Tag: CFP

Personal / Website News

Book Review of Orphan Road

Brand new book review is up here at the website.

This is a little outside my comfort zone as I’m no expert on crime fiction, but I took a dive into Andrew Nette’s novel Orphan Road and enjoyed it. Check out the review proper here.

Interview at BoldJourney

Your’s truly got interviewed at BoldJourney.

Give it a read here. And while you’re at it, check out the interview with Philippe Gerber as well!

Danse Macabre Blu-ray

Artus Films have just released Antonio Margheriti’s Castle of Blood, under the Danse Macabre title, in a luxurious UHD Blu-ray boxset.

The boxset has 3 discs, postcards, pins and buttons, and a near 100 page booklet. The final page of the booklet contains a snippet from my master’s thesis on Castle of Blood!

Super chuffed to have some of my scholarship appear as part of a physical release of a movie I adore. The boxset can be purchased at the Danse Macabre product page at the Artus Films website.

H. P. Lovecast Podcast

Brand new episode of H. P. Lovecast Podcast is now online!

In this episode we take a look at issue 1 of the comic book Flesh Eaters by Philippe Gerber, Orville Thurstan, with art by Okiko. The episode can be streamed at the HP Lovecast Buzzsprout, via the embedded player below, or through your podcast app of preference.

We have one more podcast for 2024 that we are planning to do. Nothing says X-mas time like angels, so we will be watching and talking about the 1995 film The Prophecy. Stay tuned!

The Best Horror of the Year Vol 16

Every year Ellen Datlow puts out a recap book called The Best Horror of the Year where she recounts notable releases and reprints some of the best stories and poetry.

Volume 16 just dropped and I’m chuffed to find out I’m mentioned in the book regarding my essay in the cosmic horror issue of Weird Tales. I’m super flattered!

This is actually the second time I’ve been mentioned in one of these books. A few years ago both Michele and I were mentioned in The Best Horror of the Year: Volume 13 regarding the collection we edited, Horror Literature from Gothic to Post-Modern: Critical Essays.

Here is the text from that edition:

Both volumes can be ordered from Amazon – here is the link to #13 and here is the link to #16.

Panthans Journal #331

The newest issue of the The National Panthans Journal has been published. This issue contains a re-print of my review of The Moon Maid: Catacombs of the Moon #1.

Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn@gmail.com in a Word document for consideration.

McFarland Holiday Sale

My publisher, McFarland, is having a Holiday sale on all of their tiles! From November 15th to December 2nd, if you use code “HOLIDAY24” during checkout, you’ll get a 35% discount.

If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:

If you want to support Michele, consider buying James Bond and Popular Culture and Horror in Space: Critical Essays (I have essays in both):

If you’re interested in another book that I have an essay in, consider The Many Lives of the Twilight Zone and Uncovering Stranger Things:

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2024.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path. Links to these will also be in the CFP page on the navigation bar.

Play and the Gothic

[Note: I = Simon Bacon]

I have a speculative CFP on “Play and the Gothic” to encompass any kind of gaming, boardgames, role-playing games, toys, construction games (Lego etc), dolls, collective or individual games across mediums, history and cultures that can be read in terms of play, playful, interactive, immersive, virtual, problem solving, psychological, well-being, materiality.

Their role in fictional fictional and non-fictive spaces, as the focus and instigators of narrative, their relation to the ludicrous gothic, their ability to gothicise spaces, or how they become gothicised via their use or environment.

This can equally involve the relationship between gaming/games/toys to certain kinds of gothic; happy gothic; regional gothic; ecogothic; folk gothic; children’s gothic; female gothic; religious gothic; gothic monsters (vampires/werewolves/ghosts/etc); the weird; cosmic gothic.

If interested send abstracts/ideas to me by Jan 31, 2025 at: baconetti@gmail.com

(Final essays of 6-7,000 words would potentially be needed mid 2026)

Monstrous Consumption:
The Diets of Monsters and Monstrous Diets in the Popular Imagination

Another Simon Bacon CFP:

If we are what we eat, what things do we eat to make us monsters And what things do monsters eat to make them so monstrous?

This can be read as broad as you like, and across history and cultures and in any media (games, comics, music, performance, literature, film, TV).

Possible areas could be, but in no way limited to:

• magic foods that transform people into monsters
• diets/foods that make other cultures/peoples monstrous
• additives/secret ingredients with monstrous effects
• diets/foods specific to monsters
• the role of cannibalism and/or forbidden foods
• toxins/poisons/drugs
• shrooms/mezcal and hallucinogenic foods
• allergies and intolerances
• transgressive foods/diets
• supernatural and/or magical foods
• foods that are alive
• food/diets in rituals/religious practices and the transgression of those
• role of vegetarianism and veganism

The call is going really well, but don’t let that put you off if you have an idea.

Consuming Identity: Cannibalism and the Beyond Human Subject

Connectedly….there has been a lot of interest within this around Cannibalism with the possibility of a separate collection solely on this. So if you have any left field ideas to do with cannibalism in regards to:

• Historical cases
• Philosophy
• Theology and religion
• fantasy and science fiction (alien cannibals)
• indigenous and cross-cultural examples
• cannibalism and eco-criticism/environmentalism
• cannibalism and decolonisation

Deadline for receiving abstracts is 31st December 2024, with final essays due early to mid-2026. If you have thoughts, abstracts, or relevant essays looking for a home…drop me a message at: baconetti@gmail.com

Panel: Airborne Gothic

ASLE 2025 Panel Organized by the Society for the Study of American Gothic

July 8-11, 2025

University of Maryland, College Park

This panel sets out to consider how gothic is carried and transmitted through air. Airborne gothic takes many forms: stories told around campfires; plague and Covid narratives; texts featuring ominous flying creatures (birds, bats, and bugs!); radiation/nuclear gothic; propagandistic talk about windmills as killing machines; airplanes or spacecraft as gothic sites; the winds and wutherings that course through so many gothic stories; and more. How do gothic texts evoke unrest, turbulence, undeadness, and/or trauma by way of airborne vectors? How does airborne gothic both thwart and encourage collective atmospheres?

Please send one-paragraph abstracts and short bios to Jennifer Schell (jschell5@alaska.edu) and Eric Anderson (eandersd@gmu.edu) by December 20, 2024.

TV Matters (Intellect Books)

Editor: Sabrina Mittermeier
 
TV Matters is a new series of short monographs (40,000 to 50,000 words) on television series, analysing their production history, cultural context, main themes, as well as fandom and audience reception. The focus is on shows that both have critical acclaim (as reflected by awards, media reviews), but more importantly, are genuinely ‘popular’. That means they have had a robust viewership and ideally an active fandom (watercooler discussions on- and offline, as well as fan production such as fic, art, vids etc.) and/or an unusual reception history (cases of bans, censorship or similar).
As the intended audience for this book series extends beyond academia, we expect an engaging/accessible writing style. This however does not mean less academic ‘rigour’ – authors should thoroughly research production history (incl. where possible through interviews with creators or archival research), include a solid textual analysis of main themes and should show familiarity with concepts and theories of fan and audience studies.

The aim of this book series is to engage with TV shows that were and are truly popular rather than just part of a canon of ‘quality TV’ or ‘cult TV’. The scope includes scripted/fictional programming, both live action as well as animation, but also reality TV, casting shows and documentary formats, if they fill the criteria. If it mattered to people, it qualifies!

This crucially also means shows outside of a Eurocentric lens of media production – K-Drama, Telenovelas, any popular TV in its respective cultural contexts, but also productions that crossed border lines and were adapted transnationally. In case of particularly long-running shows such as soaps or procedurals, or non-scripted content, ongoing series are also open to consideration.
To illustrate examples, series that tentative authors have already been approached about include Bridgerton(2020–), Game of Thrones (2011–2019), Ted Lasso (2020–2023), Ducktales (1987–1990), Star Trek: Voyager(1995–2001) and the Eurovision Song Contest.

At this point, we are open to any proposals on series meeting the criteria, but are especially looking for someone interested in writing on Supernatural (2005–2020), Friends (1994–2004), Buffy the Vampire Slayer(1997–2003), Grey’s Anatomy (2005–), Doctor Who (1963–), the CSI, NCIS, Law & Order franchises or long-running reality TV and transnational competition formats such as Survivor, Big Brother or Strictly Come Dancing. If this sounds like you please approach us!

As a first step, just send a short (!) pitch (500 words max), including what series you’d want to write on and why you think it matters, to the series editor Sabrina Mittermeier (Sabrina.Mittermeier@uni-kassel.de). If deemed a good fit, we move on to a more formal proposal. We expect the series to launch in 2026.

Gothic Crossroads

A conference exploring and celebrating the multi and interdisciplinary crossings of Gothic and Horror Studies.

Manchester Centre for Gothic Studies, Manchester Metropolitan University, 25th-27th June, 2025

Plenary Speakers: Prof Rosario Arias (University of Malaga, Spain), Dr. Maisha Wester (Global Professor, University of Sheffield, UK)

Physical crossroads have long been sites where the human, divine and demonic were felt to converge and potent sites for magical, religious encounters, rituals of transformation, binding of undesirable spirits, siting of gallows and links to ancient cosmology. This conference also considers the crossroads as a space where the boundaries between differing spheres are negotiable, asking what it means to walk in the interdisciplinary pathways and cross currents of the Gothic.

The crossroad is a geographical location and ancient symbol closely associated with folklore where two or more realms touch. It is historically and imaginatively connected with travellers and travelling, strange encounters, omens, choice and indecision, danger, suicide, criminality, apocalypse and renewal, guilt and judgement, punishment, ritual and ceremony, lovers’ meetings, hanging, summoning, access to Gods, devil dealing, casting out and death. The choice between paths can also lead to repercussions and consequences of “the wrong path”, “the path not taken” and “straying from the path”.

This conference invites creative and scholarly consideration of any aspect of these areas or any other creative/critical spin on themes of crossing/crossover/cross currents, travelling, intersection, interception, (con)junction, incursion, deviation and transitioning in any/all aspects of cultural production as it relates to Gothic and horror.

It also proposes the crossing as a metaphor for presenting and thinking on the interdisciplinary work of the Gothic and the intersectional/transnational spaces where the gothic is engaged and approached. Thus, we are particularly interested in “paths less travelled” and contributions from scholars and ECRs working in the intersections where the cultural work of Gothic and horror studies crosses boundaries and spheres, engaging with fields and disciplines beyond the traditional, and where new “crossings” can be discovered. This includes, but is not limited to: Gothic and horror in gaming, architecture and heritage, creative writing and practice, comics and graphic novels, scriptwriting, theatre, music, geography, plant studies and environmentalism, anthropology, libraries and archives, sociology and social studies, broadcasting, publishing, media and graphic design. We are sure there are more, so feel free to surprise us with your wanders, crossings, and encounters!

Please submit a 250-word abstract for 15-minute presentations by 28th February 2025 to Dr Emma Liggins and Dr Eleanor Beal at gothic@mmu.ac.uk

For all submissions, be sure to include your name, a short (50-word) biographical sketch, institutional affiliation (if any), and contact details. Please send your submission as an attachment (as opposed to a link to a server such as Googledocs).

Submissions for panels should be sent as a single submission with three to four 250-word abstracts, a brief statement of the theme of the panel and the information above about each of the presenters.

Submissions for workshops should indicate the length of the workshop (max. 45 minutes).

If accepted to deliver a paper or workshop, a number of travel bursaries up to £100 are available for selected international and UK postgraduates on application.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

New John 3:16 Track

Philippe Gerber, who does the theme music to the H. P. Lovecast Podcast, has cut a new track on Bandcamp under his John 3:16 moniker.

It’s called “Terror” and it can be streamed/purchased here. Check it out!

Ancient Aliens Autograph

Arrived in the mail just before Thanksgiving was our copy of Ancient Aliens season 2 on DVD, but autographed by series guest Tim R. Swartz.

I posted the DVD sleeve to him and he was gracious to sign it, though my name is missing an “S”. I’m not saying it’s aliens that took it, but….