Tag: Rome Eternal

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News Roundup 2025-04-06

Personal / Website News

Comic Book Review: Eternal Rome #2

Technically on a roll! I did a review of Rome Eternal #1 in early March (which can be read here) and now I’ve done a review of issue two, which can be read here!

Issue three is not out yet, so I am actually current on a comic book series! I’ll do my best to get a review of issue three online as soon as it is published and in my paws.

Scholars from the Edge of Time: In the Name of the King 3: The Last Mission

In early 2024 Michele and I did a Scholars from the Edge of Time episode on In the Name of the King 2: Two Worlds (which can be watched here). We didn’t care for it. I followed this up with a Peplum Ponderings article about the film, which can be read here.

A year later we decided to give the third movie in the Dungeon Siege/In the Name of the King series a shot, so we watched In the Name of the King 3: The Last Mission.

Folks, I don’t know how to say this, but The Last Mission was legit pretty good! I dare say, it might be the best Uwe Boll movie I’ve seen! It’s like he looked at Two Worlds and said “I can remake this, but better” and actually delivered! The movie is not quite as good as other Connecticut Yankee-style movies, such as Army of Darkness, but it is leagues better than Two Worlds and pretty enjoyable. I recommend giving it a watch!

The episode can be watched on YouTube right here. I plan on doing a Peplum Ponderings about the film fairly soon while the movie is fresh on my mind.

Panthans Journal #335

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my article “Tarzan Cocktail: Deconstructed – Reconstructed”, which I original published early right here at my website.

Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“Tarzan Cocktail: Deconstructed – Reconstructed” reprinted in the National Capital Panthans Journal #335.

Original can be read here.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

New Acquisitions

Atomfall

It has been ages since I preordered a non-retro, non-re-released game, but when I heard about Atomfall a few months ago, I was immediately hooked!

My copy arrived on on 3/27 and I had it 1000 pointed on 4/4. I was hooked in the story and setting, so I just steamrolled through it.

I think I need to do an in depth write up or at least an essay about the Lovecraftian horror (lots of Colour Out of Space elements) and folk horror elements of the game. Atomfall is populated with lots of wicker men and they are a sight to behold!

Autographed Treasures

Here are some autographed treasures I’ve shared on Social Media these past few weeks.

Fast Company

Dvid Cronenberg, the auteur filmmaker known for his work of body horror cinema, has one movie that is an outlier in his body of work: Fast Company (1979). An early film in the director’s filmography, it’s a low budget exploitation film about car racing. Scanners x Days of Thunder? Not quite…

It’s been about fifteen years since I last saw this film. It is quite 70s for sure. But, I do have my copy of the movie signed by two of its stars! First is John Saxon who plays the film’s villain and the second is the films hero, William Smith (both RIP!).

Automatic

I am a hard core Olivier Gruner fan. The dude is always either a cyborg or a mercenary, but he is always awesome. Nemesis is probably his best film, but my favorite of his is Velocity Trap (1999) (see my autographed copy of that here).

I’ve got tons more films signed by Gruner, including Automatic (1994) here, which also stars Dr. Who favorite Daphne Ashbrook (whose book I have!). So, looking at the DVD cover, and judging by title, is Gruner a merc or a cyborg in this film?

Return of the Living Dead Part II

Return of the Living Dead Part II exists in the shadows of Return of the Living Dead, which I can understand. The original film has a distinct punk ethos and attitude that really makes the film stand out, especially in the zombie genre. Part II does fall on the generic side of things.

That’s not to say the movie is bad, it isn’t! It’s actually fairly fun! The artwork though, that is top notch. There was this period in the 80s were there were tons of film art that shows some malevolent face in the night sky, and Part II really captures that. I remember being a kid and scared to death of the VHS of this film.

Anywho, my copy is signed by the bully villain in this film, Thor Van Lingen.

Richard Kern’s Action

Pinups and stockings, two things I love, and Richard Kern delivers in spades in his transgressive photography. Back in the 2000s, my local comic book store was Spy Comics in Federal Way and I bought Richard Kern’s Action there.

Years later, when Taschen books published The Big Book of Breasts, the Beverly Hills store celebrated with a signing event with editor Dian Hanson. Being the fanboy I am, I took my pile of Hanson edited books for her to sign, of which Action was one of them.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

Ride the Stream New Episodes

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Here is their discussion of episode twelve from season one:

Their discussion of episode thirteen:

And their discussion of episode fourteen:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Lee Mitchell Interview at Ginger Nuts of Horror

My friend, Lee Mitchell, just scored a sweet interview at the Ginger Nuts of Horror. Check it out here!

Categories
News

News Roundup 2025-03-16

Personal / Website News

Comic Book Review: Rome Eternal #1

It has been a while so it is time to dive back into my bread and butter, the world of the neo-peplum, so here is a brand new review online.

I’m fairly timely with this review as Rome Eternal came out in November, and I have issue #2 (which came out in January) in my paws as well. Should I aim to do back to back reviews?

Anywho, Rome Eternal is a neo-peplum comic about an Ancient Rome that did not fall but instead became a huge superpower that is just as corrupt and nasty as it has ever been. Just this time they have laser spears.

It’s hella fun and topical as well. Check out my review here.

Global Indigenous Horror

Sincerely chuffed that editor Naomi Simone Borwein mentions Michele and I in her acknowledgments in her upcoming edited academic collection, Global Indigenous Horror, from University Press of Mississippi.

We had the honour of having Dr. Borwein present at a past Ann Radcliffe Academic Conference and to have her presentation published in Horror Literature from Gothic to Post-Modern.

I’ve shared prior, but want to re-iterate how awesome the cover art for Global Indigenous Horror is:

Global Indigenous Horror is slated to be published April 15th and can be pre-ordered at the UPoM website.

Scholars from the Edge of Time: Gentlemen Broncos

First episode of Scholars from the Edge of Time of 2025 is now online!

Back in 2024 Michele and I watched Krull and loved it (that episode can be viewed here). The cyclops in Krull made me recall that Gentlemen Broncos has homages to the iconic one-eyed character, so we decided to give that film a shot! The vidcast episode can be watched on YouTube, check it out!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2025.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #2″ reprinted in the National Capital Panthans Journal #332.

Comic Book Review: “The Moon Maid: Catacombs of the Moon #3″ reprinted in the National Capital Panthans Journal #333.

“There’s Always Room” in Merry Creepsmas: The Red Book. Edited by Parth Sarathi Chakraborty. Wicked Shadow Press, 2025.

“Tagliolini al Tarzan: Interview with Actress Bella Cortez on Taur the Mighty” in The Burroughs Bulletin #109. Edited by Henry Franke III. February, 2025.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Selling Scary Movies: Horror Film Promotion & the American Market

While American horror cinema is among the most widely examined of all entertainment formats, scholarship on this topic has mainly focused on film content or its reception. Consequently, despite representing a profuse component of horror’s inter-textual replay, the marketing of such films remains under-theorized and supported by a relative paucity of case-studies. Indeed, the promotion of scary movies still tends to be imagined rather reductively as a nightmarish mix of terror, loathing, threat, violence, and monstrosity, exemplified by such oft-quoted taglines as “be afraid, be very afraid” and “keep repeating it’s only a movie!”. This collection of essays therefore proposes to broaden conceptions of how chillers, thrillers, and the like have been promoted on the US market. It shall do so by uniting diverse approaches focusing on the industrial, social, discursive, and aesthetic dimensions of horror film marketing across a range of industry sectors, windows of release, and time periods. In so doing, the collection aims to expand and clarify the terms under which we understand one of the most pervasive yet poorly appreciated aspects of American audiovisual culture.

Accordingly, the editor of this collection therefore solicits original essays of 6000-8000-words offering a variety of perspectives on topics including but not restricted to:

  • Marketing campaigns of individual horror films
  • Repacking horror films across windows of release
  • Marketing campaigns across horror film trends and sub-types
  • Horror film and print advertising
  • Horror film and audiovisual advertising
  • Horror film and radio advertising
  • Horror film and viral advertising
  • Horror films and synergy
  • Horror films and publicity tours
  • Exploitation sector marketing
  • Indie/Art horror marketing
  • Marketing extreme or niche horror
  • Hollywood horror marketing
  • Targeting horror at specific audiences
  • Promoting imported horror on the American market
  • Horror in the marketing of non-horror films
  • Non-horror in the marketing of horror films

Please send 200-word abstracts plus a short academic bio – or any questions and queries – to richardandrew.nowell@amu.cz

Abstract due date (31 May 2025), chapter submissions (circa. January-May 2027).

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

New Acquisitions

Gladiator 2

Gladiator 2 was release in theaters back in November 2024 and Michele and I got to see it on the big screen in December. I started a draft of a write up of the film, got 80% done, but decided to shelve it for when the Blu-ray comes out so I could re-watch it.

And now, the movie is out on physical media! I got my pre-order the other week, so expect an upcoming Peplum Ponderings about the film, but also a Scholars from the Edge of Time episode devoted to it.

Helen of Troy

A recent pick up for an old film, here is Helen of Troy (Robert Wise, 1956).

I have not seen this one yet, but this will be a great watch in tandem with Ruby Blondell’s Helen of Troy in Hollywood.

Autographed Treasures

Lots of cool autographed treasures I’ve shared on Bluesky these past few weeks.

Rodan/War of the Gargantuas

I love kaiju films, but I am far from an expert on all the Toho and Toei monster films out there. Don’t laugh, but one of my favorite Godzilla films is All Monsters Attack (1969, Ishiro Honda).

I have quite a Godzilla film collection, but I have only one autographed kaiju film, and that is War of the Gargantuas (1966, Ishiro Honda) by Russ Tamblyn. There was a West Side Story anniversary Hollywood Collector’s show way back in the day, and he was in attendance, so I had to get my monster movie signed!

When Women Ruled the Earth / War Goddess

Luciana Paluzzi is an iconic starlet of Italian genre cinema, and she has made frequent appearances at conventions, mostly James Bond-themed ones due to her being in Thunderball.

I actually really liked her in the Eurospy film The Venetian Affair (1967, Jerry Thorpe). Paluzzi starred in her fair share of pepla, including the very late era peplum War Goddess (1973, Terence Young), which she signed my copy of.

Strike Commando

Reb Brown rules and Yor, the Hunter from the Future rules.

Reb has done many other cult films and is probably (aside from Yor) best known for Space Mutiny which was on MST3K.

However, he was in a handful of other Italian genre films of the 80s, including the men-on-a-mission film, Strike Commando, which is awesome. Severin Films did a nice Blu-ray release a few years back, but 20 years ago the only way I could watch the film was in a multi-film budget DVD set called Mercs: Soldiers of Fortune 10 Feature Film Collection which contained a low quality copy of Strike Commando, which Brown graciously signed to me.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

Bible Films Blog – House of David

Matt Page over at his Bible Films blog is on a roll doing write ups about season one of House of David. Check them out:

Ride the Stream New Episodes

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Here is their discussion of episode nine of season one:

And their discussion of episode ten of season one:

And, finally their discussion of episode eleven of season one:

New episodes drop every Friday on YouTube. Keep an eye on their YouTube channel, or give them a follow on Bluesky.

Categories
Peplum

The Dream That Was Rome: Rome Eternal #1

Plot

Ancient Techno Rome. Veritas Decisor Titus Amaro and the Emperor’s Navigator are memory diving into the mind of The Lion of Jupiter, the terrorist son of the Greek Sergius Lauro who led a failed rebellion against the empire. Titus witnesses the memories of when the rebellion was squelched by Javelin Germanicus followed by the indoctrination ritual from the Cult of Mithra of bringing the Lion into their ranks.

Meanwhile the companions of the Lion of Jupiter, collectively called the Mithra Mysteries (Corax the Raven, Persus the Persian, Amalia the Virgin, Heliodromus the Sun Runner, and Miles the Soldier), initiate their plan rescue their leader and retrieve something else of value.

Commentary

Rome Eternal is a neo-peplum comic written by Homero Rios (Heavy Metal), with Diego Yapur (Bloodshot: Rising Spirit,Death Dealer) on art, Oscar Carreño (Wolverine: Xisle) on colours, and Shawn Lee (Teenage Mutant Ninja Turtle, Judge Dredd) doing editing. The first issue was published in November 2024 by Magma Comix. The comic takes place in an alternate history where ancient Rome did not fall but instead became an empire that is a mixture of antiquity and hi-tech, with floating chariots, laser spears, and the cyberpunk-esque ability to view someone’s memories. The juxtaposition of old and future in Rome Eternal is conceptually comparable to the Fallout universe but replace 50s atomic-era Americana with the SPQR.

Ostensibly, Rome Eternal is a superhero/specialist team story, with each member of the Mithra Mysteries bringing a unique talent or ability to the fold: Miles is a giant, brute of a man who wields a titanic hammer; Persus is akin to an agile, stealthy thief, Heliodromus shoots flames from his bracers, Amalia is a sniper, Corax is able to fly and hack into machines, and the Lion is the leader and mastermind. Since issue one of Rome Eternal has two narratives going at the same time, (the real-world narrative and the narrative of the memories of the Lion), each character is given two introductions: one via the memories and then via them showcasing their abilities and the other when they commence their assault. It is a unique take on character introduction.

As a sword and sandal story, Rome Eternal brings its own unique spin to the genre, akin to other neo-peplum comics such as Jonathan Hickman’s Pax Romana and Jean-David Morvan’s Hercules: Wrath of the Heavens. The Rome depicted in Rome Eternal is just as corrupt and decadent as any portrayal in a historic epic, but the addition of hi-tech really ups the brutalism in a way similar to the space marines in the Warhammer 40K universe, where armour and (chainsaw) swords clash with bolt guns and spaceships. It is jarring (in a good way) how one panel will look exactly like it is from an antiquity comic (such as Frank Miller’s 300) and the next the image will be replete with laser rifles and electro-spears.

Rome Eternal is a high concept idea, and writer Rios brings the singular components (techno ancient Roman X-men) while Yapur and Carreño bring the great visuals. The art of Rome Eternal is colorful, creative and detailed, and it has to be in order to portray the mixture of ancient architecture in tandem with cyberpunk technology. The armour and uniforms of all the character look both old and futuristic at the same time. There is a great amount of detail in the characters, but this is also one of those comics that is not afraid to explore the background art as that is the realm that will solidify the anachronistic setting the comic is establishing. 

The arrival of Rome Eternal could not happen at a more appropriate and cyclical, time in pop culture and real-world history. In late 2000 Ridley Scott’s Gladiator was released, starting a revival of the sword and sandal genre with films like 300 (Zach Snyder, 2006), Troy (Wolfgang Petersen, 2004), Immortals (Tarsem Singh, 2011), The Eagle (Kevin Macdonald, 2011), and many more. A bulk of the peplum revival coincided with the presidency of George W. Bush and eight years of right-wing hegemony. Depending on how they are perceived, peplum texts can be a critique of fascism (Neil Marshall’s Centurion) or a glorification of it (such as the jingoism in 300). Fast-forward twenty-four years and Rome Eternal #1 is released, the same month as Gladiator II, and just at the eve of another wave of the rise of the right under Trump. Gladiator II attempted a course correction in its story and went more overt in calling out the evils of the empire. Rome Eternal looks to be echoing the same message, to rebel against fascism. 

Will a renewed cycle of sword and sandal films, games, comics, and other texts arise again? Rome Eternal is looking to lead the pack and it will be great to see what the rest of the story will convey and commentate on.

For more information on Rome Eternal and its team, check out the following links: