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News Roundup 2025-11-30

Personal / Website News

Bachelor Pad Nylon Nightcap #2 Review

New article up at my website! I’m a big fan of Bachelor Pad, the #1 digest for pinup and retro models. Earlier this year they launched their debut issue in their Nylon Nightcap line of issues and now they’ve recently published their second issue.

Cover shows model Brittany Jean, wearing only black garters and seamed flesh-coloured stockings with black heels and toes. She is sitting on a white, cushioned lounge chair. Behind her are a lot of ferns.
Cover art of Nylon Nightcap #2. Provided by Bachelor Pad.

As a stockings connoisseur I was excited to see the line continue. I did a review of the first issue, which can be read here, and now my review of the second issue is online and can be read here. Check them out and consider supporting the magazine and plucking up a copy./

New Edge Sword and Sorcery

The next three issues of New Edge Sword and Sorcery (numbers 5, 6, and 7, with one of them focused on the sword and planet genre) will be out soon! It sounds like digital and softcover copies will be out the last week of November and the hardcovers the first week of December. A reminder: I have a cocktail in each issue! Each cocktail is inspired by a different S&S and S&P character.

Cover art of three New Edge Sword and Sorcery magazines.
Collage of the three upcoming New Edge Sword and Sorcery Magazines.

Copies of these upcoming issues (along with some older issues, in both softcover and digital) can be pre-ordered at Backerkit.

Scholars from the Edge of Time

There’s a brand new Scholars from the Edge of Time now online!

Poster of Serpent of the Nile. It shows a stone wall and a gate. In front of it is A roman trying to smooch Cleopatra. There is a skirmish in the background.
Poster of Serpent of the Nile from Wikipedia.

In this episode Michele and I dive into the world of William Castle peplum by taking a look at his Egyptian toga and sandal film, Serpent of the Nile (1953). The episode can be watched on Youtube here.

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Panthans Journal #338. Cover is by Mark Wheatley. It shows Dejah Thoris riding atop a mountain against a red martian landscape with a domed building in the background.
Panthans Journal #338

“She’s Got the Killer Instinct: Vanya Issue 01” reprinted in the National Capital Panthans Journal #338.

Original can be read here.

Cover is by Mark Wheatley. It shows a 4 armed aliens holding two swords, in a dungeon, fighting John Carter and Dejah Thoris.
National Capital Panthans #339.

“Hunter – Lover – Killer: Vanya 02” reprinted in the National Capital Panthans Journal #339.

Original can be read here.

Cover of Panthans Journal #340. Art is done by David Michael Beck. It depicts Tarzan stabbing a dinosaur (A T-rex?) through the next with a spear, while the dinosaur stands atop a tree of roots and vines.
National Capital Panthans Journal #340

“Thunder in God’s Country: Interview with Jeffrey Mariotte” reprinted in the National Capital Panthans Journal #340.

Original can be read here.

Cover of Panthans #341 by Mark Wheatley. It's monochrome - black and brown. It shows Dejah Thoris in the center holding a sword and being her John Carter and a 4 armed alien. Behind them are the silhouettes of a city full of towers.
National Capital Panthans Journal #341

“Jungle Romps and T-Rex Chomps: Vanya 03″ reprinted in the National Capital Panthans Journal #341.

Original can be read here.

Cover art of #342 is by Mark Wheatley and it depicts Tarzan sitting atop a tree branch, holding a vine in his right hand. The horizon is a big prairie with a lion and zebras. It looks as if the sun is setting.
National Capital Panthans Journal #342

“Going Commando: Vanya 04″ reprinted in National Capital Panthans Journal #342.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Ilsa, She Wolf of the SS

Kino Lorber has been doing Blu-ray re-releases of the different entries in the infamous Nazisploitation Ilsa series: Ilsa, She Wolf of the SS (1975), Ilsa, Harem Keeper of the Oil Sheiks (1976), and Ilsa, Tigress of Siberia (1977). No Ilsa, The Wicked Warden (1977) though.

Grey-market DVD. Standard black case. Cover shows Ila, standing tall, her bosom pushed out and shirt unbuttoned. She's wearing a white shirt, with a swastika armband and an SS cap. It is numbered 45 of 50. In Silver it is signed "Don Edmonds". In gold it is signed "Dyanne "Ilsa" Thorne".
Personal copy of the Ilsa She Wolf of the SS DVD signed by director Don Edmonds and actress Dyanne Thorne.

Many, many moons ago, an online DVD website (like DiabolikDVD – it may have been them? I don’t recall, but an online place like them) were able to coordinate an autograph run of Ilsa, She Wolf of the SS signed by director Don Edmond and star Dyanne Thorne. They are kind of gray-market DVDs, but they did 50 of them and I, of course, scooped one up. So, in honour of these new re-releases, here is my old school, autographed DVD.

New Sword and Sandal Acquisitions

The ever growing peplum research library grows with these recent sword and sandal acquisitions.

The Ten Commandments 4K Steelbook

A brand new, 4K steelbook release of Cecil B. DeMille’s The Ten Commandments came out at the tail end of November.

Steelbook. It shows Charlton Heston holding two tables. Behind him the sky is really red.
4K Steelbook edition of The Ten Commandments.

Another classic Biblical epic from the Golden Age of Hollywood epics that I have not seen (it’s like 4 hours!). So, on the to watch list. It’s got Yul Brynner! I love seeing Brynner in epic films, Michele and I covered him in Kings of the Sun (1963) and Solomon and Sheba (1959) on Scholars from the Edge of Time (see podcast list for links).

Soundtracks: The Egyptian and Gladiator II

A trip to our local used record/movie store, Zia Records, produced lots of great treasures, including finding two sword and sandal soundtrack: The Egyptian (1954) and Gladiator II (2024).

Two CDs, both in transparent jewel cases. The one on the left is for The Egyptian and the one on the right is for Gladiator 2. The Gladiator 2 soundtrack shows the main character recreating the Russell Crowe pose from the original movie of lifting up dirt from the arena and rubbing it in his hands. The Egyptian is just actors standing around.
CD soundtracks for The Egyptian and Gladiator II.

Feel free to check out my Peplum Ponderings about Gladiator II.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele Brittany and Travis Lakata are back with brand new episodes of their Ride the Stream vidcast and they dive into season 2 of the cult television series Lost.

First is their dive into season two episode three:

Then episode four:

And episode five:

They also did another non-Lost episode where they talk about the 2015 film The Martian:

Prior episodes of Ride the Stream can be found on their YouTube channel, so please give that a subscribe. There is also a Bluesky account, so feel free to five them a follow.

New Fan2Fan Episodes

Brand new episodes of the Fan2Fan podcast are now online. Here are the most recent three episodes:

Conclusion to their discussion, “Why Do Modern Horror Movies Love the 1980s? Part 2“:

Why Do Modern Horror Movies Love the 1980s? Part 2 Fan2Fan Podcast

Followed by “Reflections of Fear: How Horror Remakes Mirror Their Times Part 1“:

Reflections of Fear: How Horror Remakes Mirror Their Times Part 1 Fan2Fan Podcast

And concluded by their part two:

Reflections of Fear: How Horror Remakes Mirror Their Times Part 2 Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference

Travis Lakata Thankful For Article

Aside from the above episodes of Ride the Stream, Travis Lakata has been busy with lots of other projects, such as his Substack, The Never Ending Streamer, and writing articles for his “Geeky Parent Guide” at Fanbase Press. In his newest article, “Geeky Parent Guide: Sharing Some Love – What We’re Thankful for…”, Travis talks about the folks he is thankful for. I’m sincerely humbled that I am mentioned!

Travis’ article can be read at Fanbase Press right here.

Categories
News

News Roundup 2025-10-05

Personal / Website News

It has been since August since I last posted to my website here! September was simply a crazy month. At work I am on two implementations at the same time, so that has been a big focus for me. The other thing was getting prepared for the 2025 ECOF that happened last weekend. I’m right in the middle of doing a big write up and picture gallery that recaps the event, which I’ll have posted this Wednesday. After that, back to the Emmanuelle book and cranking out the backlog of comic book reviews. In the meantime, here is a month’s worth of news to catch up on!

Panthans Journal #340 and #341

Since my last website update, two issues of The National Panthans Journal have been been published.

Issue #340 contains a re-print of my interview with Jeffrey Mariotte, “Thunder in God’s Country: Interview with Jeffrey Mariotte.” I also sent in a letter to the editor where I go over some Edgar Rice Burroughs inspired libations.

Cover of Panthans Journal #340. Art is done by David Michael Beck. It depicts Tarzan stabbing a dinosaur (A T-rex?) through the next with a spear, while the dinosaur stands atop a tree of roots and vines.
National Capital Panthans Journal #340

Issue #341, which came out this past Saturday, contains a reprint of my review of the third issue of Vanya, which can also be read online here.

Cover of Panthans #341 by Mark Wheatley. It's monochrome - black and brown. It shows Dejah Thoris in the center holding a sword and being her John Carter and a 4 armed alien. Behind them are the silhouettes of a city full of towers.
National Capital Panthans Journal #341

Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Sincere appreciation to Laurence for the opportunity to have my work published in the journal.

Scholars from the Edge of TimeClash of the Titans (2010)

In June, Michele and I announced we would start covering the three Clash of the Titans films: the original, the 2010 remake, and Wrath of the Titans for Scholars from the Edge of Time.

Our dialogue for the original film went online back in June. We had to skip July because someone (me) decided to fracture a toe.

Blu-ray that contains the two Clash of the Titans films and Wrath of the Titans. the cover is divided into three horizontal sections, with each section showing the title of the film and a scene/poster art of it.
Personal copy of the Clash of the Titans ’81, Clash of the Titan 2010, and Wrath of the Titans 3 Movie Blu-ray set.

Well for August we are back, baby! Our discussion about the Clash of the Titans remake can be watched on YouTube here. Give it a watch/listen!

For September we were scheduled to talk about Wrath of the Titans, but that Thursday we were in Willcox, AZ for the Edgar Rice Burroughs Chain of Friendship gathering. Instead, when we got back, on Tuesday we did a recap of our adventures and talked about THE THING, the ECOF, and my presentation on the peplum elements of the novel Tarzan and the Lost Empire. That can be watched on YouTube.

Hardback of Tarzan and the Lost Empire. It is from the "Edgar Rice Burroughs Authorized Library". The cover depicts Tarzan in a Roman-style colosseum, standing triumphantly over a defeated gladiator.
Personal copy of the hardback edition of Tarzan and the Lost Empire.

In October we will finally conclude the trilogy by discussing Wrath of the Titans.

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Panthans Journal #338. Cover is by Mark Wheatley. It shows Dejah Thoris riding atop a mountain against a red martian landscape with a domed building in the background.
Panthans Journal #338

“She’s Got the Killer Instinct: Vanya Issue 01” reprinted in the National Capital Panthans Journal #338.

Original can be read here.

Cover is by Mark Wheatley. It shows a 4 armed aliens holding two swords, in a dungeon, fighting John Carter and Dejah Thoris.
National Capital Panthans #339.

“Hunter – Lover – Killer: Vanya 02” reprinted in the National Capital Panthans Journal #339.

Original can be read here.

Cover of Panthans Journal #340. Art is done by David Michael Beck. It depicts Tarzan stabbing a dinosaur (A T-rex?) through the next with a spear, while the dinosaur stands atop a tree of roots and vines.
National Capital Panthans Journal #340

“Thunder in God’s Country: Interview with Jeffrey Mariotte” reprinted in the National Capital Panthans Journal #340.

Original can be read here.

Cover of Panthans #341 by Mark Wheatley. It's monochrome - black and brown. It shows Dejah Thoris in the center holding a sword and being her John Carter and a 4 armed alien. Behind them are the silhouettes of a city full of towers.
National Capital Panthans Journal #341

“Jungle Romps and T-Rex Chomps: Vanya 03″ reprinted in the National Capital Panthans Journal #341.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things I shared online from these past few weeks. Highlighting things from my personal collection of pop culture artifacts. Or artifacts I’m digging out of the archive. Just, general cool or unique things to show off.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Final Exam

Final Exam, a film that rides that early wave of 80s slasher movies. I have not watched it in many years, but I remember digging it, and also how it tip toed into genre meta-ness before the likes of Deadly Spawn and Scream.

Standard black DVD case. Artwork show a silhouette of a person holding a knife standing in front of a campus. In silver ink it is signed "Nick! Radish rocks!
Personal copy of Final Exam DVD signed by Julia Marchese.

Horror film aficionado, podcast, and film director Julia Marchese moderated the commentary track on the old DVD copy of the film, and she was kind enough to let me post it to her way back in the day to autograph.

Challenge the Devil

More Bella Cortez, queen of the pepla, goodness!

As folks know, I’m a super fan of peplum starlet Bella Cortez, got to interview her, and also had her autograph the films in my collection she stars in.

Blu-ray in a black case. The cover is a poster art. It's gothic: there is a woman in white in the center holding a chalice. Behind her is a castle being struck by lightning. At her feed is an open grave and a woman screaming, her hands brought to her mouth.
Personal copy of Challenge the Devil from the Severin Christopher Lee box set.
The white other side of a standard Blu-ray sleeve. In black ink it says "To Nicholas, Bella Cortez".
Challenge the Devil Blu-Ray sleeve, reverse side, signed by Bella Cortez.

While Cortez is mostly known for her sword and sandal appearances, she did star in a handful of other Italian genre films, such as the gothic horror film Challenge the Devil, which saw a new edition not too long ago in Blu-ray format as part of a Christopher Lee boxset from Severin Films. Here is the sleeve of the Blu-ray signed by Cortez.

New Sword and Sandal Acquisitions

The ever growing peplum research library grows with these recent sword and sandal films acquisitions.

William Castle pepla

On my last news roundup I shared I found a lobby card for a William Castle peplum film called Slaves of Babylon (1953). I was so caught off guard that the maestro of horror cinema had some some historic epics that I set out immediately to collection them. And here they are!

Two DVDs. The left is for "Slaves of Babylon". It has a frame from the movie of a procession of people, walking in the desert, toward a rainbow. The DVD on the right is a 4 movie collection called "William Castle Adventure Collection". It's a collage of different art pieces from posters from the films: a dude embracing a girl, a knight in main, a nile Princess with Bettie Page bangs, and knights on horse back charging with their sabres up.
DVDs of William Castle’s pepla films

No Blu-ray treatments for these films, but I’m excited to give them a watch and see how the compare to the likes of House on Haunted Hill (1959). I ordered from Alpha Video the aforementioned Slaves of Babylon, and then got on eBay and found this multi-film set that contains the Egyptian peplum Serpent of the Nile (1953) and two other historic epics: Charge of the Lancers (1954) which takes place during the Crimean War (1853-56), and The Saracen Blade (1954) which is during the Crusades.

In the meantime I went to a sports card store and got a plastic sleeve big enough to hold my lonny card until I can get it proper framed.

The Norseman

I have a huge soft spot for the films of Charles B. Pierce. I was first introduced to his work by way of Boggy Creek 2 on MST3K when it first air on the Sci-fi Channel back in the 90s, and I thought it was a great episode! Years later I would finally watch the original Boggy Creek film, and it is a terrific faux documentary/horror film. In the 2000s I collected all the films of his that I could get my paws on at the time, such as his westerns. However it totally flew under my radar that he did a Viking peplum!

Standard blue case Blu-ray. Cover art shows a viking, standing atop... a small hill? There are two Native American warriors and a Native American woman who looks a bit like Teegra from Fire and Ice below the viking. There is a viking boat in the background.
The Norseman Blu-ray.

That film is The Norseman (1978), which was released in that empty void of pepla, before 1979’s Caligula and before the Conan cycle of strongman films. The movie was apparently shot in Florida, which when I think Vikings, I think Florida. I do recall watching and enjoying Pathfinder (2007), which also deals with Vikings encountering North American indigenous folk, so this might be a good pair of movies to compare and contrast together.

The Rabbit Joint – Zelda vinyl

Back in the latter half of the 90s, during those halcyon days of Napster, apparently there was a parody song circulating out there called “Zelda” that was sung to the tune of the Zelda theme, and attributed to System of a Down. How this never, ever, ever showed up on my radar is a surprise to me.

Last month I get a news letter from Light in the Attic records about the song getting a vinyl release. What struck me was the cover art for the vinyl – showing princess Zelda under a tree with a town behind her. I really liked it! So I impulsively bought the record based on the lore behind it, and the cover art.

7" vinyl sleeve and record. The record is dark green. The cover shows princess Zelda, holding a sword, standing under a tree, with a town in the middle of a forest behind her.
The Rabbit Joint’s “Zelda” vinyl.

Turns out the song sucks bad. It’s really annoying. It sounds shades like Group-X (remember Group-X? The “Mario Twins” song?). But, it is an interesting curio in the Zelda history, and to an extent, sword and sorcery history.

Digital versions of some of the tracks can be bought off Bandcamp thought I did a physical pre-order at Light in the Attic.

George Bernard Shaw’s Caesar and Cleopatra Magazine Advert (and other swag)

Aside from the lobby card of Slaves of Babylon, I found another fun toga and sandal thing at the antique mall: a magazine advert for Caesar and Cleopatra (1945). There was a booth that was selling just advert pages from old magazines, and I saw this one a plucked it up. It’s really nice looking.

  • Colour page from a magazine in the 40s advertising Caesar and Cleopatra. There is a giant Vivian Leigh face at the top, and 4 scenes from the film around her. The advert proclaims "..in her first great tole since Scarlett in Gone with the Wind"
  • DVD boxset of three movies from George Bernard Shaw (Major Barbara, Caesar and Cleopatra, and Androcles and the Lion). The boxset's top is light orange, the bottom is dark orange. There is a ribbon of stills from the movies in the center.
  • Old book of the play of Caesar and Cleopatra. There is a mask in the center, but no other graphics.

Back in 2021 Michele and I talked about this film on an episode of Scholars from the Edge of Time. However, that episode was hosted on BlogTalkRadio, which went defunct earlier this year. Luckily, I saved an MP3 of the episode, I just need to find a venue to host it. Maybe in the meantime I should re-watch it for a Peplum Ponderings article.

Anywho, I have the Eclipse (Criterion Collection) boxset of some of the movies adapted from Shaw’s plays, and a copy of the Caesar and Cleopatra play in book form, so check all those goodies out in the slideshow above.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Fan2Fan Episodes

Bernie and Pete have lots of new episodes of their Fan2Fan podcast online. Since it has been a month+ since my last news round up, there is a lot of epodes to get caught up on!

First they have an episode on the classic 1990 film Tremors (which will always rule):

And then another episode on the Tremors franchise proper:

Tremors and Creature Features! Fan2Fan Podcast

And an episode on the cult vanity project film, GetEven:

Champagne and Bullets Fan2Fan Podcast

Then this episode on Jaws knock offs and other sharksploitation fare:

Sharksploitation Fan2Fan Podcast

Followed by an episode devoted to the UK Video Nasties of the early 80s:

Video Nasties Fan2Fan Podcast

The duo also spend two episodes interviewing Jim Carl, the Senior Director of Programming at the Carolina Theatre in Durham, NC. First part:

Retro Movie Programming with Jim Carl Part 1 Fan2Fan Podcast

And part two:

Retro Movie Programming with Jim Carl Part 2 Fan2Fan Podcast

Next Pete and Bernie take a dive into the 2023 comedy-horror film Totally Killer:

Flash Frights – Totally Killer Fan2Fan Podcast

Followed by another comedy-horror, You Might Be the Killer:

Flash Frights – You Might Be the Killer Fan2Fan Podcast

And then kick off October, the month of horror films, they talk about 1980’s Hospital Massacre:

Flash Frights – X-Ray Fan2Fan Podcast

Followed by the found footage film Frogman:

Flash Frights – Frogman Fan2Fan Podcast

Then Mr. Crockett:

Flash Frights – Mr. Crockett Fan2Fan Podcast

And finally, bringing us current, the Italian horror film, Night Killer:

Flash Frights – Night Killer Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

Michele Appearance on Mount Olympus Vidcast

Hercules Invictus, who hosts our Scholars from the Edge of Time vidcast, does tons of other programming. He recently did a panel vidcast on mythical creatures – winged humanoids. Michele was a guest on the episode, talking about the first Mimic film. Give it a watch on YouTube.

A side note, Michele has been recording new episodes of Ride the Stream with her co-host Travis Lakata, so expect to see new episodes soon!

Categories
Peplum

Peplum Ponderings: Messalina (1960)

Messalina is a 1960 Italian toga and sandal film, directed by Vittorio Cottafavi (who directed many proto-peplum films in his career) and starring Belinda Lee as the titular character. A historic epic, Messalina tells the story of Valeria Messalina (Belinda Lee), the new wife to Roman emperor Claudius (Mino Doro), and her rise to power via her charms and schemes. The story also follows Lucius Maximus (Spiros Focas), a respected soldier who falls in love with Messalina but comes to realize her cutthroat ways. What follows are some general musings and observations about this film. 

Toga and Sandal Genre Conventions

Messalina falls into sword and sandal subgenre called the “toga and sandal” film. While the “sword” in sword and sandal draws martial images and has strong connotations to combat (be it physical combat as when a strongman engages with an opponent with his fists, or when a soldier or gladiator fights melee with weapons), the “toga” in toga and sandal downplays the action aspect of these films. Instead, in a toga and sandal film, what is underscored are politics, with an emphasis on intrigue, espionage, strategy, scheming, planning, oratory and speeches. In these films, the loincloth wearing Herculean character is replaced by the well dressed solider or statesman, the gladiator replaced by the assassin, and the dangerous cavern or labyrinth replaced by the palatial court. These films also tend to be more grounded in realism and overlap with the historic epic genre.

That is not to say the toga and sandal film is completely void of martial content, it is simply not the primary focus. Messalina contains a peppering of traditional sword and sandal scenes: these include two strongmen fighting each other as part of the festivities and entertainment when Claudius officially takes over as emperor, and the ending contains a small battle of Maximus and his loyal soldiers fighting the corrupted praetorians who were sent to assassinate Claudius. 

In a greater Italian cross-genre (filoni) sense, the courts of Claudius, full of food, wine, and entertainment (be it dancers,musicians, fighters, or all of the above), is akin to the bars of the spaghetti western and the nightclubs in the Eurospy film. Of note, early in Messalina, Maximus returns back from a military campaign and engages in a celebratory bar fight. 

Lady Peplum

Messalina is one of the rare non-Cleopatra female-centric peplum films that came out of the golden age of historic epics and sword and sandal films. Decades later, peplum media would see a smattering of more female-led titles. Most of these were 1980s sword and sorcery flicks, such as Red Sonja (1985), Barbarian Queen (1985), Amazons (1986), and Hundra (1982), but also include the television show Xena: Warrior Princess (1995-2001), and the video game Assassin’s Creed: Odyssey with Kassandra as one of the two playable characters. 

As a typical sword and sandal film focuses on a muscleman’s body, so too does Messalina emphasis the titular character’s body. Messalina makes use of veils to both obfuscate and draw attention to her form. Sequences of her taking a milk bath and when she disrobes, (the camera pans down her exposed legs), show no nudity, yet offer much in the way of titillation. Messalina also utilizes a great deal of seductive pinup poses: laying on her back, body stretched and tilted to showcase her lithe figure.

Messalina and the strongman both make use of their bodies as tools to overcome obstacles. While Ursus may singlehandedly lift a horse-drawn cart out of a pit, Messalina uses her body to seduce an assassin. Though her body is a great asset, Messalina also uses her intelligence, intimidation, guile, and charms to plot, scheme, and advance her agenda. In this regard, she is a multifaceted character, more than just her sex appeal. 

Waterfalls of Monte Gelato

Towards the end of the film, there is an epic battle between Maximus’ men and the praetorian guards atop a waterfall. These are the Waterfalls of Monte Gelato.

Many other films have been shot in these waterfalls. Other pepla filmed here include:

Self Censorship

Messalina straddles the line of acceptable and taboo, particularly in the representation of the sexualized Messalina (she doesn’t show nudity and there is no on screen sex, but the film comes really close to depictions of both with lots of not-so-subtle winks and nods).

During this period, Italy was under the Christian Democratic government, which held great influence over the film industry and could dictate what was able to be depicted on screen or not. Genre productions active through these decadeswere able to have their cake and eat it too by showcasing sex, (sometimes) nudity, violence, blood, and other taboo activities, so long as the film as a whole was able to affirm Christian Democratic morality: reward the righteous and punish the wicked.

For Messalina, her crimes, of course, is showing pseudo-nudity, engaging in affairs and sexual trysts, and (the greatest crime of all) being a successful woman. By the movie’s end, she is killed when stabbed through the stomach with a gladius. Her sexual proclivities are punished by death.

Maximus also must adhere to these provisions. Though he is the (male) hero of the story, he still falls for Messalina’s charms and becomes an agent of her when he forces Christians from their homes. His atonement comes with conversion: at the end of the film he takes the side of Silvia (Ida Galli) and travels with her to a new Christian land. Maximums has given up his love for Messalina, Rome and her wicked ways, and found a new (and subservient) love interest and perhaps salvation. 

Miscellaneous Thoughts

History is written by the winners and it is no doubt that Messalina (the historic figure) has been portrayed in a hyper negative fashion by later, misogynistic historians, which of course has influenced her depiction in pop culture (such as this film). In the past few years, Medusa has seen a great shift in in perception and interpretation (from monster to victim), so it’s possible that Messalina will receive some reconsideration as well. 

The big question that Messalina leaves viewers with is did Messalina truly love Maximus in the end? The romantic notions of the period, as depicted in other films, strongly hints that she did, for in the end, Messalina is still a love story, and in order to have a love story, there’s got to be a great love. Messalina, when she is in the embrace of other men, tilts her head away from them, so only the audience can see her facial expressions of disgust and revolt. She does not do this with Maximus, strongly suggesting that she truly loved him, but was not able to negotiate having his love and her power at the same time. 

Categories
News

News Roundup W/E 2021-03-28

Personal / Website News

Podcast News

Michele and I has our monthly appearance on the Scholars from the Edge of Time segment of the Voice of Olympus podcast. This month we discuss the toga and sandal film Caesar and Cleopatra (1945). Great discussion and keep an eye out on a write up about the film here at my website. In the meantime, the episode can be downloaded/streamed at BlogTalkRadio.

Screen capture from the Eclipse release of Caesar and Cleopatra. Pictured is Claude Rains as Caesar and Vivien Leigh as Cleopatra.

This upcoming Tuesday we will have a mini episode on Voice of Olympus as well.

General Neo-Peplum News

Polis Part 2 Comic

Jave Galt-Miller informs via Kickstarter that the second part of his Polis: The Trail of Socrates has been printed and in his possession. He expects to ship out to backers in the next couple of weeks. Historic info about the project can be found on Kickstarter.

Cover art of issue 2. Copyright by Jave Galt-Miller

Of note, back when I wrote for Fanbase Press, I did a review of issue one of Polis. It can be read here.

Rest in Peplum

Bertrand Tavernier passed away at the age of 79. He was an assistant director for The Terror of Rome Against the Son of Hercules (1964).

Susana Canales passed away at the age of 87. She starred in Revolt of the Mercenaries (1961).

Categories
Comics Interview Lovecraft Peplum

Break the Chains: G. A. Lungaro on his Peplum/Lovecraft Comic Isidora

G. A Lungaro is YouTuber and a fantasy author, best known for his Covenant of Souls series. He is also the writer and creator of Isidora and the Immortal Chains, a comic series that combines elements of neo-peplum and the Lovecraft mythos. The first issue of the series was successfully Kickstarted in 2020 and tells the story of Isidora, a super-powered lady from ancient Pompeii, existing in a modern day metropolis, acting as the herald of the King in Yellow. Lungaro has graciously allowed me to interview him about his newest endeavor. 

Isidora Logo, used with permission from G. A. Lungaro

How did you get into writing?

I have always had a fascination with writing and creating worlds. My first attempt was a terrible fanfiction of the Nintendo game Metroid back in 1988 when I was 14. I even made a cover, cut it to paperback size, and bound it with glue. 

During those teenage years, I also picked up and read my first full length (I should say complete trilogy) fantasy novel, Dragonlance’s Legends trilogy by Margaret Weis and Tracy Hickman. Those books opened my eyes to a fantastical world and compelled me to want to create my own world. Concurrently I was also a big comic book collector, my mainstay being DC comics.

The love of the fantasy genre prompted me to read Tolkein and GRR Martin’s works that ignited the passion for writing that began with that Metroid fanfiction. My first serious attempt began around 2004 when my wife (at the time) and I were playing an online browser-based RP game, which planted the first seeds for my fantasy novel Souls of Magic’s Dawn. After many re-writes, start overs and hair pulling, I finished it in 2010. It wasn’t until 2018 that I began the publishing process in earnest and hired an editor. Shortly after, I ran a successful Kickstarter campaign.

What was the genesis of Isidora?

With comics and fantasy being two of my biggest passions, I successfully entered the world of fantasy writing. I had still not tried my hand at comic writing, mostly because I had no idea how to get an artist and write in that format in which most, if not all, the exposition is visual. 

The indie comics movement and my position as a YouTuber put me in place to start networking and talking to people who are involved with comics. I went on a writer’s stream with Preston Poulter, learned some of the comic writing format basics, and learned online tools to write in that format correctly.

With that, the fun part began. I am a child of Italian immigrants, a first-generation American; this prompted a love and appreciation for Greco-Roman history, art, and mythology. I wanted this character to originate from that time. Fun fact, the name Isidora is a Roman name that is also the lead character’s name in my fantasy novel.

Samantha Branch cover for Isidora #1. Imaged used with permission from G. A. Lungaro.

How did you go about designing the character of Isidora? She is quite progressive for both genres: the peplum genre confines women to bellydancers and damsels unless you’re Xena, Red Sonja, or Kassandra from Assassin’s Creed: Odyssey, and in Lovecraft’s work, women are practically absent. 

Yes! This was of extreme importance to me when creating and writing this character. Being a man, there are experiences, motives, and perspectives of a woman’s life that I will never understand. I have seen those tropes many times. While they can be entertaining on some level, eventually, they become cliché and not very appealing to many readers, especially women. My partner Marie and my daughter Alexandra played a significant role in helping me create this character. My editor is also a woman, and she helped tremendously with the final touches.

Being from ancient Rome, I will show some of the reality women faced in those times. Realities that did indeed make them very strong in their own right. There will also be some devastating truths and events that happen to her because she lives in a very male-dominated world. All of this plays a critical role in her development and the powerful woman she has become as an agent of the Old Ones

Any plans for flashback sequences for Isidora to explore her sword and sandal roots in subsequent issues?

Yes, most definitely. It will be mostly relegated to Isidora’s character development and provided a glimpse of her past that has molded her to what she is today 2000 years later. There are some essential elements in that very short mortal life that she lived that play a significant role in her outlook on the world and her place in it.

How did you get into the writings of H. P. Lovecraft?

I did not discover Lovecraft until my mid-30s. I knew of things like Cthulhu but never really read any of the stories and lore that grew from that world and mythos. I began reading works like The Dunwich Horror, which fostered a curious appreciation for those worlds. It wasn’t until the TV show True Detective mentioned the King in Yellow that my curiosity reached new heights. 

I was fascinated with this mystery that popped up on a contemporary TV show. I researched it and discovered more of the Lovecraft mythos and its history going back to Robert W. Chambers’ plays. It was a sandbox I knew I wanted to play in one day but didn’t quite know how until I began dabbling in comic writing.

Since you have your feet in two different genres and fandoms (Lovecraft and pepla), what are your thoughts on the current state of media coming from both camps?

I have to say I have not seen much recently concerning peplum. I loved shows like SpartacusRome, and of course movies like Gladiator. I heard about Ridley Scott making a sequel to Gladiator, but I feel that may not live up to the original. Cleopatra coming up with Gal Gadot looks intriguing; however, I wish there was more as it seems to have fallen from popularity recently. As for Lovecraft, it seems to be on a pretty significant upswing. Unlike peplum, Lovecraftian Mythos can be adapted for any time period, locale, and setting and make a story from it, much like the recent Lovecraft Country, which I thought was spectacular.

There are lots of (indie) Lovecraft comics out there. What aspect of Isidora do you think sets this comic out from the rest?

Starting with Isidora and the Immortal Chains #1, I planned to make something as unique as possible and add a new paradigm to the Lovecraft Mythos. I feel this stands out in the Mythos because it is a mashup of multiple elements all put together in a genre I call “The Lovecraftian Dark Heroverse.” I am taking features of the broader horrific Lovecraft Mythos and bringing in elements of classic cosmic and mystical hero comics. Think Lovecraft meets Constantine meets Silver Surfer. She [Isidora] is a herald to the King in Yellow, much like Silver Surfer to Galactus, and weaving in characteristics exhibited by characters like John Constantine, all set in a Lovecraftian world. 

The neo-peplum element comes from a few places—my Italian heritage for one and a literary perspective. One of my favorite authors outside the fantasy genre is Anne Rice and her Vampire Chronicles. The ancient vampire Marius, who was born during the Roman Empire, always intrigued me. The idea of an immortal beginning their life in Greco-Roman times like Marius and living through history to end up in the modern day was an interesting perspective I wanted to explore in the pages of this comic.

What was your soundtrack while creating Isidora? Conversely, what is the suggested soundtrack to readers while reading the comic?

I never get asked this question; thank you so much for asking it. I know for many writers, a musical accompaniment helps drive the writing process. Certain verses, tones, and beats can set me on overdrive in the writing process. I am also going to say my soundtrack and the suggested soundtrack are going to be the same.

Anything Evanescence and Within Temptation, specifically “And We Run” by Within Temptation, “Away from Me” by Evanescence, and also “Undeniable” by Seckond Chaynce.

What is the main thing you want to accomplish with Isidora?

In the Lovecraft Mythos, the spotlight and focus are typically on a very human element, madness, and at the end, a hopeless and powerless feeling of powers we cannot understand or comprehend. My goal is to tell a story from the viewpoint of an agent of the Old Ones, who once was human at one time, finding that there can be hope and a way to overcome these powers. I want to display this in a very gritty and real light that does not hold back in a visceral nature and inspires the sense that there can be hope in a world where, even if it is only one person, can stand up to be a hero.

What were the some of the major obstacles you encountered while creating the comic?

Right at the start, the biggest challenge was finding artists that can both share the vision I have and also present it beautifully and accurately. It took a lot of searching and researching, but eventually, I ran across Alper Gecgel, a young artist from Turkey. When I viewed his portfolio I was floored by the haunting beauty of his work. It has a gritty simpleness to it but conveys the feel I want the reader to get while reading it. 

The challenge didn’t end there. English is not Alper’s first language, and all of our communication was over Facebook messenger. There were many times I had to make awful sketches to convey what I wanted to see on the pages. The fact he understood and brought those ideas to life is a testament to his dedication and skill.

Aside from those challenges, just attempting to create a crowdfunded, indie project is a daunting task from the start. It was an uphill battle to find that core audience to build a fandom around to get the grassroots effort started. I can’t thank some of my Youtube friends enough for promoting it and extraordinarily loyal and generous subscribers to my channel that supported this project.

Nicholas Diak’s Isidora #1 Kickstarter Loot. Photo by Michele Brittany.

Since its release, what has been the reception of Isidora?

The dreaded feedback all writers fear but also crave as much as life itself. I am always terrified something I create will not be received well by people outside of close friends and family. I suffer from Imposter Syndrome as much as any up-and-coming creative person.

I will say that the reception has been overwhelmingly positive so far from my backers’ word of mouth. I also just ran a survey questionnaire, and currently, it is at about a 4 out 5 average as an overall rating. This is better than I could have ever.

What are your next big plans you’d like to share/promote? 

I don’t have anything currently to promote other than my nerdy YouYube channel, The Grey Council. The channel plays an integral part in my social interaction, promoting any new projects I am working on and building a geeky sweaty nerds community who loves things from Star Wars to comics to fantasy. My fantasy novel that I published in February 2020, Souls of Magic’s Dawn, is also available on Amazon.

However, I am currently working on [Isidora] issue #2, which I am about halfway through writing, and hope to launch a crowdfund campaign by this summer.

Links for G. A Lungaro: