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Comics

The Prehistoric Purge: Vanya 07

The Story So Far

Vanya, Serah, Niya, and Guy are four soldiers from the future trapped in the prehistoric past, surviving against dinosaurs, savage humanoids, and the Torridians, a race of warrior aliens hellbent on conquering humanity. Their adventures have taken them across the jungle primeval, and they are eventually captured by the Bone Tribe, a cult of barbarians that Niya was a part of, who engage in sexual rituals in order to hatch a Torridian Dragon. The Bone Tribe outfit Serah and Guy with cranial implants that link them to a network shared by the cybernetic dinosaurs unleashed by the Torridians. The four eventually make their escape from the Bone Tribe and part different ways: Vanya and Serah trek to one of humanity’s outposts while Niya and Guy attempt to hide the Torridian Dragon Eggs they absconded with. 

Cover shows Vanya holding a long spear. There is an erupting volcano and Dino bones at her feet. It is night time with a full moon and silhouettes of pterodactyls flying about.
Vanya #7 cover done by Sean Joyce. Image from the Bad Bug website.

Issue 07 Plot

Looks can the deceiving as it turns out the war being raged by the Torridians is not going well. There is a plague that has decimated the Torridian numbers, pushing General Tora into making a hasty decision to press on the attack, bolstered by their cybernetically outfitted dinosaurs.

At Terran Base Alpha, Serah, still receiving visions from her implant due to it being connected to a network of dinosaurs and savages, recovers in an infirmary. The alien Relo Quarr, a combat strategist, informs Vanya about the Torridian plague and the Torridian Dragons.

The Witch is leading three saber-toothed tigers. She has a skirt but is topless. Her eyes are covered in dark makeup that flows down, like the comic book character Dawn.
The Witch of the Bone Tribe.

Niya and Guy are apprehended by Elah and the Astral Guard who also have an interest in the Torridian Dragon eggs. Their efforts to retrieve the eggs that Niya had hidden are thwarted by the Witch of the Bone Tribe, who seeks to fulfill a prophecy that will allow her to ascend to becoming a powerful queen while an intergalactic war rages about. 

Commentary

The transition from issue six to issue seven of Vanya is jarring to say the least as there are multiple jump cuts in the plot. 

The first huge leap is the Torridian plague that has, as one of General Tora’s subordinates states, reduced their attacking force to a third of its size. All the prior issues of Vanya have shown the Torridians decimating the humans, and out of the blue, one page into issue seven, it turns out the Torridians are actually the ones being wiped out. It is a War of the Worlds type situation going on. It is not unwelcomed in the narrative at all, it just so suddenly pops up into the narrative. 

The second leap involves Vanya and Serah who are at a titanic military base called Terran Base Alpha. In the prior issue, the last panel that featured Vanya and Serah show them walking through the jungle, passing by a giant alligator snapping the neck of a dinosaur, as they make their way to Outpost Nine. Issue seven fast forwards to Serah in an infirmary, with Vanya chatting with the newly introduced Quarr. It feels like there is a bit of retconning going on (Outpost Nine to Terran Base Alpha) and that a chunk of story is missing. Even if the rest of Vanya and Serah’s journey to the outpost was uneventful, there is a transition that feels missing.

Once readers can get their bearings straight on both of those narrative threads, issue seven begins to make the bigger picture of the Vanya comic as a whole much more cohesive. Motivations are made more overt on why characters are doing what they are doing, but also in the process, using the prophecy of the Witch from the Bone Tribe sets it up so that all the major players of the comic (Vanya and company, the Astral Guard, the Torridians, the Bone Tribe members, and so on) can begin to converge. The Vanya series started with a fun, albeit shotgun approach of tossing all these genre ingredients (time travel, space travel, dinosaurs, jungle women, robots, lots of sexploitation, etc.) into the story cauldron. Issue seven is doing the heavy lifting at glueing everything together. 

As predicted in issue six, the Astral Guard are just bluster. Elah tries to project an aura of superiority over the captured Niya and Guy, but in her over confidence she is easily fooled. She and her Astral Guard (which are supposed to be the best of the best of the best, the very same elite school of soldiers Vanya was training to be) are led right into an exploding trap while looking for the Torridian Dragon eggs. The explosive trap that Niya placed in the prior issue going off does raise an eyebrow as Niya is also hurt in the process. Did she forget about the trap? Did she try to lead the Astral Guard to the trap so she and Guy could escape, and she underestimated its blast radius? Did the Bone Tribe Witch move the explosive, which is why everyone got hurt by it? Regardless, the high-tech Astral Guard, who are escorting two prisoners who they deem as deserters and probably untrustworthy, who *should* be hyperaware of everything around them in the hostile, primitive world, are easily dispatched by Niya’s (the Witch’s) trap. If it was not for the aforementioned plague, the Torridans could have laid waste to humanity as the Astral Guard have been lackluster at responding to their force. 

The Bone Tribe Witch coming back as a major antagonist is a delight. She appears much more formidable, scheming, and that she has it together – composed. She has a trio of sabretooth tigers with her that are under her control, which does introduce an interesting alternative perspective to prior events in the story. Back in issue two there is a sabretooth tiger stalking Vanya and company, who reappears with companions in issue five and attacks the Bone Tribe, providing a deus ex machina for Vanya to escape. This initial take away may not actually have been the case. Instead, it could have been the Bone Tribe Witch from the beginning, using her network of sabretooth tigers to monitor the world (and thus end up keeping tabs on Vanya), and it was not a stalking cat that chose to attack the Bone Tribe in its pursuit of Vanya, but that it was actually at the bidding of the Bone Tribe Witch to usurp the Bone King. If this turns out to be the case, that is a major bravo reveal. And if not, well, The Bone Tribe Witch is still a commanding character, much more so than Elah or General Tora. 

Relo Quarr talks to Vanya. Relo has long black hair and grey skin. He looks like an elf with extremely knife-sharp features.
Relo Quarr and Vanya.

Finally, issue seven does introduce a new character, the alien Relo Quarr. Previously the interstellar conflict seemed to be humans vs. the Torridians, but Quarr mentions the Galactic Alliance, which places the Vanya series more in a Star Trek Federation vs. Klingons type setup. Quarr himself looks like a combination of a Lord of the Rings elf and a Turian from the Mass Effect series of games. In other words, he looks pretty cool. But not nearly as cool as the final panel of the issue that finally reveals a Torridian Dragon that looks straight up like a sinister Balrog from LOTR

Covers and Swag Impressions

The Kickstarter for issue seven of Vanya was concluded in April of 2024, with physical orders shipping in October later that year. Cover-wise, there are eleven different covers, some only obtainable as an add on. The covers all have a mix-mash of non-nude covers, topless-only, all nude, holofoil, and metal variants. All told there are thirty different cover incarnations.

Sean Joyce returns from issue six to do the standard cover for issue seven, bringing his sword and sorcery style with him. There is a gothic quality to Joyce’s cover, as Vanya stands, spear in hand, against the night sky, with a full moon and silhouettes of pterodactyls fly about. Replace the volcano with a castle and the flying reptiles with bats, and this cover oozes gothic sentiments.

Vanya is bathing in a waterfall on a bright blue sky day. There are tropical trees on the horizon along with some flying pterodactyls.
Personal copy of Vanya #7 cover done by Aleriia V.

The best cover of issue seven goes to Aleriia V who depicts the most vibrant Vanya yet. V’s Vanya goes all in on the jungle girl cheesecake style but executes them in a way that gives the cover art an oil painting-like quality. The cover shows Vanya bathing in a waterfall and makes it a great companion piece to the Bruno Sousa / Tommy Shelton cover for issue three which also shows a bathing Vanya.

Two cosplay prints. Both Show Alaina Rose Lee with dark red hair and holding a spear, walking about large boulders.
Cosplay prints of Alaina Rose Lee as Vanya.

Vanya issue seven is the first time the series has branched out and done cosplay covers, with pinup model Alaina Rose Lee gracing a set of four covers available as an add-on set [NOTE: Alaina Rose Lee was featured in the inaugural issue of Bachelor Pad’s “Nylon Nightcap” series. My write up about that issue can be read here]. Other pictures from the Alaina/Vanya photoshoot became prints as part of the issue’s Kickstarter swag. 

Tarot Card shows Vanya swinging on a vine, escaping from a T-rex. The card is "The Hanged Man". The Xenoguest advert shows a woman wearing black leather booths, top and jacket, with neon green lights around her, forming bracelets and a sword. It's like green cyberpunk.
Vanya Tarot Card and Xenogeist advert.

The final bit of swag for issue seven (unless one contributed over $50 in which they also received a sticker set) is an advert for Bad Bug’s Xenogeist series and a Vanya tarot card. These tarot cards have been neat to receive, and hopefully Bad Bug makes an actual tarot deck available in the future. The tarot card for this issue is for The Hanged Man. It shows Vanya swinging on a vine, with a blue-scaled tyrannosaur behind here, and an exploding volcano in the distance. The art on this card does match the name of the card, with Vanya hanging from a vine (the Rider-Waite shows a man hanging upside down from a tree). 

Conclusion

Despite having to orient oneself with some jarring jump cuts between issue six and this one, issue seven is a quintessential issue in the Vanya story. The introduction of the Torridian plague, the reveal of the Torridian Dragon, and the arrival of a competent villain (the Bone Tribe Witch) and beefer human allies (Quarr), it looks that the Vanya series is trying to rebalance itself. This is going to become critical because future issues are going to have to juggle a huge conflict with lots of moving pieces if the Witch’s prophecy comes to fruition. It is going to be exciting. 


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug:

Categories
News

News Roundup 2025-07-13

Personal / Website News

Vanya Issue Five and Issue Six Reviews

Three articles completed and published in three consecutive weeks at my website? I might be on a roll and getting out of the writing/editing rut!

Riding on my review of Vanya #04, since my last News Roundup I’ve penned two more reviews of the Vanya series.

Vanya is crouched on a cave ground holding a 2-tipped spear. Behind here, from the shadows, emerges the face of a giant sabertooth cat. Vanya is framed between the cat's two large front teeth.
Standard cover for issue five of Vanya done by Zoran Jovicic and Antonio Wong. Image from the Bad Bug website.

First there is my review of issue five which can be read right here.

Vanya stands atop a cliff edge, holding a bow and arrow. Behind her two pterodactyls fly, with a cloudy sky lit but a setting sun. There is also a green dinosaur that kinda looks like a T-rex, but it has two bumps atop its head.
Standard cover of Vanya #6 by Sean Joyce. Image from Bad Bug website.

And next is my review of Vanya issue six which can be read here. I’m two issues away from being caught up on the currently published issue of Vanya (which is issue eight of the twelve issue series).

Double excited (along with this outburst of getting writing done) that my reviews of Vanya are starting to be reprinted! See next section.

Panthans Journal #338

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of issue one of the adult/neo-jungle girl series Vanya: The Lost Warrior. Of course my review can also be read at my website here.

Panthans Journal #338. Cover is by Mark Wheatley. It shows Dejah Thoris riding atop a mountain against a red martian landscape with a domed building in the background.
Panthans Journal #338

Paraphrased from the zine: The National Capital Panthans Journal is a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Sincere appreciation to Laurence for the opportunity to have my work published in the journal.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing there with the 7th U.S. Cavalry in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is the flyer for the 2025 event:

The flyer shows desert mountains with three insert images: one of a young Edgar Rice Burroughs in 1896, one of the author Jeffrey J. Mariotte (who is the guest of honour), and one of the Willcox train depot in the 1880s. The flyer reads was follows: Edgar Rice Burroughs ERB Inc.'s Commemoration of ERB's 150th Birthday! 7th Cavalry Historical Monument Celebration Willcox, AZ, September 25-28, 2025. Formal Dedication on September 27th, 2025. Sponsored by the Suplher Springs Valley Historical Society and the Arizona Apache Deveils Chapter of the Burroughs Bibliophiles.
Flyer for the Edgar Rice Burroughs Circle of Friendship (ECOF) Gathering in Willcox, AZ 2025.

Here is the press release:

RENOWNED AUTHOR EDGAR RICE BURROUGHS’ CAVALRY SERVICE TO BE MEMORIALIZED IN WILLCOX, AZ

“Tarzan” Creator and Pop Culture’s Influential “Grandfather of Science Fiction and Fantasy” Commemorated for His 150th Birthday.

WILLCOX, AZ – The renowned “Master of Adventure” Edgar Rice Burroughs started his adult life as a cavalryman at Arizona’s Fort Grant in May of 1896. This September, as part of the late author’s 150th birthday celebration, his cavalry service will be memorialized with a monument at the restored Southern Pacific train depot in Willcox, where he arrived on his way to Fort Grant (35 miles north).

The influential creator of Tarzan of the Apes, John Carter of Mars, and The Land That Time Forgot series of stories wrote in his “Autobiography” that he specifically requested “to be sent to the worst post in the United States” and was then promptly assigned to Fort Grant in Arizona Territory, where his troop would spend some time hunting after the Apache Kid and other outlaws.

Many believe that Burroughs’ initial stay in Arizona influenced his first Martian story, Under the Moons of Mars, which begins with the first chapter titled “On the Arizona Hills.” The John Carter Martian stories would go on to influence generations of science fiction and fantasy books and movies, and would inspire many young people to become scientists, engineers, and astronauts. He would later author the books The War Chiefand Apache Devil, both set in Arizona during the Apache Wars of the 1860s – 1880s.

This Willcox Edgar Rice Burroughs Chain of Friendship (ECOF) Gathering will take place from September 25 to 28, 2025, with the 7th Cavalry Historical Monument formal dedication ceremony on Saturday, September 27th from 10:00 AM – 12:00 Noon near the historic Southern Pacific Railroad Depot.

The monument dedication at the Willcox train depot will include guest speakers and participation of local Buffalo Soldier reenactors. All other convention events will take place at the Elks Lodge #2131 in Willcox, and will include discussion panels, a “huckster” (vendor) room, Guest of Honor and speaker Jeffrey J. Mariotte (author of Tarzan and the Forest of Stone), Edgar Rice Burroughs, Inc. speakers, a Saturday night banquet/ dinner, a Tarzan movie screening, and other surprises.

These events are sponsored by the Sulphur Springs Valley Historical Society and the Apache Devils chapter of The Burroughs Bibliophiles. The celebration is open to the public for free (except for the dinner and movie), but full attendees can register for a fee that covers a goodie bag, a huckster table, and the Saturday dinner.

This is a must-attend event for fans of Edgar Rice Burroughs and pop-culture historians alike. If you’d like to visit the place where it all began, don’t miss this very special celebration. (Note that some convention activities will require full event registration – the registration form is provided separately.)

The Holiday Inn Express & Suites Willcox is offering a special daily room rate of $119 plus taxes for the nights of 25 to 27 September for attendees. The group name is “ECOF.” You can make reservations at this rate by calling the hotel at (520) 384-3333; rooms are limited. The address is 1251 N. Virginia Ave, Willcox, AZ 85643.

If you would like more information about the 2025 ECOF event, please call Frank Puncer at 520.281.1818, or email him at fwpuncer at gmail dot com.

Here is the registration from:

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. I’ll be doing a presentation on Tarzan as a Maciste-like peplum character in Tarzan and the Lost Empire. Hope to see yall there!

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Cover art of the Panthans Journal #332. It depicts a woman and a man with a hawk head, hunkered in a hole, firing laser pistols. The art is by Mark Wheatley.
Panthans Journal #332

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

A continuation of the cover of #332. This cover shows the woman and the hawk man, defensively shooting laser pilots out of a hole in the ground, wile savage barbarians with bows and axes descend upon them. The art is by Mark Wheatley.
Panthans Journal #333

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

Cover art of Panthans Journal #335, done by Mark Wheatley. It shows Tarzan leaping from a tree branch. All the colors are very dark blue, so it might be night time in the jungle.
Panthans Journal #335

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

Panthans Journal #338. Cover is by Mark Wheatley. It shows Dejah Thoris riding atop a mountain against a red martian landscape with a domed building in the background.
Panthans Journal #338

“She’s Got the Killer Instinct: Vanya Issue 01” reprinted in the National Capital Panthans Journal #338.

Original can be read here.

Cover art for "Merry Creepsmas - The Red Book". It is red with a large X-mas tree that appears to have small, globby bodies as ornaments. The cover reads: Wicked Shadow Press Merry Creepsmas: The Red Book Christmas-Themed Horror Stories Edited by Parth Sarathi Chakraborty
Merry Creepsmas – The Red Book

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

Cover art for the Burroughs Bulletin #109 by Dan Parsons. The top says "The Burroughs Bulletin New Series #109 Fall-Winter 2024". The art shows a T-rex chomping on a dude in a striped shirt. Below him are explorers with rifles. Behind him his a prehistoric sky, jungle, and a waterfall.
Burroughs Bulletin #109

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path or I am sharing on behalf of my colleagues. Links to these will also be in the CFP page on the navigation bar.

Peter Straub: New Critical Perspectives

In his introduction to John C. Tibbetts’s The Gothic Worlds of Peter Straub (2016)—the only academic, book-length study of Straub’s fiction currently in print—Gary K. Wolfe argues that “[p]erhaps more than any author of his generation—Stephen King included—Straub extended the literary possibilities of horror fiction.” Despite Peter Straub’s legacy as a leading figure in late twentieth- and early twenty-first-century horror fiction, and his influence on dark fiction writers ranging from Caitlín R. Kiernan to Stephen Graham Jones, there is currently a scarcity of scholarship on his oeuvre. Since his passing in September 2022, Straub’s work has seen increased attention. Penguin Random House is rereleasing most of his books in 2025 and Subterranean Press is scheduled to publish his unfinished final novel, Wreckage, later this year. Stephen King, who co-authored The Talisman (1984) and Black House (2001) with Straub, recently announced that he has completed the final instalment in their collaborative trilogy, and in 2022, Emma Straub published This Time Tomorrow, a celebrated novel about her father.

Mike Thorn is collaborating with the University Press of Mississippi to publish Peter Straub: New Critical Perspectives, which will offer the first multiple-authored academic anthology on Peter Straub. This volume will provide an array of critical perspectives on Straub’s robust body of work, addressing the author’s place in the Gothic and Weird traditions and examining his thematic fixations, including national and individual traumas; abusive mentors and authority figures; supernatural manifestations of material misdeeds; America’s mythologizing of serial killers; the fraught distinctions between “literary” and “commercial” fiction; the vexing instability of assumed “truths” and “realities”; and the infinitely complex nature of narrative as such—its formal malleability, its capacity for phenomenological and ontological rupture, its social functions, and its potentials and dangers. The collection will address Straub’s previously understudied pre-Gothic poetry and novels, Marriages and Under Venus, as well as his popularly celebrated and award-winning novels (including Ghost Story,Floating Dragon, and Koko), his collaborations with Stephen King (The Talisman and Black House) and his short stories and critical essays. The book will be geared towards a broad readership—from undergraduate and graduate university students, to interested general readers, to scholars and researchers seeking original insights into Straub, the American Gothic, and horror fiction writ large.

Mike Thorn seeks proposals of 200-250 words for essays (5000-7000 words) on or related to the topics listed below. He is especially interested in essays addressing multiple Straub-authored novels and stories, and in analyses of under-studied works, such as Straub’s poetry collections; MarriagesUnder VenusIf You Could See Me NowMr. X; and In the Night Room. He might consider close readings of individual novels or stories in some cases, but he will give preference to proposals referencing multiple texts. Submit abstract submissions and queries to mikethorn@live.com.

Chapter Topics

Pre-Gothic Straub: On the Poetry and Early Literary Novels: Proposals should address Marriages and Under Venus; they might also draw on Straub’s poetry collections.

The Early American Gothic Sequence: Proposals should address JuliaIf You Could See Me Now, and Ghost Story.

Narrative Unreliability and Genre-Slipperiness: On Straub’s “Blue Rose” Novels: Proposals should address KokoMystery, and The Throat; they might also consider The Juniper Tree and Other Blue Rose Stories.

Straub Gets Weird: On Straub’s Engagements with H. P. Lovecraft and the Weird Tradition: Proposals should address the novels Mr. X and Floating Dragon. They might also consider A Dark MatterThe Talisman, or other novels or stories deemed Weird or Weird-adjacent.

American Serial Killer Mythologies: Proposals should address The Hellfire Club and A Special Place. They might also consider other novels or short stories depicting serial killers, including the “Blue Rose” novels (KokoMystery, and The Throat), Black HouseMr. X, “A Short Guide to the City” and “Bunny is Good Bread.”

The Metafictional Straub: Intertextuality and Narrative Self-Reflection: Proposals should address lost boy lost girl and In the Night Room. They might also address the preceding Timothy Underhill “Blue Rose” novels (KokoMystery, and The Throat) and other metafictional works, such as The Buffalo Hunter and The Hellfire Club.

Straub’s Short Fiction: Proposals should address at least one story or novella from each of the following collections: Houses Without DoorsMagic TerrorInterior Darkness.

Writers and Writing in Straub’s Fiction: Proposals should address The Hellfire Club and at least one of the Timothy Underhill novels (KokoMysteryThe Throatlost boy lost girl, and In the Night Room). They might also consider Ghost Story or other novels and stories representing writers and writing, including “The Juniper Tree” and “The Geezers.”

Gothic Trauma: Proposals should explore depictions of individual and collective trauma in Peter Straub’s fiction. They might address personal traumas in stories and novels like “The Juniper Tree”, “Bunny is Good Bread”, JuliaIf You Could See Me NowGhost StoryUnder VenusThe Hellfire Club,and A Dark Matter, and/or representations of PTSD and the Vietnam war in KokoThe Throat, and “The Ghost Village.”

Nonfictional Straub: Critical Commentary and Curations: Proposals should consider some of the author’s essays and introductions compiled in SidesConjunctionsPoe’s Children, “Beyond the Veil of Vision: Peter Straub and Anthony Discenza”, and American Fantastic Tales.

Straub’s Literary Legacy and Influence: Proposals should place Straub’s work in conversation with his literary ancestors. Proposals should examine one or more of Straub’s novels or stories in tandem with one or more works by Kelly Link, Caitlín R. Kiernan, Elizabeth Hand, Stephen Graham Jones, Brian Evenson, or another high-profile fiction writer who has publicly cited Straub’s influence.

Preliminary Publication timeline

Deadline for proposals: November 30, 2025
Deadline for papers: January 1, 2027
Editor feedback: March 1, 2027
Deadline for final, revised papers: July 1, 2027
Manuscript submitted to University Press of Mississippi: September 1, 2027
Tentatively scheduled publication date: September 2028

Editor Biography

Mike Thorn, PhD, is the author of Shelter for the DamnedDarkest Hours, and Peel Back and See. His scholarship has been published or is forthcoming in American Gothic StudiesThe Oxford Handbook of Shirley JacksonThe Weird: A CompanionAmerican Twilight: The Cinema of Tobe HooperThinking Horror: A Journal of Horror Philosophy, and elsewhere. He co-hosts the writing-themed Craftwork podcast with Miriam Richer.

Miscellaneous Tidbits

Some fun things I shared online from these past few weeks. Highlighting things from my personal collection of pop culture artifacts. Or artifacts I’m digging out of the archive. Just, general cool or unique things to show off.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Venus Die-Trap

This is a hot off the press movie release. Venus Die-Trap (great name, and great movie art) was crowdfunded via Indiegogo last year I believe.

Blu-ray of Venus Die-Trap. In gold ink it is signed "Bobby Canipe Jr.". The artwork is pretty cool - it shows a giant venus flytrap, and it's got spider-like pant appendages, and it has a woman in a plant tentacle that is about to eat.
Personal copy of Venus Die-Trap signed by Bobby Canipe Jr.

I put some monies toward the campaign because the film is partially scored by Philippe Gerber, the mastermind of John 3:16 and also the composer of the H. P. Lovecast Podcast Theme (which can be found at Bandcamp). Congrats to Philippe for being part of the score, that it awesome!

Venue Die-Trap was published by SRS Media, but they don’t seem to have a product page for it yet. Here is the link to the Indiegogo campaign, which may allow purchases of copies. Check it out!

The Return of the Living Dead

July 3rd, 1984, 5:30 pm EST – the opening time stamp of The Return of the Living Dead, one of the most famous and influential zombie films out there. So, of course, when July 3rd rolls around, social media is aflutter with screen caps to celebrate the movie.

DVD of The Return of the Living Dead. Next to it is the slipcase. The slipcase glows in the dark. Both DVD and slip case show a dark, green-lit cemetery, but the DVD has zombies coming out from the ground. The DVD is signed in blue ink "Nick - you are terrific! Clu Gulager, 2012"
Personal copy of the glow in the dark collector’s edition of The Return of the Living Dead autographed by Clu Gulager.

But, I want to do one better. Here is my DVD version of The Return of the Living Dead, that has a Glow in the Dark paper slipcase (check out that Best Buy sticker still on it after all these years), and autographed by cult film actor icon Clu Gulagar, who I got to meet as a Monsterpalooza event way back in 2021. Punk as fuck

And, as a reminder, do check out my autographed copy of The Return of the Living Dead Part 2 which I shared back in April.

Armageddon Dildos Autograph Collection

Back in the late 2000s one of my favorite bands, Armageddon Dildos, did a small tour in America with other industrial act Inertia. Their show was in Seattle, in the middle of the week, and it was fairly empty. I was kinda saddened to see that, but still super grateful a handful of other fans showed up to rock out.

  • Cover is a photo tinted blue. It shows the two band members sitting on the ground. Above them is a picture showing three blow up dolls.
  • Back of the lyrics insert. In black ink it is signed "Rex Dildo" and "Uwe" with a *.
  • Jewel Case, but no booklet insert - the black tray and CD are visible.
  • Back of the tray insert. It is grey scale and shows a picture of the WB logo in a garden. Says "Promotion only - not for sale". Signed by Rex Dildo and Ulf "Greetings from German's fan"
  • Single for "Come Armageddon" which is just a cover of "Everyday is like Sunday". The case is a weird snap case - kinda like the original wave of DVD cases that were snap cardboard. The cover is a blue flower on a yellow background.
  • Normal CD case for the EP "Fear". There isn't much on the cover - there might be a super close up of a face? Not sure. But in red and vertically it says "Armageddon Dildos" and in orange horizontally it says "Fear".
  • CD insert for "Fear". It's spread open to show two pages, each page is a photo from the band performing live. Each page is signed, one by "Rex Dildo" and the other by "Ulf".
  • Cover is blurry - it is a profile of a person with a cord coming from their back. Sorta like Neo waking up from the matrix. In black ink it is signed "Rex Dildo" and "Ulf".
  • Cover art is blue tinted, so mostly blue and black. It shows the side of a stone house, with a big window and a lens flare coming from the window. There are leafless tress on either side of the house. There doesn't look to be a roof.
  • Booklet shows Uwe K. and Malin standing in an empty white room save for a glass door behind them. In black ink it is signed "Rex Dildo" and "Ulf".
  • Cardboard clipcase packaging. Shows both band members, but blurred as if they are shifting left and right. In silver pen it is signed "All the best, Uwe Kanka".

I brought a stack of inserts and CD booklets for the bands to sign, and they did! There was a pinball machine in the venue they used as a table and Uwe Kanka and Ulf Häusgen signed all my stuff. I was so excited! During the show, Kanka jumped off the stage to mingle with the audience and I got a big hug.

I’ve been sharing my autographed treasures on Reddit and BluSky this past week, but see above gallery, click through it to see all the autographed music I got from that concert.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Fan2Fan Episodes

Bernie and Pete have some new episodes of their Fan2Fan podcast online.

First up is the second part of their interview with horror host Dr. Gangrene:

Horror Movies & Mad Science with Dr. Gangrene Part 2 Fan2Fan Podcast

And then their is their part one talking about horror movies hosts in general:

Horror Hosts and American Scary Part 1 Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

Categories
Comics

All E.T.’s Aren’t Nice: Vanya 06

The Story So Far

Vanya and Serah are two Time Guards trapped in the prehistoric past, surviving against dinosaurs, savage humanoids, and the Torridians, a race of warrior aliens hellbent on conquering humanity. While on a mission to retrieve a supply cache, the duo, along with a soldier named Guy, are captured by Niya, another Time Guard and a member of the Bone Tribe. They are made to partake in a ritual to summon a Torridian Dragon. Elsewhere the Torridians begin their bombardment of human outposts in the jungle primeval. 

Vanya stands atop a cliff edge, holding a bow and arrow. Behind her two pterodactyls fly, with a cloudy sky lit but a setting sun. There is also a green dinosaur that kinda looks like a T-rex, but it has two bumps atop its head.
Standard cover of Vanya #6 by Sean Joyce. Image from Bad Bug website.

Issue 06 Plot

Having escaped both the Bone Tribe and the family of saber-tooth tigers, Vanya, Serah, and Guy find themselves in an uneasy truce with Niya. Serah begins to have visions of the Torridian Dragon calling out to her. Serah, Guy, and Niya share a brain-connection due to the implanted chips in their temples (Vanya was not outfitted with one during their encounter with the Bone Tribe). The group decide to split up: Guy and Niya to hide the Torridian Dragon eggs they absconded with while Serah and Vanya follow a river to Outpost Nine that is purported to be heavily fortified. 

Panel showing Niya and Vanya confirming their uneasy truce. "We are on the same side" "For now."
Niya and Vanya.

Meanwhile Geneal Tora of the Torridians decide to free the captive humans, which include Captain Jax and Lucas, who are made to leave Base T and cross a field. However, their freedom is a ruse for all the humans are dispatched by a pack of raptors outfitted with saw blade arms, spiked grappling hooks, flamethrowers, and razor-sharp spider-esque legs. 

The ill-fated soldiers are not the only ones to encounter cybernetically enhanced dinosaurs as Vanya and Serah are attacked by a Plesiosaur that has a blaster mounted on its tail. While Vanya and Serah are dealing with their unexpected encounter, Niya and Guy cross paths with a new faction making their presence known.

Commentary

Two words: Robo Dinosaurs. Briefly introduced in issue five (when the Bone King throws a robotic raptor head at Vanya’s feet, and the final panel showing General Tora looking at a cybernetic T-Rex), issue six of Vanya is all about capitalizing on the robotic dinosaurs and how they truly ruthless they are. Reed’s death in issue three when he was chomped in half by a T-rex has nothing on a raptor with buzzsaw arms decapitating human soldiers. The scene the modified raptors appear in is an homage to/recreation of the raptor/tall grass scene from The Lost World: Jurassic Park (1997). It is as if Vanya asked the question “how can we top that scene from the second Jurassic Park movie?” and they went all in for it. 

Panel from issue 6. It should a group of soldiers in the middle of tall grass, being circled around by robot raptors.
Robo Raptors in the tall grass in Vanya #6.
Frame from the Lost World Jurassic Park movie. It shows a party of folks, at night, walking through tall grass, while the outlines of Raptors converge on them.
The Lost World: Jurassic Park tall grass/raptor scene.

The robot-dinosaur extravaganza continues when Vanya and Serah encounter a Plesiosaur while they are fishing. Vanya charges at the dinosaur, slicing its gun-tail off, before being dragged underwater due to her embedding her knife in its hide. Vanya does not do the killing blow on the Plesiosaur as a non-robotic Spinosaurus shows up and chomps its head off, showing a trail of blood but also mechanical components. It is an interesting scene in that a natural dinosaur is able to dispatch the cybernetically enhanced dinosaur, and rather easily at that. One of the core themes of Vanya has been the traditional fight of man vs. nature (and now trickling in some man vs. machine), but here is a sequence of nature vs. machine. Giving a long enough time, nature will always win.

The mysterious Astral Guard mark their formal appearance on the final page, possibility catching Guy and Niya in the act of hiding the Torridian Dragon eggs. Emerging from a purple portal, a squadron of armored soldiers pour through, wielding rifles, demanding Niya and Guy’s surrender. It is just bluster? The Astral Guard are supposed to be the best of the best, it is what the Time Guards eventually ascend to after completing their training in the prehistoric past. They are the ones, per the opening crawl back in issue one, who are supposed to lead and safeguard humanity. However, the Torridians dominating the war front against the humans, sending them in a retreat to the past, and Elah’s ineffectual response to the alien threat in issue five convey that the Astral Guard may not be as powerful as they project themselves to be. There’s plenty of Robo Dinosaurs waiting for them to prove their mettle against. 

The Astral Guard are not the only ones with a public image crisis to overcome, but General Tora herself is already showing cracks in how she operates. Extremely cruel (as demonstrated by freeing the humans into the raptor field), Tora is also coming across as arrogant but also prideful as she is dismissive of keeping her emperor abreast of her invasion. She’s akin to Grand Moff Tarkin in Star Wars and her attitude will probably lead to her to underestimate Vanya and the other humans (when they finally cross paths). 

Covers and Swag Impressions

From the Kickstarter campaign page for Vanya #06, which concluded August 2023, there looks to be a total of nine different covers for the issue, which each cover being available in non-nude and nude versions, with each of those breaking down in normal, holofoil, and metal editions, for a grand total of fifty-four different covers. 

Vanya, standing atop a tree branch that is covered in moss and flowers. She steadies herself by holding a vine. In her right hand is a spear with a stone head covered in blood.
Personal copy of Vanya #6 with nude cover by Alex Monik.

The best cover of the issue six bunch goes to Alex Monik. This is a fantastic cover that depicts and incredible Vanya and an equally incredible jungle scene. The tree branches that Vanya walks across are covered in grass and flowers, with vines hanging underneath. It is this great detail that really sells the fantastique nature of the jungle adventure genre. Vanya proper still looks attractive, but she is covered in tiny scars and smudges of dirt. This iteration of Vanya moves away from the cheesecake approach (but still retains aspects of it) and goes into a more realistic interpretation of a warrior woman who has had to survive in the primeval for months. Her giant, blooded stone-tipped spear brings forth the spear and fang genre trappings. Overall, this cover has a store to tell in one image, and it does it well.

Recognition needs to go to Sean Joyce, the artist behind the standard cover of Vanya #06 (see top of article). Joyce is an old guard artist whose done artwork for classic genre icons such as Conan the Barbarian. Joyce’s cover, with its mutated, painted style, recalls the old days of TTRPG cover art, the poster art for One Million Years B.C. (1966), and even a little of the trading cards/comic series of Dinosaurs Attack!. Joyce is a master of classic fantasy art and their cover art for this issue of Vanya demonstrates this.

The four trading cards have blue borders. They show a raptor, brontosaurus, stegosaur, and spineysaur outfitted in cybernetics. The tarot card, for Temperance, shows Vanya sitting atop a log, witting the top of a Dino skull with a knife.
Four Robosaur trading cards by Vascio Giaochini and a Tarot Card by Gus Mauk.

As far as swag, issue six of Vanya has a set of four Robosaur trading cards and a new Tarot card. The Robosaur art is done by Vasco Gioachini and each card dhows a different dinosaur outfitted with robotic attachments. These dinos would make great enemies in a Turok game. The Tarot card is for Major Arcana Temperance card and is illustrated by Gus Mauk. The card depicts Vanya playing with a dagger atop a dino skull. Theme and action-wise, the art on the Vanya Temperance card is not in the same realm as a traditional Temperance card (a woman pouring liquid from one container into another), so its derived meaning is going to be open to some interesting interpretations. 

Conclusion

With issue six, Vanya looks to finally have placed all its playing pieces on the game board: Vanya and company, the Torridians, the Astral Guard, and of course, the Robo Dinosaurs. The comic also seems to have found a better balance of sex scenes, action sequences, and exposition panels. The comic needs to be able to juggle these three pillars, especially as it is trying to tell the story of time travelling jungle women fighting aliens and robot dinosaurs. It is high concept, and perhaps a little over the top, but Vanya has found its footing to sell its setup. Come for the premise, but stay for the actual intrigue as Vanya navigates both intergalactic and temporal adversaries, which just so happens to include kick ass raptors with buzzsaw arms. 


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug:

Categories
Comics

(Saber-tooth) Cat Class and (Saber-tooth) Cat Style: Vanya 05

The Story So Far

Vanya and Serah are two Time Guards trapped in the prehistoric past, surviving against dinosaurs, savage humanoids, giant snakes, and the looming threat that at any moment will come an attack from the Torridians, an alien race who have declared war on the humans. Rescued by an outpost of other human soldiers, Vanya and company accept a new mission to procure hidden supply caches in an effort to boost defenses against the Torridians. However, she is captured by Niya, another Time Guard aligned with the Bone Tribe.

Vanya is crouched on a cave ground holding a 2-tipped spear. Behind here, from the shadows, emerges the face of a giant sabertooth cat. Vanya is framed between the cat's two large front teeth.
Standard cover for issue five of Vanya done by Zoran Jovicic and Antonio Wong. Image from the Bad Bug website.

Issue 05 Plot

Vanya, Serah, and Guy are brought by Niya to the cavernous lair of the Bone Tribe and introduced to the Bone King, who reveals he, too, was a Time Guard, originally named Vitor 2991. The Bone King tosses a severed raptor head and Vanya and Serah, showing that underneath its scales are cybernetic/robotic parts, “Torridian Tech.” 
Niya leads Vanya away to a vantage point where she watches the Bone King slip a chip into Serah’s temple which will “bring out her innermost desires.” A woman of the Bone Tribe, who has black “crying” eye shadows akin to Joseph Michael Linsner’s Dawn character, inserts a chip into her own temple before receiving cunnilingus from Serah.

Elsewhere, two different fronts of invasions from two different species begin to happen concurrently. A pack of saber-tooth tigers, which had been stalking Vanya and company, attack a Bone Tribe campsite. Meanwhile at the human outpost, a Torridian fleet of UFOs begins their bombardment.

Back at the Bone Tribe’s cavern, a ritual orgy to awaken a Torridian Dragon takes place, with Guy and Niya as the center show. With everyone occupied with the ritual, the saber-tooth tigers make their presence known.

Commentary

Building on the momentum from issue four, issue five of Vanya goes all out and spares no expense upping the threat level while at the same time cashing in on some of the setups put forth in prior issues.

A purple alien. Wearing a horned head dress, green skirt with a dagger. Wielding a two bladed spear. Legs are backwards like a Dinosaur or Torgo from Manos the hands of Fate. Behind the Torridian there is a plume of smoke and burning rubble.
General Tora, a Torridian.

The big setup/payoff is the reveal of the Torridians. Only referred to in dialogue in prior issues, the Torridians look fierce. Imagine a Mewtwo, only purple-ier, more menacing, with golden tattoos, and outfits akin to sword and sandal attire, but dark green. They are an interesting mix of sword and sorcery and alien in appearance and look like boss characters from a game like Baldur’s Gate. They look formidable and should give Vanya a run for her money when she eventually encounters one.

Another setup that sees a payoff are the saber-toothed tigers. Originally shown on the last page of issue two, stalking Vanya, Serah, and Reed (a character that would eventually become eaten by a T-rex in issue three), the tiger initially seemed to have been forgotten, or cast aside, or just made a one-time appearance to underscore the hostile environmental threat Vanya is operating in. Instead, the tiger turned out to be quite tenacious, following Vanya in secret through issues three and four, before jumping right into the fray of issue five, becoming a deus ex machina of sorts.

And finally, there is the re-reveal of the Torridian Dragon egg. The green egg made its first appearance during the ritual in issue three. The egg was not overtly named; it was simply referred to as “the blessed fruit” and placed on an altar where Niya and another member of the Bone Tribe had intercourse. However, the ritual in issue three was interrupted when Niya was called away from her place of honour by the Bone King to instead go kill a flock of Phorusrhacids. In issue five, it appears that the interrupted ritual is being re-attempted, with Niya back at her place of honour on the egg altar, though this time engaged in sexual acts with Guy which causes the green egg to burst open and beams of white light to shine out of Guy’s eyes like Sascha Schneider’s painting “Hypnosis.” The hatched dragon is not actually revealed. 

Of cause and effect note, if the Bone King had not undermined Niya in issue three, and instead sent other warriors to deal with the Phorusrhacids, then the ritual would have taken place then, allowing the egg to hatch, giving the Bone Tribe “a weapon under their control.” Since the tribe would not be pre-occupied with the ritual in current time, they would have been more alert to fend off against the prowling saber-tooth tigers, effectively halting the deus ex machina.

Another character that seems either ill-equipped or overestimating their own abilities like the Bone King is the Astral Guard character Elah. Another cashing in on a setup, in the universe of Vanya, the Astral Guard are the biggest, most skilled, most important warriors, what the Time Guard become after their years training in the prehistoric past. These are the leaders and the guardians of humanity as humans make their way through space and time. Elah comes off as ineffectual. At this point in the story, the Torridians have effectively obliterated humanity by bombarding Earth and sending humans fleeing to different timelines. Elah sends a call to the Torridian general Tora, chastising them for breaking the law, and giving them one day to release their captives and leave the timeline or they will come at them with the full force of the Astral Guard. The question is – should they not have already done this when the Torridians attacked humanity months ago? Elah’s threat sounds too little coming way too late. If Elah represents the best of the best that humanity has got for protection, no wonder the Torridians have been able to steamroll over everyone.

Swag Impressions

Issue five of Vanya is loaded with some fantastic variant covers, but the cover art done by Renato Camilo and Martina Rossi is the winner of the bunch.

Issue 5 variant cover. Variant perches atop a tree branch, nude save for her cloth boots and bracers. Below her are embers from a fire. Above her is a full moon and other trees. Her dreadlocked hair waves in the wind.
Personal copy of the Renato Camilo and Martina Rossi nude variant cover of Vanya issue five.

The Camilo covers continue to knock it out the park, basically becoming the canonical representation of the titular character. The Camilo representation of Vanya is the right balance of cheesecake and Jungle Girl, highlighting her dreadlocks that are not really underscored in the interior pages.

Per usual, with stretch goals met during the original crowdfunding campaign to fund issue five, there is a lot of complimentary swag that supplements the reading experience.

Six trading cards. The first is a carnivorous dinosaur (not sure what species) that has robot legs and a metal nose and jaw. Next is a triceratops with front legs that are robotic and horns that are too. Next is a flying pterodactyl that has two cannons protruding from it. On row two there is a dinosaur with electric spines coming from its back. Next to that is an Ankylosaurus with a metal spiked mace for a tail tip, and finally there is a close up of a T-rex face with one of its eyes beaming red.
Robosaur Trading Cards.

Firstly there is a set of six Robosaur trading cards done by series artist Zoran Jovicic. These all depict cybernetic dinosaurs, such as a T-Rex with a red Terminator-style eye, a pterodactyl with cannons on its back, a triceratops with robot front legs and bladed head scales. These are the twisted images conjured by a childlike imagination and they are awesome. Reminiscent of the likes of Dino-Riders and Dinosaucers, cartoons from the late 80s that combined dinosaurs with tech.

Four items here. First is a holo-foil trading card. It depicts Vanya under water with bubbles around her. Next is a large black Tarot card for The Sun. It shows Vanya atop of pterodactyl with a sword raised above her (very Heavy Metal). Next is a TINY sticker of Vanya leaping in the hair, lunging with knife in hand at a raptor. Finally there is a rectangular sticker of Vanya in the nude. She is nestled between the branches of a mossy tree with a purple sky behind her.
Stickers and Tarot card that got with Vanya issue five.

Next there is a variety of swag: a holofoil trading card by Zach Raw depicting Vanya under water, a holofoil sicker that depicts a nude version of the Vanya #5 cover done by Bruno Freitas and Antonio Wong, a tiny sticker showing Vanya lunging at a raptor through a azure blue sky, and a tarot card of “The Sun” that shows Vanya riding a pterodactyl, with her blade held high in the air a ’la the iconic poster for the Heavy Metal (1981) movie.

The tarot card is a brilliant swag item, outside the norm of trading cards, magnets, and stickers, and it looks like Bad Bug is deploying the concept with their other titles. This is a neat concept, and it helps tie the different Bad Bug series together intertextually (via the cards), but for folks who perform/read Tarot, collecting the cards will yield a different style deck outside the traditional Rider–Waite style, which is quite exciting. 

Conclusion

Issue five of Vanya is epic in scope and action, capitalizing on the momentum of issue four. Concepts and ideas either foreshadowed or hinted at in prior issues are finally realized. Since all these setups are having payoffs in this issue, it creates a strong sense of urgency, giving the comic a heightened tone of bigger stakes. The multi-genre smorgasbord of time and space travel, dinosaurs, robot dinosaurs, cavemen, aliens, futuristic vs. primitive weapons, and so on that was promised in earlier issues is finally starting to congeal, and rather seamlessly at that. Vanya is looking to become the comic is set out to be.


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug: