Categories
Comics

Hunter – Lover – Killer: Vanya 02

The Story So Far

Two hundred plus years in the future, mankind has expanded across space and time. Leading the humans’ expansion are the Astral Guard, elite warriors born out of surviving many months in the prehistoric past.

Standard, non-nude cover of Vanya issue 2. Vanya is sending atop a T-rex head. The T-rex is roaring and Vanya is holding stone knives in both hands. Behind her are trees and cliffs.
Vanya issue two, cover A.

Vanya Tepanov is eight months into her journey as a Time Guard to become an Astral Guard, spending her days surviving dinosaurs and other creatures from the far past. Vanya’s world is turned upside down after she encounters another Time Guard named Reed and her betrothed from her present, Serah.

Issue 02 Plot

Unbeknownst to Vanya, two months after she started her trials, the alien race of the Torridians commenced a surprise attack on humanity. In order to proceed with a counterattack, soldiers were trained and sent back to the past to fetch the Time Guards, with Serah sent to retrieve Vanya.

Despite the looming threat of the Torridians, Vanya and Serah intimately rekindle their romance, with Reed welcomed in. Sexual appetite satiated, the trio decide the best course of action is to proceed to an emergency armory that has a stockpile of weapons. Vanya and company are not the only ones with an interest in the armory as a tribe of savages have also set their eyes on the cache prize.   

Commentary

Neo-jungle girl Vanya’s adventures continue in the second issue of the planned twelve issue series with a dramatic increase in narrative stakes, the introduction of new characters and threats, a stronger sense of humor, and, of course, erotic content.

As with issue one, issue two of Vanya goes full speed at rapidly laying out the greater narrative context. The Torridians are introduced (but only their UFOs are shown), along with a tribe of barbarians led by the, pudgy, dino skull wearing Bone King, and more dinosaur encounters. In addition to the Bone King, one of his soldiers, Niya, is introduced. An attractive jungle-girl herself, it can probably be surmised she will become both a nemesis and a paramour of Vanya. With all of this going on the stakes in the Vanya universe must be dire, especially if the humans in the present are sending fresh meat into the past fetch the Time Guards who have not completed their own trainings quite yet.

The world of Vanya takes much inspiration from the works of Paul Verhoven regarding sex and violence: over the top and plentiful. Due to all three major characters having been without sex for many months, their pent-up lust for one another explodes across multiple pages, only interrupted with the arrival of a T-rex. In just a few panels the comic goes from erotic, to suspenseful, to humorous as the trio crack a pop culture joke about Jurassic Park being a documentary.

Two panels from issue two. The left panel shows the heads of Serah and Vanya. They each have 3 band-aids on their faces. Serah says "Don't move. They can't see movement." The right panel is a close up of Reed. He has two band-aids on his face. He replies with "I watched that Documentary once."
Jurassic Park reference.

Even more subtle in these rapid panels are blink-and-you’ll-miss-it details, such as the T-Rex’s head being peppered by lodged arrows, indicating the king of dinosaurs has encountered something humanoid (savages? Cavemen? Other Time Guards?) before. Other humorous moments include Reed making a Jaws reference of “We are going to need a bigger bow” after witnessing a giant anaconda constrict a barbarian and when Reed mentions that “they will be fine” in one panel, followed by a sudden downpour the next. It is great timing and does not impede the overall atmosphere of the comic.

A peppering of pop culture references aside, the second issue of Vanya begins to show even more genre homages. While issue one solidified Vanya as a jungle girl homage, issue two teases additional pulp elements. For example, the spaceships of the Torridians take inspiration from 50s and 60s era circular UFOs from sci-fi comics and movies, yet they act as formidable as the alien crafts in Independence Day. Another genre throwback is with the Bone King and his lair (which looks akin to a volcanic lair high in the mountains) which fully embrace the spear and fang genre.

As is custom with many adult Kickstarter endeavors, Vanya #02 comes with a plethora of alternate covers, in both non-nude and nude varieties. Two standout covers are the Renato Camilo/Boyfiy Miah and the Pow Podrix/Jasen Smith covers. The Camilo/Miah cover is particularly flirty as it is detailed and colorful, giving an “inviting’ sense. The Podrix/Smith cover scales back the colors and goes more ominous in mood. The exploding volcano, approaching T-rex, and Vanya drawing her bow convey strong adventurous, Turok vibes.

Nude version of the Renato Camilo/Boyfiy Miah cover. Vanya is laying on her stomach, propped up her elbows, looking over her shoulder. She had red dreadlocks. She has a knife and fur boots, but no under garments.
Nude version of the Renato Camilo+Boyfiy Miah cover.

In addition, the Vanya #02 crowdfunding campaign met many of its stretch goals, which aside from the additional pages of sexual content (no doubt the extended ménage à trois between Vanya, Serah, and Reed), entails a handful of ephemera and swag. 

A magnet depicting a close up of Vanya, with a red feather in her hair and the setting sun and ocean behind her. To the right is a white, circular coast. Vanya is in the middle with the blue feather in her hair. She is wearing a ripped pink top, pink shorts, and pink roller skates. Behind her is a circular emblem that kind of looks like an Aztec calendar.
Vanya Magnet and Coaster.

For utility items, there is a square magnet by an uncredited artist that shows a close up of Vanya with a setting sun behind her. Along with this there is a round coaster that depicts Vanya in pink rollerblade and blowing bubble gum, taken from an alternate issue two cover done by Gregbo Watson and Gwenaelle Daligault. 

Two trading cards. Both show the exact same image except one is nude and the other isn't. Vanya is in a swamp fighting a large blue snake with black stripes. There are trees standing on their roots sticking out of the splashing water behind her.
Vanya trading cards.

Next there are two trading cards (one nude, one note) that depict Vanya in a swamp fighting a large blue and black snake. There is no credited artist, but the cards evoke some epic thrash metal.

Four square stickers, all are headshots of different Bad Bug leading ladies. Vanya is in a profile, holding three spears and brown dreadknots. June has long purple hair with cyberpunk gridlines behind her. Maggie is missing an eye and she is blowing the smoke out of a revolver. Nell is wearing a fishnet top and has sailor moon buns. She is winking.
Bad Bug leading lady stickers.

Next there are four square stickers, also with an uncredited artist, each showing a headshot of a lady character from different Bad Bug Comics: Vanya, Nell (Death Nell), June (HyperGeist), and Maggie (Dead End Moon)

Hypergiest art print. The colors are all blue and purple. June sits on her knees atop a bed. She is wearing latex boots with garters and a black corset. She has 2 LEDs in her purple, beehive hair. On the bed beside her is an empty wine glass and wine bottle
HyperGeist art print.

And finally, there is an art print (uncredited) of June from HyperGeist, sitting on a bed with a wine glass and bottle at her side.

Vanya #02 is a great continuation of what was started in the first issue. Bigger scope and more threats are introduced yet the comic does not feel bogged down. The comic has a laid-back attitude regarding sex and violence, but in its primal setting, it works. The increase in humor in issue two was not expected but it is quite welcome. 


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug:

Categories
News

News Roundup 2024-12-22

Personal / Website News

Review: Arzette: The Jewel of Faramore

One more article up here at the website before 2024 ends and I am going out talking to what I believe is the video game of the year: Arzette: The Jewel of Faramore.

I had pre-ordered this game from Limited Run thinking it would be a fun little CD-i Zelda curio, but it turned out to be a fantastic adventure/Metroidvania that I could not put the controller down (I beat the game across all difficulties in just a few days). I loved this game and I hope you check out my write up about it here.

Fan2Fan Podcast Appearances

The cool kids at the Fan2Fan Podcast have dropped two episodes that I am a guest on.

First there is the episode “Nick Diak Recommends“.

Nick Diak's Movie Recommendations Fan2Fan Podcast

And then there is an episode of me reminiscing about Scarecrow Video in Seattle back in the 2000s.

Scarecrow Video with Nick Diak Fan2Fan Podcast

These episodes can be streamed via the links above, or the embedded players, or through your favorite Podcast App. Check them out!

Sincere appreciation to the Fan2Fan crew for having me on their podcast.

Vilioti Noir

Sincerely chuffed to find myself name dropped in the new book Vilioti Noir: Interviews with the World’s Greatest Neo-Noir Creatives. What an honour!

The book is the brain child of Lady Medusa and Jimmy Vargas. I’ve reviewed Vargas’ fiction in an issue of Exotica Moderne, and I’ve reviewed Medusa/Vargas’ prior collaboration, Vilioti Vintage, right here at my website. Give it a read!

I don’t think Vilioti Noir is out in the wild for purchase yet, but when it is, it will probably be found at the Vilioti Press website.

Citation News

The New Peplum has been cited in Ronald Blankenborg’s essay “The Wide Canvas of human Drama: Fantasizing Antiquity Through Graphic Novel” in the open source/access journal Thersites.

The essay can be read here – check it out!

McFarland Holiday Sale

Did you miss out on McFarland’s Black Friday sale of 35% off books? Well, worry not for the publisher is still doing an online sale, though at 20% off instead of 35% off. Still a great deal! During check out, use code HOLIDAY24 to get 20% off your order.

If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:

If you want to support Michele, consider buying James Bond and Popular Culture and Horror in Space: Critical Essays (I have essays in both):

If you’re interested in another book that I have an essay in, consider The Many Lives of the Twilight Zone and Uncovering Stranger Things:

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2024.

Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.

Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.

Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.

Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.

“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #1″ reprinted in the National Capital Panthans Journal #331.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks. I shared a lot of autographed swag on Bluesky, so I’m going to reshare them here.

Forgotten Realms Campaign Boxset

Last year I shared the tale of how my Local Comic Book Store back in Federal Way had Jeff Grubb as a customer and did a meet-n-greet and signing event with him. I shared that Grubb has signed one of my Forgotten Realms modules, “Endless Armies”. That recap can be read here.

Grubb signed lots of other stuff from Michele and I. One of the other items he signed was my Forgotten Realms campaign boxset. Check that bad boy out! And I still have everything in it too!

Space Truckers DVD

Someone on Bluesky did a post that shared their adoration of the Stuart Gordon movie Space Truckers, which afforded me the perfect opportunity to share my autographed copy of the film.

I’ve shared my autographed copy of RobotJox before (link here), but I never talked about how we met Gordon (RIP). He was a guest at a Monsterpalooza event in the LA Area, and here is a picture of all of us. He will be missed!

Cherry 2000 DVD

The 80s gave us lots of cyberpunk films, from Bladerunner to Akira to Max Headroom. Cherry 2000 is, I feel, a forgotten film of 80s cyberpunk. I have a copy of the DVD signed by cult actor Tim Thomerson and Connie Woods.

Connie Woods was in an episode of the original run of Twin Peaks. I met her at Twin Peaks reunion at a Hollywood Collector’s show where she signed my DVD:

Italian Sexy Comedy

A book from the collection, here is Italian Sexy Comedy. This book is 99% pictures from Italian sex-comedy films, so stockings everywhere. I love it.

But, I also love it in that its shore foreword is pretty informative in talking about how Italian horror films faved the way for the sex comedies. This actually become a big point in my masters thesis back in the day.

My book is also signed by starlet Barbara Bouchet!

Victoria Vetri Autographs

A couple months ago I sent off my Blu-ray sleeves of When Dinosaurs Ruled the Earth and Kings of the Sun to Hammer Glamour lady Victoria Vetri, and I just got them back. Check them out!

And:

Since one film is a spear and fang movie and the other a Mesoamerican Historic Epic, Michele and I will probably wind up talking about them on a vidcast next year.

The Children of Gla’aki

Finally, one more sharing of autographed loot from the archives, is my copy of The Children of Gla’aki.

My copy is signed by the legendary Ramsey Campbell:

And the prolific Tim Waggoner:

If folks recall, Michele and I rebooted the HP Lovecast Podcast talking about stories from this book. That episode can be streamed at this link, the embedded player below, or through your podcast app of preference.

Ep 26 – The Children of Gla'aki H. P. Lovecast Podcast

Categories
Comics Peplum

Yor’s [Comic] World: Yor, The Hunter From The Future #01

Yor, the Hunter from the Future is a 1983 Italian Barbarian film directed by Antonio Margheriti (Castle of Blood [1964], Ark of the Sun God [1984]) and starring Reb Brown (best known as the lead protagonist in the MST3K-riffed Space Mutiny [David Winters, 1988]). The movie is a strongman/sword and sorcery film that came during a wave of similar other films (Ator, the Fighting Eagle [1982, Joe D’Amato], Conquest [Lucio Fulci, 1983], The Barbarians [1987, Ruggero Deodato], and so on), that were capitalizing on the success of Conan the Barbarian (1982, John Milius), though the added Star Wars-esque elements at the film’s end edge Yor into sword and planet territory. The film has enjoyed cult status, no doubt due to the presence of Brown and Margheriti’s special effects.

The film was adapted from a series of Argentinian comics titled Yor the Hunter that was created in the mid-70s by writer Ray Collins (Eugenio Juan Zappietro) and artist Juan Zanotto. For decades the comic has been inaccessible to an English-speaking audience, however Antarctic Press (Gold Digger and Ninja High School) is remedying this situation by publishing a translated edition of the original Yor comics. Slated to be released across four issues, the first was released in late August/September.

One thing that becomes apparent when comparing the two version of Yor is just how closely the film follows the plot of the original comic book incarnation. Issue one of Yor, divided into three episodes, corresponds to the first thirty minutes of Yor the movie. All the major narrative events and characters are there.

Film Yor vs. comics Yor:

Brown’s Yor is more lighthearted with a strong helping of naivety. Comics Yor is much more grimdark and serious. Film Yor is an outsider to the initial tribe depicted in the film while comics Yor is already part of the tribe and becomes a leader of it when he exposes a false god – a woolly mammoth encased in ice. Both are strong barbarians that wear a medallion and wield a stone axe. 

Film Kalaa vs. comics Kalaa:

Film Kalaa is played by Corinne Cléry (Bond girl Corinne Dufour in Moonraker [Lewis Gilbert, 1979] and O in The Story of O [Just Jaeckin, 1975]) who is both the love interest of Yor and the damsel in distress of the film. Film Kalaa does not have as much character development as comics Kalaa who is much more strong willed. Comics Kalaa initially rebuffs Yor when he selects her to be his wife, not holding a high opinion of him. Comics Kalaa is also a damsel character, who must be rescued by Yor. 

Film Pag vs. comics Pag

Cinematic Pag is played by Antonio Margheriti regular Luciano Pigozzi (Beetle in Ark of the Sun God, Francesco in And God Said to Cain [1970]) and pretty much is a one to one of comics Pag. Both are confidents/guards of Kalaa, proficient with a bow, and full of sage-like advice.

The major plot beats of the comic are present in the film.

Both the comic and film features a dino battle early in the story. In the film, Yor is introduced by him saving Kalaa and Pag from a triceratops. In the comic Yor saves Pag from a T-rex.

Ukan and his Blue People attacks Yor and friends, kidnap Kalaa and steal Yor’s medallion.

And after the battle throws Yor over a cliff, where he survives. 

Afterwards Yor and Pag enter the caves of the Blue People in order to save Kalaa. In the film Yor rides a pterodactyl in to make a grand entrance while in the comic Yor and Pag battle the pterodactyls en route to the caverns. An epic battle ensues and in both media versions end with Yor destroying a dam and flooding the caves of the Blue People.

While the film adapts the plot of the comics fairly faithfully, where it really deviates is in tone. The filmic version of Yor is much more lighthearted. Even though it has a fair amount of blood (from when Yor slays the triceratops), the overall atmosphere of the film is fantasy-adventure, akin to Caravan of Courage: An Ewok Adventure (John Korty, 1984) with a bit of spear and fang thrown in for good measure. Conversely, the comics version of Yor is much more dark, grittier, and violent. There are executions, rape, and the violence is less cartoonish. The comics version of Yor also narrates the inner feelings of Kalaa and Yor, and they ponder the nature of love in the hostile, primitive world.

After comparing the two iterations of Yor, it is interesting to note just how faithful Margheriti’s adaption was to the source material, save for the tone. It is an interesting case study in how the same story can be told the same textually, but differ greatly in atmosphere and mood. Both film and sequential art incarnations of Yor compliment each other quite well. Fans of the film may not find the camp element in present in the comics version, but can certainly appreciate seeing the original source material of Yor and how it all came about. On its own, the comics version of Yor is fun, and feels like it could have been published in the early years of Heavy Metal

Yor, the film, definitely derails itself as it progresses and veers into Star Wars territory, so it will be interesting to see if it continues to be faithful to the comics when issues two through four are published.


Being a Yor superfan, I’ve accumulated some Yor artifacts over the years, and the publishing of issue one of the comic is a perfect opportunity to show off a bit of the collection, which include different home video editions (including a German version of Yor on DVD signed by Reb Brown himself) and soundtracks. Check everything out in the slide show:

I had the opportunity to talk about Yor on the Fan2Fan Podcast, which can be streamed at the Fan2Fan Libsyn.

For more information on the Yor comics, check out the following links: