughs book Master of Adventure. That was my entrée into the world of Burroughs scholarship. While I was attending San Jose State University, I met Dick, who just lived up the bay in Berkeley with his wife Pat, and that started a friendship that lasted the rest of his life.

Somewhere in between those things, I think after my discovery of Conan, but it might have been before, and getting to know the Lupoffs, I had read at least a few of the Tarzan books, some John Carters, some David Inneses, some Carson Napiers, and maybe a few others. Sadly, I didn’t keep reading journals or have the encyclopedic memory that a lot of Burroughs fans and scholars seem to.

Burroughs had written a handful of Westerns: The Bandit of Hell’s Bend (1924), The War Chief (1927), Apache Devil (1933), and The Deputy Sheriff of Comanche County (1940). Have you read some of his Westerns and if so, any impressions you have about them?

I love ERB’s westerns, especially the two Shoz-dijiji books. After thirty-one years living in California, I moved to a 40-acre chunk of land in southeastern Arizona’s Cochise County. I was near the south end of the Sulfur Springs Valley, just north of Douglas. When he was at Fort Grant, ERB was at the north end of the same valley. So those books, which take place in my old stomping grounds and involve Apache people and customs that I’ve also studied and written about, were wonderful discoveries. Of course, John Carter spent time there as well. I’d still love to do something fictional based around Ed’s period at Fort Grant.

What are some of your books that showcase your scholarship and writing about Apache peoples and their traditions that you’d like to spotlight?

I wouldn’t go so far as to say “scholarship,” but Apache characters and culture have played roles in many of my books, including the Desperadoes comics series, Deadlands: Thunder Moon Rising, and my Cody Cavanaugh traditional Western novel series (currently out of print but due to be reissued sometime soonish). 

Regarding Western literature, what would you say have been the biggest changes and shifts in the genre between Burroughs’ time to now?

The most substantive change, I think, is that today’s Westerns can be more realistic. Note that I didn’t say they “are,” because some definitely are not. But the option exists, in today’s Western fiction, to explore the rampant racism and sexism of the era, and on the flip side, to acknowledge that minorities and women were integral to the “settling” of the American West. In Burroughs’s day, if a character in a Western lived in poverty, it was probably a humorous minor character who was made fun of because he was poor. The truth is that a lot of people spent everything they had to go west, in search of their fortunes, but those fortunes never materialized. Diseases were romanticized, and generally easily cured through the accumulation of wealth, the wisdom of a kindly old doctor, or the love of a good woman. And of course, the single most significant fact of westward expansion was the genocidal effect on the Indigenous population—which, in some ways, continues today. Now, Western writers are able to address all of these situations in a more genuine fashion, pointing out the difficulties and terrors of the westward movement without relying on the stereotypes.

Going back to your adoration of Jason and the Argonauts, one cannot help but think of Harryhausen’s Weird Western The Valley of Gwangi (1969). Do you have any affinity to other Western subgenres, such as the Weird Western, Acid Westerns, neo-Westerns, etc.? Are these subgenres ones you like to write in?

I don’t think I’ve ever actually seen The Valley of Gwangi, though of course I’m aware of it. I should really track it down one of these days. I love Weird Westerns and actually began my career in Western literature with those, specifically with my 1997 comic book series, Desperadoes, which was very definitely Western horror. I tried to use real places and some real people and situations in the book, but all overlaid with supernatural horror. The series ran from 1977 to 2007, and I’ve recently written a short story involving those characters (in my collection Byrd’s Luck & Other Western Stories). I have an artist ready to go on what will be the last Desperadoes story, bringing the adventures of those characters to some kind of satisfactory conclusion. What we don’t have yet is a publisher willing to take it on.

I’ve also written several Weird Western shorts – the short-fiction collection mentioned above is split, with half of the stories being traditional Westerns and half Weird Westerns. And I wrote one of three novels based on the Deadlands RPG for Tor Books. Finally, I’m the unofficial “official” reviewer of Weird Western books for both True West and Roundup magazines (Roundup being the official magazine of the Western Writers of America, of which I’m a proud member).

As one last example, most of my original novels are set in the west and sometimes include aspects commonly seen in traditional Westerns. In my horror novel Missing White Girl, for example, the sheriff’s deputy who is the primary protagonist also owns a ranch and holds some ideals more closely related to the Old West than to the new one.

Cover shows Tarzan holding a knight and wearing a loincloth. Behind him is a black horse, kicking around. They are in a desert canyon, with a rock wall behind them and small cactus trees and logs.
Hardcover of Tarzan and the Forest of Stone

Your contribution to the Burroughs canon is with your novel Tarzan and the Forest of Stone (2022). What was the genesis of this project? How did it come about?

Speaking of the Sulfur Springs Valley, in 2019 my friend Bob Boze Bell of True West Magazine fame was the guest of honor at the Dum-Dum that Frank Puncer put on in Willcox. I accompanied Bob, and we had a grand old time getting to meet Burroughs fans and listening to scholarly talks and so on. Some of the folks from ERB, Inc., including Jim Sullos and Christopher Paul Carey, were also there. I got talking to them, and by the end of the event, Chris and I had pretty much agreed to do something together. Then he pitched me on writing a Tarzan novella, and I jumped at the opportunity. It was a true gift.

Bookplate is a faded version of the covers, sans the horse and Tarzan. It is signed by Jeffrey Mariotte, Douglas Klauba, Chris Gardner, and has a repro signature from Burroughs.
Bookplate for Tarzan and the Forest of Stone.

What obstacles did you encounter combining Tarzan with the Western? What was something neat you learned in the process of doing so?

I don’t remember any particular obstacles. I was putting Tarzan in a setting that was largely unfamiliar to him, the desert landscape of northern Arizona is as different from the deserts of northern Africa as the moon is to the Earth, but with the understanding that Tarzan is at home in nature, and not a guy who needs a lot of time to get acclimated to new things. I had a lot of fun with the opening section, involving Tarzan’s visit with a writer we all know and love, and I tried to get that part right, which meant learning about the house and grounds, the views from there. I also learned a lot about the Atcheson, Topeka, and Santa Fe’s The Chief, which at the time was the fastest way to travel from coast to coast. I love trains, so really enjoyed discovering the details of that journey (and finding out that its real schedule fit my story just right).

You have a tremendous history of dealing with other IPs and media tie ins, be it from the publishing side such as working for IDW, DC, and WildStorm, to also an author of numerous novels set in the Buffyverse, Star TrekCSI, and so on. Working with the Tarzan IP, when compared to other IPs, what was that like? What was similar and what was different?

I’ve written a ton of licensed fiction, as you say. Tarzan was different in several ways. First, as a character, he’s one of the very few who’s known to almost everybody around the world. Tarzan, Sherlock Holmes, Mickey Mouse, maybe Superman and Spider-Man, and that’s about it. So, I knew there would be a lot of fans, some of them hardcore Burroughs enthusiasts who don’t want other people messing with their guy, some of them fans of the existing stories and willing, even anxious, to read new ones. He’s also appeared in virtually every form of mass media, from the books to movies and TV, radio, newspaper strips, comics, and more. Basically, nobody was going to pick up the book not knowing who Tarzan is and a bit about his background. That’s part of why he’s fun to write, but also part of why it’s scary, everyone’s already got an opinion, got their version of him in their head. I wanted to try to stay true to how I see him while not negating how somebody else sees him.

Hardcover of Andromeda: The Attitude of Silence, sitting atop two copy books, issue 1 and 2 of Star Trek: Divided we Fall.
Scifi IPs that Mariotte has worked on.

Most of the other IPs I’ve written are well-known, but not that well-known. I’ve written Superman, Spider-Man, and Zorro, and those probably come closest. But Buffy and Angel, CSINCIS, etc., are considerably more modern. There are at most a few decades of stories in existence about them, and most people’s impressions of them were formed from the same source: television. Other novels exist, but I was writing mine at the same time that those novels were coming out, so there’s a basic continuity that everyone sort of agrees on. And in some of those cases, if I have a question, as a writer I can basically go to the source for an answer. I knew people in the CSI production office when I was writing CSI. I’d spent time with Joss Whedon and Anthony Zuiker, so when I wrote Buffy the Vampire Slayer and AngelCSIThe Shield, and Las Vegas, I’d actually spoken with Whedon and Zuiker and Shawn Ryan and Gary Scott Thompson, the creators of those properties. That doesn’t mean I can’t make mistakes in continuity, but it means they’re less likely to happen. I’d have to have H.G. Wells build me a time machine to talk to Edgar Rice Burroughs, and sadly, I don’t think that’s likely to happen.

Having written across a variety of mediums (books, comics, etc.), your own work and other IPs, what project have you been a part of that was unique to you and put you out of your comfort zone or was incredibly off beat? Perhaps the most unexpected outlier in your bibliography? 

I’d have to say that’s my one solo nonfiction book. I cowrote behind-the-scenes episode guides for Buffy the Vampire Slayer and Angel, but those were not entirely my work, and they involved properties that I’d also written novels about. The one I wrote by myself is Criminal Minds: Sociopaths, Serial Killers & Other Deviants (which was not my title, because I would at least have used the Oxford comma). It’s not too far out of my zone because it’s true crime, but “true” isn’t typically used in connection with my book output. This one was licensed nonfiction that described all the criminals mentioned by name in the first five seasons of the Criminal Minds TV series, along with crimes that inspired episodes but weren’t specifically mentioned.

That obviously required tons of research. The ones named on the show were no problem, but many episodes use elements of real crimes and criminals, and I had to be familiar enough with both the show and the real-life counterpart to identify them. I did most of the writing during the months of November and December, so while other people were watching Thanksgiving Parades and Christmas specials, I was digging deep into the likes of Jeffrey Dahmer, Edmund Kemper, and the Mad Butcher of Kingsbury Run. The research phase was a real immersion into the darkest depths of human behavior, and very unpleasant. But it also led to the writing of my crime novel Empty Rooms, which I believe is one of my best books.

You are the Guest of Honour for the upcoming Edgar Rice Burroughs Chain of Friendship (ECOF) gathering that is being held in Willcox, AZ, at the end of September. Congratulations! While the programming is certainly still being finalized, is there anything you can share that you’re doing at the event?

Thank you! I’m very much looking forward to it. My professional connection to the Edgar Rice Burroughs community came about entirely as a result of having attended the Apache Devils Dum-Dum in 2019. Frank Puncer, who put on that Dum-Dum, is also the driving force behind this one, and I’m looking forward to seeing him and everyone else. And I’m now an official member of the Apache Devils chapter of the Burroughs Bibliophiles.

As for my duties at the ECOF, I know I’m supposed to give a keynote speech, which I should probably start working on one of these days. I’ll have a table where some of my books will be available for sale. And I will, of course, be available to talk ERB with anyone who is so inclined.

A final question, aside from the ECOF appearance, what else do folks have to look forward to coming from you? Any new publications or projects you’d like to mention that readers can keep an eye out for?

Funny you should mention that, because this past Saturday, as I’m writing this [7/26], Edgar Rice Burroughs Inc. announced my next project at the San Diego Comic-Con (an event I attended every year from 1983–2013 but haven’t been back to since). I’m in the midst of writing Beyond Thirty: A World Reborn, an authorized sequel to ERB’s short novel Beyond Thirty, which was originally published in a 1916 issue of All-Around Magazine. In it, naval officer Jefferson Turck and Victory return to Grabritin, and…stuff happens. I don’t know what else I’m allowed to say about it now, so I’ll leave it there.

Thumbnail says: Edgar Rice Burroughs, Inc. SCC 2025 Special Announcement. Brand-New sequel by the award-winning author of Tarzan and the Forest of Stone. Coming soon from ERB Inc. Edgar Rice Burroughs Universe - Beyond Thirty: A World Reborn - A Tale of the Lost Continent by Jeffrey J. Mariotte.
ERB SDCC announcement graphic for Beyond Thirty: A World Reborn.

I’ve also become a publisher of Western fiction, as a partner in Silverado Press. So far, we have four books out, two books in the Galloway’s Gamble series by my partner Howard WeinsteinByrd’s Luck & Other Western Stories by me, and Silverado Press Presents: Western Stories by Today’s Top Writers, which I edited. We have a new Silverado Classics line launching when I can get around to it, republishing influential classics of Western literature with scholarly essays describing their place in the world of Western fiction.


Sincere appreciation for Jeffrey Mariotte’s time for doing this interview. For more information about Mariotte, news, and his works, check out his website and social medias:

For more information about the 2025 ECOF event, see the below press release and registration form:

Categories
Comics

(Saber-tooth) Cat Class and (Saber-tooth) Cat Style: Vanya 05

The Story So Far

Vanya and Serah are two Time Guards trapped in the prehistoric past, surviving against dinosaurs, savage humanoids, giant snakes, and the looming threat that at any moment will come an attack from the Torridians, an alien race who have declared war on the humans. Rescued by an outpost of other human soldiers, Vanya and company accept a new mission to procure hidden supply caches in an effort to boost defenses against the Torridians. However, she is captured by Niya, another Time Guard aligned with the Bone Tribe.

Vanya is crouched on a cave ground holding a 2-tipped spear. Behind here, from the shadows, emerges the face of a giant sabertooth cat. Vanya is framed between the cat's two large front teeth.
Standard cover for issue five of Vanya done by Zoran Jovicic and Antonio Wong. Image from the Bad Bug website.

Issue 05 Plot

Vanya, Serah, and Guy are brought by Niya to the cavernous lair of the Bone Tribe and introduced to the Bone King, who reveals he, too, was a Time Guard, originally named Vitor 2991. The Bone King tosses a severed raptor head and Vanya and Serah, showing that underneath its scales are cybernetic/robotic parts, “Torridian Tech.” 
Niya leads Vanya away to a vantage point where she watches the Bone King slip a chip into Serah’s temple which will “bring out her innermost desires.” A woman of the Bone Tribe, who has black “crying” eye shadows akin to Joseph Michael Linsner’s Dawn character, inserts a chip into her own temple before receiving cunnilingus from Serah.

Elsewhere, two different fronts of invasions from two different species begin to happen concurrently. A pack of saber-tooth tigers, which had been stalking Vanya and company, attack a Bone Tribe campsite. Meanwhile at the human outpost, a Torridian fleet of UFOs begins their bombardment.

Back at the Bone Tribe’s cavern, a ritual orgy to awaken a Torridian Dragon takes place, with Guy and Niya as the center show. With everyone occupied with the ritual, the saber-tooth tigers make their presence known.

Commentary

Building on the momentum from issue four, issue five of Vanya goes all out and spares no expense upping the threat level while at the same time cashing in on some of the setups put forth in prior issues.

A purple alien. Wearing a horned head dress, green skirt with a dagger. Wielding a two bladed spear. Legs are backwards like a Dinosaur or Torgo from Manos the hands of Fate. Behind the Torridian there is a plume of smoke and burning rubble.
General Tora, a Torridian.

The big setup/payoff is the reveal of the Torridians. Only referred to in dialogue in prior issues, the Torridians look fierce. Imagine a Mewtwo, only purple-ier, more menacing, with golden tattoos, and outfits akin to sword and sandal attire, but dark green. They are an interesting mix of sword and sorcery and alien in appearance and look like boss characters from a game like Baldur’s Gate. They look formidable and should give Vanya a run for her money when she eventually encounters one.

Another setup that sees a payoff are the saber-toothed tigers. Originally shown on the last page of issue two, stalking Vanya, Serah, and Reed (a character that would eventually become eaten by a T-rex in issue three), the tiger initially seemed to have been forgotten, or cast aside, or just made a one-time appearance to underscore the hostile environmental threat Vanya is operating in. Instead, the tiger turned out to be quite tenacious, following Vanya in secret through issues three and four, before jumping right into the fray of issue five, becoming a deus ex machina of sorts.

And finally, there is the re-reveal of the Torridian Dragon egg. The green egg made its first appearance during the ritual in issue three. The egg was not overtly named; it was simply referred to as “the blessed fruit” and placed on an altar where Niya and another member of the Bone Tribe had intercourse. However, the ritual in issue three was interrupted when Niya was called away from her place of honour by the Bone King to instead go kill a flock of Phorusrhacids. In issue five, it appears that the interrupted ritual is being re-attempted, with Niya back at her place of honour on the egg altar, though this time engaged in sexual acts with Guy which causes the green egg to burst open and beams of white light to shine out of Guy’s eyes like Sascha Schneider’s painting “Hypnosis.” The hatched dragon is not actually revealed. 

Of cause and effect note, if the Bone King had not undermined Niya in issue three, and instead sent other warriors to deal with the Phorusrhacids, then the ritual would have taken place then, allowing the egg to hatch, giving the Bone Tribe “a weapon under their control.” Since the tribe would not be pre-occupied with the ritual in current time, they would have been more alert to fend off against the prowling saber-tooth tigers, effectively halting the deus ex machina.

Another character that seems either ill-equipped or overestimating their own abilities like the Bone King is the Astral Guard character Elah. Another cashing in on a setup, in the universe of Vanya, the Astral Guard are the biggest, most skilled, most important warriors, what the Time Guard become after their years training in the prehistoric past. These are the leaders and the guardians of humanity as humans make their way through space and time. Elah comes off as ineffectual. At this point in the story, the Torridians have effectively obliterated humanity by bombarding Earth and sending humans fleeing to different timelines. Elah sends a call to the Torridian general Tora, chastising them for breaking the law, and giving them one day to release their captives and leave the timeline or they will come at them with the full force of the Astral Guard. The question is – should they not have already done this when the Torridians attacked humanity months ago? Elah’s threat sounds too little coming way too late. If Elah represents the best of the best that humanity has got for protection, no wonder the Torridians have been able to steamroll over everyone.

Swag Impressions

Issue five of Vanya is loaded with some fantastic variant covers, but the cover art done by Renato Camilo and Martina Rossi is the winner of the bunch.

Issue 5 variant cover. Variant perches atop a tree branch, nude save for her cloth boots and bracers. Below her are embers from a fire. Above her is a full moon and other trees. Her dreadlocked hair waves in the wind.
Personal copy of the Renato Camilo and Martina Rossi nude variant cover of Vanya issue five.

The Camilo covers continue to knock it out the park, basically becoming the canonical representation of the titular character. The Camilo representation of Vanya is the right balance of cheesecake and Jungle Girl, highlighting her dreadlocks that are not really underscored in the interior pages.

Per usual, with stretch goals met during the original crowdfunding campaign to fund issue five, there is a lot of complimentary swag that supplements the reading experience.

Six trading cards. The first is a carnivorous dinosaur (not sure what species) that has robot legs and a metal nose and jaw. Next is a triceratops with front legs that are robotic and horns that are too. Next is a flying pterodactyl that has two cannons protruding from it. On row two there is a dinosaur with electric spines coming from its back. Next to that is an Ankylosaurus with a metal spiked mace for a tail tip, and finally there is a close up of a T-rex face with one of its eyes beaming red.
Robosaur Trading Cards.

Firstly there is a set of six Robosaur trading cards done by series artist Zoran Jovicic. These all depict cybernetic dinosaurs, such as a T-Rex with a red Terminator-style eye, a pterodactyl with cannons on its back, a triceratops with robot front legs and bladed head scales. These are the twisted images conjured by a childlike imagination and they are awesome. Reminiscent of the likes of Dino-Riders and Dinosaucers, cartoons from the late 80s that combined dinosaurs with tech.

Four items here. First is a holo-foil trading card. It depicts Vanya under water with bubbles around her. Next is a large black Tarot card for The Sun. It shows Vanya atop of pterodactyl with a sword raised above her (very Heavy Metal). Next is a TINY sticker of Vanya leaping in the hair, lunging with knife in hand at a raptor. Finally there is a rectangular sticker of Vanya in the nude. She is nestled between the branches of a mossy tree with a purple sky behind her.
Stickers and Tarot card that got with Vanya issue five.

Next there is a variety of swag: a holofoil trading card by Zach Raw depicting Vanya under water, a holofoil sicker that depicts a nude version of the Vanya #5 cover done by Bruno Freitas and Antonio Wong, a tiny sticker showing Vanya lunging at a raptor through a azure blue sky, and a tarot card of “The Sun” that shows Vanya riding a pterodactyl, with her blade held high in the air a ’la the iconic poster for the Heavy Metal (1981) movie.

The tarot card is a brilliant swag item, outside the norm of trading cards, magnets, and stickers, and it looks like Bad Bug is deploying the concept with their other titles. This is a neat concept, and it helps tie the different Bad Bug series together intertextually (via the cards), but for folks who perform/read Tarot, collecting the cards will yield a different style deck outside the traditional Rider–Waite style, which is quite exciting. 

Conclusion

Issue five of Vanya is epic in scope and action, capitalizing on the momentum of issue four. Concepts and ideas either foreshadowed or hinted at in prior issues are finally realized. Since all these setups are having payoffs in this issue, it creates a strong sense of urgency, giving the comic a heightened tone of bigger stakes. The multi-genre smorgasbord of time and space travel, dinosaurs, robot dinosaurs, cavemen, aliens, futuristic vs. primitive weapons, and so on that was promised in earlier issues is finally starting to congeal, and rather seamlessly at that. Vanya is looking to become the comic is set out to be.


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug:

Categories
News

News Roundup 2025-06-29

Personal / Website News

Vanya Issue Four Review

A new comic book review is up at my website! My deep dive into the Neo-Jungle girl series Vanya continues with issue four.

Cover depicts Vanya sitting at a campfire, inspecting a blood soaked stone spear. There is a shadow of a roaring T-rex behind her.
Standard non-nude cover of Vanya issue 4 by Zoran Jovicic. Image from the Bad Buy website.

My review for this issue can be read right here. The PDF version of issue eight was released on the 11th, so I am halfway there to catching up!

Scholars from the Edge of Time – Clash of the Titans (1981)

The June episode of Scholars from the Edge of Time is now online!

Blu-ray that contains the two Clash of the Titans films and Wrath of the Titans. the cover is divided into three horizontal sections, with each section showing the title of the film and a scene/poster art of it.
Personal copy of the Clash of the Titans ’81, Clash of the Titan 2010, and Wrath of the Titans 3 Movie Blu-ray set.

Just in time for Ray Harryhausen’s birthday, on this episode Michele and I talk about the original 1981 Clash of the Titans, the last film Harryhausen did before he retired. The vidcast can be watched on Youtube. For July we will be talking about the 2010 remake and in August we will be discussing Wrath of the Titans. So, stay tuned!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing there with the 7th U.S. Cavalry in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is the flyer for the 2025 event:

The flyer shows desert mountains with three insert images: one of a young Edgar Rice Burroughs in 1896, one of the author Jeffrey J. Mariotte (who is the guest of honour), and one of the Willcox train depot in the 1880s. The flyer reads was follows: Edgar Rice Burroughs ERB Inc.'s Commemoration of ERB's 150th Birthday! 7th Cavalry Historical Monument Celebration Willcox, AZ, September 25-28, 2025. Formal Dedication on September 27th, 2025. Sponsored by the Suplher Springs Valley Historical Society and the Arizona Apache Deveils Chapter of the Burroughs Bibliophiles.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.

Here is the press release:

RENOWNED AUTHOR EDGAR RICE BURROUGHS’ CAVALRY SERVICE TO BE MEMORIALIZED IN WILLCOX, AZ

“Tarzan” Creator and Pop Culture’s Influential “Grandfather of Science Fiction and Fantasy” Commemorated for His 150th Birthday.

WILLCOX, AZ – The renowned “Master of Adventure” Edgar Rice Burroughs started his adult life as a cavalryman at Arizona’s Fort Grant in May of 1896. This September, as part of the late author’s 150th birthday celebration, his cavalry service will be memorialized with a monument at the restored Southern Pacific train depot in Willcox, where he arrived on his way to Fort Grant (35 miles north).

The influential creator of Tarzan of the Apes, John Carter of Mars, and The Land That Time Forgot series of stories wrote in his “Autobiography” that he specifically requested “to be sent to the worst post in the United States” and was then promptly assigned to Fort Grant in Arizona Territory, where his troop would spend some time hunting after the Apache Kid and other outlaws.

Many believe that Burroughs’ initial stay in Arizona influenced his first Martian story, Under the Moons of Mars, which begins with the first chapter titled “On the Arizona Hills.” The John Carter Martian stories would go on to influence generations of science fiction and fantasy books and movies, and would inspire many young people to become scientists, engineers, and astronauts. He would later author the books The War Chiefand Apache Devil, both set in Arizona during the Apache Wars of the 1860s – 1880s.

This Willcox Edgar Rice Burroughs Chain of Friendship (ECOF) Gathering will take place from September 25 to 28, 2025, with the 7th Cavalry Historical Monument formal dedication ceremony on Saturday, September 27th from 10:00 AM – 12:00 Noon near the historic Southern Pacific Railroad Depot.

The monument dedication at the Willcox train depot will include guest speakers and participation of local Buffalo Soldier reenactors. All other convention events will take place at the Elks Lodge #2131 in Willcox, and will include discussion panels, a “huckster” (vendor) room, Guest of Honor and speaker Jeffrey J. Mariotte (author of Tarzan and the Forest of Stone), Edgar Rice Burroughs, Inc. speakers, a Saturday night banquet/ dinner, a Tarzan movie screening, and other surprises.

These events are sponsored by the Sulphur Springs Valley Historical Society and the Apache Devils chapter of The Burroughs Bibliophiles. The celebration is open to the public for free (except for the dinner and movie), but full attendees can register for a fee that covers a goodie bag, a huckster table, and the Saturday dinner.

This is a must-attend event for fans of Edgar Rice Burroughs and pop-culture historians alike. If you’d like to visit the place where it all began, don’t miss this very special celebration. (Note that some convention activities will require full event registration – the registration form is provided separately.)

The Holiday Inn Express & Suites Willcox is offering a special daily room rate of $119 plus taxes for the nights of 25 to 27 September for attendees. The group name is “ECOF.” You can make reservations at this rate by calling the hotel at (520) 384-3333; rooms are limited. The address is 1251 N. Virginia Ave, Willcox, AZ 85643.

If you would like more information about the 2025 ECOF event, please call Frank Puncer at 520.281.1818, or email him at fwpuncer at gmail dot com.

Here is the registration from:

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. I’ll be doing a presentation on Tarzan as a Maciste-like peplum character in Tarzan and the Lost Empire. Hope to see yall there!

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things I shared online from these past few weeks. Highlighting things from my personal collection of pop culture artifacts. Or artifacts I’m digging out of the archive. Just, general cool or unique things to show off.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Get Your War On

I saw some discourse on BlueSky about the post 9/11 comic strip Get Your War On and how relevant it is to the ongoing situation between the US bombing Iran.

A perfect time (and extremely relevant time) to dig out my copy of Get Your War On.

Soft cover of Get Your War On. It's horizontal book, not vehicle. It's back with red letters. The lack has faint panels of the comics, white the title is in Red and is in a comic speech bubble.
Personal copy of Get Your War On.

I bought mine way back in the 2000s. I must have ordered it directly from the author David Rees because my edition is autographed.

Front matter page of get your war on. It says "Get Your War On. Comic Strips by David Rees. Introduction by Colson Whitehead. Published by Soft Skull Press, Brooklyn New York, 2002." In black pen it is signed David Rees.
Get Your War On signed by David Rees.

I also have a copy of his My New Filing Technique is Unstoppable, and if I can find that, I’ll give that a share.

The GYWO comic is long out of print, but good news: you don’t need to own a copy to read it, it’s all online, archived at Rees’ website. Check it out here and then consider doing a compare and contrast of our (geo)political climate then and now. War mongers gonna war monger.

New Sword and Sandal Acquisitions

The ever growing peplum research libraries grows with these recent sword and sandal films having been acquired.

Alexander 4K/Blu-ray

Alexander (2004) is an early entry in the neo-peplum revival that began with Gladiator. Apparently there’s a zillion different cuts of this film as Oliver Stone went all Ridley Scott a’la Blade Runner style on his movie.

4K version of Alexander: Revisited, the Final Cut. It's a close up of Colin Farrell's face, with a red bird of prey imposed over it. Next to it is a cardboard tube with the 4K art, but upside down (it has the poster in it).
Personal copy of Alexander on 4K. Upside down poster tube to the left.

I had not actually seen Alexander so when Shout Factory announced a nice 4K version of it I hopped right on the pre-order bandwagon. This release just came out in early June, and since I pre-ordered it I got a schnazzy poster too. Excited to watch!

Risen

Risen is a 2016 biblical peplum directed by Kevin Reynolds (who is responsible for some of the finest works of Kevin Costner). Another film I had not seen, but I saw it on Amazon for super cheap, so decided to pick it up. I remember Joseph Fiennes from The Rock version of Hercules, so it will be nice to see him in another sword and sandal flick.

4K physical release of Risen. The cover shows a roman soldier in a red cape in the foreground while the background is a huddle mass of people in a desert.
Personal 4K copy of Risen.

While I have not seen this film, biblical film scholar Matt Page has! He covered this film at his Bible Films Blog back in the day, so check out his write up here.

Talos Statue

This isn’t a new acquisition as I’ve had it in my collection since the 2000s, but with Ray Harryhausen’s birthday happening on 6/29, I’ve gotta share it: my giant Talos statue.

Statue of Talos from Jason and the Argonauts. Still in its box. Limited to 5K copies.
Talos Statue.

I got this from Scarecrow Video way back in the day and it is just epically cool.

Jason and the Argonauts Laserdisc

Now this is a recent acquisition. Going movie and music shopping at Zia Records during my birthday weekend, I happened across the Criterion Collection laserdisc edition of Jason and the Argonauts for a whole 99 cents. I had to have it!

Laserdisc of Jason and the Argonauts. The top says "The Criterion Collection". The cover depicts Jason fighting the Hydra.
Personal copy of the Criterion Collection Laserdisc edition of Jason and the Argonauts.

The essay on the back of the Laserdisc by Bruce Eder can be read on the Criterion Collection website. It is nice the company makes their old essays available!

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode 25:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

New Fan2Fan Episodes

Bernie and Pete have some new episodes of their Fan2Fan podcast online.

First up is an interview with Joshua Pruett who talks about writing the movie Witch Hunter (2024).

Witch Hunter (2024) with Joshua Pruett Fan2Fan Podcast

Next they have a part one of an interview with Nashville horror host Dr. Gangrene.

Horror Movies & Mad Science with Dr. Gangrene Part 1 Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

Reverberate: A Magazine of Edgar Rice Burroughs

Edgar Rice Burroughs expert and scholar Scott Tracy Griffin has started a new publication called Reverberate: A Magazine of Edgar Rice Burroughs. The magazine is hot off the presses, having debuted at the Northwest Coast Mangani Gathering VII at the end of May/Beginning of June. One hundred copies of the magazine were numbered and signed by authors Griffin and Gary A. Buckingham. I, of course, ordered a copy:

Copy of RevERBerate issue 1. The cover depicts Tarzan, with a monkey on his shoulder and a giant cat by his side. Behind him is a prehistoric valley of triceratops, lush vegetation, and a waterfall.
Personal copy of RevERBerate issue 01.
Signature page of RevERBerate #01. It has Gary A. Buckingham and Scott Tracy Griffin. It is page 48, the last page of the book. It is all white, and it is numbered 34 or 100.
Signature page of RevERBerate #01. It has Gary A. Buckingham and Scott Tracy Griffin.

Here is the press release for the magazine’s launch with information on how to procure a copy:

A new magazine spotlighting the work of The Master of Adventure has entered the print arena: Reverberate: A Magazine of Edgar Rice Burroughs is a 48-page magazine printed on high-quality, glossy pages, perfect-bound with cardstock covers. 

“We want to explore Edgar Rice Burroughs’ work, life, and legacy, and its impact in media including art, comics, film, television, stage, radio, periodicals, and, of course, his original novels,” explains Reverberate editor Scott Tracy Griffin. “The Burroughs community isn’t wholly served in the periodicals medium and we believe the time ideal to deliver a new outlook.”

Reverberate enjoyed a successful launch at the May 2025 NCM VII Gathering of literary devotees and fans in Roseville, California. The debut issue showcases acclaimed artist Benito Gallego, whose lush portfolio boasts the comic-strip adventures of Tarzan and The Outlaw of Torn; profiles fireman-turned-silent-film-actor Gene Pollar, who starred as the iconic ape man in The Revenge of Tarzan (1920); and investigates the early African explorers whose feats influenced Burroughs’ writing.

The magazine also delves into the books of author Gary A. Buckingham, who helmed three Tarzan projects, with his fourth in development. Notes Buckingham, “Burroughs created worlds of wonder, in which I’ve been fortunate to immerse my tales of his savage ape man.”

The first 100 issues are numbered and signed by both writers, and feature interior illustrations by artist Dan Parsons.

Says Griffin, already well-known to Burroughs’ enthusiasts as the author of Tarzan: The Centennial Celebration (2012) and Tarzan on Film (2016), “We’re offering Reverberate on an introductory basis at $10, plus $5 domestic postage. Priority mail is $14. Foreign customers, please contact us with your address and we will get a postage quote. The U.S. does not offer ground shipping beyond its borders, so all foreign postage, even Canadian, is via airmail.” 

To learn more and to purchase copies, please contact Scott Tracy Griffin at scotttracygriffin@gmail.com, or Gary A. Buckingham at gbucking3@gmail.com.

Hal C. F. Astell Webstore

Author, editor, con-runner (he’s behind CoKoCon), and all around jack of all trades guy Hal C. F. Astell has opened up a web store for all of his and Apocalypse Later books. Check it out and consider plucking up a book or two.

Categories
News

News Roundup 2025-02-09

Personal / Website News

Nylon Nightcap #1 Review

My first website content for 2025! I dig Bachelor Pad Magazine, and I love stockings and nylons, so I was totally excited when they announced they were going to start a new line called Nylon Nightcap. When announced, I pre-ordered a copy immediately, and it is a fantastic issue.

Cover shows Leela Minx sitting on a black chair, leaning back, legs in the air. The carpet and wallpaper are all purple.
Cover art of Nylon Nightcap #1. Provided by Bachelor Pad.

I’d like to do what I can to help get the word out about this issue, so I’ve done a write up about it and included quotations from Jason “Java” Croft, Miss Corsair Debonair, and Miss Penelope Pink. Check out my write up here!

Burroughs Bulletin #109

I have not one, not two, but three publication announcements!

Firstly, as part of Michele and my retrospective of the peplum work of Bella Cortez that we did in 2024, I conducted an interview with Cortez about her work on the Italian Tarzan knock off, Taur the Mighty (1963).

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

This interview has now been published in issue 109 of The Burroughs Bulletin, the journal of the Burroughs Bibliophiles. This is my first time being published in the journal and I am super excited.

Queen Akiba is wearing a white hat and top. She is smirking.
Queen Akiba (Bella Cortez) as Queen Akiba in Taur, The Mighty.

Sincere appreciation to Cortez for her time in being part of this interview.

For more information on the Burroughs Bibliophiles, how to join, and how to get copies of the Bulletins, check out https://www.burroughsbibliophiles.com or contact editor Henry Franke III at BurroughsBibliophiles AT gmail.com.

Merry Creepsmas

I have a sword & sorcery dark comedy/horror short story appearance in the anthology Merry Creepsmas: The Red Book from Wicked Shadow Press. My story is called “There’s Always Room.”

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

This is actually a short story I wrote 8-9 years ago for a different Christmas themed anthology that didn’t get accepted. The story has been in my repertoire for all this time, and when I saw this call for story submissions, I thought why not dust off the story, spruce it up a bit, and submit. Chuffed that it was accepted!

The anthology is available as an ebook and a print-on-demand title.

Panthans Journal #333

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #3.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Podcast Stuff

HP Lovecast Podcast is still going, we’re just a bit erratic about it. We will have an episode for The Prophecy up, and we’ll be exploring doing some shorter comic-book reviews in between bigger episodes, perhaps resurrect the old Fragments line.

BlogTalkRadio shut down in January. This means all the podcasts I appeared on (Voice of Olympus, Chatting with Sherri) are no longer available, which is unfortunate. However, I have saved all my appearances as mp3s. I’ll be looking into having them edits and published elsewhere (with permission), perhaps at Archive.org or another venue.

This past week I’ve been a guest on Fan2Fan and also on the Castle of Horror Podcast. Stay tuned for when those become published online.

Michele is also cranking out episodes of her Ride the Stream vidcast with Travis Lakata. She’s also done an episode of Fan2Fan as well.

So, we are both still heavy in the world of vidcasting and podcasting. We are just kind of all over the map now. As always, if you’d like me to be a guest on your podcast or vidcast, do reach out! I love appearing on other folks’ shows.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

The flyer shows desert mountains with three insert images: one of a young Edgar Rice Burroughs in 1896, one of the author Jeffrey J. Mariotte (who is the guest of honour), and one of the Willcox train depot in the 1880s. The flyer reads was follows: Edgar Rice Burroughs ERB Inc.'s Commemoration of ERB's 150th Birthday! 7th Cavalry Historical Monument Celebration Willcox, AZ, September 25-28, 2025. Formal Dedication on September 27th, 2025. Sponsored by the Suplher Springs Valley Historical Society and the Arizona Apache Deveils Chapter of the Burroughs Bibliophiles.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Horror Studies Now 2025

Horror Studies Now: A Two-Day Conference (29-30 May 2025, Northumbria University, UK)

Researchers working in the broad field of “Horror Studies”, are invited to submit abstracts about their research for an in-person conference, hosted by the Horror Studies Research Group at Northumbria University, on 29-30 May 2025. 

Speakers will each deliver a 15-minute talk about their research, followed by extended discussion and questions from the conference delegation. We welcome submissions from scholars at any career stage, but are particularly open to hearing from early career researchers and new voices in the field. The event is intended to provide a welcoming space in which to develop ideas, network, and forge collaborations with fellow Horror Studies researchers. 

The event seeks to explore areas and approaches that have not yet been adequately accounted for or represented in the field, encompassing (but not limited to): 

  • The diversity of perspectives, identities, and voices that comprise Horror Studies and horror production 
  • Independent horror production, alternative histories, and horror produced outside of Europe and North America  
  • The field’s methodological richness, including archival approaches, audience research, practice-based research, and new theoretical perspectives 
  • The breadth of cultural perspectives that inform Horror Studies and horror media 
  • Papers that address horror in all its media forms including games, film, comics, music, social media, television, literature, art, and so forth 

We seek to foreground scholarly excellence within the field by embracing a wide range of approaches, confronting representational biases within the canon, highlighting strategies to counter these biases, and contributing to a more diverse and inclusive academic landscape. We encourage and welcome expressions of interest from members of the global majority and people from underrepresented or marginalised groups. 

Special guests include: 

  • Dr Cüneyt Çakırlar (Nottingham Trent University; editor of Transnational Horror: Folklore, Genre and Cultural Politics [Liverpool University Press, 2025]) 
  • Dr Maxine Gee (Bournemouth University; screenwriter of short film Standing Woman [2020] and web series Tales of Bacon [2018]) 
  • Professor Maisha L Wester (University of Sheffield/Indiana University, Bloomington; author of African American Gothic in the Era of Black Lives Matter [Cambridge University Press, 2025]) 

The deadline for abstracts (of 250 words) is 23:59 (GMT) Friday 14 March 2025. Abstracts should be accompanied by a biographical statement (of 50-100 words) and submitted at the following link: https://forms.office.com/e/FgdAxxxWxy.  

A small fee will be required to attend to cover catering expenses; however, we are striving to keep this cost as low as possible. All speakers, unless they choose to decline, will have their work considered for the new Peter Hutchings Award for Outstanding Contribution to Horror Studies. The award includes a certificate for the winner and a publication (subject to revision) in Studies in the Fantastic

Applicants will be notified of the outcome of their proposal within 14 days of the deadline. Any questions should be directed to horrorstudies@northumbria.ac.uk 

The Horror Studies Research Group at Northumbria: Northumbria University is internationally renowned as the home of horror scholarship. This research specialism was founded by our late Professor Peter Hutchings, and the Horror Studies Research Group formalises Northumbria’s concentration of experts in this area. Our core team are widely recognised as leaders in this area, publishing field-defining monographs, presenting keynote lectures at major conferences, delivering talks at numerous European film festivals, holding positions on the editorial boards of the field’s primary book series and winning major research grants. Our global reputation for research excellence in Horror Studies is further proliferated by our many genre-based PhDs and alumni.  

Dracula: A Companion

Dracula: A Companion is intended to both be an essential guide to interpreting Bram Stoker’s Dracula and a collection of new perspectives supporting a reshaping of the way the text is taught and engaged with by students.

Fundamental to the approach of this companion is placing the text at the epicentre of its own cultural afterlife and pop culture status. Beginning with the novel’s inception and influences, Dracula is positioned as a ‘spark’ that ignited the character’s enduring popularity and presence across the globe. From here, the familiar topics the novel is understood through will see novel perspectives, accounting not only for new and exciting research, but exploring how Dracula’s immortality stems from how it can be subjected to new approaches, showcasing the versatility of the book, and its continued capacity to lend itself to readings that speak of topical cultural concerns.

The final sections prioritise the way the text has been reshaped to suit contemporary audiences, distanced from the ‘original’ novel through adaptation and literary pastiche. Every ‘version’ of Dracula has the potential to be someone’s first encounter with the character, and may be what they think of when hearing the name. By giving this aspect a clear focus it establishes to students and readers alike that ‘Dracula’ is not contained within the novel, but has become a myth recognised across the globe.

We kindly request abstracts of no more than 250 words for either full essay style chapters of 4,500 words or shorter case studies focusing on individual texts of approx 2000 words. We are also open to further ideas, suggestions, and questions. The deadline for abstracts is Monday March 31st 2025. Full contributions are expected to be due at the end of Summer 2025.

Please email abstracts or any other enquiries to madeline.potter@ed.ac.uk & m.crofts@hull.ac.uk

Potential topics (but by no means limited to):

  • Theatrical Influences on the novel’s form Historical influences
  • Transylvania as a mosaic (Hungarian and Irish Parallelism)
  • Stoker: a biographical reading
  • Global Dracula Stoker’s own travels
  • Dracula in translation
  • New perspectives on sexuality: LGBTQA+ readings/drag
  • New scientific & medical readingsNew perspectives on race
  • Romany enslavement
  • Dracula as Sensation fiction/Victorian popular fiction
  • Publishing practices
  • Reception of Dracula
  • Reading Dracula as a werewolf text
  • Neo-Victorian readings
  • Wider cultural understanding of Dracula [Intended as shorter chapters, akin to case studies of texts]
  • Dracula adaptations, appropriations and pastiches
  • Neglected adaptations (eg. The Claes Bang/Gatiss version, The 1977 Louis Jourdan version)
  • Neglected adaptations from non-anglo/American countries
  • Non-Western Draculas
  • Dracula for children: eg. Hotel Transylvania eg. Count Duckula
  • Dracula games (computer and table-top)
  • Dracula in New Media & Fandom

Twenty-First Century Neo-Victorian Gothic: Deviance and Transgression on Page and Screen

For a volume in the Genre Fiction and Film Companion series published by Peter Lang Oxford, we solicit papers on the topic of Neo-Victorian Gothic literature and film adaptation in the twenty-first century.

Neo-Victorian Gothic represents a contemporary revival of Gothic themes, often exploring deviance and transgression in the context of Victorian society as a challenge to the rigid structures imposed by
Victorian society and a re-examination of marginalized voices and experiences. This genre not only revisits the aesthetic and narrative structures of the Gothic, but also critiques and reinterprets the
cultural anxieties of both the Victorian and modern societies. Neo-Victorian texts frequently engage with themes of sexual and social deviance thus reflecting on contemporary concerns about identity,
gender roles, and morality too.

The neo-Victorian Gothic critiques historical injustices, especially regarding gender inequality, violence, sexual transgression, and neurodiversity through intricately weaving together themes of
deviance and transgression, with a critical lens on both Victorian history and contemporary culture. By revisiting Gothic conventions such as encounters with the uncanny in all its manifestations, with
ghosts and the doppelgënger, neo-Victorian works illuminate the persistent shadows of social constraints and anxiety while advocating for a deeper understanding of identity and morality in both
past and present contexts. Moreover, the genre heavily relies on intertextual references to Victorian literature, thus drawing parallels between the past and the present and reflecting on the continuity of
certain social issues across time.

While aware of the many renowned masterpieces of neo-Victorian Gothic literature from the previous century, the proposed volume will explore how our twenty-first century engages with the topics of
deviance and transgression. Will Self’s Dorian, An Imitation (2002), Julian Barnes’ Arthur and George (2005), Diane Setterfield’s The Thirteenth Tale (2006), John Harding’s Florence and Giles
(2010), Rosie Garland’s The Palace of Curiosities (2013), Gregory Blake Smith’s The Maze at Windermere (2018), Nell Stevens’ Briefly, A Delicious Life (2022) are some of the many novels published in the past twenty-odd years. What is more, neo-Victorian novels are frequently adapted for the screen: for example, the novels of Sarah Waters’ Tipping the Velvet (2002), Fingersmith (2005),
Affinity (2008) and Michel Faber’s The Crimson Petal and the White (2011) or more recent productions such as Guy Ritchie’s Sherlock Holmes films, and TV series like Sherlock, Ripper Street,
Whitechapel, and Penny Dreadful. The Companion will therefore revisit the issues of deviance and transgression as embodied in literary texts and adaptations in the context of the challenges set by the contemporary reading audiences and viewers.

Please send abstracts of about 300 words and short bios for consideration by 1 April 2025 to Prof. Rossie Artemis at: artemis.r@unic.ac.cy

Authors will be notified about the status of their proposals by 1 May 2025, and the first drafts of essays (about 4500 words) will be expected by 1 November 2025.

For more information about Peter Lang’s Genre Fiction and Film Companion series, please visit: https://www.peterlang.com/series/gffc

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Rest in peplum David Lynch

David Lynch passed away last month, and he deserves as rest in peplum (Dune is sword and planet enough for me!). Lynch is one of my all time favorite directors, and many of his films, especially Lost Highway and Mulholland Drive, had a huge impact on my and my appreciation of cinema as a whole. I’d like to recap some of my Lynch thoughts, my exposure to his work, and share some of my Lynch treasures.

Other region DVD (has the red circle with 18 in it). It's red in color. It shows the side of a car, with a reflection of Bill Pullman and a road on it. Arquette is the woman behind the wheel. In silver ink it is signed "To Nick, watch the road - Greg Travis".
Personal copy of Lost Highway DVD signed by Greg Travis.

The first David Lynch movie I ever saw was Lost Highway. This was in the late 90s and I checked it out because I was a hardcore Rammstein fan at the time and Rammstein was in the soundtrack.

I recall renting the movie on VHS and watching it, and my dad walked in and decided to sit down and give it a watch too. And then Patricia Arquette pops on screen and does a striptease. Awkward!

It was a surreal movie, and I didn’t know too much about film noir at the time, but I remember enjoying it! The soundtrack was rocking, Bill Pullman was fresh of ID4 and he ruled, and the movie was mysterious and interesting. I was a fan!

Years later Michele and I would meet actor Greg Travis, who played the aggressive motorist who gets beat up, at a convention were he autographed my DVD of Lost Highway (and Michele’s copy of Starship Troopers).

Left to Right: Michele, Greg, Nick. Get has a white hat on.
Nicholas Diak, Michele Brittany, and Greg Travis at a Hollywood Collectors show in 2010.

Years later Mulholland Drive came out. I was a student working on my bachelors and I was hyped about this film. This was the agonizing days of waiting months and months for a film to be released on DVD after it had been released in theaters.

I watched Mulholland Drive and it was basically Lost Highway done even better. The noir elements, the erotic elements, the recreation of people into other people. While Lost Highway had a “distance” to it, Mulholland Drive was more emotional. I was a super fan of it immediately.

DVD of Mulholland Drive. It has a close up of a face with blonde hair. There is a blue street sign that says the movie's title. in blue ink it says "To Nick, much love, Rena Riffel".
Personal copy of Mulholland Drive DVD signed by Rena Riffel.

At a different convention Michele and I met Rena Riffel, perhaps better known for her appearance in Showgirls and various women-in-prison films by Lloyd A. Simandl. She had a small part in Mulholland Drive where she is under the employ of the seedy Mark Pellegrino. I was so happy we got to meet her and she signed my Mulholland Drive DVD.

Left to right: Nick, Rena, and Michele. Nick is wearing a shirt for Canon films because of course he is.
Nicholas Diak, Michele Brittany, and Rena Riffel at a Hollywood Collectors Show in 2010.

After Mulholland Drive I was pretty much a Lynch convert and watched nearly all of his movies. I dug Elephant Man. I could never get through Dune. I don’t recall Wild at Heart too well unfortunately. Blue Velvet was amazing. I have a Twin Peaks boxset, but have been afraid to dive into it unfortunately.

In the late 2000s there was a Twin Peaks anniversary convention at the Hollywood Collectors show that Michele and I went to and met lots of awesome actors and actresses.

I met Jennifer Lynch who signed the documentary she did about her father’s painting, Pretty as a Picture.

DVD cover shows a close up of one of Lynch's art pieces (it looks like a person's head missing a face) and a headshot of David Lynch. It is signed by Jennifer Lynch.
Personal copy of Pretty as a Picture DVD signed by Jennifer Lynch.

Jennifer, Charlotte Stewart, and Catherine E. Coulson all signed my Eraserhead boxset. This boxset I purchased from Scarecrow Video up in Seattle. Eraserhead is, well, it’s an odd film. It’s surreal, and I dug it, but nowhere near the level of Lost Highway and Mulholland Drive. But I appreciate the hell out of it.

DVD Boxset. Shows a closeup of Jack Nance's head with his goofy hair. It says Eraserhead at the top, and 2000 on the right. It has three signatures on it and a scribble depicting Nance.
DVD boxset for Eraserhead 2000, signed by Stewart, Coulsonm and Lynch.

Notice the little squiggly face by the vertical 2000 on the right side? That’s Jack Nance. When Coulson signed my DVD, she closed her eyes and reached out to the long departed Nance, who guided her to draw his face. I was so flattered she did that. RIP to Coulson who sadly passed away 10 years ago.

Nick and Catherine Coulson.
Nicholas Diak and Catherine Coulson at the Hollywood Collectors Show in 2010.

One other artifact I was to share is this boxset of Dumbland. It’s in the same dimensions as the Eraserhead boxset, so I believe it was put out by the same company. This boxset I also bought at Scarecrow (plug: hear me talk about Scarecrow Video at the Fan2Fan podcast!)

Square DVD boxset. It's all white except for the black drawing of the character. It says Dumbland at the top. The character looks like he is surrounded by flies and is standing behind a fence.
Personal copy of the Dumbland DVD boxset.

I remember watching this and thinking… well.. that’s David Lynch for you!

One last note, my friends over at the Fan2Fan Podcast have dropped a new episode, and it is on Lynch’s Blue Velvet. Give it a listen!

David Lynch and Blue Velvet Fan2Fan Podcast

Ride the Stream Vidcast Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode five of season 1:

And their discussion of episode 6:

Ride the Stream can be followed on Bluesky.

Jungle Scandals Kickstarter

J. Manfred Weichsel (whom I interviewed about their anthology, Sword & Scandal, which can be read here) has a new Kickstarter up.

Banner shows three women. One is naked in a cauldron. The other two are standing around the cauldron, taking selfies and chopping a carrot into it.
Promo banner for Jungle Scandals provided by J. Manfred Weichsel.

This campaign is to finance the second book in his Scandal line, Jungle Scandals. Check out the campaign here and consider supporting!

Categories
Comics Interview Peplum

We Are Barbarians: Interview with Mike Dubisch and Tom Simmons on I Am a Barbarian

I Am a Barbarian™ is a sword and sandal novel by Edgar Rice Burroughs that was published posthumously in 1967. Due to its historic antiquity subject matter, the novel is an outlier when compared to Burroughs’ speculative fiction bibliography of Tarzan®, Barsoom® (John Carter of Mars), and Pellucidar® novels for which he is most famous. In the 2010s, Edgar Rice Burroughs, Inc. began posting a webcomic adaptation of I Am a Barbarian at their website, written by Tom Simmons with art by Mike Dubisch and lettering by L. Jamal Walton. In early summer of 2022, the entirety of I Am a Barbarian was published in an ornate, hardback collection. Simmons and Dubisch have graciously allowed an interview about the I Am a Barbarian project.

How do you get into Edgar Rice Burroughs? Do you have a particular fondness for I Am a Barbarian?

Mike Dubisch: I loved Tarzan and John Carter of Mars as a kid, and of course his works were a favorite subject among the classic fantasy illustrators who shaped me. Anything about hidden fantastic worlds and strange adventures fascinated me. While I knew and loved the original cover painting, I’m not sure I ever read I Am a Barbarian before the project.

Personal copy of I Am a Barbarian with slip case.

What were some of those illustrators that shaped you?

MD: Oh, it’s the usual pantheon: Frank Frazetta, Richard Corben, Hal Foster, Michael Whelan, Burne Hogarth, Wally Wood, Alex Nino, Nestor Redondo, John Buscema, in terms of artists who worked on ERB or ERB-like products. Otherwise, fairy tale and book illustrators like Arthur Rackham, H. J. Ford, Edmund Dulac, and the Brothers Hildebrandt. Pulp illustrators like Hans Bok and Virgil Finlay. I love studying the wood engravings of Doré illustrations, and the engravings of Albrecht Durer. Other comic book artists, particularly Europeans like Moebius, Jordi Bernet, Jose Ortiz, Tanino Liberator, as well as Charles Burns, Robert Crumb, Dave Stevens, Jack Kirby, Bernie Wrightson, and Basil Woolverton. 

What was the genesis of the original I Am a Barbarian webcomic?

Tom Simmons: I wrote an email to Jim Sullos, President of ERB, Inc., in 2012 offering to write a gratis screenplay (I’m a self-taught screenwriter); the script I wanted to adapt was the original Tarzan at the Earth’s Core. Jim replied that the character was “taken” by a licensing agreement at the time, but he must have been impressed by my offer to do work for free because when the online strips launched in 2013-14 he suggested I toss my proverbial writing quill into the ring and put together a collaborative team to do one of them; he even provided the name of an artist who had contacted him about getting involved with the online strips project. I Am a Barbarian is actually the third online strip with which I’ve been involved, and still am in the case of one of the three: The Outlaw of Torn. I chose Barbarian because it was available to adapt as a strip; I thought it would be a challenge to adapt (it was), and I’ve always had an interest in ancient history (I have a Bachelor’s degree as well as Master’s work in history). 

How was the creative team formed?

TS: Regarding how our creative team was formed, the artist I originally worked with on The Monster Men™ strip (which was among the first ERB, Inc. placed online in 2014) referred me to letterist/graphic designer/artist Jamal Walton of Durham, NC (full name: Larry Jamal Walton but he goes by “L. Jamal” or simply “Jamal”). As it transpired, Jamal has been involved in all three of the ERB, Inc. strips I’ve adapted, and was also the letterist for my 2015 e-book Crispus Caesar, which, indeed, is yet another “Swords and Sandals” story, adapted by me from my 2010 screenplay of the same name. My collaboration with Mike Dubisch came about when Mike contacted another ERB online strip artist and asked how he could become involved with the online strips; that artist referred Mike to me and the rest, as the cliche goes, is history. 

MD: After a period of trying to focus only on my own work in the comic industry, I decided it was time to seek out professional commissions again to advance my career. ERB was one of the markets I approached right away and fortunately Tom was manning the lines of communication and snatched me right up for his project. I knew instantly that I Am a Barbarian was the right fit because it would be a comic with the word “barbarian” in the title!

What were some of the challenges encountered when adapting the original novel into a webcomic format?

TS: The writing challenge for any adaptation to strip format (or any other, for that matter) is about scale/scope: we didn’t want the strip to continue indefinitely, set an end goal of roughly 225-245 weekly episodes (about five years of the strip being presented online), and worked toward that end. The second phase of the project after the online adaptation was complete was always to produce a printed graphic novel encompassing the entire online strip, and we achieved that goal. Apart from considerations of scale/scope, I did a thorough re-examination of Caligula, aided by a recent biography by Anthony Barrett. While there is little doubt Caligula was very likely a mentally unbalanced individual prone to cruelty and outright bloodthirstiness, the sources ERB used (historians Suetonius and Dio) also had a vested interest in painting an “over the top” picture of the assassinated ruler; I’d compare their accounts (and neither was an actual eyewitness to events) to Shakespeare’s lambasting of the Yorkists. Lastly, for me Barbarian is a love story wrapped around a tragedy; to dwell on Caligula’s misdeeds would not only have been a gratuitous waste of time but it would have obscured Brit and Attica’s character arcs. That said, I still included plenty of outrageous and bloodthirsty Caligulan behavior!

MD: For me the adaptation is from Tom’s script into the art for the strip, and so the re-imagining the scene from the book as comic pages has already been established when I start in. My biggest challenge is remembering to refer back to my historical architectural and costume references.

What would you say you each brought that is distinctively “you” to the comic?

TS: Mike and I formed a natural collaborative team, in my opinion. I did most of the historical research and (of course) writing the actual adaptation, but largely relied on Mike to place his own unique artistic stamping on the panels themselves. I know Mike will be speaking to his many projects currently underway, but for me he stepped up and out of his mostly Lovecraftian/horror mold to draw the history-based I Am a Barbarian, although those influences can be seen in many panels, in particular the scenes involving dungeons, prophecies and strange people. 

Mike Dubisch. Photo courtesy of Dubisch.

MD: I have a bad habit of only looking at reference when I don’t know how to draw something, and I know how to draw just about everything, and if I don’t, well then I usually know how to draw something after referencing it only once or twice. So, what you see with my work is devised almost entirely from my imagination, and that is why everything I do has a distinct style. Additionally, I tend to use a lot of black on the pages, using bold core shadows on figures and props, creating a feeling of dynamic lighting and adding volume, and bringing weight to the page.

Setting aside (since it is not a John Carter or Tarzan story), what do you feel is unique about I Am a Barbarianwhen compared to Burroughs’ other work?

TS: As far as I’m aware, Barbarian is the only ERB story in which the female protagonist dies. Overall, it’s a “darker” story than most of ERB’s work, and is likely a reflection of the dark period the writer was experiencing in his own life when he wrote the story in the spring/summer of 1941: his second marriage was on the rocks, he was drinking too much, and he was in and out of the hospital with health issues that year. 

MD: For me it’s the danger and trauma of Brit’s life; he loses everything and lives under the threat of torture and death his whole life. This seems a far cry from ERB’s superhuman heroes who rule their secret worlds.

TS: Good observation about Brit’s travails, Mike. If you want to test (and grow) your protagonist’s character arc, toss said protagonist under as many proverbial buses as possible.

Signed bookplate. I’m lucky number 7!

I Am a Barbarian has just been released in a luxurious, oversized, hardback edition in a slipcase. This is a stark contrast to how comics are normally collected in a trade paperback release. What were the reasons for going the “Roman Decadent” route for the comic?

TS: I wanted the IAAB graphic novel to be an instantly recognizable, collectible classic and used this approach when we designed and produced the book over a 10-month period starting in June, 2021. For me, we achieved that goal. It’s a “pandemic book,” however, and as such it ended up costing considerably more to produce. I had no choice but to increase the price commensurately, and it turns out we’re working with little or no margin. As often is the case with these projects, IAAB is a true labor of love, not money. 

ERB stories have seen many comic adaptations across many decades by a plethora of publishers: Marvel, Dynamite, Gold Key, American Mythology, and so on. Is there any particular run of a Burroughs comic that you hold in high regard?

TS: I’m so old school re: comics I’m probably not relevant; the first actual comic books I read (other than the newspaper version) were Classics Illustrated. That said, for me old school illustrators and writers like Hal Foster, Alex Raymond and Russ Manning were always my favorites. 

MD: I recall OBSESSING on a big treasury edition sized Tarzan comic adaptation that I read to shreds as a kid – I no longer have it and can’t identify what edition it was. I do love Joe Kubert’s work on the character. I never really read the John Carter comics, but I love what I’ve seen in issues drawn by Gil Kane. I haven’t kept up with anything modern – I’ve enjoyed seeing Joseph Michael Linsners Dejah Thoris® cover art.

TS: If we’re talking about Dejah Thoris, for me Jay Anacleto and Michael C. Hayes are tops.

Deja Thoris by Jay Anacleto. Image provided by Simmons.
Deja Thoris by Michael C. Hayes. Image provided by Simmons.

I Am a Barbarian can be considered a sword and sandal story. Is this a genre you have appreciation for? If so, any particular texts over the years that have left an impression on you?

TS: The film Gladiator is a recent standout for me. I also very much liked Spartacus and Ben-Hur.

MD: Oh man, Old Testament Biblical epics were one of my favorite things to watch as a kid, and Biblical comic adaptations were always a favorite as well. I loved Conan and Kull too, especially the comic books, but also the Robert E. Howard stories. While I was drawing I Am a Barbarian I streamed the Spartacus TV series, which was also very entertaining.

TS: Also, thinking of further S&S influences for me, I loved Colleen McCullough’s First Man in Rome series of novels as well as the 2005 Rome TV series. 

Tom Simmons. Photo courtesy of Simmons.

What projects do you have on the horizon that you’d like to share?

TS: I’m continuing doing the online strip adaptation of ERB’s other historical novel, The Outlaw of Torn. I’m currently working with Benito Gallego, who does the art, colors and letters for the strip. The plan is to do a printed version of this story as well when it’s completed in 2024. The book will form a “companion volume” to the printed I Am a Barbarian graphic novel, and I envision a matte red board slipcase with silver foil lettering for the book which will have two parts, one containing the art of Jake Bilbao and the other that of Benito Gallego. I also have ongoing screenplay projects; this summer I’ll finally complete the pilot for an 8-part miniseries entitled The Nessus Shirt, a WWII story told from the German point of view through the eyes of an ordinary soldier who becomes involved in the pre-Valkyrie plots to assassinate Adolf Hitler. 

MD: My primary focus has been Forbidden Futures Magazine and the Forbidden Futures Book Club, where I am the illustrator of an entire line of books and magazines working with premiere science fiction and horror writers, that goes out as a quarterly package to our subscribers through Oddness Books.

We are currently printing Forbidden Futures issue #10 which is a double issue with new fiction by David Gerrold, creator of both Star Trek’s Tribbles, and the Sleestacks from the Land of the Lost TV series. The issue also presents the first fully illustrated publication of Philip K. Dick’s “Tony and The Beetles,” a new sci-fi comic story I wrote and illustrated, and contributions from John Shirley and Cody Goodfellow. Forbidden Futures will be reissuing several of my out-of-print comics and graphic novels, including my Cthulhu Mythos SF graphic novel Weirdling, body horror underground comix Mystery Meat, and a collection of short graphic stories “The Wet Nurse and Other Tales of Conception and Re-Birth.” We have been publishing illustrated novels and novellas under the “Forbidden Futures Presents” banner, and I have my own illustrated prose projects planned for that line, including a soon to be announced SF novella. Finally, we are also debuting a bi-yearly chapbook “In Human Skin: The Mike Dubisch Journal of Illustrated Verse,” which pairs my series of surreal drawings on black paper with my own written verse.

Additionally, I continue to contribute to Diabolik Books Adventures of Professor Dario Bava comics, with the epic graphic novel tribute to Italian horror films and mod culture, “Murder Vibes from the Monster Dimension” still available and the new “Orgy Of The Blood Freaks” out now with new issues on the way.


Sincere thanks to Simmons and Dubisch for this interview. Their release of I Am a Barbarian can be found in two editions – with and without a signed bookplate – at Cedar Run Publications. Consider checking it out!

Categories
News

News Roundup W/E 2022-02-13

Personal / Website News

New Episode of H. P. Lovecast Podcast

A brand new episode of H. P. Lovecast Podcast is now online!

Thumbnail by Michele Brittany

In this episode we discuss the space horror comic series Caliban, written by Garth Ennis (The Boys, Preacher) and art by Facundo Percio. This episode can be streamed at our Buzzsprout website or via your podcast app of preference.

Tiki Melange Article

It has been a while, but I have a new article at my website – a cocktail article!

It’s about the Tiki Melange cocktail that can be found in the comic book Jasper’s Starlight Tavern. It’s not a good comic or drink but I had fun writing about it. The article can be read here.

Highlander Call for Papers

Michele has an active CFP on the Highlander franchise. She is looking for essays on the Highlander movies, the television show, comics, everything.

If you’re interested, check out the CFP at her website and please share with others. With a possible reboot on the horizon, this is definitely a book you want to be a part of. 

Unofficial Emmanuelle / Black Emanuelle CFP

Sometime in the latter half of 2022 (after I am finished with AnnRadCon 2022) I plan on publishing an official CFP calling for essays on Emmanuelle and its sequels and spinoffs, Black Emanuelle and its sequels, and all other Emmanuelle knockoffs. I already have an interested publisher, but I want to present to them a fully laid out TOC for an ambitious collection as this.

Though my CFP will not go live until later 2022, if you have any interest in being a part of this collection, let me know! Send me an email or social media message (see my about me page for contact info) to let me know your interest. If you have an abstract already, even better.

General Neo-Peplum News

Tarzan and the Lion of Judah

Tarzan is not a peplum property, but he is a strong man that shares imagery with a majority of sword and sandal protagonists, and he was also in the peplum novel, Tarzan and the Lost Empire, so I am counting this news as peplum-adjacent.

Cover art provided by Gary A. Buckingham

Gary A. Buckingham (Tarzan: Untamed Frontiers) is publishing a new Edgar Rice Burroughs Inc. authorized book titled Tarzan and the Lion of Judah. The book contains eight stories and is available in a variety of editions: an autographed sketch letter edition with a Dan Parson Remarque for $175, an autographed limited numbered edition for $118, and a trade edition with a signed bookplate for $56. Tarzan and the Lion of Judah is slated to be released this June. For more information or ordering details, contact Buckingham at gbucking2@yahoo.com.

Recent Acquisitions

Scholar Rocky Colavito brought to my attention a magazine called The Lost Films Fanzine. The zine is focused not strictly on lost films, but films that were supposed to get made, but for a variety of reasons, did not.

Issue eight of the zine prominently features on the cover a movie called Hercules Against the Gods, with Hercules fighting a giant dragon-dinosaur-looking monster. So, of course, I had to order this.

The article, citing Peplum TV, suspects that the unmade Hercules Against the Gods film was actually, more or less, filmed, but it became The Vengeance of Hercules. It’s a fun read that gives a glimpse into the American process of importing and rejiggering Italian films for state-side audiences.

During the week Michele and I took a trip to Zia’s since she was procuring some Highlander releases. I plucked up a used copy of the Dragonheart collection. I had seen the first movie long, long ago but never any of the sequels. I’ve heard of them, and also heard that their quality is extremely lacking. But, I have a soft spot for franchise continuations (I stand by the Scanner Cop movies are legit awesome) so I decided to buy this set. It’s sword and sorcery, with the first movie having shades of Arthurian-peplum, so I’m interested.

Powerslave: Exhumed was just released digitally last week and I bought it off the Xbox marketplace and have been playing it off an on. I was a huge PC gamer in the 90s, and I still love classic DOS style FPS like Doom and Duke Nukem 3D. Powerslave looks to have been released at the height of Doom clones, but I had never heard of it before (I may have seen it in a PC Gamer mag?). Regardless, it’s old school and its Egyptian antiquity (thus: neo-peplum!). I am a bit into the game and its…… I dunno. I really want to like it, but it has some questionable mechanics (no reticle, so it’s hard to hit airborne enemies), way too much platforming for a faux 3D FPS, and it is extremely, extremely cryptic at what you need to do to progress. Aside from that, I like the 90s charm and the soundtrack is banging.

Categories
News

News Roundup W/E 2021-05-30

Personal / Website News

Scholars from the Edge of Time Podcast

Michele and I recently interview Amanda Desiree on the Scholars from the Edge of Time show about her debut novel Smithy. The episode can be downloaded/streamed at Blog Talk Radio.

H. P. Lovecast Podcast Slight Delays

We sorta underestimated how much AnnRadCon and StokerCon was going to throw our writing and recording schedule awry, but it did. So for May, we didn’t get a chance to do our episode on Caltiki. Instead, we are going to move that discussion to June along with our discussion on the comic book series Vinegar Teeth. However, we did complete the interviews for our newest episode of Transmissions, one with Amy Grech and the other with Catherine McCarthy. That episode will go live on Monday (check the podcast appearances page).

Mark My Words Physical Edition

The physical edition of Mark My Words is out on POD at Amazon.

StokerCon and Cocktails

I totally forgot to mention this before StokerCon, but I was invited to be part of a StokerCon-Cocktail-Video thing where I talk about my cocktail of preference for StokerCon and what I’m doing. Gaby Triana edited the end product and it contains videos from herself, Sara Tantlinger, Cina Pelayo, and yours truly. The video can be found on her Witch Haunt YouTube page (and was available during the StokerCon Hopin as well!).

Sara Tantlinger took a textual route and hosted the recipes we talked about at her Delicious Horror subsection of her website. Check it all out!

General Neo-Peplum News

Working Classicists Seeking Contributors

Working Classicists is a new endeavor and a knowledge hub, seeking contributors to write about Classical Studies across all mediums, with an emphasis on the working class in the classics. Their Twitter account is @WorkClassicists and their website is https://www.workingclassicists.com.

Rest in Peplum

Joe Lara, known for playing two incarnations of Tarzan, died in a tragic plane crash over the weekend. His contribution to the peplum genre was an appearance in an episode “The Cavern” in the Ralf Möller Conan the Adventurer television series in 1997.

Gavin MacLeod, famous for playing Captain Stubing in The Love Boat, passed away at the age of 90. He starred in The Sword of Ali Baba (1965).

Invincible Red Sonja #1 Preview

Comicon.com has a preview of Invincible Red Sonja #1.