Tag: Severin

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Biweekly News Roundup 2023-08-13

Personal / Website News

Black Emanuelle Boxset Unboxing

Severin Films recently released a titanic boxset of the Laura Gemser Black Emanuelle films. I, of course, did an unboxing article of it.

I also bring up prior incarnations of Black Emanuelle DVD releases. Check out the write up here.

Citation News

There’s been an uptick in work being cited lately and I am here for it!

Firstly, my essay “Lost Nights and Dangerous Days: Unraveling the Relationship Between Stranger Things and Synthwave” from Uncovering Stranger Things has been cited in the essay “‘Dad, every serial killer is somebody’s neighbor!’ The Problem of White Supremacy in Summer of ’84” by Erika Tiburcio Moreno and published in the edited collection The ’80s Resurrected: Essays on the Decade in Popular Culture Then and Now.

The book was published by McFarland in March earlier this year. More info can be found on the book’s product page at the McFarland website.

Next, Hannah Mueller’s essay “Male Nudity, Violence and the Disruption of Voyeuristic Pleasure in Starz’s Spartacus” from The New Peplum has been cited by James K. Beggan in his essay “Why is he there? Male presence in a sexually explicit magazine geared towards heterosexual men” that was published in the Porn Studies journal.

The New Peplum
Cover art for The New Peplum

If you have access the essay can be read at the journal’s page at Taylor and Francis.

New Episode of HP Lovecast

A new episode of our monthly Transmission program is now online.

For July we interviewed Chelsea Pumpkins, editor of the horror anthology AHH! That’s What I Call Horror: An Anthology of ’90s Horror. The episode can be streamed via our Buzzsprout page, the embedded player below, or through your podcast app of preference.

HPLCP Transmissions – Ep 24 – Chelsea Pumpkins – H. P. Lovecast Podcast

CoKoCon Schedule

The schedule for CoKoCon 2023 is starting to take shape! You can find Michele and I on the following panels:

  • Saturday Sept 2 9pm – Fiesta Ballroom 2: From EC Comics to Shudder: Horror Comics That Excite and Scare Us
  • Sunday Sept 3 6pm – Coronado: Creepy, Crawly, Otherworldly Bumps in the Night, or Cosmic Horror Films
  • Monday Sept 4 1pm – Coronado: 1pm: Weird West in Popular Culture

I’ll be on premises the entire con, so feel free to hunt me down to say hi! Michele and I will also have a table we were sill be selling and signing books.

Publishing Recap

Below is a recap of my publishing endeavors so far in 2023.

Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”

Vernon Press Product Page

Published in May, this issue of Weird Tales contains my essay “When the Stars are Right.”

Weird Tales Product Page

Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”

Limited to 50 physical copies.

Order via Patreon.

Essay about mimetic desire in Lovecraft’s Call of Cthulhu in Dark Dead Things #2/

Order via Dark Dead Things website.

Miscellaneous Tidbits

New Acquisitions

Kino Lorber just had a summer sale on their Blu-rays so I took the opportunity to pluck up some Italian films for the library.

The Last Hunter I already had on DVD, from Dark Sky Films. In fact, here is my copy autographed by Antonio Margheriti’s son, Edoardo Margheriti:

I did a presentation on The Last Hunter at the Southwest Popular/American Culture Association conference waaaaaaay back in 2010. Not my best presentation and still very green at being an academic, but the text of it can be read at my Academia.edu account.

Ironmaster I have not seen. It sounds like an Italian sword and sorcery flick, but in a prehistoric age. I am a fan of Umberto Lenzi’s work so this should be a fun watch.

Lastly is Yesterday, Today and Tomorrow, which I also have not seen. I’ve seen the iconic image of Sophia Loren slipping off her stockings that I feel like I’ve seen the film. I always think of Mastroianni from Divorce, Italian Style.

Pasolini’s The Gospel According to St. Matthew Commentary

Matt Page, author of 100 Bible Films, has recorded a commentary for Paolini’s 1964 Biblical peplum, The Gospel According to St. Matthew. The commentary and be streamed from YouTube. Criterion Collection recently released a Pasolini boxset that contains this film.

Call for Papers

Michael Torregrossa has a few CFPs out there. I’m sharing them here to help get the word out. Check them out and consider submitting!

Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel)

Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Monsters & the Monstrous Area of the Northeast Popular Culture Association

Organized by Michael A. Torregrossa, Richard Fahey, Carl Sell, and Benjamin Hoover

Call for Papers – Please Submit Proposals by 30 September 2023

55th Annual Convention of Northeast Modern Language Association

Sheraton Boston Hotel (Boston, MA)

On-site event: 7-10 March 2024

The Old English epic Beowulf remains an important touchstone for connecting us to the medieval past, yet it also has continued relevance today through its various transformations in cultural texts (especially works of popular culture). Our hope with this session is to expand our knowledge of these works and assess their potential for research and teaching. 

Please visit our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (available at https://beowulf-transformed.blogspot.com/)  for resources and ideas. 

The full call for papers (with complete session and submission information) can be accessed at https://tinyurl.com/Beowulf-Transformed-NeMLA-2024.  

Session Information

Over a millennium old, the story of Beowulf is disseminated primarily through its editions and translations and its transformations. These three types of Beowulfiana represent a massive corpus of over 1000 works according to the Beowulf’s Afterlives Bibliographic Database; though, as medievalists, we tend to focus on the first two categories rather than the last concentrating on scholastic pursuits rather than entertainments. Consequently, many are often surprised by the variety and vitality of this corpus and its vast potential for research and teaching.

New versions of the Beowulf story feature in all forms of modern mediævalisms, yet (as is true with most medieval texts) research continues to focus primarily on depictions of Beowulf on screen (about 100 examples according to the Internet Movie Database). We hope in this session to expand our view of Beowulf’s reception by creators and look more deeply at the text’s wider use. 

We are particularly interested in explorations of the adaptation and/or appropriation of the text, its characters, and its themes in works of fiction (at least 250 examples according to the Internet Speculative Fiction Database and much more recorded by the Beowulf’s Afterlives Bibliographic Database) and comics (at least 380 examples according to the Grand Comics Database), as well as their representations in new and neglected works on screen (including film, television, entertainment consoles, and the Internet). Additional versions of Beowulf can be found in works of creative, performative, and visual arts that also need more attention. 

We hope to make our conversation productive. Therefore, we request that submissions highlight the ways the new text transforms the old (for example as interpretations or appropriations of the poem or as an intertext for another work) as well as its value in furthering the Beowulf tradition rather than focusing solely on any perceived defects. 

Please see our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (at https://beowulf-transformed.blogspot.com/) for a growing list of ideas, resources, and support. 

All proposals will also be considered for a themed issue of the open-access journal The Heroic Age: A Journal of Early Medieval Northwestern Europe.

Please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com.

Submission Information

All proposals must be submitted into the CFPList system at https://cfplist.com/nemla/Home/S/20596 by 30 September 2023. You will be prompted to create an account with NeMLA (if you do not already have one) and, then, to complete sections on Title, Abstract, and Media Needs. 

Notification on the fate of your submission will be made prior to 16 October 2023. If favorable, please confirm your participation with chairs by accepting their invitations and by registering for the event. The deadline for Registration/Membership is 9 December 2023.

Be advised of the following policies of the Convention: All participants must be members of NeMLA for the year of the conference. Participants may present on up to two sessions of different types (panels/seminars are considered of the same type). Submitters to the CFP site cannot upload the same abstract twice.(See the NeMLA Presenter Policies page, at https://www.buffalo.edu/nemla/convention/policies.html, for further details,)

Thank you for your interest in our session. 

Again, please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com.

For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://MedievalinPopularCulture.blogspot.com/.  

For more information on the Monsters & the Monstrous Area of the Northeast Popular Culture Association, please visit our website at https://popularpreternaturaliana.blogspot.com/.

Categories
Essays

Traveling First Class: The Sensual World of Black Emanuelle Boxset

Roughly fifteen years ago Severin Films gave rejuvenated life to a handful of Black Emanuelle titles, Italian derivatives of the French Emmanuelle films. Staring Laura Gemser, the Black Emanuelle films took on a distinct identity of their own while at the same time flirting with other popular Italo-genres of the period: mondo, cannibal, women in prison, etc.

Severin only scratched the Black Emanuelle surface back in the latter august, with other DVD companies such as Blue Underground, Full Moon, Mya, and Shriek Show, published Black Emanuelle titles they had rights to. It was a scattered canon of releases with some titles and alternate versions remaining unreleased in digital format.

Fast forward to 2023 and Severin Films returns to the erotic world of Black Emanuelle with an epic fifteen disc boxset of Black Emanuelle Blu-rays and soundtracks. As in typical Severin fashion, the Black Emanuelle boxset came in a variety of bundles. This article is an unboxing of The Around the World bundle along with a comparison and remembrance of prior Black Emanuelle releases from other publishers.

Like the Severin release of All Haunts Be Ours, Black Emanuelle came in a large box, only cube-shaped instead of pizza box-shaped.

Bonus Spunky cat checking things out.

Packed with lots of popcorn, obscuring the contents within. 

First up is the Severin Airlines bag. The type face and red-orange-yellow colours evoke the 70s for sure. The sun has a bit of a broken sun vibe typically found in synthwave artwork. The bag is the perfect size to fit all the Black Emanuelle swag within.

It even has zippers of the iconic Severin Films logo.

A reproduction necklace from Black Emanuelle.

The insert shows a picture of Laura Gemser in one of her poses from the photoshoot scene in the film.

A reproduction Polaroid.

A passport that look quite convincing that had a Severin Films logo sticker and a sticker that references Violence in a Women’s Prison. 

A comparison of the Emanuelle passport to a real, present day one.

The passport reproduction gets even more detailed with identifying information.

To compliment the passport, there are three sheets of stickers that can be put inside the passport as visas.

Each sticker set is grouped by film. 

Gemser was truly a globetrotting reporter with all these sticker-visas!

The next big ticket item is the board game, Around the World with Black Emanuelle. This will be opened at a later date.

A recreation pen from the Hotel Siam in Bangkok. It looks like a white Mont Blanc.

And finally, the treasure itself, the boxset proper. The outer boxset is sturdy cardboard and has, on the side, a scroll wheel that changes the photo displayed inside Gemser’s camera when turned.

Before going further, the two original Black Emanuelle boxsets Severin published back in the 2000s need to be highlighted. These boxes were locked with velcro and when opened showed a nude Gemser. Each boxset had three films. 

Inside the Black Emanuelle boxset is a small, but thick book titled The Black Emanuelle Bible, edited by Kier-La Janisse who has done wonder work on other Severin releases.

The blu-rays and CDs are packed in a folding booklet, with inserts for each disc.

Disc one contains the Black Emanuelle and Black Emanuelle 2. Paired here is the original Severin DVD release of Black Emanuelle 2 which did not feature Gemser. 

Disc two contains Emanuelle in Bangkok and Emanuelle in America. Here the boxset is paired with the original Severin edition of Emanuelle in Bangkok and the Blue Underground version of Emanuelle in America.

Disc three contains two extremely controversial Black Emanuelle films. Firstly there is Emanuelle and the Last Cannibalspaired with the Severin Blu-ray edition and the Shriek Show DVD version.

The other half of the disc has Emanuelle Around the World. Severin originally published this in two different DVD editions: a normal edition and a European XXX edition.

Skipping to disc five there is Emanuelle and the White Slave Trade pictured with the original Severin DVD and the Full Moon Blu-ray.

The other film on disc five is Sister Emmanuelle. The original Severin edition came in a boxset that contained postcards of the films’ posters.

Disc six has the sleazy Violence in a Women’s Prison, compared to the Severin Blu-ray edition.

Disc seven demonstrates the fluid naming conventions Italian genre films adhered to. This disc contains Emanuelle Black Velvet, paired with its Full Moon edition. Severin previously published this film under the Black Emanuelle White Emmanuelle moniker (two Ms!).

Disc nine has Divine Emanuelle, this one paired with its Shriek Show counterpart Divine Emanuelle: Love Cult.

And finally, as far as release comparisons go, disc element contains Laura Gesmer’s first film appearance, Amore Libero – Free Love. The defunct boutique label Mya originally published this film on DVD under The Real Emanuelle title.

Slated to be included in this boxset was an item called “Emanuelle’s Studio Magnetic Fashion Playset.” However that item seems to be held up by the manufacturer and will ship at a later date.

All in all this is a comprehensive boxset on all things Black Emanuelle. The ephemera really contextualizes the era these movies came out in and underscores the traveling and cosmopolitanism aspect aspects of them. A glorious and glamorous boxset that solidifies the Black Emanuelle legacy.

If you enjoyed this unboxing check out these related articles. Also, I still have a soft open on the Emmanuelle/Black Emanuelle CFP. If you have an essay idea, send it over! Details can be found here.

Categories
Essays Interview

Magnificent Maleficarum: Severin’s All the Haunts Be Ours and Howard David Ingham Interview

Severin Films are known for various versions of their DVD and Blu-ray releases, ranging from slipcases to ornate boxsets with exclusive features and small doodads while always delivering on content proper: best prints possible, commentaries, and other supplements.

Perhaps their most ambitious release yet, Severin released a boxset of folk horror films called All the Haunts Be Ours: A Compendium of Folk Horror. The standard edition of this boxset houses fifteen discs along with a book and a soundtrack. Of course, for a few pennies more, one could have ordered The Witches’ Bundle of the release which contains a treasure trove of additional goodies. 

Original advert for The Witches’ Bundle version

What follows is an unboxing of The Witches’ Bundle edition of All the Haunts Be Ours interspersed with interview segments with Howard David Ingham, a folk horror expert that has material in the release. 

The parcel that The Witches’ Bundle came in was huge. Wide and unwieldy, but at least not super heavy. The exterior was printed with the All The Haunts Be Ours artwork in gold. Very classy.

Algernon (tabby) and Cecily (tortie). Cats also show scale.

Of course, my kitty familiars are intrigued by the parcel and what treasure lie within.

When opened the contents are covered a healthy amount of packing peanuts. This is good for shipping, but it will be a nightmare to get them all back in the box and be able to close the lid.

The first object pulled forth from the parcel was a grimoire entitled Of Mud & Flame. A thick book, this tome will make for great reading later.

Next up are a set of three stickers with some fantastic art. It’s a shame that special editions like these only come with one set of stickers as folks need at least two: one set to keep pristine and the other to put on things. The top right sticker is a Hand of Glory (as seen in The Wicker Man). The one on the left with the sickle makes me think of the song “The Sickle and the Setting Sun” by Awen.

There was a wrapped packet that felt incredibly heavy.

This image doesn’t do the pendant justice at just how big it was.

Carefully unwrapping it one comes across a replica of the pendant from Alison’s Birthday. This pendant was heavy and quite large. 

And The Owl Service Melamine Plate! A bonafide plate! It’s a wee bit different than the advert (which shows a bumpy circumference while this one is a pure circle). 

Served on the plate none-the-less!

Next up is a completely impractical keychain modeled from The Witchhhammer. This would not fare well to one’s leg if put into a front pocket.

A rolled scroll of incantations protected inside this tube perhaps?

Stunning.

Even better, a full sized movie poster of the documentary Woodlands Dark and Days Bewitched: A History of Folk Horror. The art used on this poster (and subsequent packaging) is simply stunning. It will need to be kept safe inside its tube until a suitable frame can be procured.

Finally, the meat-and-potatoes of the whole package: the boxset of All Haunts Be Ours proper.

The boxset is housed in a sturdy box which allows the Blu-ray set and booklet to slip out easily.

The Blu-rays proper stored in an accordion-style package. Each page in the booklet houses a movie with corresponding artwork. 

One of the films in this set is the aforementioned Woodlands Dark and Days Bewitched documentary (which Severin sells by itself). One of the experts interviewed in the documentary is Howard David Ingham, author of the Bram Stoker nominated book We Don’t Go Back: A Watcher’s Guide to Folk Horror.

How did you come to be involved in the Woodlands Dark and Days Bewitched documentary? 

Back in 2018, Kier-La Janisse contacted me to ask if I’d be interviewed for a documentary about folk horror, and a very nice man named Neil Edwards came to ask me some questions. At the time the plan was to have it as a Blu-ray extra, but Kier-La’s project, unknown to me at the time, expanded in scope and became something bigger and more important. I thought no more about it until I saw my name on the Woodlands Dark and Days Bewitched press release a couple of years later, and then suddenly I’m in a spectacular, award-winning documentary, which is pretty-mind-blowing, really. 

What are your impressions of the documentary and what do you think it uniquely accomplishes?

I think the film is stunning, beautifully put together, exhaustive and it taught me stuff. I think the very best and most groundbreaking parts are in the sections about American and international folk horror – parts I’m not in, I might add, but I don’t think they’re the best bits because of that – which stake a very solid claim to be the first real authoritative document on what folk horror means outside of the UK. 

Of all the movies presented in the All the Haunts Be Ours boxset, which is your personal favourite?

That’s a hard one to answer, because there are several I haven’t seen yet (and I don’t have my boxset yet!). Of the ones I have seen, I cannot recommend VIY enough. It’s a glorious, magical film and everyone should see it. 

For someone new to folk horror, what film in the set do you think they should start with to ease into the genre.

That’s a hard one. But if you want a grounding in British folk horror, Robin Redbreast, the original Pagan Village Conspiracy film, is essential. For Americans, I would suggest starting with Eyes of Fire. But again it’s hard, because there’s a bunch of rarities I haven’t seen yet! Honestly, it might be just as good for you to dive right in and pick whatever film looks the most exciting to you! 

If one needs assistance at grounding many of the folk horror films in the real world, The Witches’ Bundle comes with a map of folk horror!

The map is housed in a beautiful envelope depicting a sacrifice of a rabbit.

Housed inside is also a postcard with a floral stag. This reminds me of the song “The Wounded Stag” by Lux Interna.

Asking for directions.

The map proper is two sided. The front side shows Europe depicting where each folk horror film takes place. 

The front and the back also contain a description of each locale.

An example of the entry for The Wicker Man.

And finally, the last object in the whole bundle is a set of tarot cards. The exterior box is thick and sturdy.

Inside one will find a set of tarot cards with unique art and names along with a guide book with a hypnotic cover.

The tarot guide book was written by none other than Ingham!

You wrote the booklet for the Woodlands Dark and Days Bewitched tarot card set. What was that experience like and how did you go about writing the interpretations for each card?

I’d done some work on Tarot and alternative Tarot interpretations before, so I had a familiarity with the Tarot as a thing, and in particular Tarot writing. It was a lot of fun to take those folk horror classics and draw fortunes from them, full of dread and poetry. 

Which card resonates the strongest with you?

Bagpuss, because I am saggy and loose at the seams, but I am nonetheless loved.

The Witches’ Bundle is an impressive and immersive release. Between the films, documentary, soundtrack, books, and other material, there’s literally weeks worth of subversive content to explore. Though The Witches’ Bundle has long sold out, the boxset of films proper is still available at the Severin website. For those who have only seen The Wicker Man or Midsommar, this release acts as a primer to get into the folk horror genre.

Sincere thank you to Howard David Ingham for his answers. You can find him at his Room 207 Press website. 

If you liked this coverage of The Witches’ Bundle, check out my other Severin write ups: The Blood Island boxset in Exotica Moderne #3 and Horrors of Spider Island in Exotica Moderne #9. Next month Severin releases the Eurosleaze pepla films Caligula The Untold Story and Caligula and Messalina. I am extremely excited for both as I can put my sword and sandal scholarship to test! 

If you enjoyed this unboxing article, check out these other ones:

And also these DVD/Blu-ray write ups: