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News Roundup 2024-11-17

Personal / Website News

Scandalous Swords: Interview with J. Manfred Weichsel

A new interview article is up here at the website!

I interviewed J. Manfred Weichsel, editor of the sword and sorcery anthology Sword & Scandal.

Check it out here!

McFarland Holiday Sale

My publisher, McFarland books, is having a Holiday sale on all of their tiles! From November 15th to December 2nd, if you use code “HOLIDAY24” during checkout, you’ll get a 35% discount.

If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:

The New Peplum
Cover art for The New Peplum

McFarland Purchase link

Normal price: 39.99
35% = 13.99
Price after coupon: 25.99

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

If you want to support Michele, consider buying James Bond and Popular Culture and Horror in Space: Critical Essays (I have essays in both):

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

If you’re interested in another book that I have an essay in, consider The Many Lives of the Twilight Zone and Uncovering Stranger Things:

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

McFarland Purchase Link

Normal Price: 19.99
35% = 6.99
Price after coupon: 12.99

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2024.

Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.

Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.

Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.

Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.

“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my paths. Links to these will also be in the CFP page on the navigation bar.

Contemporary Indigenous Horror

Deadline for Abstracts: May 30, 2025

Contact: nborwein@uwo.ca

Edited by Dr. Naomi Simone Borwein and Dr. Krista Collier-Jarvis

Building on discussions in the edited volume, Global Indigenous Horror (University Press of Mississippi, 2025), this is a call for chapter proposal submissions focused on the topic of Contemporary Indigenous Horror. Beautiful, luminous and resonant moments of horror exist in the work of writers like Shane Hawk, Kim Scott, Tiffany Morris, Waubgeshig Rice, or Ambelin Kwaymullina. But Indigenous horror tales thrive in many narrative or storying forms—from fiction, plays, and music, to graphic novels, art installations, or experimental films fortified by sonic and oral manifestations.

In response to the forthcoming inaugural essay collection, Global Indigenous Horror (2025)Judith Leggatt states, “Global Indigenous Horror is a timely and welcome addition to the growing field of Indigenous Horror studies.” Over the past decade, there has been a (re)surgence in Indigenous works focusing on tales of horror, such as Anoka: A Collection of Indigenous Horror (2011; Hawk); Ajjiit: Dark Dreams of the Ancient Arctic (2011; Tinsley and Qitsualik); Never Whistle at Night: An Indigenous Dark Anthology Collection (2023; Hawk and Van Alst Jr.); Whistle at Night and They Will Come: Indigenous Horror Stories (2023; Soop); Midnight Storm, Moonless Sky: Indigenous Horror Stories (2022; Soop); Taaqtumi: An Anthology of Arctic Horror Stories (2019), Moosebumpz: Scary Stories from the Rez, and The Land Has Spoken—Tales of Indigenous Horror (2024; Hawk and Rogers), and Zegaajimo: Indigenous Horror Fiction (2024; Akiwenzie and Adler), just to name a few.

Responding to the widening gap between Indigenous horror and academic responses to it, editors Naomi Simone Borwein and Krista Collier-Jarvis solicit contributions for Contemporary Indigenous Horror. Shane Hawk broadly defines horror as that which “prioritizes the fear factor, often using graphic depictions of violence, monstrous beings, or otherworldly threats to achieve its effect. The ultimate purpose of horror is to confront the reader with their deepest fears, creating an experience that is visceral and unsettling.” When taken up by Indigenous storytellers, horror often engages with a colonial past that has never really passed, and as such, it haunts contemporary Indigenous peoples and communities. Indigenous horror thus often blends traditional stories as well as Indigenous ways of knowing and being with contemporary issues. In many cases, Indigenous horror is about our lived experiences, not as the victim of ongoing coloniality, but as resistance. According to Elizabeth Edwards and Brenna Duperron, “Indigeneity is a resistance — in the usual sense of opposition, repudiation, and refusal to comply […but also] resistant to assimilation. Indigeneity is the lived and embodied experience of peoples who have participated in that resistance” (94). In many other cases, Indigenous horror is about what Scott Gordon calls “colonial whiplash,” where “white people who haven’t turned into zombies [or other monsters] are at the mercy of the oppressed”—their Indigenous saviours. And in other cases, what Indigenous horror is has yet to be revealed.

Chapters (6,000-8,000 words including bibliography) may examine modern, contemporary representations of Indigenous Horror from a variety of perspectives. With a focus on analysis of current horror (narrative) production by self-identifying artists, writers, and other creators, some areas of consideration include, but are not limited to:

  • the future of Indigenous Horror;
  • Indigenous futurisms;
  • Indigenous futurism in relation to Afrofuturism;
  • the post-apocalyptic;
  • after the Anthropocene (or other labels);
  • pre-contact/post-contact;
  • Indigenous “monsters”;
  • Indigenous identity/identities;
  • unsettling, activism;
  • love, reciprocity, and horror;
  • Indigenous horror and visual, digital, or textual sovereignty;
  • mixed media, experimental media;
  • virtual, embodied, extended, or augmented reality;
  • multisensory installation and the horror experience;
  • ecological discourses and horror manifestations in relation to speculative narratives;
  • interrogation of “rewilding” and alternatives;
  • decolonization of Indigenous stereotypes in mainstream Horror and their counterparts in Indigenous narratives;
  • authentic Indigenous horror images, visions, “metaphors” or “motifs”;
  • social media and h/Horror in relation to fiction marketization;
  • sonic landscapes of horror;
  • systems of Indigenous horror that move between fiction, film, music, and other media;
  • NDN and Horror media;
  • inter-tribal horror/Horror and trans-Indigeneity or pan-Indigeneity;
  • exploration of various land-based, place-based, sky-based, star-based, or water-based horrors in narratives by Indigenous creators;
  • blood, heredity, categorization, and holocaust/genocide narratives;
  • reconciliation;
  • virtue signalling, horror, media cultures and spaces;
  • metacommentary;
  • analysis of Indigenous Gothic and Horror;
  • Indigenous Horror fiction and ways of knowing;
  • reading (and teaching) Indigenous horror fiction;
  • horror systems as epistemologies;
  • Indigenous Horror fiction and scholarship;
  • and more.

This follow-up collection seeks contributions from self-identified Indigenous scholars in any stage of their academic journey. We also encourage submissions from allies to the community. To acknowledge the various ways in which Indigenous scholarship may emerge, we welcome both traditional as well as more exploratory approaches, including submissions of proposals for non-fiction works by self-identified Indigenous storytellers reflecting on the process of writing, or otherwise producing, horror.

Please send a 250-word abstract and a 100-word bio to editors Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca) by May 30, 2025. Accepted chapters will be due June 30, 2026.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Gladiator 2 Cinemark Popcorn Bucket

Collectable popcorn buckets are becoming a big thing now. Gladiator 2 has one, of course. Thankfully this bucket could be ordered online instead of actually going to a Cinemark theater. So, of course I ordered a bucket:

Sword and Sandal Blu-rays

Coinciding with the release of Gladiator 2 in November, there’s been a handful of older pepla getting new releases on UHD/Blu-ray. In mid November three came in the mail: Steelbook edition of the original Gladiator (2000), a new cut of Caligula (1979), and a new edition of Hercules Returns (1993).

Rest in Peplum Tony Todd

Tony Todd, horror actor extraordinaire best known for his portrayal as Candyman, passed away. He starred in a handful of pepla: Xena (1995-2001), Hercules (1995-1999), Beastmaster 3 (1996), and Minotaur (2006).

Michele and I had the honor to meet him way back in 2008 at a horror con in SeaTac. He autographed my Criterion Collection edition of The Rock (1996):

When Candyman 2021 came out I did an article on bands that sample dialogue from the original Candyman (1992). Do check out that article to see some innovative ways that Todd lives on via textual sampling.

Art of Michele Brittany

Michele has started a Facebook Page devoted to her crafting and art. If you want to check out her projects or purchase some of her journals, give the page a like and follow!

https://www.facebook.com/profile.php?id=61565895377463

Categories
News

News Roundup W/E 2022-08-14

Personal / Website News

Review Republished: Awen’s The Hollow in the Stone

Last week I re-published another older piece of mine, a look at the album The Hollow in the Stone by Texas neofolk outfit Awen.

I originally published this on my neofolk blog back in 2020. It’s new home can be found here.

General Neo-Peplum News

Weird Tales #366 Cover Reveal

Issue #366 of the resurrected Weird Tales magazine will be devoted to all things sword and sorcery. The Weird Tales Facebook page revealed the cover art by Bob Eggleton:

The list of authors on the front looks epic. Keep an eye out at the Weird Tales official website when the issue becomes available to pre-order.

Gladiator 2 News

Article over at MSN/MovieWeb has a write up on all things known so far about Gladiator 2.

New Warkings Music Video

Austrian neo-peplum power metal outfit Warkings has a brand new music video online.

The song is called “Monsters” and has a guest appearance from Morgana le Fay. The video can be watched on YouTube or in the embedded player above. The song will be appearing on Warking’s next album, Morgana, slated to be released November 11th.

Categories
News

News Roundup W/E 2021-10-03

Personal / Website News

H. P. Lovecast Podcast Episodes

This past week we published not one, but two episodes of the H. P. Lovecast Podcast (due to timing: 4th Sunday and last day of the month).

Episode thumbnail by Michele Brittany

For the Fragments episode we took a look at the 1997 Guillermo del Toro’s film, Mimic. This episode can be heard on our Buzzsprout website or via your podcast application of preference.

Episode thumbnail by Michele Brittany

Next, our Transmissions episode also went up. This is our interview episode, and we talked to three folks, all three who are alumni of the Ann Radcliffe Academic Conference:

  • Farah Rose Smith on their short story collections Of One Pure Will
  • Rahel Sixta Schmitz on their debut non-fiction book The Supernatural Media Virus
  • Kevin Wetmore on their newest book, Eaters of the Dead: Myths and Realities of Cannibal Monsters

This episode can also be streamed at our Buzzsprout website or via your podcast app of preference.

Exotica Moderne Cover Reveal

Issue 13 of Exotica Moderne will be released soon! House of Tabu has done a cover reveal:

This issue will contain my review of the book Cuban Cocktails. The pre-order page for this issue can be found at the House of Tabu website.

Of note, my article for issue 14 is in the can! It will be an interview with pinup model Miss Corsair Debonair. The interview is done and sent in, just waiting on photos to go with the article. That issue will be released in early 2022.

Issue 15 I hope to finally do my write up on Caltiki: The Immortal Monster.

Academic CV

Updated the About Me page to include a link to the newest version of my academic CV.

General Neo-Peplum News

Aegean RPG

Stoo Goff has a Kickstarter going for an interesting neo-peplum table top RPG called Aegean RPG.

The Kickstarter description is as follows:

Aegean is a tabletop role-playing game about a group of mythic heroes building a new, free city on the shores of the Aegean Sea. There are neighbouring cities to trade or war with, monsters to kill, gods to appease, deceptions, negotiations and bloody skirmishes.

The world of Aegean is an ancient Greece that never existed – a mix of mythology and classical history. The gods visit the earth and converse with mortals, granting gifts of magic and life to some and fear and terror to others. Fearsome monsters roam the lands and seas making every journey an adventure. Strange creatures, some mortal, others half-divine, can be found in the wilderness. These centaurs, nymphs and tritons teach, harass or ignore humans as their whim takes them.

The polis—the city and its surrounding lands—is your home and where your loyalties lie. Your polis is a recently founded colony on the coasts of the Aegean Sea. The leader is called an arkhon, a democratically elected ruler after the Athenian fashion, rather than the hereditary king that many cities still use. The polis sits in a precarious position, between many similar neighbouring states who may wish to trade, ally or make war.

Your character fits somewhere in this world, between the capricious force of the gods, the wilderness and the structure of the polis and its ambitions.

Gladiator 2 Being Written

An article at IndieWire says that Gladiator 2 is current being written and will be ready to hit production after Ridley Scott’s Napoleon movie is made.

Afterlives Podcast

Egyptologist Kara Cooney has started a new podcast in September called Afterlives.

It can be streamed on Spotify or your podcast application of preference. Newest episode talks about being an academia, so extremely helpful!

Recent Aquisitions

Figure I would jazz up my news my showcasing any new neo-peplum texts I pluck up. While at a Zia’s Records last week I happened upon two metal releases: Warkings’ Revolution and Ex Deo’s The Thirteen Years of Nero.

I’m enjoying both, especially the adventure metal sound of Warkings. That album is interesting in that in a true neo-peplum fashion, it’s blending genres/histories together: Vikings, Spartans, Templars, etc.