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News Roundup 2025-05-25

Personal / Website News

Vanya #02 Review

A brand new comic review is live at my website! I am slowly making my way through my backlog of comics, which includes quite a few comics published by Bad Bug.

Standard, non-nude cover of Vanya issue 2. Vanya is sending atop a T-rex head. The T-rex is roaring and Vanya is holding stone knives in both hands. Behind her are trees and cliffs.
Vanya issue two, cover A.

My review of issue two of Vanya is my most recent write up and it can be read right here. I’ve also submitted this to the Panthans journal, so stay tuned on that front.

Website Enhancements

There are two enchantments I’ve been working on for my website in order to increase ease of use and accessibility: Alt-Text and a Comics category.

Alt-Text

So, it turns out this entire time I’ve been doing Alt-Text wrong at my website. When composing a post, when I am adding a brand new photo to it, I just load the media directly to the post, which in turn adds it to the media library. Later on I go to my media library, add Alt-Text there, thinking the update cascades back to the posted images.

Turns out that is not how it works at all. Instead, I need to load a photo to the WordPress media area first, then add Alt-Text, then add the image to my post.

So, I am slowly working my way backwards to get this rectified and get proper Alt-Text on all my images. Go forward this should not be an issue since now I know how to properly do this. Apologies to any folks impacted by my lack of Alt-Text.

Comics Category

Secondly, I’ve added a new page category called “Comics.” I have an abundance of comic book reviews at my website and I’ve been classifying them as essays, which is not helpful. Creating a Comics tag should help classify the content much better. I have gone through all my comics-centric posts and changed their category, so we should be good to go forward on those.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing there with the 7th U.S. Cavalry in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is the flyer for the 2025 event:

The flyer shows desert mountains with three insert images: one of a young Edgar Rice Burroughs in 1896, one of the author Jeffrey J. Mariotte (who is the guest of honour), and one of the Willcox train depot in the 1880s. The flyer reads was follows: Edgar Rice Burroughs ERB Inc.'s Commemoration of ERB's 150th Birthday! 7th Cavalry Historical Monument Celebration Willcox, AZ, September 25-28, 2025. Formal Dedication on September 27th, 2025. Sponsored by the Suplher Springs Valley Historical Society and the Arizona Apache Deveils Chapter of the Burroughs Bibliophiles.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.

Here is the press release:

RENOWNED AUTHOR EDGAR RICE BURROUGHS’ CAVALRY SERVICE TO BE MEMORIALIZED IN WILLCOX, AZ

“Tarzan” Creator and Pop Culture’s Influential “Grandfather of Science Fiction and Fantasy” Commemorated for His 150th Birthday.

WILLCOX, AZ – The renowned “Master of Adventure” Edgar Rice Burroughs started his adult life as a cavalryman at Arizona’s Fort Grant in May of 1896. This September, as part of the late author’s 150th birthday celebration, his cavalry service will be memorialized with a monument at the restored Southern Pacific train depot in Willcox, where he arrived on his way to Fort Grant (35 miles north).

The influential creator of Tarzan of the Apes, John Carter of Mars, and The Land That Time Forgot series of stories wrote in his “Autobiography” that he specifically requested “to be sent to the worst post in the United States” and was then promptly assigned to Fort Grant in Arizona Territory, where his troop would spend some time hunting after the Apache Kid and other outlaws.

Many believe that Burroughs’ initial stay in Arizona influenced his first Martian story, Under the Moons of Mars, which begins with the first chapter titled “On the Arizona Hills.” The John Carter Martian stories would go on to influence generations of science fiction and fantasy books and movies, and would inspire many young people to become scientists, engineers, and astronauts. He would later author the books The War Chief and Apache Devil, both set in Arizona during the Apache Wars of the 1860s – 1880s.

This Willcox Edgar Rice Burroughs Chain of Friendship (ECOF) Gathering will take place from September 25 to 28, 2025, with the 7th Cavalry Historical Monument formal dedication ceremony on Saturday, September 27th from 10:00 AM – 12:00 Noon near the historic Southern Pacific Railroad Depot.

The monument dedication at the Willcox train depot will include guest speakers and participation of local Buffalo Soldier reenactors. All other convention events will take place at the Elks Lodge #2131 in Willcox, and will include discussion panels, a “huckster” (vendor) room, Guest of Honor and speaker Jeffrey J. Mariotte (author of Tarzan and the Forest of Stone), Edgar Rice Burroughs, Inc. speakers, a Saturday night banquet/ dinner, a Tarzan movie screening, and other surprises.

These events are sponsored by the Sulphur Springs Valley Historical Society and the Apache Devils chapter of The Burroughs Bibliophiles. The celebration is open to the public for free (except for the dinner and movie), but full attendees can register for a fee that covers a goodie bag, a huckster table, and the Saturday dinner.

This is a must-attend event for fans of Edgar Rice Burroughs and pop-culture historians alike. If you’d like to visit the place where it all began, don’t miss this very special celebration. (Note that some convention activities will require full event registration – the registration form is provided separately.)

The Holiday Inn Express & Suites Willcox is offering a special daily room rate of $119 plus taxes for the nights of 25 to 27 September for attendees. The group name is “ECOF.” You can make reservations at this rate by calling the hotel at (520) 384-3333; rooms are limited. The address is 1251 N. Virginia Ave, Willcox, AZ 85643.

If you would like more information about the 2025 ECOF event, please call Frank Puncer at 520.281.1818, or email him at fwpuncer at gmail dot com.

Here is the registration from:

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. I may be doing a presentation on Tarzan as a peplum character in Tarzan and the Lost Empire. Hope to see yall there!

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things I shared online from these past few weeks. Highlighting things from my personal collection of pop culture artifacts.

Invasion of the Bee Girls

Back in December of 2024 I shared two movies that actress Victoria Vetri had signed for me: When Dinosaurs Ruled the Earth (Val Guest, 1970) and Kings of the Sun (J. Lee Thompson, 1963). I had posted the movies to her (see her website on directions if you’d like to have her autograph an item of your’s) and was super gracious she took the time to sign them.

A few months later while at Zia’s Records, I found a Midnite Movies edition of Invasion of the Star Creatures (Bruno VeSota, 1972) and Invasion of the Bee Girls (Denis Sanders, 1973). I collect titles from this line of films (I have a lot) and Invasion of the Bee Girls has Ms. Vetri in it, so I had to pluck it up.

I swear, not a week or so later after plucking up the DVD, Kino Lorber released a Blu-ray of Invasion of the Bee Girls, which I promptly pre-ordered.

Ms. Vetri had signed my prior movies, I thought I would send her my newest titles to see if she could autograph them.

Picture of two versions of Invasion of the Bee Girls. On the left is a DVD from the MGM Midnight Movies Line. This DVD actually has 2 movies on it, "Invasion of the Star Creatures" and "Invasion of the Bee Girls". The cover art looks to be posters of both films. The bottom right, in silver pen, it is signed "Victoria Vetri 'Julie Zorn'" On the right is a blu-ray edition of the film put out by Kino. It has an art piece for a cover, it shows a 70s style woman standing above scenes from the film with honey comb behind her. The top left is signed "Victoria Vetri 'Julie Zorn' "
Invasion of the Bee Girls DVD and Bluray, signed by Victoria Vetri.

And she did! So, here are both copies of Invasion of the Bee Girls signed by Victoria Vetri – aren’t they awesome?

Bikini Drive-In and Bikini Carwash Company I & II

In the late 2000s I start a correspondence with Ed Wood regular Conrad Brooks, who signed many of my movies he was in, but also gifted my DVD burns of movies he was in.

One of those films he gifted me was Bikini Drive-In (Fred Olen Ray, 1995), which I wound find out years later, has a peplum homage scene in it with sword and sandal icon himself, Gordon Mitchell.

Recently I saw that MVD was putting out a Blu-ray release of Bikini Car Wars Company I (Ed Hansen, 1992) and II (Gary Dean Orona, 1993), and I confused the titles of the different movies and pre-ordered the MVD set, confusing it with the Fred Olen Ray film.

The Bikini Drive-In DVD (left side) is in a DVD case. It shows a woman in a purple yellow bikini sitting on the hood of a red car with a license plate that reads "Bikini". In silver pen it is signed "To Nick, Conrad Brooks". On the right is the MVD Bly-ray set of The Bikini Carwash Company 1 $ 2. It's purple with lots of bubbles. There's lots of women in bikinis sitting atop cars, sporting fluffy 80s hair.
Bikini Drive-In DVD-R autographed by Conrad Brooks next to the MVD Blu-ray set of The Bikini Car Wash Company 1 & 2.

Well, it arrived, and one cannot say “no” to too many bikini films, so here they are: my Conrad Brooks autographed DVD-r of Bikini Drive-In and the Blu-ray set of The Bikini Carwash Company 1 & 2. Time to marathon them all (and maybe do a short peplum ponderings article on Bikini Drive-In?)

Mitchell / RIP Joe Don Baker

Cult actor Joe Don Baker passed away on May 7th. I was first introduced to Baker as CIA Agent Jack Wade in GoldenEye (Martin Campbell, 1995), but got more familiar with his filmography seeing him appear in Final Justice (Greydon Clark, 1985) and Mitchell (Andrew V. McLaglen, 1975) on Mystery Science Theater 3000.

VHS copy of Mitchell. It depicts Baker hanging from a ladder next to a helicopter, and holding a lady with his other arm. In big, thick, black sharpie, is it signed Joe Don Baker.
Mitch VHS autographed by Joe Don Baker.

Many, many moons ago, on eBay I believe (??), somewhere (??) I happened upon this autographed VHS copy of Mitchell, with Baker’s autograph in big thick black sharpie. A cult curio, I had to pluck it up. RIP to the legendary star.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their take on episode 20:

And their dialogue about episode 21:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

New Fan2Fan Episodes

Bernie and Pete have some new episodes of their Fan2Fan podcast online.

Michele joins as a guest in their episode about the 1979 Herzog/Kinski version of Nosferatu:

Nosferatu the Vampyre (1979) Fan2Fan Podcast

Michele is also a guest in the discussion about the 2024 incarnation:

Nosferatu (2024) Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

New Music from Philippe Gerber

Philippe Gerber, who has done the music for our H. P. Lovecast Podcast, has some brand new music that has just been published!

Cover art for Rebirth. It's mostly black, with multiple upside down thin crescents. Sort of looking at an elapse of an eclipse.
Cover art of Rebirth.

First, under Gerber’s own name, he has released a three track EP called Rebirth, which can be found at Bandcamp.

Cover Art of De Lumière et d'Obscurité. It's a black and white photo of an almost profile shot of a woman's face, with half of her face masked by her hair.
Cover art of De Lumière et d’Obscurité.

And next, under his John 3:16 moniker, he has published a collaboration album with Eisenlager (who sadly passed away last year) titled De Lumière et d’Obscurité. It, too, can be found at Bandcamp.

Categories
News

News Roundup 2025-05-11

Personal / Website News

Peplum Ponderings: Gladiator II

Yall knew it was coming eventually! Gladiator II came out late last year. The follow up to the iconic film that started the neo-peplum cycle, what was I going to say about it?

Well, I did see it in theaters late December, but needed to wait for the physical release to come out and watch it again.

The 4K/blu-ray for Gladiator 2. It depicts an armored gladiator in the center (Hanno) with a collage behind him of other characters in the film.
Gladiator II 4K Blu-ray.

And so here it is: my write up of Gladiator II can be read right here. Enjoy!

Scholars from the Edge of Time: Gladiator II

In case you did not want to read all of that above, Michele and I also discussed Gladiator II during the April Scholars from the Edge of Time episode. The episode can be watched on YouTube.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing there with the 7th U.S. Cavalry in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

The flyer shows desert mountains with three insert images: one of a young Edgar Rice Burroughs in 1896, one of the author Jeffrey J. Mariotte (who is the guest of honour), and one of the Willcox train depot in the 1880s. The flyer reads was follows: Edgar Rice Burroughs ERB Inc.'s Commemoration of ERB's 150th Birthday! 7th Cavalry Historical Monument Celebration Willcox, AZ, September 25-28, 2025. Formal Dedication on September 27th, 2025. Sponsored by the Suplher Springs Valley Historical Society and the Arizona Apache Deveils Chapter of the Burroughs Bibliophiles.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.

Here is the press release:

RENOWNED AUTHOR EDGAR RICE BURROUGHS’ CAVALRY SERVICE TO BE MEMORIALIZED IN WILLCOX, AZ

“Tarzan” Creator and Pop Culture’s Influential “Grandfather of Science Fiction and Fantasy” Commemorated for His 150th Birthday.

WILLCOX, AZ – The renowned “Master of Adventure” Edgar Rice Burroughs started his adult life as a cavalryman at Arizona’s Fort Grant in May of 1896. This September, as part of the late author’s 150th birthday celebration, his cavalry service will be memorialized with a monument at the restored Southern Pacific train depot in Willcox, where he arrived on his way to Fort Grant (35 miles north).

The influential creator of Tarzan of the Apes, John Carter of Mars, and The Land That Time Forgot series of stories wrote in his “Autobiography” that he specifically requested “to be sent to the worst post in the United States” and was then promptly assigned to Fort Grant in Arizona Territory, where his troop would spend some time hunting after the Apache Kid and other outlaws.

Many believe that Burroughs’ initial stay in Arizona influenced his first Martian story, Under the Moons of Mars, which begins with the first chapter titled “On the Arizona Hills.” The John Carter Martian stories would go on to influence generations of science fiction and fantasy books and movies, and would inspire many young people to become scientists, engineers, and astronauts. He would later author the books The War Chief and Apache Devil, both set in Arizona during the Apache Wars of the 1860s – 1880s.

This Willcox Edgar Rice Burroughs Chain of Friendship (ECOF) Gathering will take place from September 25 to 28, 2025, with the 7th Cavalry Historical Monument formal dedication ceremony on Saturday, September 27th from 10:00 AM – 12:00 Noon near the historic Southern Pacific Railroad Depot.

The monument dedication at the Willcox train depot will include guest speakers and participation of local Buffalo Soldier reenactors. All other convention events will take place at the Elks Lodge #2131 in Willcox, and will include discussion panels, a “huckster” (vendor) room, Guest of Honor and speaker Jeffrey J. Mariotte (author of Tarzan and the Forest of Stone), Edgar Rice Burroughs, Inc. speakers, a Saturday night banquet/ dinner, a Tarzan movie screening, and other surprises.

These events are sponsored by the Sulphur Springs Valley Historical Society and the Apache Devils chapter of The Burroughs Bibliophiles. The celebration is open to the public for free (except for the dinner and movie), but full attendees can register for a fee that covers a goodie bag, a huckster table, and the Saturday dinner.
This is a must-attend event for fans of Edgar Rice Burroughs and pop-culture historians alike. If you’d like to visit the place where it all began, don’t miss this very special celebration. (Note that some convention activities will require full event registration – the registration form is provided separately.)

The Holiday Inn Express & Suites Willcox is offering a special daily room rate of $119 plus taxes for the nights of 25 to 27 September for attendees. The group name is “ECOF.” You can make reservations at this rate by calling the hotel at (520) 384-3333; rooms are limited. The address is 1251 N. Virginia Ave, Willcox, AZ 85643.

If you would like more information about the 2025 ECOF event, please call Frank Puncer at 520.281.1818, or email him at fwpuncer at gmail dot com.

Here is the registration from:

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. I may be doing a presentation on Tarzan as a peplum character in Tarzan and the Lost Empire. Hope to see yall there!

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path or I am sharing on behalf of my colleagues. Links to these will also be in the CFP page on the navigation bar.

We Live Again! Disney’s Gargoyles as an Evolving Transmedia Text

Co-sponsored by the Monsters & the Monstrous Area and Disney Studies Area
Call for Papers for 2025 Virtual Conference of the Northeast Popular Culture Association (NEPCA)
Thursday, 9 October, to Saturday, 11 October, 2025
Submissions are open until Tuesday, 15 July by 5 PM EDT

Conceived by creator Greg Weisman, Disney’s Gargoyles began as a television series in the 1990s and has been expanded over the decades through action figures, books, clothing, collectibles, comics, conventions, fan art, fanfiction, games, puzzles, and recurrent rumors of a live-action reboot. Although now over thirty years old, Gargoyles has remained incredibly popular since its initial debut, yet, while other aspects of Disney Studies are flourishing, scholars have mostly neglected the series. Therefore, we seek in this session to offer some critical attention to Gargoyles and its various adaptations and continuations.

Proposals should display some knowledge of the history and scope of the series, its adaptation history, and its ongoing evolution. We encourage you to make use of the resource guide provided at https://tinyurl.com/WeLiveAgainRG in formulating your approach.

To submit a proposal, please review the requirements and procedure from NEPCA’s main conference page at https://www.northeastpca.org/conference. Proposals should be approximately 250 words; an academic biographical statement (75 words or less) is also requested. Payment of registration and membership fees will be required to present. More details on exact costs will be forthcoming.

Direct submissions to the Monsters & the Monstrous Area can be made at https://cfp.sched.com/speaker/sTP9T9X3cW/event. Address any questions or concerns to the area chair at popular.preternaturaliana@gmail.com.

Further information on the Monsters & the Monstrous Area can be accessed on our blog Popular Preternaturaliana: Studying the Monstrous in Popular Culture at https://popularpreternaturaliana.blogspot.com/.
Further information on the Northeast Popular Culture Association (NEPCA) can be accessed from our new website at https://www.northeastpca.org/.

Silly Old Bear? Adaptations, Appropriations, and Transformations of Winnie-the-Pooh

Co-sponsored by the Monsters & the Monstrous Area and Disney Studies Area
Call for Papers for 2025 Virtual Conference of the Northeast Popular Culture Association (NEPCA)
Thursday, 9 October, to Saturday, 11 October, 2025
Submissions are open until Tuesday, 15 July by 5 PM EDT


A. A. Milne’s Winnie-the-Pooh has always been a bit of a shapeshifter manifesting under various names and appearances since the start of his now over one-hundred-year career as a transmedia figure. Over the past century, Pooh and his associates from the Hundred Acre Wood have been adapted and appropriated to feature in artwork, cards, clothing, collectibles, comics, cookbooks, fiction, films, games, illustrations, memes, musical theater, original videos, philosophical treatises, plays, poems, radio broadcasts, self-help manuals, stuffed animals, songs, streaming video, television programs, theatrical productions, theme park attractions, and translations as well as critical commentaries and works of scholarship. These stories tell of their adventures across time and space, and each text offers a unique approach to the characters. Notably, Pooh and his band have often undergone radical transformations through various parodies and pastiches, with many more innovative approaches appearing since their move into the public domain beginning in 2022.

In this session, we seek to catalog and critique some of these various takes on Winnie-the-Pooh and his companions. We ask you to explore how these adaptations, appropriations, and transformations of these familiar figures connect to and/or diverge from the Poohian tradition established by Milne and illustrator E. H. Shepard. We want you to uncover what these works might say about the gang from the Hundred Acre Wood, the creators of these new works, and, ultimately, ourselves as the receivers of these texts. We encourage you to make use of the resource guide provided at https://tinyurl.com/SillyOldBearRG in formulating your approach.

To submit a proposal, please review the requirements and procedure from NEPCA’s main conference page at https://www.northeastpca.org/conference. Proposals should be approximately 250 words; an academic biographical statement (75 words or less) is also requested. Payment of registration and membership fees will be required to present. More details on exact costs will be forthcoming.

Direct submissions to the Monsters & the Monstrous Area can be made at https://cfp.sched.com/speaker/sTP9T9X3cW/event. Address any questions or concerns to the area chair at popular.preternaturaliana@gmail.com.

Further information on the Monsters & the Monstrous Area can be accessed on our blog Popular Preternaturaliana: Studying the Monstrous in Popular Culture at https://popularpreternaturaliana.blogspot.com/.

Further information on the Northeast Popular Culture Association (NEPCA) can be accessed from our new website at https://www.northeastpca.org/.

(Re)Animating the Middle Ages: Adapting the Medieval in Animated Media (In-Person)

Mid-Atlantic Popular Culture Association’s 2025 Annual Conference
Sonesta Hotel Philadelphia (1800 Market St, Philadelphia, PA 19103)
6-8 November 2025

The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture invites proposals for an in-person panel on the theme of “(Re)Animating the Middle Ages: Adapting the Medieval in Animated Media” for the Mid-Atlantic Popular Culture Association’s 2025 Annual Conference, which will run from Thursday, 6 November, to Saturday, 8 November 2025.

Proposals might cover any aspects of the medieval in animated films, animated shorts, anime, computer-generated images, games, or television cartoons.

We are especially looking for presentations on medieval-themed anime and adaptations of Beowulf, the Robin Hood tradition, and the works of J. R. R. Tolkien but also welcome work on other texts and traditions.

A resource guide for the project is accessible at https://lnkd.in/ekvpHdhp.

Please send a short biography and paper proposal (300 words or less) to the organizers at medievalinpopularculture@gmail.com by Thursday, 24 July 2025.

(Be advised that MAPACA will require accepted presenters to create an account in their conference system. There will also be a registration fee to participate in the event.)

For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture please visit https://lnkd.in/eNUGT6ap.

For more information on MAPACA please visit https://mapaca.net/.

Miscellaneous Tidbits

Some fun things I shared online from these past few weeks. Highlighting things from my personal collection of pop culture artifacts.

May the Fourth / Phil Brown Autograph

May the Fourth was earlier this month and its always fun to talk about and celebrate Star Wars.

My big entry point into Star Wars was actually the CCG dEcipher put out back in the 90s. Before the card game I knew of Star Wars, seen the movies on VHS, but it wasn’t a *thing*. After my cat had kittens on my Magic cards, I looked to other CCGs to collect, and went with Star Wars, and that was what sent me spiraling into the movies, comics, and the books – so many books. So, I have a soft spot for the old CCG and Expanded Universe at the time.

A card for the Decipher Star Wars Collectable Card Game that was made in the 90s. The card is mostly white with a black border. There is a picture of Owen Lars in the center of the card. At the top of the card is the flavor text: "Guardian of Luke Skywalker. Husband of Beru Lars. Brother of ObiWan Kenobi. Farmer of Moisture. Disapprover of Luke's desire to leave Tatooine.
Star Wars CCG Card of Owen Lars, autographed by actor Phil Brown.

One of my treasures is my autographed Owen Lars card signed by actor Phil Brown. My friends and I attended a tiny Portland comic book show in the latter part of the 90s, and Brown was one of the guests. So, I got my card signed by him.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode 17 of season 1:

Here is episode 18:

And here is episode 19:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

New Fan2Fan Episodes

Bernie and Pete have some new episodes of their Fan2Fan podcast online.

First they have an episode about Superman and his cultural impact.

The One Where we Talk About Superman Fan2Fan Podcast

Next they have an episode where they focus in on the original Superman movie:

Superman: The Motion Picture Fan2Fan Podcast

And finally, Michele joins as a guest on the Podcast to talk about the 1922 version of Nosferatu:

Nosferatu: A Symphony of Horror (1922) Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

The Azure Cove Assignment

Ian Welke has a brand new novel out! It is called The Azure Cove Assignment. Here is the cover by Kelly Lyon King:

Book cover image of Azure Cover Assignment by Ian Welke. It's blue and wavy, like looking at water. There is an upside down face in the center of the cover. There is an X-ray of where the brain is, but it shows machinery. There is a green plant growing up from the neck. The face has music notes and math formulae emitting from it.
Book cover image of Azure Cover Assignment by Ian Welke.

The book can be purchased on Amazon.

Categories
News

News Roundup 2025-04-20

Personal / Website News

Comic Book Review: Vanya #01

New comic book review is up at my website!

I’ve got a backlog of indie comics from Kickstarter I want to get caught up on, including the erotic jungle girl comic Vanya.

The standard cover for the first issue of Vanya. Vanya is armed with a bow while a triceratops charges at her. There is a full moon in the sky.
Standard cover of Vanya issue 01.

Vanya is already on issue seven of a twelve issue run, so I’ve got a wee bit of catching up to do. You can read my review of issue one right here. These Vanya reviews will also be published in forthcoming issues of the National Capital Panthans Journal.

As I go through the comic book backlog/tbr pile, expect to see reviews for Vanya, Death Nell, Yor, Sectaurs, Born of Blood, SPQR, and Alicia Carter.

Citation News

It’s been a while, but here is some new citation news!

Book cover. It's tinted blue. It's a still from a film (not sure which), but it shows two ladies, with one shaking the hand of a gentleman in a suit.
Cover of Un Oceano Di Stile: Produzione E Consumo Di Made in Italy Negli Stati Uniti Del Dopoguerra.

My masters thesis, “Danza Macabra: The Reevaluation of Antonio Margheriti Through His Film Castle of Blood” is cited by an essay in the collection Un oceano di stile: Produzione e consumo di Made in Italy negli Stati Uniti del dopoguerra. I’m not sure which one, but if you know, let me know.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

The flyer shows desert mountains with three insert images: one of a young Edgar Rice Burroughs in 1896, one of the author Jeffrey J. Mariotte (who is the guest of honour), and one of the Willcox train depot in the 1880s. The flyer reads was follows: Edgar Rice Burroughs ERB Inc.'s Commemoration of ERB's 150th Birthday! 7th Cavalry Historical Monument Celebration Willcox, AZ, September 25-28, 2025. Formal Dedication on September 27th, 2025. Sponsored by the Suplher Springs Valley Historical Society and the Arizona Apache Deveils Chapter of the Burroughs Bibliophiles.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Game On Expo 2025

Game On Expo had its ten year anniversary earlier this month and Michele and I attended it on Sunday. It was our first time going to a fairly big-big pop culture-centric con since before Covid times. We had a lot of fun, and would definitely go again next year, and go for multiple days as we didn’t get to partake in many of the activities or panels. We mostly stuck with checking out the vendors and, of course, meeting some of the cool guests! I wanted to share the loot I took in to get autographed.

Autographed Loot

Note, some of the below images are actually slideshows. So make sure to click on the little arrows to cycle through.

Spy Hunter

First up being autographed is my Game Boy Advance copy of Spy Hunter / Super Sprint.

Brian F. Colin was one of old school video game designers who was a guest at the con. He is perhaps best known for creating the arcade classic Rampage, but also Arch Rivals and General Chaos.

One of the many games he worked on as an artist at Midway was Spy Hunter, another hugely successful arcade game that saw many ports.

  • The box for the Gameboy Advance version of Spy Hunter and Super Sprint (two different games). The cover depicts two screenshots, one from each game. In black ink it is signed "Nick, thanks for playing! Brian F. Colin".
  • The contents of the SpyHunter/Super Sprint Gameboy box. There is a small black cartridge, an instruction manual, and another manual of warnings.
  • Two stickers for the video game Rampage. One is circular and deceits a busty scientist woman. The other is square and depicts a King Kong-esque giant Gorilla holding a woman in a red dress. There is a city skyline behind them.

Back in the bid 2010s I was neck deep in Eurospy and espionage in popular culture (which would lead to my essay on Italian Eurospy films for Michele’s James Bond in Popular Culture book). I wound up finding a never opened, CIB copy of Spy Hunter / Super Sprint (not sure where, another con or maybe even eBay), so this has port of Spy Hunter has been in my collection for quite a while.

Colin was extremely happy to sign the box for the game. He remarked he had never seen this port before. He was super nice, friendly, and energetic to talk to. Scroll through the gallery above to see the contents of the GBA game, along with some Rampage stickers I bought from Colin.

Atari 50

The next old school game designer I met was Howard Scott Warshaw.

Warshaw worked at Atari in the early 80s, his first game being Yar’s Revenge. His last game was the infamous Atari release of E. T., which was the straw the broke the camel’s back, facilitating the great video game crash in the US in the 80s.

  • Atari 50 xbox game shows the Atari logo, but in gold, with screenshots of different games inside. It is signed "For Nick, HSW". Next to it is a copy of Once Upon Atari. The cover depicts a young Howard Scotty Warshaw with a keyboard in his lap, sitting at his work desk with a monitor showing the ET Atari game.
  • Front matter/interior title page. It says "Once Upon Atari: How I Made History by Killing an Industry". It is signed in blue ink "Dear Nick, Enjoy my journey! Yars truly, HSW"

I’m not a real big Atari aficionado, I love the history of the company more than the games. However, a few years ago I plucked up Atari 50, which is basically 50% compilation of Atari games and 50% documentary/museum about the company. Part of its content was a handful of Atari Jaguar games, an extremely rare treat to play!

Warshaw’s Yar’s Revenge is on the compilation, along with interviews with him talking about creating the game and working at Atari. Super insightful.

Warshaw graciously signed my copy of Atari 50 and I bought a copy of his autobiography, Once Upon Atari, which he also signed (see sideshow above). As Reb Brown signs copies of Yor, the Hunter from the Future as “Yor’s Truly”, Warshaw signs his stuff “Yar’s Truly”. Love it.

Earth Defense Force 2025

“EDF! EDF!”

“They killed Tiny!”

Xbox 360 case for Earth Defense Force 2025. The cover depicts 4 soldiers shooting their guns and below them a giant spider, ant, and robot, with an exploding city behind them. In gold marker it is signed "To Nick! Erika Harlacher" surrounded by hearts and a spider.
Xbox version of Earth Defense Force 2025 signed by Erika Harlacher.

I have a lot of memories playing the three Earth Defense Force games on the Xbox: Earth Defense Force 2017, Earth Defense Force 2025, and Earth Defense Force: Insect Armageddon. These game offered a split screen, couch co-op opportunity for Michele and I to play a video game together, and one that wasn’t too hard either. Pick up a gun and shoot all the giant ants, spiders, robots, and UFOs. Hella fun. So, I have lots of fond memories of these games and playing with Michele.

Voice actress extraordinaire Erika Harlacher was one of the many VO guests in attendance for the Game On Expo. I’m not 100% familiar with her work, she does a lot of anime, which I’ve been out of the loop of for 10-20 years. EDF proper does not have characters per se, just unnamed soldiers that are canon fodder for the insect hordes. Harlacher voices the flying Valkyrie soldiers, which is really cool. Means a lot to me to have this game signed by someone involved with it. And she drew a bug by her signature too!

Note: EDF 2025 originally came out in 2014, and 2025 seemed so far away back then. And now here we are, living in the future, living in 2025. Should I expect to see UFOs fill the skyline, dropping a legion of ants and spiders on the Earth?

Cyberpunk 2077

Awww yiss. Cyberpunk 2077!

I never played the Witcher games, but I knew they were good. I love the cyberpunk genre, though never played the Cyberpunk TTRPG. I was super excited for this game when it was released. When it came out, however, it was a big, buggy mess. So, I sat on getting it for a while. Then CD Projekt fixed the game and expanded on it with the Phantom Liberty DLC, and apparently really redeemed themselves. Now it was a good time to pluck up the game, and it was amazing.

Xbox case for Cyberpunk 2077 with Phantom Liberty DLC. In black marker it is signed "Hey Nick, love form Rogue - Jane Perry, xoxo".
Xbox version of Cyberpunk 2077 signed by Jane Perry.

Jane Perry was another voice actress in attendance at the con. Her work I am much more familiar with, having played the Hitman games and lots of other titles she’s been a part of: Robocop, 007 Legends, and others. In Cyberpunk 2077 she voices Rogue Amendiares, one of the important characters in the last half of the game. She was a love interest of Johnny Silverhand and was part of the assault on Arasaka Tower with him. She rules.

Return of Monkey Island

Finally, my boxset of Return to Monkey Island from Limited Run Games, signed by artist Dev Madan.

  • Cover of the Return to Monkey Island boxset autographed by Dev Madan in silver pen. It shows a close up of Guybrush Threepwood (mighty pirate) opening a pirate chest. Behind him LeChuck (a skeleton) greedily twiddles his fingers. There is a pirate ship shooting a skull (Murray) from a canon.
  • Contents of the Return to Monkey Island boxset. There is a CD soundtrack with a skeleton pirate playing a violin on the cover. Next it a small key with a glowing green jewel. Next to that is a fishing lure pin. Below that is a large envelope with a red wax seal. Lastly there is an xbox version of the game which depicted Guybrush Threepwood on the cover, with behind him being a pirate ship shooting a skull (Murray) from a canon and a pirate lady (Elaine) swinging in from a rope.

I’ve played the Monkey Island games since I was a wee wee wee kid on our old 486. The before times of having proper internet, it was a S T R U G G L E getting through that first game. One of my best friends, Kris, and I would crowd around the computer shouting out all ideas to solve the adventure game’s puzzles.

I wasn’t able to play Monkey Island 2 until around two decades later when it got a digital release on Xbox Live Arcade. I had a Big Box PC version of Curse of Monkey Island (and I still do, I think?), and my PS2 copy of Escape from Monkey Island which I bought and played when I was a broke college student. I grew up playing all the point and click adventure games from LucasArts and Sierra, and still have a soft spot for them.

I was excited when the newest, and it looks like last, Monkey Island game, Return to Monkey Island, got an ornate console release. It was a fun game, with a bittersweet ending. But, when I was looking at the guest list for Game On Expo and saw Dev Madan (an icon of point and click games), listed on it, I just had to have him sign Return to Monkey Island (which he did art for), a series that has been near and dear to me forever.

“I can’t use the skeleton arm with that!”

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode 15 from season 1:

And here is their discussion of episode 16:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

New Fan2Fan Episodes

Bernie and Pete have some new episodes of their Fan2Fan podcast online.

They have episodes online talking about the ill fated Roger Corman Fantastic Four film. Here is part one of their conversation:

Fantastic Four is Doomed Part 1 Fan2Fan Podcast

And here is part two:

Fantastic Four is Doomed Part 2 Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page.

The Chosen Cast Interview

Matt Page (author of 100 Bible Films and the dude behind the Bible Films Blog) recently did an interview with two cast members of the Biblical peplum TV series The Chosen: Shahar Isaac (Simon Peter) and Vanessa Benavente (Mother Mary). Check out the interview on Youtube:

Categories
News

News Roundup 2025-04-06

Personal / Website News

Comic Book Review: Eternal Rome #2

Technically on a roll! I did a review of Rome Eternal #1 in early March (which can be read here) and now I’ve done a review of issue two, which can be read here!

Issue three is not out yet, so I am actually current on a comic book series! I’ll do my best to get a review of issue three online as soon as it is published and in my paws.

Scholars from the Edge of Time: In the Name of the King 3: The Last Mission

In early 2024 Michele and I did a Scholars from the Edge of Time episode on In the Name of the King 2: Two Worlds (which can be watched here). We didn’t care for it. I followed this up with a Peplum Ponderings article about the film, which can be read here.

A year later we decided to give the third movie in the Dungeon Siege/In the Name of the King series a shot, so we watched In the Name of the King 3: The Last Mission.

Folks, I don’t know how to say this, but The Last Mission was legit pretty good! I dare say, it might be the best Uwe Boll movie I’ve seen! It’s like he looked at Two Worlds and said “I can remake this, but better” and actually delivered! The movie is not quite as good as other Connecticut Yankee-style movies, such as Army of Darkness, but it is leagues better than Two Worlds and pretty enjoyable. I recommend giving it a watch!

The episode can be watched on YouTube right here. I plan on doing a Peplum Ponderings about the film fairly soon while the movie is fresh on my mind.

Panthans Journal #335

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my article “Tarzan Cocktail: Deconstructed – Reconstructed”, which I original published early right here at my website.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

New Acquisitions

Atomfall

It has been ages since I preordered a non-retro, non-re-released game, but when I heard about Atomfall a few months ago, I was immediately hooked!

My copy arrived on on 3/27 and I had it 1000 pointed on 4/4. I was hooked in the story and setting, so I just steamrolled through it.

I think I need to do an in depth write up or at least an essay about the Lovecraftian horror (lots of Colour Out of Space elements) and folk horror elements of the game. Atomfall is populated with lots of wicker men and they are a sight to behold!

Autographed Treasures

Here are some autographed treasures I’ve shared on Social Media these past few weeks.

Fast Company

Dvid Cronenberg, the auteur filmmaker known for his work of body horror cinema, has one movie that is an outlier in his body of work: Fast Company (1979). An early film in the director’s filmography, it’s a low budget exploitation film about car racing. Scanners x Days of Thunder? Not quite…

It’s been about fifteen years since I last saw this film. It is quite 70s for sure. But, I do have my copy of the movie signed by two of its stars! First is John Saxon who plays the film’s villain and the second is the films hero, William Smith (both RIP!).

Automatic

I am a hard core Olivier Gruner fan. The dude is always either a cyborg or a mercenary, but he is always awesome. Nemesis is probably his best film, but my favorite of his is Velocity Trap (1999) (see my autographed copy of that here).

I’ve got tons more films signed by Gruner, including Automatic (1994) here, which also stars Dr. Who favorite Daphne Ashbrook (whose book I have!). So, looking at the DVD cover, and judging by title, is Gruner a merc or a cyborg in this film?

Return of the Living Dead Part II

Return of the Living Dead Part II exists in the shadows of Return of the Living Dead, which I can understand. The original film has a distinct punk ethos and attitude that really makes the film stand out, especially in the zombie genre. Part II does fall on the generic side of things.

That’s not to say the movie is bad, it isn’t! It’s actually fairly fun! The artwork though, that is top notch. There was this period in the 80s were there were tons of film art that shows some malevolent face in the night sky, and Part II really captures that. I remember being a kid and scared to death of the VHS of this film.

Anywho, my copy is signed by the bully villain in this film, Thor Van Lingen.

Richard Kern’s Action

Pinups and stockings, two things I love, and Richard Kern delivers in spades in his transgressive photography. Back in the 2000s, my local comic book store was Spy Comics in Federal Way and I bought Richard Kern’s Action there.

Years later, when Taschen books published The Big Book of Breasts, the Beverly Hills store celebrated with a signing event with editor Dian Hanson. Being the fanboy I am, I took my pile of Hanson edited books for her to sign, of which Action was one of them.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

Ride the Stream New Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode twelve from season one:

Their discussion of episode thirteen:

And their discussion of episode fourteen:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Lee Mitchell Interview at Ginger Nuts of Horror

My friend, Lee Mitchell, just scored a sweet interview at the Ginger Nuts of Horror. Check it out here!

Categories
News

News Roundup 2025-03-16

Personal / Website News

Comic Book Review: Rome Eternal #1

It has been a while so it is time to dive back into my bread and butter, the world of the neo-peplum, so here is a brand new review online.

I’m fairly timely with this review as Rome Eternal came out in November, and I have issue #2 (which came out in January) in my paws as well. Should I aim to do back to back reviews?

Anywho, Rome Eternal is a neo-peplum comic about an Ancient Rome that did not fall but instead became a huge superpower that is just as corrupt and nasty as it has ever been. Just this time they have laser spears.

It’s hella fun and topical as well. Check out my review here.

Global Indigenous Horror

Sincerely chuffed that editor Naomi Simone Borwein mentions Michele and I in her acknowledgments in her upcoming edited academic collection, Global Indigenous Horror, from University Press of Mississippi.

We had the honour of having Dr. Borwein present at a past Ann Radcliffe Academic Conference and to have her presentation published in Horror Literature from Gothic to Post-Modern.

I’ve shared prior, but want to re-iterate how awesome the cover art for Global Indigenous Horror is:

Global Indigenous Horror is slated to be published April 15th and can be pre-ordered at the UPoM website.

Scholars from the Edge of Time: Gentlemen Broncos

First episode of Scholars from the Edge of Time of 2025 is now online!

Back in 2024 Michele and I watched Krull and loved it (that episode can be viewed here). The cyclops in Krull made me recall that Gentlemen Broncos has homages to the iconic one-eyed character, so we decided to give that film a shot! The vidcast episode can be watched on YouTube, check it out!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Selling Scary Movies: Horror Film Promotion & the American Market

While American horror cinema is among the most widely examined of all entertainment formats, scholarship on this topic has mainly focused on film content or its reception. Consequently, despite representing a profuse component of horror’s inter-textual replay, the marketing of such films remains under-theorized and supported by a relative paucity of case-studies. Indeed, the promotion of scary movies still tends to be imagined rather reductively as a nightmarish mix of terror, loathing, threat, violence, and monstrosity, exemplified by such oft-quoted taglines as “be afraid, be very afraid” and “keep repeating it’s only a movie!”. This collection of essays therefore proposes to broaden conceptions of how chillers, thrillers, and the like have been promoted on the US market. It shall do so by uniting diverse approaches focusing on the industrial, social, discursive, and aesthetic dimensions of horror film marketing across a range of industry sectors, windows of release, and time periods. In so doing, the collection aims to expand and clarify the terms under which we understand one of the most pervasive yet poorly appreciated aspects of American audiovisual culture.

Accordingly, the editor of this collection therefore solicits original essays of 6000-8000-words offering a variety of perspectives on topics including but not restricted to:

  • Marketing campaigns of individual horror films
  • Repacking horror films across windows of release
  • Marketing campaigns across horror film trends and sub-types
  • Horror film and print advertising
  • Horror film and audiovisual advertising
  • Horror film and radio advertising
  • Horror film and viral advertising
  • Horror films and synergy
  • Horror films and publicity tours
  • Exploitation sector marketing
  • Indie/Art horror marketing
  • Marketing extreme or niche horror
  • Hollywood horror marketing
  • Targeting horror at specific audiences
  • Promoting imported horror on the American market
  • Horror in the marketing of non-horror films
  • Non-horror in the marketing of horror films

Please send 200-word abstracts plus a short academic bio – or any questions and queries – to richardandrew.nowell@amu.cz

Abstract due date (31 May 2025), chapter submissions (circa. January-May 2027).

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

New Acquisitions

Gladiator 2

Gladiator 2 was release in theaters back in November 2024 and Michele and I got to see it on the big screen in December. I started a draft of a write up of the film, got 80% done, but decided to shelve it for when the Blu-ray comes out so I could re-watch it.

And now, the movie is out on physical media! I got my pre-order the other week, so expect an upcoming Peplum Ponderings about the film, but also a Scholars from the Edge of Time episode devoted to it.

Helen of Troy

A recent pick up for an old film, here is Helen of Troy (Robert Wise, 1956).

I have not seen this one yet, but this will be a great watch in tandem with Ruby Blondell’s Helen of Troy in Hollywood.

Autographed Treasures

Lots of cool autographed treasures I’ve shared on Bluesky these past few weeks.

Rodan/War of the Gargantuas

I love kaiju films, but I am far from an expert on all the Toho and Toei monster films out there. Don’t laugh, but one of my favorite Godzilla films is All Monsters Attack (1969, Ishiro Honda).

I have quite a Godzilla film collection, but I have only one autographed kaiju film, and that is War of the Gargantuas (1966, Ishiro Honda) by Russ Tamblyn. There was a West Side Story anniversary Hollywood Collector’s show way back in the day, and he was in attendance, so I had to get my monster movie signed!

When Women Ruled the Earth / War Goddess

Luciana Paluzzi is an iconic starlet of Italian genre cinema, and she has made frequent appearances at conventions, mostly James Bond-themed ones due to her being in Thunderball.

I actually really liked her in the Eurospy film The Venetian Affair (1967, Jerry Thorpe). Paluzzi starred in her fair share of pepla, including the very late era peplum War Goddess (1973, Terence Young), which she signed my copy of.

Strike Commando

Reb Brown rules and Yor, the Hunter from the Future rules.

Reb has done many other cult films and is probably (aside from Yor) best known for Space Mutiny which was on MST3K.

However, he was in a handful of other Italian genre films of the 80s, including the men-on-a-mission film, Strike Commando, which is awesome. Severin Films did a nice Blu-ray release a few years back, but 20 years ago the only way I could watch the film was in a multi-film budget DVD set called Mercs: Soldiers of Fortune 10 Feature Film Collection which contained a low quality copy of Strike Commando, which Brown graciously signed to me.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

Bible Films Blog – House of David

Matt Page over at his Bible Films blog is on a roll doing write ups about season one of House of David. Check them out:

Ride the Stream New Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode nine of season one:

And their discussion of episode ten of season one:

And, finally their discussion of episode eleven of season one:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Categories
News

News Roundup 2025-02-23

Personal / Website News

Becca Boo #3 Review

Two articles in a month! I’m on a roll!

Brand new comic book review here at my website, I take a gander at issue three of Becca Boo: The Bimbo Ghost.

This has been a fun adult comic from Obscura Comics. I previously reviewed issue one and issue two. My issue two review has been updated to reflect that the publisher corrected their missing swag issue and sent it on over. Top notch for Obscura!

Castle of Horror Podcast Appearance

My first podcast appearance of 2025 is on the Castle of Horror Podcast! I was invited on to talk about Antonio Margheriti’s 1964 gothic horror classic, Castle of Blood.

The episode can be streamed at the Castle of Horror Spreaker website here, via the embedded player below, or through your podcast app of preference. Sincere appreciation to Jason Henderson for having me on.

KISS OF THE VAMPIRE (Podcast/Discussion) Castle of Horror Podcast

If you can’t get enough of me talking about Castle of Blood, make sure you give a listen to the Fan2Fan Podcast episode where I talk about the film.

New Edge Sword and Sorcery 5, 6, and 7

New Edge Sword and Sorcery are currently crowdfunding the next three issues of their magazine, which will be two issues of sword and sorcery and one issue of sword and planet!

I am excited to announce I’ll be part of this project! The NESS magazines have featured cocktails in prior issues done by Kevin Beckett, and I’ve been asked to develop brand new cocktails for these upcoming three.

Here is a graphic from the Backerkit campaign of the authors involved in these three issues, and I am chuffed to be listed among them all!

The Backerkit Campaign for NESS 5,6,7 can be found here. Please consider contributing! The campaign ends on March 15th. Sincere appreciation to Oliver Brackenbury for having me on board for this project.

If you’re curious, I did a short interview of issue 00 back in 2023, so check that out!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Medieval + Monsters in Comics

Online Sponsored Session Proposed for Medieval + Monsters: Medieval Association of the Midwest (MAM), Mid-America Medieval Association (MAMA), Illinois Medieval Association (IMA) Joint Conference with The Newberry Library
Hosted at Dominican University & the Newberry Library
17-18 October 2025

The Medieval Comics Project and the Monsters & the Monstrous Area of the Northeast Popular/American Culture Association seek proposals of 250 words for a proposed online panel devoted to the theme of the medieval and the monstrous in sequential art, comics, manga, and related media.

Topics might include:

  • Adaptations of medieval monsters in modern comics/manga/related media
  • Monsters in sequential art of the medieval era
  • Monsters in marginalia in medieval manuscripts (akin to modern panel comics)
  • New monsters in comics/manga/related media set in the medieval era
  • The use of horror in comics/manga/related media set in the medieval era
  • The use of monstrosity to represent issues of class/gender/race in comic/manga versions of the Middle Ages

Please send submissions (250-word proposal plus a short biographical statement) to the session organizers (Michael A. Torregrossa, Karen Casey Casebier, and Benjamin H. Hoover) at Comics.Get.Medieval@gmail.com by 15 March 2025.

For more information on the Medieval Comics Project, please see our blog at https://medieval-comics-project.blogspot.com/.  

For more information on the Monsters & the Monstrous Area of the Northeast Popular/American Culture Association, please see our blog at https://popularpreternaturaliana.blogspot.com/.  

Further details on the conference itself can be accessed at https://www.dom.edu/medieval-monsters-conference.  

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Boris and Natasha DVD

Someone posted on Bluesky that they made a Letterbox list of original movies for Showtime. Seeing that made me recall I have some of those films on DVD, including this stately copy of Boris and Natasha: The Movie, signed by Sid Haig and Sally Kellerman (both RIP).

I know next to nothing about Rocky and Bullwinkle, maybe seeing a handful of cartoons growing up. However the Boris and Natasha live action movie was on all the time, and I thought it hilarious when I was a kid.

Sid Haig I met at Crypticon in SeaTac in the late 2000s. Sally Kellerman was at a Hollywood Collectors show, either late 2000s or early 2010.

Teenage Mutant Ninja Turtles Vol 1

I am a kid of the 80s, so of course I grew up with the TMNT cartoon and live action films. I had not really been into TMNT since I was a kid, but every one in a while I check something out in the franchise. Last month I watched Mutant Mayhem and it was awesome!

Anywho, I do have some of the IDW collections of the original mid-80s Turtles comics. I’ve met Kevin Eastman a few times at different cons, but at a Long Beach Comic Con in the later 2010s I took him the Ultimate Collection Vol 1 to autograph, which he did, and he drew a sweet Donatello (my favorite turtle) in it!

Adventure Time: Bitter Sweets

Another treasure from a comic book con, a copy of Adventure Time: Bitter Sweets signed by artist Chrystin Garland.

I had the honour to meet Garland at a Wondercon in the mid 2010s.

Burden of Dreams

Fitzcarraldo is probably my favorite Herzog/Kinski collaboration, both on screen and off screen. Burden of Dreams is a documentary that captures the mammoth undertaken of this tour de force film.

Les Blank, who passed away a few years ago, was gracious to let me post him my DVD back in the late 2000s to be autographed by him. Probably time for a re-watch, and to also re-watch the supplement where Herzog eats his shoe!

Phantasm & Reggie Bannister

Fangoria reports the sad news that horror icon Reggie Bannister has entered hospice care due to dementia and Parkinson’s. They have an article up letting people know where to send fan mail to him to keep his spirits up (link).

We’ve met Bannister at a few different horror cons over the years. The first time was at a horror con in Seattle that was also a reunion of Phantasm alumni. There Michele and I got our DVD copy of Phantasm signed by Bannister, Bill Thornbury, Kathy Lester, and Don Coscarelli. Bannister joked he loved to sign over Angus Scrimm’s face to tease him.

Back in 2023 Michele appeared on the Fan2Fan Podcast to talk about her memories of Phantasm. Give it a listen!

Phantasm 1979 Fan2Fan Podcast

Wishing Reggie the very best care.

The Eternal End

My friend Lee Mitchell has a new book out! It is called The Eternal End. It’s the third book in her “Divine Darkness” trilogy after The Divine Darkness and The Lasting Light.

More information about the book can be found at Mitchell’s Substack. The book can be found at Amazon as well as at all major book vendors online.

Gyro and the Argonauts!

Joshua Pruett, who has been on many episodes of the Fan2Fan Podcast, and even appeared on our H. P. Lovecast Podcast has a new book coming out, and it is kiddo neo-peplum! It is called Gyro and the Argonauts! and I am super excited for it.

This book can also be ordered at Amazon and other major vendors.

Michele’s 2025 Reading Vlog #2

Michele has a new Vlog up about her 2025 Book challenges!

If you want to see Michele talk about what she is reading as well as seeing some cat cameos, give it a watch!

New Ride the Stream Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode seven of season 1:

And episode eight:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Categories
News

News Roundup 2025-02-09

Personal / Website News

Nylon Nightcap #1 Review

My first website content for 2025! I dig Bachelor Pad Magazine, and I love stockings and nylons, so I was totally excited when they announced they were going to start a new line called Nylon Nightcap. When announced, I pre-ordered a copy immediately, and it is a fantastic issue.

I’d like to do what I can to help get the word out about this issue, so I’ve done a write up about it and included quotations from Jason “Java” Croft, Miss Corsair Debonair, and Miss Penelope Pink. Check out my write up here!

Burroughs Bulletin #109

I have not one, not two, but three publication announcements!

Firstly, as part of Michele and my retrospective of the peplum work of Bella Cortez that we did in 2024, I conducted an interview with Cortez about her work on the Italian Tarzan knock off, Taur the Mighty (1963).

This interview has now been published in issue 109 of The Burroughs Bulletin, the journal of the Burroughs Bibliophiles. This is my first time being published in the journal and I am super excited.

Bella Cortez as Queen Akiba in Taur the Mighty (1963). Screen capture from the Sinister Cinema DVD of the film.

Sincere appreciation to Cortez for her time in being part of this interview.

For more information on the Burroughs Bibliophiles, how to join, and how to get copies of the Bulletins, check out https://www.burroughsbibliophiles.com or contact editor Henry Franke III at BurroughsBibliophiles AT gmail.com.

Merry Creepsmas

I have a sword & sorcery dark comedy/horror short story appearance in the anthology Merry Creepsmas: The Red Book from Wicked Shadow Press. My story is called “There’s Always Room.”

This is actually a short story I wrote 8-9 years ago for a different Christmas themed anthology that didn’t get accepted. The story has been in my repertoire for all this time, and when I saw this call for story submissions, I thought why not dust off the story, spruce it up a bit, and submit. Chuffed that it was accepted!

The anthology is available as an ebook and a print-on-demand title.

Panthans Journal #333

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #3.

Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Podcast Stuff

HP Lovecast Podcast is still going, we’re just a bit erratic about it. We will have an episode for The Prophecy up, and we’ll be exploring doing some shorter comic-book reviews in between bigger episodes, perhaps resurrect the old Fragments line.

BlogTalkRadio shut down in January. This means all the podcasts I appeared on (Voice of Olympus, Chatting with Sherri) are no longer available, which is unfortunate. However, I have saved all my appearances as mp3s. I’ll be looking into having them edits and published elsewhere (with permission), perhaps at Archive.org or another venue.

This past week I’ve been a guest on Fan2Fan and also on the Castle of Horror Podcast. Stay tuned for when those become published online.

Michele is also cranking out episodes of her Ride the Stream vidcast with Travis Lakata. She’s also done an episode of Fan2Fan as well.

So, we are both still heavy in the world of vidcasting and podcasting. We are just kind of all over the map now. As always, if you’d like me to be a guest on your podcast or vidcast, do reach out! I love appearing on other folks’ shows.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Horror Studies Now 2025

Horror Studies Now: A Two-Day Conference (29-30 May 2025, Northumbria University, UK)

Researchers working in the broad field of “Horror Studies”, are invited to submit abstracts about their research for an in-person conference, hosted by the Horror Studies Research Group at Northumbria University, on 29-30 May 2025. 

Speakers will each deliver a 15-minute talk about their research, followed by extended discussion and questions from the conference delegation. We welcome submissions from scholars at any career stage, but are particularly open to hearing from early career researchers and new voices in the field. The event is intended to provide a welcoming space in which to develop ideas, network, and forge collaborations with fellow Horror Studies researchers. 

The event seeks to explore areas and approaches that have not yet been adequately accounted for or represented in the field, encompassing (but not limited to): 

  • The diversity of perspectives, identities, and voices that comprise Horror Studies and horror production 
  • Independent horror production, alternative histories, and horror produced outside of Europe and North America  
  • The field’s methodological richness, including archival approaches, audience research, practice-based research, and new theoretical perspectives 
  • The breadth of cultural perspectives that inform Horror Studies and horror media 
  • Papers that address horror in all its media forms including games, film, comics, music, social media, television, literature, art, and so forth 

We seek to foreground scholarly excellence within the field by embracing a wide range of approaches, confronting representational biases within the canon, highlighting strategies to counter these biases, and contributing to a more diverse and inclusive academic landscape. We encourage and welcome expressions of interest from members of the global majority and people from underrepresented or marginalised groups. 

Special guests include: 

  • Dr Cüneyt Çakırlar (Nottingham Trent University; editor of Transnational Horror: Folklore, Genre and Cultural Politics [Liverpool University Press, 2025]) 
  • Dr Maxine Gee (Bournemouth University; screenwriter of short film Standing Woman [2020] and web series Tales of Bacon [2018]) 
  • Professor Maisha L Wester (University of Sheffield/Indiana University, Bloomington; author of African American Gothic in the Era of Black Lives Matter [Cambridge University Press, 2025]) 

The deadline for abstracts (of 250 words) is 23:59 (GMT) Friday 14 March 2025. Abstracts should be accompanied by a biographical statement (of 50-100 words) and submitted at the following link: https://forms.office.com/e/FgdAxxxWxy.  

A small fee will be required to attend to cover catering expenses; however, we are striving to keep this cost as low as possible. All speakers, unless they choose to decline, will have their work considered for the new Peter Hutchings Award for Outstanding Contribution to Horror Studies. The award includes a certificate for the winner and a publication (subject to revision) in Studies in the Fantastic

Applicants will be notified of the outcome of their proposal within 14 days of the deadline. Any questions should be directed to horrorstudies@northumbria.ac.uk 

The Horror Studies Research Group at Northumbria: Northumbria University is internationally renowned as the home of horror scholarship. This research specialism was founded by our late Professor Peter Hutchings, and the Horror Studies Research Group formalises Northumbria’s concentration of experts in this area. Our core team are widely recognised as leaders in this area, publishing field-defining monographs, presenting keynote lectures at major conferences, delivering talks at numerous European film festivals, holding positions on the editorial boards of the field’s primary book series and winning major research grants. Our global reputation for research excellence in Horror Studies is further proliferated by our many genre-based PhDs and alumni.  

Dracula: A Companion

Dracula: A Companion is intended to both be an essential guide to interpreting Bram Stoker’s Dracula and a collection of new perspectives supporting a reshaping of the way the text is taught and engaged with by students.

Fundamental to the approach of this companion is placing the text at the epicentre of its own cultural afterlife and pop culture status. Beginning with the novel’s inception and influences, Dracula is positioned as a ‘spark’ that ignited the character’s enduring popularity and presence across the globe. From here, the familiar topics the novel is understood through will see novel perspectives, accounting not only for new and exciting research, but exploring how Dracula’s immortality stems from how it can be subjected to new approaches, showcasing the versatility of the book, and its continued capacity to lend itself to readings that speak of topical cultural concerns.

The final sections prioritise the way the text has been reshaped to suit contemporary audiences, distanced from the ‘original’ novel through adaptation and literary pastiche. Every ‘version’ of Dracula has the potential to be someone’s first encounter with the character, and may be what they think of when hearing the name. By giving this aspect a clear focus it establishes to students and readers alike that ‘Dracula’ is not contained within the novel, but has become a myth recognised across the globe.

We kindly request abstracts of no more than 250 words for either full essay style chapters of 4,500 words or shorter case studies focusing on individual texts of approx 2000 words. We are also open to further ideas, suggestions, and questions. The deadline for abstracts is Monday March 31st 2025. Full contributions are expected to be due at the end of Summer 2025.

Please email abstracts or any other enquiries to madeline.potter@ed.ac.uk & m.crofts@hull.ac.uk

Potential topics (but by no means limited to):

  • Theatrical Influences on the novel’s form Historical influences
  • Transylvania as a mosaic (Hungarian and Irish Parallelism)
  • Stoker: a biographical reading
  • Global Dracula Stoker’s own travels
  • Dracula in translation
  • New perspectives on sexuality: LGBTQA+ readings/drag
  • New scientific & medical readingsNew perspectives on race
  • Romany enslavement
  • Dracula as Sensation fiction/Victorian popular fiction
  • Publishing practices
  • Reception of Dracula
  • Reading Dracula as a werewolf text
  • Neo-Victorian readings
  • Wider cultural understanding of Dracula [Intended as shorter chapters, akin to case studies of texts]
  • Dracula adaptations, appropriations and pastiches
  • Neglected adaptations (eg. The Claes Bang/Gatiss version, The 1977 Louis Jourdan version)
  • Neglected adaptations from non-anglo/American countries
  • Non-Western Draculas
  • Dracula for children: eg. Hotel Transylvania eg. Count Duckula
  • Dracula games (computer and table-top)
  • Dracula in New Media & Fandom

Twenty-First Century Neo-Victorian Gothic: Deviance and Transgression on Page and Screen

For a volume in the Genre Fiction and Film Companion series published by Peter Lang Oxford, we solicit papers on the topic of Neo-Victorian Gothic literature and film adaptation in the twenty-first century.

Neo-Victorian Gothic represents a contemporary revival of Gothic themes, often exploring deviance and transgression in the context of Victorian society as a challenge to the rigid structures imposed by
Victorian society and a re-examination of marginalized voices and experiences. This genre not only revisits the aesthetic and narrative structures of the Gothic, but also critiques and reinterprets the
cultural anxieties of both the Victorian and modern societies. Neo-Victorian texts frequently engage with themes of sexual and social deviance thus reflecting on contemporary concerns about identity,
gender roles, and morality too.

The neo-Victorian Gothic critiques historical injustices, especially regarding gender inequality, violence, sexual transgression, and neurodiversity through intricately weaving together themes of
deviance and transgression, with a critical lens on both Victorian history and contemporary culture. By revisiting Gothic conventions such as encounters with the uncanny in all its manifestations, with
ghosts and the doppelgënger, neo-Victorian works illuminate the persistent shadows of social constraints and anxiety while advocating for a deeper understanding of identity and morality in both
past and present contexts. Moreover, the genre heavily relies on intertextual references to Victorian literature, thus drawing parallels between the past and the present and reflecting on the continuity of
certain social issues across time.

While aware of the many renowned masterpieces of neo-Victorian Gothic literature from the previous century, the proposed volume will explore how our twenty-first century engages with the topics of
deviance and transgression. Will Self’s Dorian, An Imitation (2002), Julian Barnes’ Arthur and George (2005), Diane Setterfield’s The Thirteenth Tale (2006), John Harding’s Florence and Giles
(2010), Rosie Garland’s The Palace of Curiosities (2013), Gregory Blake Smith’s The Maze at Windermere (2018), Nell Stevens’ Briefly, A Delicious Life (2022) are some of the many novels published in the past twenty-odd years. What is more, neo-Victorian novels are frequently adapted for the screen: for example, the novels of Sarah Waters’ Tipping the Velvet (2002), Fingersmith (2005),
Affinity (2008) and Michel Faber’s The Crimson Petal and the White (2011) or more recent productions such as Guy Ritchie’s Sherlock Holmes films, and TV series like Sherlock, Ripper Street,
Whitechapel, and Penny Dreadful. The Companion will therefore revisit the issues of deviance and transgression as embodied in literary texts and adaptations in the context of the challenges set by the contemporary reading audiences and viewers.

Please send abstracts of about 300 words and short bios for consideration by 1 April 2025 to Prof. Rossie Artemis at: artemis.r@unic.ac.cy

Authors will be notified about the status of their proposals by 1 May 2025, and the first drafts of essays (about 4500 words) will be expected by 1 November 2025.

For more information about Peter Lang’s Genre Fiction and Film Companion series, please visit: https://www.peterlang.com/series/gffc

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Rest in peplum David Lynch

David Lynch passed away last month, and he deserves as rest in peplum (Dune is sword and planet enough for me!). Lynch is one of my all time favorite directors, and many of his films, especially Lost Highway and Mulholland Drive, had a huge impact on my and my appreciation of cinema as a whole. I’d like to recap some of my Lynch thoughts, my exposure to his work, and share some of my Lynch treasures.

The first David Lynch movie I ever saw was Lost Highway. This was in the late 90s and I checked it out because I was a hardcore Rammstein fan at the time and Rammstein was in the soundtrack.

I recall renting the movie on VHS and watching it, and my dad walked in and decided to sit down and give it a watch too. And then Patricia Arquette pops on screen and does a striptease. Awkward!

It was a surreal movie, and I didn’t know too much about film noir at the time, but I remember enjoying it! The soundtrack was rocking, Bill Pullman was fresh of ID4 and he ruled, and the movie was mysterious and interesting. I was a fan!

Years later Michele and I would meet actor Greg Travis, who played the aggressive motorist who gets beat up, at a convention were he autographed my DVD of Lost Highway (and Michele’s copy of Starship Troopers).

Years later Mulholland Drive came out. I was a student working on my bachelors and I was hyped about this film. This was the agonizing days of waiting months and months for a film to be released on DVD after it had been released in theaters.

I watched Mulholland Drive and it was basically Lost Highway done even better. The noir elements, the erotic elements, the recreation of people into other people. While Lost Highway had a “distance” to it, Mulholland Drive was more emotional. I was a super fan of it immediately.

At a different convention Michele and I met Rena Riffel, perhaps better known for her appearance in Showgirls and various women-in-prison films by Lloyd A. Simandl. She had a small part in Mulholland Drive where she is under the employ of the seedy Mark Pellegrino. I was so happy we got to meet her and she signed my Mulholland Drive DVD.

After Mulholland Drive I was pretty much a Lynch convert and watched nearly all of his movies. I dug Elephant Man. I could never get through Dune. I don’t recall Wild at Heart too well unfortunately. Blue Velvet was amazing. I have a Twin Peaks boxset, but have been afraid to dive into it unfortunately.

In the late 2000s there was a Twin Peaks anniversary convention at the Hollywood Collectors show that Michele and I went to and met lots of awesome actors and actresses.

I met Jennifer Lynch who signed the documentary she did about her father’s painting, Pretty as a Picture.

Jennifer, Charlotte Stewart, and Catherine E. Coulson all signed my Eraserhead boxset. This boxset I purchased from Scarecrow Video up in Seattle. Eraserhead is, well, it’s an odd film. It’s surreal, and I dug it, but nowhere near the level of Lost Highway and Mulholland Drive. But I appreciate the hell out of it.

Notice the little squiggly face by the vertical 2000 on the right side? That’s Jack Nance. When Coulson signed my DVD, she closed her eyes and reached out to the long departed Nance, who guided her to draw his face. I was so flattered she did that. RIP to Coulson who sadly passed away 10 years ago.

One other artifact I was to share is this boxset of Dumbland. It’s in the same dimensions as the Eraserhead boxset, so I believe it was put out by the same company. This boxset I also bought at Scarecrow (plug: hear me talk about Scarecrow Video at the Fan2Fan podcast!)

I remember watching this and thinking… well.. that’s David Lynch for you!

One last note, my friends over at the Fan2Fan Podcast have dropped a new episode, and it is on Lynch’s Blue Velvet. Give it a listen!

David Lynch and Blue Velvet Fan2Fan Podcast

Ride the Stream Vidcast Episodes

Michele and Travis have some brand new episodes of their Ride the Stream vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is their discussion of episode five of season 1:

And their discussion of episode 6:

Ride the Stream can be followed on Bluesky.

Jungle Scandals Kickstarter

J. Manfred Weichsel (whom I interviewed about their anthology, Sword & Scandal, which can be read here) has a new Kickstarter up.

This campaign is to finance the second book in his Scandal line, Jungle Scandals. Check out the campaign here and consider supporting!

Categories
News

News Roundup 2025-01-26

Personal / Website News

2024 Accomplishments

Every year I like to do a recap of accomplishments for the prior year and talk about future projects and goals. You can find prior year end summaries here:

In short, 2024 was not a prolific year for me, especially compared to 2023. In terms of quantity of getting things published, it was a painful year. I definitely was not on my A-game this year. Now, part of this has been my focus on the Emmanuelle/Black Emanuelle book, which has had its ups and many downs. That manuscript will be done soon and sent to the publisher, freeing me up to tackle my backlog and other items on my to do list.

Despite this, there was some pleasant surprises in 2024. Let’s take a look!

Publication Accomplishments

In the realm of physical publications, I had zero new essays published this past year. However, 2024 was the year of the reprint because I had a ton of content from my archives get a new life. I’ve never had reprints of my work before, so this was a comforting accomplishment.

“A Hero Will Endure”: Essays at the Twentieth Anniversary of Gladiator, which contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling” saw a softcover edition published in November.

Portions of my master’s thesis on Antonio Margheriti’s film Castle of Blood was reprinted in the booklet for the Artus films release of the film.

The National Capital Panthans Journal reprinted six of my Edgar Rice Burroughs comic book reviews and convention writeups across six issues.

My essay I did for Weird Tales was mentioned in Ellen Datlow’s The Best Horror of the Year #16.

Here at my website I had 13 articles published (so a bit better than 1 a month):

  • Peplum Ponderings = 3
  • Comic Book Reviews and Articles = 3
  • Book Reviews = 2
  • Music Reviews and Essays = 2
  • Interviews Conducted = 2
  • Videogame Articles = 1

Podcast Accomplishments

Michele and I went into 2024 with big plans and goals for the H. P. Lovecast Podcast. Early in the year though, however, we had a bad encounter, which killed our podcasting momentum. That, and combined that I was working on the Emmanuelle book and Michele on her Mummy ’99 book, we put HP Lovecast on the back burner until the autumn when we resumed making new episodes. We are climbing out the rut for sure.

23 Podcasts and Vidcasts in 2024:

  • 11 appearances on Scholars from the Edge of Time
  • 7 appearances on Fan2Fan
  • 5 episodes of H. P. Lovecast

2025 Expectations

I’m hoping 2025 will be a big turnaround for me. There’s lots on my to do list and even a few items that floating out there waiting to be published.

Podcasting

2025 marks the 10 year anniversary of the HP Lovecast Podcast! What do Michele and I have planned? Not sure yet, but we will get it sussed out. We have an episode on The Prophecy that will be published in February (it was going to be our X-mas episode, so a little late).

Michele and I will also be continuing with the Scholars from the Edge of Time vidcast in March.

I’m already queued up to be on the Castle of Horror Podcast to talk about, well, Margheriti’s film Castle of Blood! So, folks, if you want me on your vidcast or podcast, feel free to reach out!

And not me, but I do want to plug Michele’s new vidcast, Ride the Stream, with Travis Lakata. They’ve got LOTS of episodes in the pipe on the TV show Lost.

Publications

The Emmanuelle/Black Emanuelle book will be sent to the publishers in the next month or so. So, cross fingers all goes well for it!

Hopefully my essay on peplum cats will see publication this year. 

I am on the hook to do a Roger Corman and Sampling essay due later this year. After doing the Gladiator and Sampling essay, it will be fun to build on my existing scholarship.

I’ve got a backlog of comic book and book-book reviews I am hoping to churn out for my website. Some of these writings will also be concurrently published in the Panthans Journal.

I’ve been asked to create some unique cocktails to be published in a few issues of a magazine (not tiki, surprisingly!). More info when I’m allowed to spill more beans.

On the subject of tiki, I’ll be getting some articles out there for Exotica Moderne as well.

Finally, my interview with peplum starlet Bella Cortez will be published in an issue of the Burroughs Bibliophiles Bulletin later this year.

Conferences

I’m only slated for one conference this year which will be the Edgar Rice Burroughs Circle of Friendship that will be in Willcox, AZ in late September. I have a presentation I’ll be doing on the sword and planet genre. 

On top of personal ongoings, (I am working on getting my driver’s license, yay!), 2025 is going to be BUSY. I am not expecting my output to be like it was in 2023, but I’m optimistic I’m going to realize some cool stuff. 

Thank you to all the friends, peers, and colleagues who support what I do. And thank you, yes you visitor to my website, as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

The Handbook of Trans Cinema

Chapter proposals are invited for The Handbook of Trans Cinema. Join confirmed contributors like Cáel M. Keegan, author of Lana and Lilly Wachowski: Sensing Transgender. We seek a broadly international group of scholarly contributors. 

Past books have provided in-depth studies of transgender themes and filmmakers in selected works of cinema, e.g., Rebecca Bell-Metereau’s Transgender Cinema (2019), Eliza Steinbock’s Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change (2019), and Akkadia Ford’s Trans New Wave Cinema (2021). As a next step, The Handbook of Trans Cinema provides an encyclopedic overview of international trans cinema, with chapters examining the variety of genres of trans cinema from around the world, as well as the connections between these films and core concepts in trans studies and in film theory. Each chapter will provide a broad overview of its subject, with extensive references to both trans theory and film theory. In addition to giving surveys of the chapter’s topic, chapters will include in-depth discussion of at least three films. Abstracts for proposed chapters should include several references to both trans theory and film theory, and abstracts should list at least three films that will be explored in-depth.

Please see the list of high priority chapters at the end of this CFP. Proposals for other topics will also be considered, but all chapters will offer broad overviews of their subject, and not traditional scholarly analyses of a single film or filmmaker. To be most competitive, each chapter proposal should examine films from multiple countries and in multiple languages, with the exception of chapters in the handbook’s Part IV. “National Overviews of Trans Films,” which will each focus on a single country’s films. (See the listing of high priority chapters for the four parts of the book at the end of this CFP.)

The senior editor of The Handbook of Trans Cinema, Douglas Vakoch, has edited over two dozen books, including The Routledge Handbook of Trans Literature (with Sabine Sharp, 2024) Transgender India: Understanding Third Gender Identities and Experiences (2022), and Transecology: Transgender Perspectives on Environment and Nature (2020).

Interested authors should submit a 300-word abstract, a 200-word biography, and a sample of a previously published chapter or article to https://bit.ly/HandbookofTransCinema no later than January 30, 2025. Proposals submitted by email will not be accepted. Abstracts and biographies should be submitted as Word documents, and previously published chapters or articles should be submitted as PDFs. Both Word files and PDFs should contain the author’s name in the file names. Please include your email address in your biography file so we can contact you with our decision about your proposal.

You are welcome to submit more than one abstract. If you decide to submit multiple abstracts for different chapters, please add a note at the top of each abstract to indicate whether you wish to be considered for writing only a single chapter, or whether you wish to be considered for writing more than one chapter.

The most competitive proposals will detail the author’s argument. It is not enough to describe what you plan to do in your chapter. You should summarize what you will conclude. For example, it’s not enough to say you will examine multiple films from diverse countries. List the specific films you propose to include and then explain what your analysis will demonstrate.

Authors will be notified whether their proposals are accepted by March 20, 2025. Partial first drafts are due by July 15, 2025; solid first drafts of full chapters are due by October 1, 2025; and final versions that cross-reference other chapters extensively are due December 1, 2025. All chapters must include at least one author with a PhD. In your 200-word biography, please note the year and university where you earned your doctorate. Only previously unpublished works will be considered. 

For examples of abstracts for handbook chapters, see samples from the editor’s previous handbooks: The Routledge Handbook of Trans Literature and The Routledge Handbook of Ecofeminism and Literature.

High priority chapters include:

Part I. Genres

  • Drama as Trans Cinema
  • Comedy as Trans Cinema
  • Romantic Comedy as Trans Cinema
  • Romance Trans Cinema
  • Historical Trans Cinema
  • Westerns as Trans Cinema
  • Action Adventure Trans Cinema
  • Asian Epic Trans Cinema
  • Martial Arts Trans Cinema
  • War Trans Cinema
  • Disaster Trans Cinema
  • Horror Trans Cinema
  • Thriller Trans Cinema
  • Mystery Trans Cinema
  • True Crime Trans Cinema
  • Noir Trans Cinema
  • Spy Trans Cinema
  • Science Fiction Trans Cinema
  • Isekai (異世界) Trans Cinema
  • Superhero Trans Cinema
  • Fantasy Trans Cinema
  • Musical Trans Cinema
  • Animation as Trans Cinema
  • Anime (アニメ) as Trans Cinema
  • Fan Fiction Trans Cinema
  • Biopic Trans Cinema
  • Documentary Trans Cinema
  • Travelogues as Trans Cinema
  • Coming-of-Age Trans Cinema
  • Sports Trans Cinema
  • Silent Trans Cinema
  • Experimental Trans Cinema 

Part II. Trans Concepts

  • Abjection and Trans Cinema
  • Activism and Trans Cinema
  • The Anthropocene and Trans Cinema
  • Anthropology and Trans Cinema
  • Aging and Trans Cinema
  • Animal Studies and Trans Cinema
  • Archives and Trans Cinema
  • Asian Studies and Trans Cinema
  • Biopolitics and Trans Cinema
  • Black Studies and Trans Cinema
  • Camp and Trans Cinema
  • Children and Trans Cinema
  • Cognition and Trans Cinema
  • Colonialism and Trans Cinema
  • Critical Plant Studies and Trans Cinema
  • Cross-dressing and Trans Cinema
  • Culture and Trans Cinema
  • Diaspora and Trans Cinema
  • Disability and Trans Cinema
  • Education and Trans Cinema
  • Ethnicity and Trans Cinema
  • Fungibility and Trans Cinema
  • Gender Dysphoria and Trans Cinema
  • Glocalization and Trans Cinema
  • Hispanic Studies and Trans Cinema
  • Historicity and Trans Cinema
  • Human Rights and Trans Cinema
  • Identity and Trans Cinema
  • Inclusion and Trans Cinema
  • Intimacy and Trans Cinema
  • La Loca and Trans Cinema
  • Lines of Flight and Trans Cinema
  • Medicalization and Trans Cinema
  • Memory and Trans Cinema
  • Monstrosity and Trans Cinema
  • Nature and Trans Cinema
  • Nomad Science and Trans Cinema
  • Normality and Trans Cinema
  • Paradox and Trans Cinema
  • Passing and Trans Cinema
  • Performativity and Trans Cinema
  • Politics and Trans Cinema
  • Race and Trans Cinema
  • Religion and Trans Cinema
  • Reveal and Trans Cinema
  • Subalternity and Trans Cinema
  • Subjectivity and Trans Cinema
  • Temporality and Trans Cinema
  • Tipping Point and Trans Cinema
  • Tranimals and Trans Cinema
  • Transability and Trans Cinema
  • The Transgender Gaze and Trans Cinema
  • Transgression and Trans Cinema
  • Transphobia and Trans Cinema
  • Trans-poetics and Trans Cinema
  • Visibility and Trans Cinema
  • Waste and Trans Cinema
  • Whiteness and Trans Cinema
  • Wrong Body and Trans Cinema
  • Young Adults and Trans Cinema

Part III. Film Theories and Concepts

  • Anthology Films and Trans Films
  • Apparatus Theory and Trans Films
  • Art and Trans Films
  • Auteur Theory and Trans Films
  • Counter Cinema and Trans Films
  • Critical Theory and Trans Films
  • Diasporic Cinema and Trans Films
  • Ethnographic Films and Trans Films
  • Existentialism and Trans Films
  • Experimental Cinema and Trans Films
  • Fandom and Trans Films
  • Feminism and Trans Films
  • Film Festivals and Trans Films
  • Formalism and Trans Films
  • The Frankfurt School and Trans Films
  • Genre Theory and Trans Films
  • German Expressionism and Trans Films
  • Humor and Trans Films
  • Intimacy Coordination and Trans Films
  • Italian Neo-Realism and Trans Films
  • Marxism and Trans Films
  • Media Industries and Trans Films
  • Modernism and Trans Films
  • Music and Trans Films
  • New Wave Cinema and Trans Films
  • Phenomenology and Trans Films
  • Postcolonialism and Trans Films
  • Posthumanism and Trans Films
  • Postmodernism and Trans Films
  • Post-Structuralism and Trans Films
  • Psychoanalysis and Trans Films
  • Pure Cinema and Trans Films
  • Queer Film Theory and Trans Films
  • Realism and Trans Films
  • Rhetoric and Trans Films
  • Silent Cinema and Trans Films
  • Sound and Trans Films
  • Soviet Montage and Trans Films
  • Structuralism and Trans Films
  • Subjective Cinema and Trans Films
  • Surrealist Cinema and Trans Films
  • Visual Arts and Trans Films
  • Vulgar Auteurism and Trans Films

Part IV. National Overviews of Trans Films
(National Overviews Are Also Encouraged and Warmly Invited for Other Countries Not Listed)

  • Trans Cinema from Argentina
  • Trans Cinema from Australia
  • Trans Cinema from Brazil
  • Trans Cinema from Canada
  • Trans Cinema from Chile
  • Trans Cinema from China
  • Trans Cinema from Costa Rica
  • Trans Cinema from Egypt
  • Trans Cinema from France
  • Trans Cinema from Germany
  • Trans Cinema from Ghana
  • Trans Cinema from Hong Kong
  • Trans Cinema from India
  • Trans Cinema from Indonesia
  • Trans Cinema from Iran
  • Trans Cinema from Iraq
  • Trans Cinema from Israel
  • Trans Cinema from Italy
  • Trans Cinema from Japan
  • Trans Cinema from Mexico
  • Trans Cinema from New Zealand
  • Trans Cinema from Nigeria
  • Trans Cinema from Norway
  • Trans Cinema from Poland
  • Trans Cinema from Russia
  • Trans Cinema from South Africa
  • Trans Cinema from South Korea
  • Trans Cinema from Spain
  • Trans Cinema from Sweden
  • Trans Cinema from Switzerland
  • Trans Cinema from Taiwan
  • Trans Cinema from Thailand
  • Trans Cinema from the United Kingdom
  • Trans Cinema from the United States

Technical and Professional Knowledge in Late Antiquity

Society for Classical Studies 157th Annual Meeting
JANUARY 7-10, 2026
SAN FRANCISCO

Call for Papers for Panel Sponsored by the Society for Late Antiquity

Organized by Betsy Bevis, Department of Classics, University of Illinois Urbana-Champaign

The Society for Late Antiquity invites papers that in some way situate themselves at the intersection of intellectual and economic history (broadly conceived) and speak to aspects of technical or professional knowledge in the long Late Antiquity. Because professional and technical knowledge is often knowledge intended to be put into practice, we encourage submissions that incorporate archaeological and other material evidence.

The past decade has been especially fruitful for both economic and intellectual histories of the ancient Mediterranean. Monographs, such as Bond 2016, or Hawkins 2016, have expanded our understanding of specific professions in the classical world, while intellectual histories such as Johnson 2010, Eshelman 2012, or Gellar-Goad and Poult 2024 have tackled topics such as reading, intellectual communities, or the transmission and creation of knowledge. Recent works such as Mark Lettney’s (2023) The Christianization of Knowledge in Late Antiquity, or Salvatore Cosentino’s (2022) “Pillars of Empire,” that deal specifically with the later centuries of Mediterranean Antiquity continue these trends into Late Antiquity. This panel endeavors to bring together these two strands of scholarship and examine their continuing impact in the post-Classical world.

Ideas for submissions might include:

  • Technical Treatises – such as agricultural, military, or magical manuals. What role do compendia and encyclopedic works play in the transmission of technical and professional knowledge?
  • New Professions and Technologies – such as the expansion of imperial bureaucracies, professionalization of Christian clergy, or technologies (e.g., large-scale water mills, or tube-constructed vaulting) and art forms (e.g., cage cups or gold-sandwich glass) that expanded or developed after the 3rd century CE. 
  • Technologies of Knowing – codices, tabulation, exegetical or typological readings of text or iconography. 
  • Technique/Technology within Space – where and how is professional and technical knowledge visible in the environment? Can we reconstruct changes in technical knowledge from changes in workshop spaces? 
  • Fragments of Knowing – where and how do technologies and professions end or break down? Processes of recycling, deconstruction, or de-skilling.
  • Professional Education and Organization – how did one become a “professional”?

Please send abstracts that follow the guidelines for individual abstracts (see the SCS Guidelines for Authors of Abstracts) by email to Betsy Bevis, University of Illinois, Urbana-Champaign at (ebevis@illinois.edu) by February 14, 2025.

Please ensure that the abstracts are anonymous.

The organizers will review all submissions anonymously, and their decision will be communicated to the authors of abstracts by March 21, 2025, with enough time that those whose abstracts are not chosen can participate in the individual abstract submission process for the upcoming SCS meeting.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Wildfire 7

I lived in Orange, CA from 2010 to 2020, so I am no stranger to the fires that happen in SoCal, but these fires going on right now are just Earth-shatteringly tragic. There’s places I’ve been to before that simply don’t exist anymore. I’m lucky that none of my friends have lost their homes, but thousands of others have.

I saw in the news about deployed prisoner fire fighters and it reminded me of the movie Wildfire 7:

My copy is signed by the director, Jason Bourque, and actors Tahmoh Penikett and William DeVry.

I have not seen this movie since the late 2010s, so I’ll be fuzzy on remembering the plot, but basically Tracy Gold is the victim of domestic violence, but winds up going to prison anyways, and joins the fire fighting squad in California. I’m pretty sure the movie is probably extremely relevant today regarding the punishing the women victims and the ideas of putting prisoners into legal slavery.

Nightmare Weekend

A fun one I shared on BlueSky, here is my copy of Nightmare Weekend signed by Andrea Thompson, best known for her portray of Talia Winters on Babylon 5.

We met her at an autograph show back in 2009. Here we are!

The Monuments of Mars

An odd duck in my autograph media collection, here is a copy of The Monuments of Mars: A City on the Edge of Forever signed by author/conspiracy theorist Richard C. Hoagland:

Why do I have this book in my collection? Well, growing up in the 90s, the channel I watched the most often was the Sci-Fi Channel (Saturday Anime! MST3K!) An aside from commercials shilling Dianetics, the commercial that appeared the most often on the network was for a VHS tape of the Monuments of Mars: A Terrestrial Connection:

So, I grew up seeing that commercial many times a day.

Years, years later I am at a Half Price Books in Tacoma Washington, and a copy of the book was sitting there, on the shelf, all autographed, for not even eight dollars. Nostalgia kicked in and I bought it.

Have I ever read it? Not a chance. I am certain 95% of the book is totally made up.

Ride the Stream Vidcast Episodes

Michele and Travis have some brand new episodes of their Ride the Stream Vidcast online at YouTube. They dive into the next few episodes of Lost.

Here is part 2 of discussing the pilot:

Here is their discussion on the episode “Tabula Rasa”:

And here is their discussion on the episode “Walkabout”:

Ride the Stream can be followed on Bluesky.

Categories
News

News Roundup 2025-01-05

Personal / Website News

Citations Galore

Happened across two new citations of my Stranger Things/synthwave essay, so I’d like to share them and invite you to take a gander at these scholars’ work:

And coming from Horror Literature from Gothic to Post-Modern, there is a citation of Danny Rhodes’ essay:

Panthans Journal #332

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #2.

Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn@gmail.com in a Word document for consideration.

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

The Gore Gore Film Book

Edited by:
Fernando Gabriel Pagnoni Berns (Universidad de Buenos Aires)
Kevin Wetmore (Loyola Marymount University)

We, the editors, are looking to put together an edited collection on gore on film and gore films. The recent success of films such as the Terrifier franchise and Smile has shown that there is a growing interest in gore films. This interest is not recent, as the gore film began in the mid-sixties, with the godfather of gore, Herschell Gordon Lewis, directing Blood Feast, a fringe hit that would bring gore to the forefront. That first success would be followed by others, each of them bloodier (The Wizard of Gore; The Gore Gore Girls) but gore would not reach mainstream cinema until the 1980s, with the rise of the slasher and its inventive murders. This new visibility would clash many times with the MPAA and feed the UK “video nasties” controversy. Magazines like Fangoria would be in charge of rescuing the gore scenes from the editing room floor, putting exploded heads on their covers.

However, gore was always frowned upon, a trashy resource to attract unsophisticated viewers. It is in our contemporary times that gore reached a novel point: mainstream recognition as another cinematographic tool to tell a story and appeal to the spectator’s sensorium. Today gore seems to have reached a certain degree of respectability.

However, it has not yet achieved critical recognition, with few studies on gore cinema within academic scholarship. This edited collection aims to begin to fill this gap by offering several chapters that conceptualize gore from different interdisciplinary perspectives, while offering close readings of gore films.

This collection will be divided into two main theoretical sections: the first will be focused to analyzing gore itself, centering on its aesthetics, its ethics, its relationship with the spectator, etc. The second section will be devoted to close readings of gore films of any period and nationality.

Contributions could include, but are not limited to, the following topics:

Section I:

  • Gore and aesthetics (including color, thickness, digital blood vs. practical blood, etc.)
  • Gore and humor
  • Gore and ethics
  • Gore and theology
  • Gore and spectatorship
  • Gore and art house sensibilities
  • Gore and the body
  • Gore on video vs. gore in cinema
  • Gore and horror film magazines

Section II:

  • American slashers
  • Auteur cinema
  • Gore in mainstream horror films
  • European gore films
  • Asian gore films
  • Herschell Gordon Lewis’s films.
  • Gore in classic films

We are open to works that focus on other topics as well. Prospective authors are well to contact the editor with any questions, including potential topics not listed above. Please submit a 300-500-word abstract of your proposed chapter contribution as a Word Doc (not PDF) with a brief bio (in the same document), current position, affiliation, and complete contact information to editors Kevin Wetmore and Fernando Gabriel Pagnoni Berns to goregorebook@yahoo.com by 28 February 2025. Full chapters of 5,000-6,000 words are likely due in October 2025. A renowned publisher has shown preliminary interest.

Please share this announcement with anyone you believe would be interested in contributing to this volume.

Note: Acceptance of a proposed abstract does not guarantee the acceptance of the full chapter

Fernando Gabriel Pagnoni Berns (PhD in Arts, PhD Candidate in History) works as Professor at the Universidad de Buenos Aires (UBA) – Facultad de Filosofía y Letras (Argentina)-. He teaches courses on international horror film. He is director of the research group on horror cinema “Grite” and has authored a book about Spanish horror TV series Historias para no Dormir (Universidad de Cádiz, 2020) and has edited books on Frankenstein bicentennial (Universidad de Buenos Aires), one on director James Wan (McFarland, 2021), the Italian giallo film (University of Mississippi Press, 2022), horror comics (Routledge, 2022) and Hammer horror films (Routledge, 2024). Currently editing a book on Baltic horror. He is Director of “Terror: Estudios Críticos” (Universidad de Cádiz, Spain), the first-ever horror studies series in Spain.

Kevin Wetmore (Ph.D., University of Pittsburgh) is a professor of Theatre Arts at Loyola Marymount University, teaching courses in horror cinema and horror theatre, among others. He also transforms his university library into a literary haunted house every October. He is a six-time Bram Stoker Award nominee, author of thirteen books including Eaters of the Dead: Myths and Realities of Cannibal Monsters (Reaktion, 2021) and Post-9/11 Horror in American Cinema (Continuum, 2012), and editor or co-editor of another nineteen volumes, including The Streaming of Hill House (McFarland, 2020), Theatre and the Macabre (University of Wales Press, 2022) and The Many Lives of the Purge (McFarland, 2024).

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Shadows Over Main Street

I shared over on my BlueSky account (link) my copy of Shadows Over Main Street.

I got my copy autographed by a handful of contributors at one of the StokerCon events: D. Alexander Ward, Stephanie M. Wytovich, James Chambers, Lucy A. Snyder, Josh Malerman, and Lisa Morton. Scroll through the gallery above to check them out.

Biblical Pepla Haul

On New Years Eve Michele and I visited our local Zia Records to do a little shopping of used music and movies. I walked away with way too much loot, but also procured three Biblical epics on Blu-ray.

The three movies were Samson and Delilah (Cecil B. DeMille, 1949), The Robe (Henry Koster, 1953), and its sequel, Demetrius and the Gladiators (Delmer Daves, 1954). Plucking up Demetrius and the Gladiators on Blu-ray was extremely fortuitous. Twilight Time, a now defunct boutique label, released the Blu-ray edition and it is way out of print and commands absurd prices on eBay (the same fate as with their Blu-ray release of The Egyptian [Michael Curtiz, 1954]). Note: I did a write up of the Twilight Time release of Messalina (Vittorio Cottafavi, 1960) which can be read here.

Ride the Stream Podcast Episode 01

Michele and Travis Lakata have started a vidcast together called Ride the Stream. They are currently going through each episode of the cult TV series Lost. The vidcast’s debut episode just got published. The episode can be watched on the Ride the Stream’s YouTube channel or via the embedded player below.

Ride the Stream can be followed on Bluesky.

Cowgirls and Synthesizers

One of my favorite electro-pop bands is Hyperbubble. I’ve been a super fan of theirs since buying a copy of Candy Apple Daydreams from A Different Drum way back in the late 2000s.

Hyperbubble put together a documentary about the making of their Western Ware album, and their exploration of country and cowgirl/boy (pop toy) aesthetics. The documentary is called Cowgirls and Synthesizers and more information about it can be found at the Hyperbubble website.

I am super chuffed to discover I am listed in the Thank You section in the credits!

Categories
News

News Roundup 2024-12-22

Personal / Website News

Review: Arzette: The Jewel of Faramore

One more article up here at the website before 2024 ends and I am going out talking to what I believe is the video game of the year: Arzette: The Jewel of Faramore.

I had pre-ordered this game from Limited Run thinking it would be a fun little CD-i Zelda curio, but it turned out to be a fantastic adventure/Metroidvania that I could not put the controller down (I beat the game across all difficulties in just a few days). I loved this game and I hope you check out my write up about it here.

Fan2Fan Podcast Appearances

The cool kids at the Fan2Fan Podcast have dropped two episodes that I am a guest on.

First there is the episode “Nick Diak Recommends“.

Nick Diak's Movie Recommendations Fan2Fan Podcast

And then there is an episode of me reminiscing about Scarecrow Video in Seattle back in the 2000s.

Scarecrow Video with Nick Diak Fan2Fan Podcast

These episodes can be streamed via the links above, or the embedded players, or through your favorite Podcast App. Check them out!

Sincere appreciation to the Fan2Fan crew for having me on their podcast.

Vilioti Noir

Sincerely chuffed to find myself name dropped in the new book Vilioti Noir: Interviews with the World’s Greatest Neo-Noir Creatives. What an honour!

The book is the brain child of Lady Medusa and Jimmy Vargas. I’ve reviewed Vargas’ fiction in an issue of Exotica Moderne, and I’ve reviewed Medusa/Vargas’ prior collaboration, Vilioti Vintage, right here at my website. Give it a read!

I don’t think Vilioti Noir is out in the wild for purchase yet, but when it is, it will probably be found at the Vilioti Press website.

Citation News

The New Peplum has been cited in Ronald Blankenborg’s essay “The Wide Canvas of human Drama: Fantasizing Antiquity Through Graphic Novel” in the open source/access journal Thersites.

The essay can be read here – check it out!

McFarland Holiday Sale

Did you miss out on McFarland’s Black Friday sale of 35% off books? Well, worry not for the publisher is still doing an online sale, though at 20% off instead of 35% off. Still a great deal! During check out, use code HOLIDAY24 to get 20% off your order.

If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:

If you want to support Michele, consider buying James Bond and Popular Culture and Horror in Space: Critical Essays (I have essays in both):

If you’re interested in another book that I have an essay in, consider The Many Lives of the Twilight Zone and Uncovering Stranger Things:

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2024.

Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.

Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.

Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.

Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.

“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #1″ reprinted in the National Capital Panthans Journal #331.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks. I shared a lot of autographed swag on Bluesky, so I’m going to reshare them here.

Forgotten Realms Campaign Boxset

Last year I shared the tale of how my Local Comic Book Store back in Federal Way had Jeff Grubb as a customer and did a meet-n-greet and signing event with him. I shared that Grubb has signed one of my Forgotten Realms modules, “Endless Armies”. That recap can be read here.

Grubb signed lots of other stuff from Michele and I. One of the other items he signed was my Forgotten Realms campaign boxset. Check that bad boy out! And I still have everything in it too!

Space Truckers DVD

Someone on Bluesky did a post that shared their adoration of the Stuart Gordon movie Space Truckers, which afforded me the perfect opportunity to share my autographed copy of the film.

I’ve shared my autographed copy of RobotJox before (link here), but I never talked about how we met Gordon (RIP). He was a guest at a Monsterpalooza event in the LA Area, and here is a picture of all of us. He will be missed!

Cherry 2000 DVD

The 80s gave us lots of cyberpunk films, from Bladerunner to Akira to Max Headroom. Cherry 2000 is, I feel, a forgotten film of 80s cyberpunk. I have a copy of the DVD signed by cult actor Tim Thomerson and Connie Woods.

Connie Woods was in an episode of the original run of Twin Peaks. I met her at Twin Peaks reunion at a Hollywood Collector’s show where she signed my DVD:

Italian Sexy Comedy

A book from the collection, here is Italian Sexy Comedy. This book is 99% pictures from Italian sex-comedy films, so stockings everywhere. I love it.

But, I also love it in that its shore foreword is pretty informative in talking about how Italian horror films faved the way for the sex comedies. This actually become a big point in my masters thesis back in the day.

My book is also signed by starlet Barbara Bouchet!

Victoria Vetri Autographs

A couple months ago I sent off my Blu-ray sleeves of When Dinosaurs Ruled the Earth and Kings of the Sun to Hammer Glamour lady Victoria Vetri, and I just got them back. Check them out!

And:

Since one film is a spear and fang movie and the other a Mesoamerican Historic Epic, Michele and I will probably wind up talking about them on a vidcast next year.

The Children of Gla’aki

Finally, one more sharing of autographed loot from the archives, is my copy of The Children of Gla’aki.

My copy is signed by the legendary Ramsey Campbell:

And the prolific Tim Waggoner:

If folks recall, Michele and I rebooted the HP Lovecast Podcast talking about stories from this book. That episode can be streamed at this link, the embedded player below, or through your podcast app of preference.

Ep 26 – The Children of Gla'aki H. P. Lovecast Podcast

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