Tag: Cyberpunk

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News

News Roundup 2025-04-20

Personal / Website News

Comic Book Review: Vanya #01

New comic book review is up at my website!

I’ve got a backlog of indie comics from Kickstarter I want to get caught up on, including the erotic jungle girl comic Vanya.

Vanya is already on issue seven of a twelve issue run, so I’ve got a wee bit of catching up to do. You can read my review of issue one right here. These Vanya reviews will also be published in forthcoming issues of the National Capital Panthans Journal.

As I go through the comic book backlog/tbr pile, expect to see reviews for Vanya, Death Nell, Yor, Sectaurs, Born of Blood, SPQR, and Alicia Carter.

Citation News

It’s been a while, but here is some new citation news!

Version 1.0.0

My masters thesis, “Danza Macabra: The Reevaluation of Antonio Margheriti Through His Film Castle of Blood” is cited by an essay in the collection Un oceano di stile: Produzione e consumo di Made in Italy negli Stati Uniti del dopoguerra. I’m not sure which one, but if you know, let me know.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Game On Expo 2025

Game On Expo had its ten year anniversary earlier this month and Michele and I attended it on Sunday. It was our first time going to a fairly big-big pop culture-centric con since before Covid times. We had a lot of fun, and would definitely go again next year, and go for multiple days as we didn’t get to partake in many of the activities or panels. We mostly stuck with checking out the vendors and, of course, meeting some of the cool guests! I wanted to share the loot I took in to get autographed.

Autographed Loot

Note, some of the below images are actually slideshows. So make sure to click on the little arrows to cycle through.

Spy Hunter

First up being autographed is my Game Boy Advance copy of Spy Hunter / Super Sprint.

Brian F. Colin was one of old school video game designers who was a guest at the con. He is perhaps best known for creating the arcade classic Rampage, but also Arch Rivals and General Chaos.

One of the many games he worked on as an artist at Midway was Spy Hunter, another hugely successful arcade game that saw many ports.

Back in the bid 2010s I was neck deep in Eurospy and espionage in popular culture (which would lead to my essay on Italian Eurospy films for Michele’s James Bond in Popular Culture book). I wound up finding a never opened, CIB copy of Spy Hunter / Super Sprint (not sure where, another con or maybe even eBay), so this has port of Spy Hunter has been in my collection for quite a while.

Colin was extremely happy to sign the box for the game. He remarked he had never seen this port before. He was super nice, friendly, and energetic to talk to. Scroll through the gallery above to see the contents of the GBA game, along with some Rampage stickers I bought from Colin.

Atari 50

The next old school game designer I met was Howard Scott Warshaw.

Warshaw worked at Atari in the early 80s, his first game being Yar’s Revenge. His last game was the infamous Atari release of E. T., which was the straw the broke the camel’s back, facilitating the great video game crash in the US in the 80s.

I’m not a real big Atari aficionado, I love the history of the company more than the games. However, a few years ago I plucked up Atari 50, which is basically 50% compilation of Atari games and 50% documentary/museum about the company. Part of its content was a handful of Atari Jaguar games, an extremely rare treat to play!

Warshaw’s Yar’s Revenge is on the compilation, along with interviews with him talking about creating the game and working at Atari. Super insightful.

Warshaw graciously signed my copy of Atari 50 and I bought a copy of his autobiography, Once Upon Atari, which he also signed (see sideshow above). As Reb Brown signs copies of Yor, the Hunter from the Future as “Yor’s Truly”, Warshaw signs his stuff “Yar’s Truly”. Love it.

Earth Defense Force 2025

“EDF! EDF!”

“They killed Tiny!”

I have a lot of memories playing the three Earth Defense Force games on the Xbox: Earth Defense Force 2017, Earth Defense Force 2025, and Earth Defense Force: Insect Armageddon. These game offered a split screen, couch co-op opportunity for Michele and I to play a video game together, and one that wasn’t too hard either. Pick up a gun and shoot all the giant ants, spiders, robots, and UFOs. Hella fun. So, I have lots of fond memories of these games and playing with Michele.

Voice actress extraordinaire Erika Harlacher was one of the many VO guests in attendance for the Game On Expo. I’m not 100% familiar with her work, she does a lot of anime, which I’ve been out of the loop of for 10-20 years. EDF proper does not have characters per se, just unnamed soldiers that are canon fodder for the insect hordes. Harlacher voices the flying Valkyrie soldiers, which is really cool. Means a lot to me to have this game signed by someone involved with it. And she drew a bug by her signature too!

Note: EDF 2025 originally came out in 2014, and 2025 seemed so far away back then. And now here we are, living in the future, living in 2025. Should I expect to see UFOs fill the skyline, dropping a legion of ants and spiders on the Earth?

Cyberpunk 2077

Awww yiss. Cyberpunk 2077!

I never played the Witcher games, but I knew they were good. I love the cyberpunk genre, though never played the Cyberpunk TTRPG. I was super excited for this game when it was released. When it came out, however, it was a big, buggy mess. So, I sat on getting it for a while. Then CD Projekt fixed the game and expanded on it with the Phantom Liberty DLC, and apparently really redeemed themselves. Now it was a good time to pluck up the game, and it was amazing.

Jane Perry was another voice actress in attendance at the con. Her work I am much more familiar with, having played the Hitman games and lots of other titles she’s been a part of: Robocop, 007 Legends, and others. In Cyberpunk 2077 she voices Rogue Amendiares, one of the important characters in the last half of the game. She was a love interest of Johnny Silverhand and was part of the assault on Arasaka Tower with him. She rules.

Return of Monkey Island

Finally, my boxset of Return to Monkey Island from Limited Run Games, signed by artist Dev Madan.

I’ve played the Monkey Island games since I was a wee wee wee kid on our old 486. The before times of having proper internet, it was a S T R U G G L E getting through that first game. One of my best friends, Kris, and I would crowd around the computer shouting out all ideas to solve the adventure game’s puzzles.

I wasn’t able to play Monkey Island 2 until around two decades later when it got a digital release on Xbox Live Arcade. I had a Big Box PC version of Curse of Monkey Island (and I still do, I think?), and my PS2 copy of Escape from Monkey Island which I bought and played when I was a broke college student. I grew up playing all the point and click adventure games from LucasArts and Sierra, and still have a soft spot for them.

I was excited when the newest, and it looks like last, Monkey Island game, Return to Monkey Island, got an ornate console release. It was a fun game, with a bittersweet ending. But, when I was looking at the guest list for Game On Expo and saw Dev Madan (an icon of point and click games), listed on it, I just had to have him sign Return to Monkey Island (which he did art for), a series that has been near and dear to me forever.

“I can’t use the skeleton arm with that!”

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode 15 from season 1:

And here is their discussion of episode 16:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

New Fan2Fan Episodes

Bernie and Pete have some new episodes of their Fan2Fan podcast online.

They have episodes online talking about the ill fated Roger Corman Fantastic Four film. Here is part one of their conversation:

Fantastic Four is Doomed Part 1 – Fan2Fan Podcast

And here is part two:

Fantastic Four is Doomed Part 2 – Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page.

The Chosen Cast Interview

Matt Page (author of 100 Bible Films and the dude behind the Bible Films Blog) recently did an interview with two cast members of the Biblical peplum TV series The Chosen: Shahar Isaac (Simon Peter) and Vanessa Benavente (Mother Mary). Check out the interview on Youtube:

Categories
Essays Peplum

Et tu, Mithra?: Rome Eternal #2

The Story So Far

The Mithra Mysteries are a specialized terrorist team, led by the Lion of Jupiter, who wreak havoc in an alternate history Rome, one that is technologically advanced with cyberpunk tech. The last mission of the Mysteries had Jupiter allowing himself to get captured and connected to the Emperor’s Navigator to have his memories prodded by the Veritas Decider. However, Jupiter is acting as a trojan horse, implanted with special memories that trap the Decider, allowing his team to initiate their assault and steal information from the Navigator.

Issue #2 Plot

Information in hand, the Mysteries’ next mission given to them by their Pater is to infiltrate the imperial palace and assassinate Emperor Tiberius. The mission goes horribly wrong as the Mysteries walk right into an ambush due to their ranks having been compromised by an informant. Concurrently, detective Rufus begins to investigate the Mysteries’ attack on the Navigator and Veritas Decider but is stymied by Germanicus and his Praetorian Guard. Rufus’ partner, Eugenio, seeks out a contact in Praetorian Intelligence who perhaps can provide some data on the Mysteries and the Guard.

Commentary

Rome Eternal issue two commits to the same bit that 2021’s The Suicide Squad did by killing the heroes right as their mission starts. In a true Game of Thrones fashion, no one is safe in Rome Eternal in that nearly all the named characters from the first issue, along with newly introduced characters in issue two, are horrifically dispatched. On one hand this raises the stakes of Rome Eternal considerably while at the same time underscoring the cunning and brutality of [techno] Rome. On the other hand, readers do not get a chance to see the members of the Mysteries in much action. In issue one they are all introduced along with their corresponding power/specialty, so there is the expectation to see them in their element, doing their thing, building up more characterization to give their eventual demise more weight. So, it is bittersweet to see the Mysteries members annihilated, quite easily at that.

As with issue one, Rome Eternal embraces non-linear storytelling. While issue one used memories in tandem with unfolding events, issue two is told in flashback while also switching perspectives between the Lion and the Mysteries and Rufus and his investigation. Ultra violence and non-linear storytelling, it is as if 90s Tarantino decided to make an alt-history neo-peplum.

The art and writing quality from issue one carries over to issue two and everything is top notch. The art is especially stand out, both detailed and colourful. Dark blues dominate this issue, with the nighttime assault and covert meetings in alleyways. The newly introduced Detective Rufus and Germanicus have detailed attire that are anachronistic, they feel both ancient, yet new. It is these details that keep grounding the sword and sandal setting in a different, hi-tech context. Rome Eternal is fully committed to the bit.

With nearly all the heroes killed and the issue ending on a major cliffhanger, it is nail biting to see what will happen next. The introduction of Rufus indicates Rome Eternal may start diving into the toga and sandal genre with more intrigue and the addition of political maneuvering from Germanicus. It is nice to see all these 60s peplum tropes being explored in a way different fashion in Rome Eternal. 

For more information on Rome Eternal and its team, check out the following links:

Categories
News

News Roundup 2025-03-16

Personal / Website News

Comic Book Review: Rome Eternal #1

It has been a while so it is time to dive back into my bread and butter, the world of the neo-peplum, so here is a brand new review online.

I’m fairly timely with this review as Rome Eternal came out in November, and I have issue #2 (which came out in January) in my paws as well. Should I aim to do back to back reviews?

Anywho, Rome Eternal is a neo-peplum comic about an Ancient Rome that did not fall but instead became a huge superpower that is just as corrupt and nasty as it has ever been. Just this time they have laser spears.

It’s hella fun and topical as well. Check out my review here.

Global Indigenous Horror

Sincerely chuffed that editor Naomi Simone Borwein mentions Michele and I in her acknowledgments in her upcoming edited academic collection, Global Indigenous Horror, from University Press of Mississippi.

We had the honour of having Dr. Borwein present at a past Ann Radcliffe Academic Conference and to have her presentation published in Horror Literature from Gothic to Post-Modern.

I’ve shared prior, but want to re-iterate how awesome the cover art for Global Indigenous Horror is:

Global Indigenous Horror is slated to be published April 15th and can be pre-ordered at the UPoM website.

Scholars from the Edge of Time: Gentlemen Broncos

First episode of Scholars from the Edge of Time of 2025 is now online!

Back in 2024 Michele and I watched Krull and loved it (that episode can be viewed here). The cyclops in Krull made me recall that Gentlemen Broncos has homages to the iconic one-eyed character, so we decided to give that film a shot! The vidcast episode can be watched on YouTube, check it out!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Selling Scary Movies: Horror Film Promotion & the American Market

While American horror cinema is among the most widely examined of all entertainment formats, scholarship on this topic has mainly focused on film content or its reception. Consequently, despite representing a profuse component of horror’s inter-textual replay, the marketing of such films remains under-theorized and supported by a relative paucity of case-studies. Indeed, the promotion of scary movies still tends to be imagined rather reductively as a nightmarish mix of terror, loathing, threat, violence, and monstrosity, exemplified by such oft-quoted taglines as “be afraid, be very afraid” and “keep repeating it’s only a movie!”. This collection of essays therefore proposes to broaden conceptions of how chillers, thrillers, and the like have been promoted on the US market. It shall do so by uniting diverse approaches focusing on the industrial, social, discursive, and aesthetic dimensions of horror film marketing across a range of industry sectors, windows of release, and time periods. In so doing, the collection aims to expand and clarify the terms under which we understand one of the most pervasive yet poorly appreciated aspects of American audiovisual culture.

Accordingly, the editor of this collection therefore solicits original essays of 6000-8000-words offering a variety of perspectives on topics including but not restricted to:

  • Marketing campaigns of individual horror films
  • Repacking horror films across windows of release
  • Marketing campaigns across horror film trends and sub-types
  • Horror film and print advertising
  • Horror film and audiovisual advertising
  • Horror film and radio advertising
  • Horror film and viral advertising
  • Horror films and synergy
  • Horror films and publicity tours
  • Exploitation sector marketing
  • Indie/Art horror marketing
  • Marketing extreme or niche horror
  • Hollywood horror marketing
  • Targeting horror at specific audiences
  • Promoting imported horror on the American market
  • Horror in the marketing of non-horror films
  • Non-horror in the marketing of horror films

Please send 200-word abstracts plus a short academic bio – or any questions and queries – to richardandrew.nowell@amu.cz

Abstract due date (31 May 2025), chapter submissions (circa. January-May 2027).

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

New Acquisitions

Gladiator 2

Gladiator 2 was release in theaters back in November 2024 and Michele and I got to see it on the big screen in December. I started a draft of a write up of the film, got 80% done, but decided to shelve it for when the Blu-ray comes out so I could re-watch it.

And now, the movie is out on physical media! I got my pre-order the other week, so expect an upcoming Peplum Ponderings about the film, but also a Scholars from the Edge of Time episode devoted to it.

Helen of Troy

A recent pick up for an old film, here is Helen of Troy (Robert Wise, 1956).

I have not seen this one yet, but this will be a great watch in tandem with Ruby Blondell’s Helen of Troy in Hollywood.

Autographed Treasures

Lots of cool autographed treasures I’ve shared on Bluesky these past few weeks.

Rodan/War of the Gargantuas

I love kaiju films, but I am far from an expert on all the Toho and Toei monster films out there. Don’t laugh, but one of my favorite Godzilla films is All Monsters Attack (1969, Ishiro Honda).

I have quite a Godzilla film collection, but I have only one autographed kaiju film, and that is War of the Gargantuas (1966, Ishiro Honda) by Russ Tamblyn. There was a West Side Story anniversary Hollywood Collector’s show way back in the day, and he was in attendance, so I had to get my monster movie signed!

When Women Ruled the Earth / War Goddess

Luciana Paluzzi is an iconic starlet of Italian genre cinema, and she has made frequent appearances at conventions, mostly James Bond-themed ones due to her being in Thunderball.

I actually really liked her in the Eurospy film The Venetian Affair (1967, Jerry Thorpe). Paluzzi starred in her fair share of pepla, including the very late era peplum War Goddess (1973, Terence Young), which she signed my copy of.

Strike Commando

Reb Brown rules and Yor, the Hunter from the Future rules.

Reb has done many other cult films and is probably (aside from Yor) best known for Space Mutiny which was on MST3K.

However, he was in a handful of other Italian genre films of the 80s, including the men-on-a-mission film, Strike Commando, which is awesome. Severin Films did a nice Blu-ray release a few years back, but 20 years ago the only way I could watch the film was in a multi-film budget DVD set called Mercs: Soldiers of Fortune 10 Feature Film Collection which contained a low quality copy of Strike Commando, which Brown graciously signed to me.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

Bible Films Blog – House of David

Matt Page over at his Bible Films blog is on a roll doing write ups about season one of House of David. Check them out:

Ride the Stream New Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode nine of season one:

And their discussion of episode ten of season one:

And, finally their discussion of episode eleven of season one:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Categories
Peplum

The Dream That Was Rome: Rome Eternal #1

Plot

Ancient Techno Rome. Veritas Decisor Titus Amaro and the Emperor’s Navigator are memory diving into the mind of The Lion of Jupiter, the terrorist son of the Greek Sergius Lauro who led a failed rebellion against the empire. Titus witnesses the memories of when the rebellion was squelched by Javelin Germanicus followed by the indoctrination ritual from the Cult of Mithra of bringing the Lion into their ranks.

Meanwhile the companions of the Lion of Jupiter, collectively called the Mithra Mysteries (Corax the Raven, Persus the Persian, Amalia the Virgin, Heliodromus the Sun Runner, and Miles the Soldier), initiate their plan rescue their leader and retrieve something else of value.

Commentary

Rome Eternal is a neo-peplum comic written by Homero Rios (Heavy Metal), with Diego Yapur (Bloodshot: Rising Spirit,Death Dealer) on art, Oscar Carreño (Wolverine: Xisle) on colours, and Shawn Lee (Teenage Mutant Ninja Turtle, Judge Dredd) doing editing. The first issue was published in November 2024 by Magma Comix. The comic takes place in an alternate history where ancient Rome did not fall but instead became an empire that is a mixture of antiquity and hi-tech, with floating chariots, laser spears, and the cyberpunk-esque ability to view someone’s memories. The juxtaposition of old and future in Rome Eternal is conceptually comparable to the Fallout universe but replace 50s atomic-era Americana with the SPQR.

Ostensibly, Rome Eternal is a superhero/specialist team story, with each member of the Mithra Mysteries bringing a unique talent or ability to the fold: Miles is a giant, brute of a man who wields a titanic hammer; Persus is akin to an agile, stealthy thief, Heliodromus shoots flames from his bracers, Amalia is a sniper, Corax is able to fly and hack into machines, and the Lion is the leader and mastermind. Since issue one of Rome Eternal has two narratives going at the same time, (the real-world narrative and the narrative of the memories of the Lion), each character is given two introductions: one via the memories and then via them showcasing their abilities and the other when they commence their assault. It is a unique take on character introduction.

As a sword and sandal story, Rome Eternal brings its own unique spin to the genre, akin to other neo-peplum comics such as Jonathan Hickman’s Pax Romana and Jean-David Morvan’s Hercules: Wrath of the Heavens. The Rome depicted in Rome Eternal is just as corrupt and decadent as any portrayal in a historic epic, but the addition of hi-tech really ups the brutalism in a way similar to the space marines in the Warhammer 40K universe, where armour and (chainsaw) swords clash with bolt guns and spaceships. It is jarring (in a good way) how one panel will look exactly like it is from an antiquity comic (such as Frank Miller’s 300) and the next the image will be replete with laser rifles and electro-spears.

Rome Eternal is a high concept idea, and writer Rios brings the singular components (techno ancient Roman X-men) while Yapur and Carreño bring the great visuals. The art of Rome Eternal is colorful, creative and detailed, and it has to be in order to portray the mixture of ancient architecture in tandem with cyberpunk technology. The armour and uniforms of all the character look both old and futuristic at the same time. There is a great amount of detail in the characters, but this is also one of those comics that is not afraid to explore the background art as that is the realm that will solidify the anachronistic setting the comic is establishing. 

The arrival of Rome Eternal could not happen at a more appropriate and cyclical, time in pop culture and real-world history. In late 2000 Ridley Scott’s Gladiator was released, starting a revival of the sword and sandal genre with films like 300 (Zach Snyder, 2006), Troy (Wolfgang Petersen, 2004), Immortals (Tarsem Singh, 2011), The Eagle (Kevin Macdonald, 2011), and many more. A bulk of the peplum revival coincided with the presidency of George W. Bush and eight years of right-wing hegemony. Depending on how they are perceived, peplum texts can be a critique of fascism (Neil Marshall’s Centurion) or a glorification of it (such as the jingoism in 300). Fast-forward twenty-four years and Rome Eternal #1 is released, the same month as Gladiator II, and just at the eve of another wave of the rise of the right under Trump. Gladiator II attempted a course correction in its story and went more overt in calling out the evils of the empire. Rome Eternal looks to be echoing the same message, to rebel against fascism. 

Will a renewed cycle of sword and sandal films, games, comics, and other texts arise again? Rome Eternal is looking to lead the pack and it will be great to see what the rest of the story will convey and commentate on.

For more information on Rome Eternal and its team, check out the following links:

Categories
News

News Roundup 2024-12-22

Personal / Website News

Review: Arzette: The Jewel of Faramore

One more article up here at the website before 2024 ends and I am going out talking to what I believe is the video game of the year: Arzette: The Jewel of Faramore.

I had pre-ordered this game from Limited Run thinking it would be a fun little CD-i Zelda curio, but it turned out to be a fantastic adventure/Metroidvania that I could not put the controller down (I beat the game across all difficulties in just a few days). I loved this game and I hope you check out my write up about it here.

Fan2Fan Podcast Appearances

The cool kids at the Fan2Fan Podcast have dropped two episodes that I am a guest on.

First there is the episode “Nick Diak Recommends“.

Nick Diak's Movie Recommendations – Fan2Fan Podcast

And then there is an episode of me reminiscing about Scarecrow Video in Seattle back in the 2000s.

Scarecrow Video with Nick Diak – Fan2Fan Podcast

These episodes can be streamed via the links above, or the embedded players, or through your favorite Podcast App. Check them out!

Sincere appreciation to the Fan2Fan crew for having me on their podcast.

Vilioti Noir

Sincerely chuffed to find myself name dropped in the new book Vilioti Noir: Interviews with the World’s Greatest Neo-Noir Creatives. What an honour!

The book is the brain child of Lady Medusa and Jimmy Vargas. I’ve reviewed Vargas’ fiction in an issue of Exotica Moderne, and I’ve reviewed Medusa/Vargas’ prior collaboration, Vilioti Vintage, right here at my website. Give it a read!

I don’t think Vilioti Noir is out in the wild for purchase yet, but when it is, it will probably be found at the Vilioti Press website.

Citation News

The New Peplum has been cited in Ronald Blankenborg’s essay “The Wide Canvas of human Drama: Fantasizing Antiquity Through Graphic Novel” in the open source/access journal Thersites.

The essay can be read here – check it out!

McFarland Holiday Sale

Did you miss out on McFarland’s Black Friday sale of 35% off books? Well, worry not for the publisher is still doing an online sale, though at 20% off instead of 35% off. Still a great deal! During check out, use code HOLIDAY24 to get 20% off your order.

If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:

The New Peplum

New Peplum McFarland Page

Horror Literature McFarland Page

If you want to support Michele, consider buying James Bond and Popular Culture and Horror in Space: Critical Essays (I have essays in both):

James Bond McFarland Page

Horror in Space McFarland Page

If you’re interested in another book that I have an essay in, consider The Many Lives of the Twilight Zone and Uncovering Stranger Things:

Twilight Zone Product Page

Uncovering Stranger Things McFarland Page

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2024.

Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.

Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.

Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.

Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.

“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #1″ reprinted in the National Capital Panthans Journal #331.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks. I shared a lot of autographed swag on Bluesky, so I’m going to reshare them here.

Forgotten Realms Campaign Boxset

Last year I shared the tale of how my Local Comic Book Store back in Federal Way had Jeff Grubb as a customer and did a meet-n-greet and signing event with him. I shared that Grubb has signed one of my Forgotten Realms modules, “Endless Armies”. That recap can be read here.

Grubb signed lots of other stuff from Michele and I. One of the other items he signed was my Forgotten Realms campaign boxset. Check that bad boy out! And I still have everything in it too!

Space Truckers DVD

Someone on Bluesky did a post that shared their adoration of the Stuart Gordon movie Space Truckers, which afforded me the perfect opportunity to share my autographed copy of the film.

I’ve shared my autographed copy of RobotJox before (link here), but I never talked about how we met Gordon (RIP). He was a guest at a Monsterpalooza event in the LA Area, and here is a picture of all of us. He will be missed!

Cherry 2000 DVD

The 80s gave us lots of cyberpunk films, from Bladerunner to Akira to Max Headroom. Cherry 2000 is, I feel, a forgotten film of 80s cyberpunk. I have a copy of the DVD signed by cult actor Tim Thomerson and Connie Woods.

Connie Woods was in an episode of the original run of Twin Peaks. I met her at Twin Peaks reunion at a Hollywood Collector’s show where she signed my DVD:

Italian Sexy Comedy

A book from the collection, here is Italian Sexy Comedy. This book is 99% pictures from Italian sex-comedy films, so stockings everywhere. I love it.

But, I also love it in that its shore foreword is pretty informative in talking about how Italian horror films faved the way for the sex comedies. This actually become a big point in my masters thesis back in the day.

My book is also signed by starlet Barbara Bouchet!

Victoria Vetri Autographs

A couple months ago I sent off my Blu-ray sleeves of When Dinosaurs Ruled the Earth and Kings of the Sun to Hammer Glamour lady Victoria Vetri, and I just got them back. Check them out!

And:

Since one film is a spear and fang movie and the other a Mesoamerican Historic Epic, Michele and I will probably wind up talking about them on a vidcast next year.

The Children of Gla’aki

Finally, one more sharing of autographed loot from the archives, is my copy of The Children of Gla’aki.

My copy is signed by the legendary Ramsey Campbell:

And the prolific Tim Waggoner:

If folks recall, Michele and I rebooted the HP Lovecast Podcast talking about stories from this book. That episode can be streamed at this link, the embedded player below, or through your podcast app of preference.

Ep 26 – The Children of Gla'aki – H. P. Lovecast Podcast

Categories
Interview

Surprise Delivery: Interview with D. J. Kirkbride on Errand Boys

For well over a decade, D. J. Kirkbride has been writing some of the most creative and unique comics to have hit the market. From Amelia Cole to The Biggest Bang, from Never Ending to The Once and Future Queen, Kirkbride has a signature light-hearted wit that compliments his fun and engaging speculative-fiction stories. His latest comic book series is Errand Boys – a sci-fi adventure that sees two brothers as interplanetary couriers – and was originally published as a five issue run at Image Comics. This spring season sees a release of a trade paperback version of this comic from Dark Horse Comics. 

Trade paperback cover for Errand Boys.

What was the catalyst for Errand Boys? How did the comic come about?

The story started with me working out something personal in the only way I know how: wild and weird comic book adventure tales filled with lots of aliens and absurd technology and shenanigans.

I have a kind of Brady Bunch times two or three family, and the relationship between brothers who share one parent but didn’t really grow up together was definitely something I wanted to explore. Different types of families and what it means to be family. Dealing with loss was a big part of the story, too. The comic is not at all literal or a one-to-one with my experiences, but they’re all present or represented in some way.

The ever-growing gig economy, people working not just weekly paycheck to weekly paycheck, but gig payment to gig payment, with no real infrastructure or insurance or any of the things I grew up thinking was everyone’s goal was another aspect of it. That kind of uncertainty can sometimes lead to a lot of us making hasty decisions with potentially heavy consequences.

D. J. Kirkbride, photo courtesy of Kirkbride.

What is the primary goal you wanted to accomplish with Errand Boys?

Entertainment is always the goal! Wage inequality and the devastating environmental impact of big corporations along with family tragedy and stepping up for those in need is all in this story, but if it’s not a fun ride that keeps readers turning the pages, it belongs scribbled in my diary, not in a beautifully illustrated and designed book from Dark Horse Comics, you know?

Cyberpunk stories, such as Snow Crash, Johnny Mnemonic, and the video game Mirror’s Edge, prominently feature couriers and, despite the super presence high tech, take the low tech, sneaker net approach to delivering goods and information, something echoed in Errand Boys. Do you have any sort of affinity to the cyberpunk genre or has it had an influence on you?

I just started reading Snow Crash a few days ago, oddly enough. I’m digging it so far, but, suffice it to say, it wasn’t an influence on this Errand Boys. Also, and this is strange given what I write and watch and read, but I don’t really play video games, so I don’t know Mirror’s Edge. Johnny Mnemonic I saw in the theater when it came out, but I’ve not read the source material. 

Having said all that, so much of this type of work is in the culture, and influences influence other influences to the point that I’m sure echoes of all of these stories made it into my over-caffeinated brain. 

No one in Errand Boys is as cool as Keanu Reeves in Johnny Mnemonic (or Keanu in any other movie), though. Jace doesn’t even own a snazzy suit.

What are texts that you feel have their DNA in Errand Boys?

In the original pitch, I put forth the idea it could be looked at like a story about the type of characters in the background of Star Wars movies, the ones who don’t have any Jedi friends and aren’t fighting in giant intergalactic skirmishes. These are the folks just trying to get by and afford the occasional blue milk and all that. 

Someone, either a review or a comment, said Errand Boys seemed inspired by Futurama to them, which didn’t occur to me until I read that. I see it now, though.

The best intergalactic settings have unique planets and a variety of memorable non-human characters. How did you and artist Nikos Koutsis work together to accomplish this aspect for Errand Boys?

Originally, I pictured this more as almost a science/speculative fiction world designed like a Wes Anderson movie. The story was a little more static and introspective. Co-creator/artist Nikos Koutsis, genius that he is, took the script for the original pitch pages, and made them into a budget-less blockbuster movie. Suddenly, and happily, where I originally saw mid shots and formal framing, we had action-packed angles and crazy energy.

When I write, I try to figure out how much description to give to each artist. Nikos would take something like, “Bear is Jace’s heavyset, cigar chomping boss who always has a stain on his shirt,” and make him that amazingly designed alien creature that he is. Nikos did that with all the characters and the tech in Errand Boys.

He influenced the writing and pacing, too. Lots of conversations went from taking place in a room or something to happening while being chased or running or jumping off of all sorts of structures way too high for people to jump off of, and it made the book so much more exciting. 

He’s a great collaborator and became a friend as we worked on this book. I hope to work with him again. 

You’ve written quite a few speculative fiction comics. What would you say is the most distinguishable, uniquely you, aspect about your writing?

That might be for others to say. I’m not the best at intellectualizing what I do or why I do it, if that makes any sense. My hope is that the comics I work on entertain readers and make them feel some emotions. Even the all-ages fun stuff has real stakes that I hope affect readers young and old!

What were some of the new challenges, or perhaps learning something you didn’t know before, that you encountered with Errand Boys?

The background, kind of nuts ‘n bolts of comic book publishing, how much it’s changed since I started working in comics, was, and continues to be really eye opening. Our experience with Errand Boys has been a long and winding road, filled with surprises and challenges that ultimately made me realize that, for the types of stories I like to help tell, the trade format is probably better than single issues. I grew up on single issues, and there are titles I enjoy buying that way, but I don’t know if the market is conducive to that publishing style for my work or level in this zany industry.

What are you most proud of with the comic?

In terms of writing, it was a big breakthrough for me. I always weave in some personal details and whatnot, but this one was the most honest while also being silly and fun, I think. That our characters truly grow and change from the start to finish in ways that feel organic and true was nice, and hopefully readers of the trade will take that journey. Nikos along with color flatter Mike Toris and letterer/logo designer Frank Cvetkovic, all brought the story to life beautifully, and I’m really proud of it.

In one of the scenes of Errand Boys, there’s an alien chilling poolside with a multi-straw libation. This is a perfect segue to ask you how you got into tiki culture and what your favourite tiki cocktail is.

Ah, hmmmmm… my partner introduced me to a nice little place called Ventiki in Ventura, CA. I’m sure I had a tiki cocktail or two before that, but that opened me up to a whole new world of tasty, fancy, fun drinks! It’s become a must visit when we’re near, and we like finding tiki bars in other towns we visit. I enjoy the style and happy vibe of most of those places, but I’m fairly ignorant of the actual culture that inspired this style. It’s something I need to read up on and learn more about, actually.

As for my favorite drink, that’s a tough one! A Mai Tai, in almost all of its variations, is always good to try out when visiting a new place. There’s a drink called the Jet Pilot that I also really like, as I’m a fan of cinnamon. 

What are upcoming projects or news you’d like to share?

Nothing set in stone at the moment. One pitch is being pitched, and another is being lettered now, and I have some ideas scribbled in my notebook, so… hopefully more soon!

Finally, and most importantly, (but not related to Errand Boys), why does Amelia Cole eat tacos from the top? 

That’s a question for artist/co-creator Nick Brokenshire. Once he drew her eating a taco like that, though, co-writer/co-creator Adam P. Knave and I acknowledged it as perfectly in character and noted it in the script the next time she had a taco for lunch.

Sincere thanks to D. J. Kirkbride for allowing me to interview him. The trade paperback edition of Errand Boys will be published April 13. Errand Boys can be ordered via your favourite brick and mortar comic book store, or check out these purchasing options listed at Dark Horse Comics.

Kirkbride can be found at his website and his other publications can be found at his Amazon author page.

Categories
News

News Roundup W/E 2021-08-15

Personal / Website News

Burial Plot Podcast

Michele and I were both interviewed on Brenda S. Tolian and Joy Yehle’s Burial Plot Podcast. We are both super honored and flattered to be invited onto their show were we talk horror academia, the Ann Radcliffe Academic Conference, our H. P. Lovecast Podcast, and much more. The episode can be streamed at the Burial Plot Podcast Buzzsprout website or via your podcast app of preference.

General Neo-Peplum News

“Iconic Encounter: Water and Bone”

Danielle DeLisle has written a sword and sorcery short story over at Paizo called “Iconic Encounter: Water and Bone.”

Taught by Time: Myth Goes Punk

Earlier this month, Writerpunk Press released their sixth anthology called Taught by Time: Myth Goes Punk.

Looking at the table of contents, there is a lot of neo-peplum stories dealing with mythology:

  1. AR DeClerck: “Drag Me Down”
    (A cyber/biopunk story inspired by the Greek myths of Hades and Persephone)
  2. Nils Visser: “The Skirring Dutchman: A Sussex Steampunk Tale”
    (A steampunk story inspired by De Vliegende Hollander [The Flying Dutchman] by Piet Visser, 1901)
  3. Lee French: “Little Red Riding Hood”
    (A cyberpunk story inspired by the European folktale of Little Red Riding Hood)
  4. Phoebe Darqueling: “Making Bones”
    (A noirpunk story inspired by the European folktale of Cinderella)
  5. Jeffrey Cook and Katherine Perkins: “Lured”
    (A steampunk story inspired by Grimm’s fairy tale “Hansel and Gretel”)
  6. Rachel Brune: “H-Bomb Over Paris”
    (An atompunk story inspired by the various Greek myths of Helen of Troy)
  7. Teel James Glenn: “Black Sails”
    (A biopunk story inspired by the legend of Theseus in Ovid’s Metamorphoses)
  8. Virginia Carraway: “The Lost Princess Returns”
    (A steampunk story inspired by George MacDonald’s 1875 fairy tale novel The Lost Princess)
  9. Rachel Brune: “Bea Wolf”
    (A dieselpunk story inspired by the Old English epic poem Beowulf)
  10. Bryce Raffle: “Threads”
    (A dreadpunk story inspired by the Homerian myth of Althaea, Meleager and the Three Fates)
  11. Carol Gyzander: “Dust to Dust”
    (A biopunk story inspired by the legend of Echo and Narcissus in Ovid’s Metamorphoses)
  12. H. J. Lopez: “Corporate G.O.D.S.”
    (A nano/biopunk story inspired by Homer’s Odyssey)

The anthology can be ordered at Amazon.

Dr. Swist on Spartan History Podcast

Dr. Swist has made an appearance on the Spartan History Podcast. The episode can be streamed at their Buzzsprout website or via your podcast app of preference.