Tag: Laura Gemser

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News

Biweekly News Roundup 2023-08-13

Personal / Website News

Black Emanuelle Boxset Unboxing

Severin Films recently released a titanic boxset of the Laura Gemser Black Emanuelle films. I, of course, did an unboxing article of it.

I also bring up prior incarnations of Black Emanuelle DVD releases. Check out the write up here.

Citation News

There’s been an uptick in work being cited lately and I am here for it!

Firstly, my essay “Lost Nights and Dangerous Days: Unraveling the Relationship Between Stranger Things and Synthwave” from Uncovering Stranger Things has been cited in the essay “‘Dad, every serial killer is somebody’s neighbor!’ The Problem of White Supremacy in Summer of ’84” by Erika Tiburcio Moreno and published in the edited collection The ’80s Resurrected: Essays on the Decade in Popular Culture Then and Now.

The book was published by McFarland in March earlier this year. More info can be found on the book’s product page at the McFarland website.

Next, Hannah Mueller’s essay “Male Nudity, Violence and the Disruption of Voyeuristic Pleasure in Starz’s Spartacus” from The New Peplum has been cited by James K. Beggan in his essay “Why is he there? Male presence in a sexually explicit magazine geared towards heterosexual men” that was published in the Porn Studies journal.

The New Peplum
Cover art for The New Peplum

If you have access the essay can be read at the journal’s page at Taylor and Francis.

New Episode of HP Lovecast

A new episode of our monthly Transmission program is now online.

For July we interviewed Chelsea Pumpkins, editor of the horror anthology AHH! That’s What I Call Horror: An Anthology of ’90s Horror. The episode can be streamed via our Buzzsprout page, the embedded player below, or through your podcast app of preference.

HPLCP Transmissions – Ep 24 – Chelsea Pumpkins – H. P. Lovecast Podcast

CoKoCon Schedule

The schedule for CoKoCon 2023 is starting to take shape! You can find Michele and I on the following panels:

  • Saturday Sept 2 9pm – Fiesta Ballroom 2: From EC Comics to Shudder: Horror Comics That Excite and Scare Us
  • Sunday Sept 3 6pm – Coronado: Creepy, Crawly, Otherworldly Bumps in the Night, or Cosmic Horror Films
  • Monday Sept 4 1pm – Coronado: 1pm: Weird West in Popular Culture

I’ll be on premises the entire con, so feel free to hunt me down to say hi! Michele and I will also have a table we were sill be selling and signing books.

Publishing Recap

Below is a recap of my publishing endeavors so far in 2023.

Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”

Vernon Press Product Page

Published in May, this issue of Weird Tales contains my essay “When the Stars are Right.”

Weird Tales Product Page

Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”

Limited to 50 physical copies.

Order via Patreon.

Essay about mimetic desire in Lovecraft’s Call of Cthulhu in Dark Dead Things #2/

Order via Dark Dead Things website.

Miscellaneous Tidbits

New Acquisitions

Kino Lorber just had a summer sale on their Blu-rays so I took the opportunity to pluck up some Italian films for the library.

The Last Hunter I already had on DVD, from Dark Sky Films. In fact, here is my copy autographed by Antonio Margheriti’s son, Edoardo Margheriti:

I did a presentation on The Last Hunter at the Southwest Popular/American Culture Association conference waaaaaaay back in 2010. Not my best presentation and still very green at being an academic, but the text of it can be read at my Academia.edu account.

Ironmaster I have not seen. It sounds like an Italian sword and sorcery flick, but in a prehistoric age. I am a fan of Umberto Lenzi’s work so this should be a fun watch.

Lastly is Yesterday, Today and Tomorrow, which I also have not seen. I’ve seen the iconic image of Sophia Loren slipping off her stockings that I feel like I’ve seen the film. I always think of Mastroianni from Divorce, Italian Style.

Pasolini’s The Gospel According to St. Matthew Commentary

Matt Page, author of 100 Bible Films, has recorded a commentary for Paolini’s 1964 Biblical peplum, The Gospel According to St. Matthew. The commentary and be streamed from YouTube. Criterion Collection recently released a Pasolini boxset that contains this film.

Call for Papers

Michael Torregrossa has a few CFPs out there. I’m sharing them here to help get the word out. Check them out and consider submitting!

Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel)

Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Monsters & the Monstrous Area of the Northeast Popular Culture Association

Organized by Michael A. Torregrossa, Richard Fahey, Carl Sell, and Benjamin Hoover

Call for Papers – Please Submit Proposals by 30 September 2023

55th Annual Convention of Northeast Modern Language Association

Sheraton Boston Hotel (Boston, MA)

On-site event: 7-10 March 2024

The Old English epic Beowulf remains an important touchstone for connecting us to the medieval past, yet it also has continued relevance today through its various transformations in cultural texts (especially works of popular culture). Our hope with this session is to expand our knowledge of these works and assess their potential for research and teaching. 

Please visit our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (available at https://beowulf-transformed.blogspot.com/)  for resources and ideas. 

The full call for papers (with complete session and submission information) can be accessed at https://tinyurl.com/Beowulf-Transformed-NeMLA-2024.  

Session Information

Over a millennium old, the story of Beowulf is disseminated primarily through its editions and translations and its transformations. These three types of Beowulfiana represent a massive corpus of over 1000 works according to the Beowulf’s Afterlives Bibliographic Database; though, as medievalists, we tend to focus on the first two categories rather than the last concentrating on scholastic pursuits rather than entertainments. Consequently, many are often surprised by the variety and vitality of this corpus and its vast potential for research and teaching.

New versions of the Beowulf story feature in all forms of modern mediævalisms, yet (as is true with most medieval texts) research continues to focus primarily on depictions of Beowulf on screen (about 100 examples according to the Internet Movie Database). We hope in this session to expand our view of Beowulf’s reception by creators and look more deeply at the text’s wider use. 

We are particularly interested in explorations of the adaptation and/or appropriation of the text, its characters, and its themes in works of fiction (at least 250 examples according to the Internet Speculative Fiction Database and much more recorded by the Beowulf’s Afterlives Bibliographic Database) and comics (at least 380 examples according to the Grand Comics Database), as well as their representations in new and neglected works on screen (including film, television, entertainment consoles, and the Internet). Additional versions of Beowulf can be found in works of creative, performative, and visual arts that also need more attention. 

We hope to make our conversation productive. Therefore, we request that submissions highlight the ways the new text transforms the old (for example as interpretations or appropriations of the poem or as an intertext for another work) as well as its value in furthering the Beowulf tradition rather than focusing solely on any perceived defects. 

Please see our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (at https://beowulf-transformed.blogspot.com/) for a growing list of ideas, resources, and support. 

All proposals will also be considered for a themed issue of the open-access journal The Heroic Age: A Journal of Early Medieval Northwestern Europe.

Please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com.

Submission Information

All proposals must be submitted into the CFPList system at https://cfplist.com/nemla/Home/S/20596 by 30 September 2023. You will be prompted to create an account with NeMLA (if you do not already have one) and, then, to complete sections on Title, Abstract, and Media Needs. 

Notification on the fate of your submission will be made prior to 16 October 2023. If favorable, please confirm your participation with chairs by accepting their invitations and by registering for the event. The deadline for Registration/Membership is 9 December 2023.

Be advised of the following policies of the Convention: All participants must be members of NeMLA for the year of the conference. Participants may present on up to two sessions of different types (panels/seminars are considered of the same type). Submitters to the CFP site cannot upload the same abstract twice.(See the NeMLA Presenter Policies page, at https://www.buffalo.edu/nemla/convention/policies.html, for further details,)

Thank you for your interest in our session. 

Again, please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com.

For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://MedievalinPopularCulture.blogspot.com/.  

For more information on the Monsters & the Monstrous Area of the Northeast Popular Culture Association, please visit our website at https://popularpreternaturaliana.blogspot.com/.

Categories
News

Biweekly News Roundup 2022-11-06

Personal / Website News

Emmanuelle / Black Emanuelle CFP

The Call for Papers for the Emmanuelle, Black Emanuelle, and Emmanuelle derivative films is now live!

The CFP can found on this page. If you know other scholars who would be interested in this project, please share! I’d be super appreciative to get the word out.

New Episode of H. P. Lovecast

Our October Transmissions episode dropped a day early (didn’t want to compete with Halloween). In this episode we interview Erika T. Wurth and Chris Philbrook.

Thumbnail made by Michele Brittany.

The episode can be streamed at the H. P. Lovecast Buzzsprout page, via the embedded player below, your via your podcast app of preference.

HPLCP Transmissions – Ep 16 – Erika T. Wurth and Chris Philbrook – H. P. Lovecast Podcast

Galactic Terrors Appearance

I’ve been invited to be a reader on the November episode of Galactic Terrors, a monthly webcast helmed by James Chambers and Carol Gyzander of the HWA NY Chapter.

Advert for Galactic Terrors November 2022.

Other guests on the program are Kenneth Cain and Karen Heuler. The episode will record live on November 10th at 8:00 pm PST. The Galactic Terrors YouTube channel can be found here (check out the archives!).

Scholars from the Edge of Time

The last two episodes of Scholars from the Edge of Time are now online. In these episodes Michele and I discuss Son of Samson (September episode) and The Barbarians (October episode). Click the links to give them a watch!

Miscellaneous Tidbits

Alicia Carter and Robot #2 Kickstarter

The Kickstarter campaign for issue two of The Astonishing Adventures of Alicia Carter and Robot is now live and can be found here.

I really enjoyed issue one of the series, and my review can be read here. I’m excited for issue two to see the continuing adventures of Alicia and GDU-3.

Image taken from the Kickstarter Campaign.

No naughty covers for me this time, I went for the standard Shikarii cover (see above) which depicts Kira, a sniper bounty hunter introduced in issue one.

Solomon and Sheba Blu-ray

A recent acquisition for the sword and sandal library, I plucked up a relatively new HD release of Solomon and Sheba (1959).

Personal Copy of Solomon and Sheba.

The film stars genre veterans Yul Brynner (The Ten Commandments and Westworld [Roman World counts as peplum!]) and the maggiorata fisica actress Gina Lollobrigida (Crossed Swords). Have not seen this film before, so it will be nice to check it out in HS.

Also, this is a perfect time to show off my Gina Lollobrigida autographed 8×10:

Categories
CFP

Emmanuelle, Black Emanuelle, and Emmanuelle Derivatives: Essays on the Emmanuelle Legacy

Overview

In 1974 Just Jaeckin’s film, Emmanuelle, was released to commercial success. The movie propelled its starlet, Sylvia Kristel, into the limelight, spurred a wave of similar erotic fare, and concurrently with the Golden Age of Porn, helped usher in mainstream acceptance of erotic content in cinema. Black Emanuelle, one of the many films that came in the wake of Emmanuelle, would go on to have its own impact, specifically in the realm of Italian cult cinema with its plethora of sequels starring Laura Gemser. The Emmanuelle, Black Emanuelle, and derivative Emmanuelle film phenomena lasted from the mid-70s to the early 80s before interest tapered off, though the Emmanuelle name continued to be used by producer Alain Siritzky for direct to cable softcore content.

Four decades later, the Emmanuelle movies have faded in pop culture memory, but are being kept alive with blu-ray releases from specialty and boutique labels such as Severin Films and Kino Lorber. While most of the Kristel and Gemser films are readily obtainable, scholarship on the Emmanuelle legacy is not. The majority of references to both Emmanuelleand Black Emmanuelle are found in film guides and books that focus on cult and exploitation films in a general sense (see the bibliography section at the end of this CFP) with a journal article here and there. Alex Cox’s 2000 documentary,Emmanuelle: A Hard Look, remains largely inaccessible, though companies like the aforementioned Severin Films release supplementary material on their Black Emanuelle and Emmanuelle derivative DVDs and Blu-rays. There is no singular, consolidated resource focused on the Emmanuelle film canon.

This proposed collection of essays will strive to rectify this scholarship gap. This CFP seeks abstracts that analyze the films that make up the Emmanuelle legacy (see filmography below), with the aim to illustrate the various ways these movies are important, how they impacted both pop and film culture, and to illuminate subtexts and commentaries they impart.

Framework/Topics

Frameworks, essay ideas, and topics might include, but are not limited to, the following:

  • Adaptations
  • Anti/Reverse Emmanuelle roles/films
  • Auteur theory (specific films and their directors)
  • Class and wealth depictions
  • Close textual analysis
  • Comparative textual analysis
  • Cosmopolitanism
  • Cultural and racial representations
  • Feminism studies
  • Ethical/Philosophical issues
  • Genre studies (porn-chic, softcore, exploitation, grindhouse, travelog, cannibal film, women in prison, etc.)
  • LBGT+ discourse and ideology
  • Interviews with/perspectives from crew/filmmakers 
  • Literature studies (Emmanuelle Arsan books)
  • Monster Studies (Emmanuelle vs. Dracula, Emanuelle and the Last Cannibals)
  • Multiplicities (see Cycles, Sequels, Spin-offs, Remakes, and Reboots eds. Klein & Palmer)
  • Music studies (soundtracks, songs, sampling)
  • Parody and/or homage (Carry on Emmanuelle, SNL’s “Danielle” skit, Seinfeld’s “Rochelle, Rochelle”)
  • Proto-Emmanuelle films (what came before, what inspired)
  • (Post) Colonialism
  • Schreiber theory (specific screenwriters)
  • Semiotics and metaphors
  • Sequential Art Studies (Crepax Emmanuelle comics)
  • Sexuality (fetishism, voyeurism, exhibitionism, desires, romance, etc.)
  • Vampire studies (Dracula’s Widow x Emmanuelle vs Dracula)
  • Vernacular film (see Mikel Koven)
  • World Cinema studies (France, Italy)
  • And other interdisciplinary approaches

Filmography

Films that fall under the Emmanuelle/Black Emanuelle/Et al. canon include the following:

Emmanuelle Series

  • Emmanuelle (1974)
  • Emmanuelle II (1975)
  • Goodbye Emmanuelle (1977)
  • Emmanuelle IV (1984)
  • Emmanuelle 5 (1987)
  • Emmanuelle 6 (1988)
  • Emmanuelle 7 (1993)
  • Emmanuelle in Space Series (1994)
  • Young/Old Emmanuelle Series (1993)
  • Emmanuelle 2000 series (2000)
  • Emmanuelle in Rio (2003)
  • Emmanuelle: The Private Collection series (2003)
  • Emmanuelle Tango (2006)
  • Emmanuelle Through Time Series (2011)

Black Emanuelle and Laura Gesmer Films

  • Black Emanuelle (1975)
  • Black Emanuelle 2 (1976)
  • Emanuelle in Bangkok (1976)
  • Black Emmanuelle, White Emmanuelle (1976)
  • Emanuelle on Taboo Island (1976)
  • Emmanuelle and the Deadly Black Cobra (1976)
  • Emanuelle in America (1977)
  • Sister Emanuelle (1977)
  • Emanuelle Around the World (1977)
  • Emanuelle and the Last Cannibals (1977)
  • Emanuelle and the White Slave Trade (1978)
  • Emanuelle, Queen of the Sados (1980)
  • Divine Emanuelle: Love Cult (1981)
  • Violence in a Woman’s Prison (1982)
  • Emanuelle: Queen of the Desert (1982)
  • Women’s Prison Massacre (1983)
  • Scandalous Emanuelle (1986)

Misc. Films / Derivatives / Parodies / Related Films

  • Emanuelle and Francoise (1975)
  • Laure (1976)
  • Emmanuelle Tropical (1977)
  • Carry on Emmanuelle (1978)
  • Felicity (1979)
  • Emmanuelle in Soho (1981)

There is an IMDB list that has a plethora of Emmanuelle derivatives: https://www.imdb.com/list/ls069765874/ .

Non-Emmanuelle films that star Sylvia Kristel or Laura Gemser (such as Julia [1974], Alice ou la dernière fugue [1977], etc.), Alain Siritzky produced films, and other Just Jaeckin movies will be considered if they can be strongly tied to the Emmanuelle/Black Emanuelle legacy. 

Other related texts, such as the Emmanuelle Arsan novels, the Emmanuelle erotic comics by Guido Crepax, and the like, are also of interest. 

Submission

Abstracts (no word limit), preliminary bibliographies, and CVs should be submitted to Nicholas Diak at vnvdiak@gmail.com.

There is no publisher chosen for this project yet. Due to the subject matter and the speciality, niche interest of this proposed book, the goal is to amass a collection of abstracts first for the purposes of having a solid proposal and preliminary table of contents, and then procure a publisher. A proper timetable for first draft submissions will be drawn up after a publisher is obtained. 

Please feel free to share this CFP with other scholars. Any proliferation is much appreciated. 

This CFP will be open initially for six months.

About the Editor

Nicholas Diak is a pop culture scholar with a range of interests: sword and sandal films, industrial music, synthwave music and aesthetics, horror studies, and other idiosyncratic topics. He edited the collection The New Peplum: Essays on Sword and Sandal Films and Television Programs Since the 1990s (2018) and co-edited Horror Literature from Gothic to Post-Modern: Critical Essays (2020). More information, including academic CV, can be found at nickdiak.com.

Emmanuelle Studies Bibliography

  • 100 Cult Films by Ernest Mathijs and Xavier Mendik
  • Alternative Europe: Eurotrash and Exploitation Cinema Since 1945 edited by Mathijs and Mendik
  • “Black is Beautiful” in DarkSide issue 211
  • Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 by Mendik
  • Deadlier Than the Male: Femme Fatales in 1960s and 1970s Cinema by Douglas Brode
  • “Forever Emmanuelle: Sylvia Kristel and Soft-Core Cult” by Leila Wimmer in Cult Film Stardom
  • The History of French Literature on Film by Kate Griffiths and Andrew Watts
  • Immoral Tales: Sex and Horror Cinema in Europe 1956-1984 by Tohill and Tombs
  • Keeping the British End Up: Four Decades of Saucy Cinema” by Simon Sheridan
  • “The Legacy of Emmanuelle: Oriental Desire and Interracial Encounters 562 in European Films Set in Thailand 1974-1980” by Alexander J. Klemm
  • “Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s Emanuelle Films” by Mario DeGiglio-Bellemare
  • Offbeat Attractions and Processes of Cultification edited by Egan and Thomas
  • “Orientalism, Star Power and Cinethetic Racism in Seventies Italian Exploitation Cinema” by Calum Waddell
  • Sylvia Kristel: From Emmanuelle to Chabrol by Jeremy Richey
  • “Thailand in the European Cinematic Imagination: The Phenomenon and Legacy of Emmanuelle (Fr 1974)” by Alexander J. Klemm
  • Undressing Emmanuelle: A memoir by Sylvia Kristel
Categories
Essays

Cinema of Lust: Sylvia Kristel: From Emmanuelle to Chabrol

SK:FETC with Dust Jacket

When released in 1974, the erotic French film Emmanuelle became a worldwide sensation that topped box offices and garnered controversy. The movie would catapult its starlet, Sylvia Kristel, into the limelight, but at the same time it would overshadow her. Kristel became synonymous with the Emmanuelle character whose specter she could never escape despite efforts appearing in a variety of other films ranging from auteur-made art house movies to lifeless commercial fare. During her lifetime, few critics and scholars took Kristel seriously as an actress. Jeremy Richey’s book, Sylvia Kristel: From Emmanuelle to Chabrol (SK:FETC) aims to rectify this oversight and help usher in a reassessment and a rediscovery of Kristel and her body of work.

Published in 2022 by Cult Epics after a successful crowdfunding campaign, SK:FETC focuses on Kristel’s career from 1973 to 1981, her beginnings to when she was at her height of popularity. The book is divided into seven sections covering twenty-three movies, with the final section devoted to unrealized projects. Richey sticks to a disciplined structure when discussing each film: background contextualization, production and musings, and performance assessment with contemporary reception. This structure makes SK:FETC easy to navigate, search, and enjoy.

Standard cover.

Starting each film’s chapter is a background to how the movie came to being, diving into literary sources, filmmaker and crew backgrounds, and even general societal hegemony. For example, before discussing Kristel’s first film, Frank and Eva, time is spent describing the general landscape of Dutch cinema of the era so readers will have the contextualization that Kristel’s movies operated in. Regarding filmmakers and the crew, SK:FETC takes an interconnected approach by highlighting who was in Kristel’s orbit and describing how they contributed to the film and her career. 

Next, Richey focuses on the film’s production while adding his own musings, such as what scenes and sequences stand out, or detailing difficulties Kristel dealt with, such as egotistical directors and actors (see the entry on The Concorde … Airport ’79). There are some insightful observations within these film entries, such as when Richey points out that Naked Over the Fence captures a specific snapshot of early 70s Netherlands analog pinball arcades and the burgeoning European martial arts culture. 

Finally, each chapter concludes with an assessment of the film and performances. For Richey, Kristel is the gold standard for performance and other players are held to this bar. Richey does counterbalance this inherent favoritism by including a plethora of quotations from contemporary film critics from all over the globe, both positive and negative reception. In addition to film critical quotations, Richey incorporates a great deal of other citations as well: texts from scholars such as femist academic Camille Paglia and cult film scholar Marcus Stiglegger; excerpts from Kristel’s autobiography, and interviews from cast and crew, some of them rare (such as the interview with Laura Gemser about Emmanuelle 2) and others conducted by Richey exclusively for SK:FETC. 

If there is a fault with SK:FETC, it is a built in one that mirrors Kristel’s career. In her attempt to shake the Emmanuelle image, Kristel began appearing in films that would hinder rather than advance her career. These films are otherwise unremarkable, giving Richey less to work with in his writings. The chapters become shorter and contain less insight when compared to the first 2/3s of SK:FETC. 

Example of interior with lobby card images.

Clocking in at over 330 pages, SK:FETC is a tome of insight, observations, and rare material about Kristel and her career. Care was not only put into the text but into the physical book proper as SK:FETC is a luxurious hardcover release. Aside from the standard edition of the book, there are versions with a collector’s box and others with dust jackets autographed by Richey. The book is presented in full colour and filled with numerous photographs and promotional materials, such as lobby cards and posters. Such inclusions greatly add to the reading experience while acting as a visual catalogue to Kristel’s career. The end product is a gorgeous edition matching – even surpassing – comparable efforts by similar publishers such as FAB Press or PulseVideo.

SK:FETC accomplishes its goal in reassessing Kristel and her films. The book acts as an authority on Kristel’s early career, and provides much needed contextualization along with performance observations and incorporation of a variety of rare, unique, and otherwise inaccessible sources. Kristel is portrayed in a positive and interesting light. Emmanuelle still remains the film Kristel is the most synonymous with, but SK:FETC demonstrates that there is much more to the legendary Dutch actress.

Sylvia Kristel: From Emmanuelle to Chabrol book can be purchased at the following venues:

Categories
News

News Roundup W/E 2022-02-06

Bram Stoker Preliminary Ballot Listing

My essay, “Cullzathro Fhtagn! Magnifying the Carnivalesque in Lovecraft Through the Comic Book Series Vinegar Teeth,” has made the preliminary Bram Stoker Award ballot in the short non-fiction category. Note: this does not denote I am nominated or a finalist. It simply means I am on the preliminary ballot and have a 50% chance to advance to the final ballot.

Active and Lifetime members of the Horror Writers Association who would like to read my essay for final ballot consideration (which closes February 15th) you can find it online at Academia.edu. Note: if there is a big ad in the way taking up the screen, just hit the X at the top right. Academia.edu is silly that way.

New Issue of Exotica Moderne

Issue fourteen of Exotica Moderne is now out!

Celebrating my newest publication with a Death & Co. inspired Mai Tai

This issue contains my interview with New Zealand stockings/pinup model Miss Corsair Debonair and it can be purchased at the House of Tabu website.

Things in the Well Closing Shop

Small press publisher Things in the Well looks to be closing shop in a few weeks. This means two of their anthologies that I have short stories published in will be going OOP:

Amazon links to buy both books are in the links above. Thank you all who have been curious about my fiction work and who have bought these books. I’ll find a home for these short stories in the future.

Highlander Call for Papers

Michele has an active CFP on the Highlander franchise. She is looking for essays on the Highlander movies, the television show, comics, everything.

If you’re interested, check out the CFP at her website and please share with others. With a possible reboot on the horizon, this is definitely a book you want to be a part of. 

Unofficial Emmanuelle / Black Emanuelle CFP

Sometime in the latter half of 2022 (after I am finished with AnnRadCon 2022) I plan on publishing an official CFP calling for essays on Emmanuelle and its sequels and spinoffs, Black Emanuelle and its sequels, and all other Emmanuelle knockoffs. I already have an interested publisher, but I want to present to them a fully laid out TOC for an ambitious collection as this.

Though my CFP will not go live until later 2022, if you have any interest in being a part of this collection, let me know! Send me an email or social media message (see my about me page for contact info) to let me know your interest. If you have an abstract already, even better.

General Neo-Peplum News

Rest in Peplum

Monica Vitti, who stared in many, many Italian auteur films, passed away at the age of 90 (article at CNN.com).

She starred in the Medieval peplum/comedy film On My Way to the Crusades, I Met a Girl Who… which is also known as The Chastity Belt.

The Sword and the Sorcerer Release

Shout Factory announced they are doing a 4K/Blu-ray release of the Albert Pyun sword and sorcery film, The Sword and the Sorcerer, which is slated for a March 15th release.

I actually have not seen this film since most older releases are way OOP so you better believe I pre-ordered this. Side note: I dig Albert Pyun films, with Cyborg and Nemesis being my favorites.

Zeus Super Bowl Commerical

I’m always down for some neo-peplum commercials (anyone remember the Gladiator/Jif one from last year?)

Per Cinema Blend, Arnold Schwarzenegger and Salma Hayek will star as Zeus and Hera respectively in a series of Super Bowl ads for BMW.

I love buying art prints and getting commissions done when at comic books cons. I’ve made lots of friends over the years going to cons and I’ve accumulated quite a bit of art!

I was only passingly familiar with Les Edwards, due to him doing the cover art of Hero Quest, but I am certain I’ve seen his sword and sorcery artwork in other places. Recently, I am not sure where, but I saw his art piece, The Invocation, and I was just mesmerized by it. Simply a beautiful piece. Yes, there is a naked lady featured prominently, but the sky in the background – I am always in awe in powerful skies. When I see a cloud filled sky, be it ominous with storm clouds or full of huge, puffy white ones, I get that feeling of “something big is coming.” The Invocation does that.

Anywho, turns out Edwards has a website and sells prints of his work. So, I ordered a print of The Invocation.

Even autographed to me. I love it.

On Sunday Michele and I went to Half Price Books (we had not been in a while) to scour material for some of our respective projects.

I may double dipped on that Historic Epics boxset, but if I did, it’s in an inaccessible box. For sure though I didn’t have that Hail, Caesar! soundtrack. Coen Brothers films usually have fantastic soundtracks, and since Hail, Caesar! is a fantastic neo-peplum and one of the source films that launched The New Peplum, I had to pluck it up.

Categories
News

News Roundup W/E 2022-01-02

Personal / Website News

2021 Accomplishments / 2022 Projects

I’ve aggregated all my 2021 accomplishments on this post while also listing projects I expect to realize in this new year. I thank the folks who have supported me or provided me platforms immensely.

H. P. Lovecast Transmissions Episode

Our last episode of H. P. Lovecast Podcast for 2021 is online!

Thumbnail by Michele Brittany

This is our monthly transmissions episode where we interview a few folks. In this episode we interview Jennifer Barnes, Lee Murray, and Rena Mason about their work with Attack from the ’80s. The episode can be streamed at our Buzzsprout website or your podcast app of preference.

AnnRadCon CFP is Closed

The CFP for the 5th Annual Ann Radcliffe Academic Conference at StokerCon 2022 has now closed. Thank you to all who submitted abstracts. Michele and I will be going over them during the first two weeks of January and sending out acceptances.

Highlander CFP

When one CFP closes another one opens!

Adrian Paul has way more charisma than Christopher Lambert.

Michele has a CFP that just opened on the Highlander franchise. She is looking for essays about the Highlander movies, the television show, comics, everything. If you’re interested, check out the CFP at her website and please share with others! With a possible reboot on the horizon, this is definitely a book you want to be a part of.

Unofficial Emmanuelle / Black Emanuelle CFP

Recently I scored two Black Emanuelle vinyls from Light in the Attic records and it got me really nostalgic.

Two Black Emanuelle vinyls I procured. I just need a record player!

I grew up with the Sylvia Kristel Emmanuelle films and got into the Laura Gemser Black Emanuelle films when I started studying Italian genre films when I was working on my masters. One of my bucket list items has been to do a book on the Emmanuelle films and their various knock offs, sequels, and so on because no such book exists. I think it’s time to bite the bullet and get the process going for this project.

Sometime in the latter half of 2022 (after I am finished with AnnRadCon 2022) I’ll be publishing an official CFP for essays on Emmanuelle, Emanuelle, and the other Emmanuelles out there. I already have an interested publisher, but I want to present to them a fully laid out TOC for an ambitious collection as this.

Though my CFP will not go live until later 2022, if you have any interest in being a part of this collection, let me know! Send me an email or social media message (see my about me page for contact info) to let me know your interest. If you have an abstract already, even better!

Things in the Well Closing Shop

Small press publisher Things in the Well looks to be closing shop in a few weeks. This means two of their anthologies that I have short stories published in will be going OOP.

The two books with Amazon links are:

Amazon links to buy both books are in the links above. Thank you all who have been curious about my fiction work and who have bought these books. I’ll find a home for these short stories in the future.

General Neo-Peplum News

Bible Films Blog: Once Upon a Time in Bethlehem

Matt Page has a new review up at his Bible Films Blog.

It’s on the 2019 Italian Biblical neo-peplum film titled Once Upon a Time in Bethlehem. Page’s write up can be read at his blog.

Severin Caligula Releases

Severin Films is releasing two Italian porno-pepla in February.

The first is Joe D’Amato’s 1982 film Caligula: The Untold Story and the second is Bruno Mattei’s 1981 Caligula and Messalina. Severin is offering quote a few options on pre-ordering these films:

Yours truly, of course, has already pre-ordered these. Expect essays later on!

Born of Blood Comic

I only learned about this comic because it appeared in an update email from another peplum comic I contributed to on Kickstarter. Of course, upon discovery, it has 40 hours left of its campaign, so by the time this news post goes up it will have ended. Regardless, a newish publisher called Merc Magazine is putting out a neo-peplum comic called Born of Blood.

Sorah Suhng cover
Mike Krome virgin cover

It looks like Born of Blood was previewed in prior published comics of Merc Magazine, Miss Meow and Deathrage, so I am a bit out of the loop of plot. Looking at the cover art, I see lots of Spartan imagery, so I am definitely intrigued.

As an aside, there has been a great uptick in what I call “pandemic peplum” comics appearing on Kickstarter. I have interviewed many of those creators already at my website:

Not to mention many others I’ve Kickstarted as well that I either have not written about or haven’t received yet: Gilgamesh Eternal #1, Teoatl, and Aztlan.

Anywho, I hope once I get Born of Blood 01, maybe I can do a review or interview the team behind it. But it’s so curious that so many sword and sandal crowdfunded comics have come out since the pandemic began.

I put in monies to get two versions of the first issue: a cover by Sorah Suhng and a virgin cover by Mike Krome. As you can see above, they look really sweet!