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Going Commando: Vanya 04

The Story So Far

Two hundred plus years in the future mankind has mastered both space and time travel. Vanya is a Time Guard, a warrior in training who must spend a year in the prehistoric past honing her survival and combat skills. Her skills are much needed as the Torridian alien race have launched a massive attack against humanity. Vanya and her romantic partner, Serah, travel the primeval jungle, dealing with dinosaurs and savages, as they make their way to an armory to supply themselves against the alien threat.

Cover depicts Vanya sitting at a campfire, inspecting a blood soaked stone spear. There is a shadow of a roaring T-rex behind her.
Standard non-nude cover of Vanya issue 4 by Zoran Jovicic. Image from the Bad Buy website.

Issue 04 Plot

After days of jungle trekking and having lost Reed to a Tyrannosaurus attack, Vanya and Serah are rescued by a contingent of soldiers who are also stranded in the past after attempting to escort a group of scientists to safety after a Torridian attack. Though their outpost looks ramshackle from the outside, the inside is fitted with computers and tech, a cafeteria, and most importantly, a shower in which Vanya and Serah partake of together before being joined by another soldier named Guy.

A panel from the comic that shows a human outpost. The outpost looks jumbled together, made of stone, wood, and metal. A hovercraft swoops toward it.
Human outpost in the prehistoric past.

Vanya gives a debriefing to Captain Jax about her adventures training as a Time Guard while he fills her in on the Torridian attacks against Earth. The captain has a mission to retrieve some supply caches, so it is back to the jungle for Vanya, Serah, and Guy, though armed with rifles because who knows what threats will be awaiting the trio out in the wild.

Commentary

The previous issue of Vanya was a bit on the slower side in pacing. Though the narrative was partially upended when Reed was suddenly and swiftly dispatched by a T-Rex, the overall plot seemed to slow down a bit as the characters had not made much progress to their goal to find the armory. Issue four, on the other hand, course corrects this and throws a barrage of new ingredients into the “story stew”: the rescue of Vanya and Serah, the outpost of human soldiers, new characters including Lucas (who has had a prior relationship with Serah) and Guy (who takes the place of Reed), new weapons, a new mission (that is similar to their old mission [find the armory/find the supply caches]), and, of course, the first time confrontation between Vanya and crew with Niya and her entourage. Basically, A LOT happens in issue four which brings on more excitement and more surprises.

Panels from the comic. The first panel says "It's beautiful" and it's a plate of Panel of Vanya eating a Croissants. The next panel shows Vanya biting into a Panel of Vanya eating a Croissant saying "Mmmm this is the best thing ever." The final final shows Guy winking saying "Second best thing" with Vanya replying "Mmmm".
Panel of Vanya eating a Croissant.

One of those surprises is a subtle one by the new character of Guy. Guy initially comes off as hyper masculine, proclaiming himself to Vanya as “the second-best thing” (with a wink) referring to his sexual prowess in the shower with her and Serah. In a normal B-movie situation, Guy is the type of soldier to be a braggart who will later receive sort of comeuppance. Yet, later in the issue, Guy raises his rifle to shoot at a herd of Ankylosaurus but is stopped by Vanya: “… just don’t shoot at anything until it growls at you, ok?” In normal pop culture situations, a character like Guy would see his masculinity and authority challenged, especially coming from a woman. An attack on him. Yet, he does not take it that way at all. He takes in what Vanya is showing him, confirms with a “Got it” and proceeds on normally (and by “normally” meaning him, Vanya, and Serah all share a moment of intimacy in a river before continuing their mission as professional soldiers). In fact, in a perhaps ironic twist, it is Serah who later fires her gun at a group of Compsognathus and then getting chastised by Vanya for giving away their position. 

The Guy/Vanya/gun scene is a small scene (probably more meant to underscore the deadly nature of the dinosaurs and what they are capable of), but coupled with many other similar small scenes (such as Serah reuniting with Lucas, Serah joining in with Vanya and Reed, and so on), it paints the future world of Vanya as a post-jealousy environment and more pro-gender equality society. As hinted at in the review of issue one, these sort of scenes (coupled with the graphic violence and explicit sex) gives Vanya strong Paul Verhoeven vibes. 

The end of the issue becomes the first encounter between Vanya and Niya. Both sets of humans manage to injure each other, but there are no fatalities on either side and in the end Vanya and company are captured. It is a little shocking at how easily Niya took Vanya down. Is Niya a better warrior? Has Vanya lost her touch so quickly after having a retaste of civilization? Something else? Regardless, Vanya needs to get her poop-in-a-group because the final page of the issue ominously ends with Niya and cohorts leading the three heroes to “a surprise.”

Vanya sitting atop of a brontosaurus at night above a canyon glowing purple.
Vanya 04 non-nude variant cover by JC Fabul and Bryan Magnaye. Personal copy.
A nude Vanya sitting atop of a brontosaurus at night above a canyon glowing purple.
Vanya 04 nude variant cover by JC Fabul and Bryan Magnaye. Personal copy.

Aside from the standard cover by Zoran Jovcic (who does the interior art as well), Vanya #4 sports a variety of alternate covers, in both non-nude and nude editions by a handful of other artists. The best alternative cover for issue three is done by Renato Camilo and Tommy Shelton. If Camilo’s name sounds familiar it is because they hands down did the best alternate cover for issue two and the second-best cover for issue three. Camilo has a distinct style that fits the Vanya covers, one that is hard to describe but can easily be seen such as in the character’s dreadlocks that looks like headless but powerful snakes from Medusa. Camilo depicts Vanya with a balance of cheesecake glam and sword and sorcery warrior woman aesthetic. There is a slight hint of parody in the Camilo/Shelton cover: the raptor in the background is searching around, akin to the scene in Jurassic Park where the raptors are trying to sniff out Tim and Lex Murphy who are hiding in the kitchen. Vanya, on the other hand, is not hiding from the raptor, but actively ignoring it as she focuses on giving morsels to the Compsognathus (Compys in the comic) as if giving bread to ducks.

Cover depicts Vanya sitting down, wearing no clothes. She is holding a piece of meat in her hand and feeding it to a tiny dinosaur. Behind Her a blue striped Raptor hunts around.
Renato Camilo and Tommy Shelton nude variant cover of Vanya 4. Personal copy.

Since the Kickstarter campaign was wildly successful a few stretch goals were unlocked that included physical ephemera for backers. First there is a holographic art print of Vanya done by artist Zach Raw who has done covers for other Bad Bug titles, such as Bad PussyAstrowitch, and others. With its cyberpunk-ish imagery and purple tones the print evokes some hardcore synthwave vibes. 

Shiny art print. It shows an armored Vanya shooting from her pistol while leaping through the air.
Holographic art print by Zach Raw.

And finally, there is also a set of dinosaur trading cards (artist unknown). The cards look kid-friendly being duotone in nature: the dinosaurs are all white (inviting someone to colour them in with crayons) while the backgrounds are all a single colour: red for the raptor, orange for the stegosaurus, etc. The cards are both charming and disarming, being so “accessible” in nature in contrast to the Vanya comic with is full of sex and over the top violence. 

Five baseball card sized dinosaur trading cards. The dinosaurs and black and white while the backgrounds are one colour. The Stegosaurus is orange, the triceratops is green, the pteradcyl is purple, the raptor is red, and the Plesiosaurus is blue.
Dinosaur trading cards for Vanya issue 4.

Overall, a big “wow” for issue four. Just the right amount of jungle adventure, fighting, erotica, dinosaur cameos, and plot advancement. Things are going down in the world of Vanya, past, present, and future. 


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out the reviews I’ve done of other titles published by Bad Bug:

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Comics

She’s Got the Killer Instinct: Vanya Issue 01

The Story

In the far future of 2288 AD, mankind has mastered time, dimension, and space travel. Leading humanity’s front-line conquerors are the Astral Guard, fierce warriors who are battled hardened by spending a year surviving in the prehistoric past.

The standard cover for the first issue of Vanya. Vanya is armed with a bow while a triceratops charges at her. There is a full moon in the sky.
Standard cover of Vanya issue 01.

Vanya Tepanov is such a candidate for the Astral Guard, currently eight months into her year of living in four billion years in the past. Each day is a test of her skills, instinct, and luck, as she must deal with the likes of sabretooth tigers, Pteranodons, raptors, and even other Astral Guard trainees, dubbed Time Guards, that she is warned to stay away from. However, a chance encounter (and a night of passion) with a Time Guard named Reed jumpstarts Vanya’s newest escapade where the prehistoric past and the highly advanced future clash. 

Commentary

Vanya issue one is a crowdfunded comic book published by Bad Bug Media, the first in a planned twelve issue run. Kickstarted in August 2021 and shipped to backers in February 2022, Vanya is an ambitious, multi-genre adult comic. The Kickstarter campaign states that the series is for fans of Sheena: Queen of the Jungle, and that it is a “sci-fi twist on the jungle girl genre.” The first issue of Vanya is written by Mike Tener (who is also the editor in chief of Bad Bug), with art by J. C. Fabul (The Dragonfly) and Zoran Jovicic (Burlap), colours by Bryan Magnaye (MilitiaTwin Worlds), and lettering by Aaron Locust (Death NellHyperGeist). 

With its multi-genre approach, Vanya is ambitious and high concept. The future scenes hint at both a Blade Runner colonial setting (replicants at off world colonies vs. Astral Guards conquering new planets) and a Starship Troopers style of fascism (levels of citizen ship). The time traveling aspect of Vanya looks to take inspiration from Ray Bradbury’s story “A Sound of Thunder” in that going to the past is business-like, matter-of-factly, mixing hunting/safari-ing and surviving. Lastly, the jungle girl aspect is greatly emphasized, combining the menacing and awe-nature that dinosaurs evoked in Jurassic Park, the agility and nimbleness jungle girls like Sheena exhibit, and the eroticism of Budd Root’s Cavewoman, but fully embracing the pornographic elements that the genre normally only hints at. This is a lot to juggle, but Vanya anchors itself with its focus on the prehistoric/jungle girl aspect of the comic.

A nude cover of Vanya issue 1. It depicts a naked Vanya emerging from the sea at night. Behind her, off in the distance, is a brontosaur.
Nude cover variant of Vanya issue #01.

Usually, the first issue of a new comic IP is unwieldy as it tries to accomplish too much (introduce characters, setting, plot, and so on) in too little space. Vanya is surprisingly quite concise in setting its game pieces: the one page pseudo-Star Wars opening text paints the big picture, while the comic proper does a succinct job at establish Vanya’s personality and goals (she wants to become an Astral Guard so her and her girl beau Serah can move to another world), establishes the risks, dangers, and day-to-day life in the prehistoric past (dodging tigers to fending off infections). As with the multiple genres, most comics would crumble under the weight of what Vanya is going for, but instead it pulls it all off effortless, at least in this debut issue.

Like the dinosaurs of the past, Vanya goes big, and its first issue is cleanly edited, drilled down to a concise story that could scatter in too many directions but does not. The action scenes are thrilling (taking down an entire Pteranodon and riding it into the ground), there is an air of intrigue that comes from unknown forces in the future, and the sex and nudity is integrated into the plot and not simply there to just be titillating. 


For more information on Vanya and the comic’s creative team, check out the links below:

Also, consider checking out other reviews I’ve done of titles published by Bad Bug: