Month: August 2023

Categories
News

Biweekly News Roundup 2023-08-27

Personal / Website News

Dark Dead Things #2

Issue two of Dark Dead Things is officially out!

This issue contains my essay, “Correlating the Contents: Mimetic Desire in H. P. Lovecraft’s ‘The Call of Cthulhu’.” It can be purchased at the Dark Dead Things website or at Amazon.

BlueSky

I have an account at BlueSky now. I can be found at: @nicholasdiak.bsky.social. I’ll try posting there concurrently with Facebook and Twitter. And maybe Post and Tribel, but I don’t see many folks on those last two.

IMDB Profile

I have a profile at IMDB now!

Granted, there is not much there, but I think it’s pretty cool I’ve got to be in a few things. Here is a frame capture from Best.Work.Weekend.Ever. that you can kinda see me in:

I am in front of the T-shirt, way in the back. Michele and I also play dead bodies in There’s No Such Thing as Vampires – you can’t miss us in that.

Anyways, if you want to help me grow my acting CV, I am totally available to appear in documentaries, supplemental features on blu-rays, you name it!

CoKoCon Schedule

The schedule for CoKoCon 2023 is online. You can find Michele and I on the following panels:

  • Saturday Sept 2 9pm – Fiesta Ballroom 2: From EC Comics to Shudder: Horror Comics That Excite and Scare Us
  • Sunday Sept 3 6pm – Coronado: Creepy, Crawly, Otherworldly Bumps in the Night, or Cosmic Horror Films
  • Monday Sept 4 1pm – Coronado: 1pm: Weird West in Popular Culture

I’ll be on premises the entire con, so feel free to hunt me down to say hi! Michele and I will also have a table we were sill be selling and signing books.

Scholars from the Edge of Time

New episode of Scholars from the Edge of Time is now online.

In this episode, Michele and I discuss the 1999 Highlander/Mortal Kombat hybrid film, G2: Mortal Conquest. Check it out on YouTube!

Publishing Recap

Below is a recap of my publishing endeavors so far in 2023.

Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”

Vernon Press Product Page

Published in May, this issue of Weird Tales contains my essay “When the Stars are Right.”

Weird Tales Product Page

Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”

Limited to 50 physical copies.

Order via Patreon.

Published in early August, Dark Dead Things #2 contains my essay “Correlating the Contents: Mimetic Desire in H. P. Lovecraft’s ‘The Call of Cthulhu’.”

Order via Dark Dead Thingswebsite.

Miscellaneous Tidbits

Autograph Roundup

These past few months I’ve gotten into the habit of sharing some of my autographed items (mostly DVDs right now) on social media. Figure I can share them here too because I think I have some rad stuff.

First up is my copy of Contamination signed by director Luigi Cozzi. I remember first getting into Italo-horror and exploitation films being exchanged with the poster art. It looks so ominous. When I finally watched the movie, it turned out to be amazing. The beginning is just like Zombi but then you got all the exploding alien eggs. The final 1/3 of the film is like a spy-fi movie. Simple film that aims big and succeeds. I snail mailed my DVD sleeve to Cozzi way back in the aughts and he was gracious to sign it for me.

Next up is Nightbeast signed by director Don Dohler’s son, Greg Dohler, who acted in his dad’s films. Dohler was the king of 80s creature features. Another sleeve I snail mailed to Dohler asking for an autograph (always include as SASE folks!).

Abominable is a damn fine cryptid film full of cameo actors, both old guard and (then) new school. My copy was signed by Lloyd Braun himself, Matt McCoy, at a Hollywood Collector’s Show in Burbank in the late 2000s/early 2010s.

I remember being super hyped for the first Transformers movie when it was released and enjoying it. I saw the second one and was really disappointed, and have not seen any since. I might give Transformers: The Last Knight a watch because of the Arthurian/peplum elements.

This special edition of Transformers came out in the 2000s, back when super crazy special editions were all the rage. The DVD comes housed in am Optimus Prime that folds out. It’s pretty cool!

I had my copy signed by Mark Ryan who voiced Bumble Bee. He was a guest at a tiny comic book convention in Seattle back in the 2000s. Over time the silver ink from the booklet got a little stuck to the plastic box. Doh!

In the latter half of the 2000s Michele and I became Oliver Gruner super fans and were buying as many films as he was in as possible. Once of those films was Velocity Trap and boy is it a fun film. Basically a Die Hard in space. I have my DVD signed by a lot of folks: Gruner himself (his signature is in ballpoint pin and hard to see, but it’s under Bruce’s name), Bruce Weitz, James C. Burns, and Jaason Simmons.

There was a small, tiny window in the mid-2000s, after MST3K concluded, but before Film Crew, Rifftrax, and Cinematic Titanic, that Mike Nelson was doing solo commentaries for Legend Films. So, if you wanted MST3K-like content, this was the way to go. One of those releases of a colorized version of Plan 9 from Outer Space that came pre-signed by Nelson and also with an air freshener (because the movie stinks?). Great version of the cult film.

Apparently the North American region, Blu-ray release of Dawn of the Dead is super rare and OOP. Licensing issues I believe? I don’t have a Blu-ray of that classic film, but I do have this huge digipack edition Anchor Bay put out. There’s a few different versions of Dawn of the Dead in this edition. I had Ken Foree sign ming.

Can’t have Dawn of the Dead without following it up with Day of the Dead. Another digipack edition put out by Anchor Bay, mine is signed by Howard Sherman (Bub!) and Terry Alexander. I believe I met them both at a Crypticon in SeaTac back in the late 2000s.

And that is a recap of the last week or so of autographed stuff I shared across my social medias. If you want to see more of them, give me a follow!

Categories
News

Biweekly News Roundup 2023-08-13

Personal / Website News

Black Emanuelle Boxset Unboxing

Severin Films recently released a titanic boxset of the Laura Gemser Black Emanuelle films. I, of course, did an unboxing article of it.

I also bring up prior incarnations of Black Emanuelle DVD releases. Check out the write up here.

Citation News

There’s been an uptick in work being cited lately and I am here for it!

Firstly, my essay “Lost Nights and Dangerous Days: Unraveling the Relationship Between Stranger Things and Synthwave” from Uncovering Stranger Things has been cited in the essay “‘Dad, every serial killer is somebody’s neighbor!’ The Problem of White Supremacy in Summer of ’84” by Erika Tiburcio Moreno and published in the edited collection The ’80s Resurrected: Essays on the Decade in Popular Culture Then and Now.

The book was published by McFarland in March earlier this year. More info can be found on the book’s product page at the McFarland website.

Next, Hannah Mueller’s essay “Male Nudity, Violence and the Disruption of Voyeuristic Pleasure in Starz’s Spartacus” from The New Peplum has been cited by James K. Beggan in his essay “Why is he there? Male presence in a sexually explicit magazine geared towards heterosexual men” that was published in the Porn Studies journal.

The New Peplum
Cover art for The New Peplum

If you have access the essay can be read at the journal’s page at Taylor and Francis.

New Episode of HP Lovecast

A new episode of our monthly Transmission program is now online.

For July we interviewed Chelsea Pumpkins, editor of the horror anthology AHH! That’s What I Call Horror: An Anthology of ’90s Horror. The episode can be streamed via our Buzzsprout page, the embedded player below, or through your podcast app of preference.

HPLCP Transmissions – Ep 24 – Chelsea Pumpkins – H. P. Lovecast Podcast

CoKoCon Schedule

The schedule for CoKoCon 2023 is starting to take shape! You can find Michele and I on the following panels:

  • Saturday Sept 2 9pm – Fiesta Ballroom 2: From EC Comics to Shudder: Horror Comics That Excite and Scare Us
  • Sunday Sept 3 6pm – Coronado: Creepy, Crawly, Otherworldly Bumps in the Night, or Cosmic Horror Films
  • Monday Sept 4 1pm – Coronado: 1pm: Weird West in Popular Culture

I’ll be on premises the entire con, so feel free to hunt me down to say hi! Michele and I will also have a table we were sill be selling and signing books.

Publishing Recap

Below is a recap of my publishing endeavors so far in 2023.

Published in February, this collection contains my essay “Dance or Dēcēdere: Gladiator and Industrial Music Sampling.”

Vernon Press Product Page

Published in May, this issue of Weird Tales contains my essay “When the Stars are Right.”

Weird Tales Product Page

Published in late March, the first issue of the zine Footage Fiends, contains my essay “Analisi Della Cosa: Found Footage in Caltiki and Italian Theater Going Practices.”

Limited to 50 physical copies.

Order via Patreon.

Essay about mimetic desire in Lovecraft’s Call of Cthulhu in Dark Dead Things #2/

Order via Dark Dead Things website.

Miscellaneous Tidbits

New Acquisitions

Kino Lorber just had a summer sale on their Blu-rays so I took the opportunity to pluck up some Italian films for the library.

The Last Hunter I already had on DVD, from Dark Sky Films. In fact, here is my copy autographed by Antonio Margheriti’s son, Edoardo Margheriti:

I did a presentation on The Last Hunter at the Southwest Popular/American Culture Association conference waaaaaaay back in 2010. Not my best presentation and still very green at being an academic, but the text of it can be read at my Academia.edu account.

Ironmaster I have not seen. It sounds like an Italian sword and sorcery flick, but in a prehistoric age. I am a fan of Umberto Lenzi’s work so this should be a fun watch.

Lastly is Yesterday, Today and Tomorrow, which I also have not seen. I’ve seen the iconic image of Sophia Loren slipping off her stockings that I feel like I’ve seen the film. I always think of Mastroianni from Divorce, Italian Style.

Pasolini’s The Gospel According to St. Matthew Commentary

Matt Page, author of 100 Bible Films, has recorded a commentary for Paolini’s 1964 Biblical peplum, The Gospel According to St. Matthew. The commentary and be streamed from YouTube. Criterion Collection recently released a Pasolini boxset that contains this film.

Call for Papers

Michael Torregrossa has a few CFPs out there. I’m sharing them here to help get the word out. Check them out and consider submitting!

Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel)

Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Monsters & the Monstrous Area of the Northeast Popular Culture Association

Organized by Michael A. Torregrossa, Richard Fahey, Carl Sell, and Benjamin Hoover

Call for Papers – Please Submit Proposals by 30 September 2023

55th Annual Convention of Northeast Modern Language Association

Sheraton Boston Hotel (Boston, MA)

On-site event: 7-10 March 2024

The Old English epic Beowulf remains an important touchstone for connecting us to the medieval past, yet it also has continued relevance today through its various transformations in cultural texts (especially works of popular culture). Our hope with this session is to expand our knowledge of these works and assess their potential for research and teaching. 

Please visit our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (available at https://beowulf-transformed.blogspot.com/)  for resources and ideas. 

The full call for papers (with complete session and submission information) can be accessed at https://tinyurl.com/Beowulf-Transformed-NeMLA-2024.  

Session Information

Over a millennium old, the story of Beowulf is disseminated primarily through its editions and translations and its transformations. These three types of Beowulfiana represent a massive corpus of over 1000 works according to the Beowulf’s Afterlives Bibliographic Database; though, as medievalists, we tend to focus on the first two categories rather than the last concentrating on scholastic pursuits rather than entertainments. Consequently, many are often surprised by the variety and vitality of this corpus and its vast potential for research and teaching.

New versions of the Beowulf story feature in all forms of modern mediævalisms, yet (as is true with most medieval texts) research continues to focus primarily on depictions of Beowulf on screen (about 100 examples according to the Internet Movie Database). We hope in this session to expand our view of Beowulf’s reception by creators and look more deeply at the text’s wider use. 

We are particularly interested in explorations of the adaptation and/or appropriation of the text, its characters, and its themes in works of fiction (at least 250 examples according to the Internet Speculative Fiction Database and much more recorded by the Beowulf’s Afterlives Bibliographic Database) and comics (at least 380 examples according to the Grand Comics Database), as well as their representations in new and neglected works on screen (including film, television, entertainment consoles, and the Internet). Additional versions of Beowulf can be found in works of creative, performative, and visual arts that also need more attention. 

We hope to make our conversation productive. Therefore, we request that submissions highlight the ways the new text transforms the old (for example as interpretations or appropriations of the poem or as an intertext for another work) as well as its value in furthering the Beowulf tradition rather than focusing solely on any perceived defects. 

Please see our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (at https://beowulf-transformed.blogspot.com/) for a growing list of ideas, resources, and support. 

All proposals will also be considered for a themed issue of the open-access journal The Heroic Age: A Journal of Early Medieval Northwestern Europe.

Please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com.

Submission Information

All proposals must be submitted into the CFPList system at https://cfplist.com/nemla/Home/S/20596 by 30 September 2023. You will be prompted to create an account with NeMLA (if you do not already have one) and, then, to complete sections on Title, Abstract, and Media Needs. 

Notification on the fate of your submission will be made prior to 16 October 2023. If favorable, please confirm your participation with chairs by accepting their invitations and by registering for the event. The deadline for Registration/Membership is 9 December 2023.

Be advised of the following policies of the Convention: All participants must be members of NeMLA for the year of the conference. Participants may present on up to two sessions of different types (panels/seminars are considered of the same type). Submitters to the CFP site cannot upload the same abstract twice.(See the NeMLA Presenter Policies page, at https://www.buffalo.edu/nemla/convention/policies.html, for further details,)

Thank you for your interest in our session. 

Again, please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com.

For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://MedievalinPopularCulture.blogspot.com/.  

For more information on the Monsters & the Monstrous Area of the Northeast Popular Culture Association, please visit our website at https://popularpreternaturaliana.blogspot.com/.

Categories
Essays

Traveling First Class: The Sensual World of Black Emanuelle Boxset

Roughly fifteen years ago Severin Films gave rejuvenated life to a handful of Black Emanuelle titles, Italian derivatives of the French Emmanuelle films. Staring Laura Gemser, the Black Emanuelle films took on a distinct identity of their own while at the same time flirting with other popular Italo-genres of the period: mondo, cannibal, women in prison, etc.

Severin only scratched the Black Emanuelle surface back in the latter august, with other DVD companies such as Blue Underground, Full Moon, Mya, and Shriek Show, published Black Emanuelle titles they had rights to. It was a scattered canon of releases with some titles and alternate versions remaining unreleased in digital format.

Fast forward to 2023 and Severin Films returns to the erotic world of Black Emanuelle with an epic fifteen disc boxset of Black Emanuelle Blu-rays and soundtracks. As in typical Severin fashion, the Black Emanuelle boxset came in a variety of bundles. This article is an unboxing of The Around the World bundle along with a comparison and remembrance of prior Black Emanuelle releases from other publishers.

Like the Severin release of All Haunts Be Ours, Black Emanuelle came in a large box, only cube-shaped instead of pizza box-shaped.

Bonus Spunky cat checking things out.

Packed with lots of popcorn, obscuring the contents within. 

First up is the Severin Airlines bag. The type face and red-orange-yellow colours evoke the 70s for sure. The sun has a bit of a broken sun vibe typically found in synthwave artwork. The bag is the perfect size to fit all the Black Emanuelle swag within.

It even has zippers of the iconic Severin Films logo.

A reproduction necklace from Black Emanuelle.

The insert shows a picture of Laura Gemser in one of her poses from the photoshoot scene in the film.

A reproduction Polaroid.

A passport that look quite convincing that had a Severin Films logo sticker and a sticker that references Violence in a Women’s Prison. 

A comparison of the Emanuelle passport to a real, present day one.

The passport reproduction gets even more detailed with identifying information.

To compliment the passport, there are three sheets of stickers that can be put inside the passport as visas.

Each sticker set is grouped by film. 

Gemser was truly a globetrotting reporter with all these sticker-visas!

The next big ticket item is the board game, Around the World with Black Emanuelle. This will be opened at a later date.

A recreation pen from the Hotel Siam in Bangkok. It looks like a white Mont Blanc.

And finally, the treasure itself, the boxset proper. The outer boxset is sturdy cardboard and has, on the side, a scroll wheel that changes the photo displayed inside Gemser’s camera when turned.

Before going further, the two original Black Emanuelle boxsets Severin published back in the 2000s need to be highlighted. These boxes were locked with velcro and when opened showed a nude Gemser. Each boxset had three films. 

Inside the Black Emanuelle boxset is a small, but thick book titled The Black Emanuelle Bible, edited by Kier-La Janisse who has done wonder work on other Severin releases.

The blu-rays and CDs are packed in a folding booklet, with inserts for each disc.

Disc one contains the Black Emanuelle and Black Emanuelle 2. Paired here is the original Severin DVD release of Black Emanuelle 2 which did not feature Gemser. 

Disc two contains Emanuelle in Bangkok and Emanuelle in America. Here the boxset is paired with the original Severin edition of Emanuelle in Bangkok and the Blue Underground version of Emanuelle in America.

Disc three contains two extremely controversial Black Emanuelle films. Firstly there is Emanuelle and the Last Cannibalspaired with the Severin Blu-ray edition and the Shriek Show DVD version.

The other half of the disc has Emanuelle Around the World. Severin originally published this in two different DVD editions: a normal edition and a European XXX edition.

Skipping to disc five there is Emanuelle and the White Slave Trade pictured with the original Severin DVD and the Full Moon Blu-ray.

The other film on disc five is Sister Emmanuelle. The original Severin edition came in a boxset that contained postcards of the films’ posters.

Disc six has the sleazy Violence in a Women’s Prison, compared to the Severin Blu-ray edition.

Disc seven demonstrates the fluid naming conventions Italian genre films adhered to. This disc contains Emanuelle Black Velvet, paired with its Full Moon edition. Severin previously published this film under the Black Emanuelle White Emmanuelle moniker (two Ms!).

Disc nine has Divine Emanuelle, this one paired with its Shriek Show counterpart Divine Emanuelle: Love Cult.

And finally, as far as release comparisons go, disc element contains Laura Gesmer’s first film appearance, Amore Libero – Free Love. The defunct boutique label Mya originally published this film on DVD under The Real Emanuelle title.

Slated to be included in this boxset was an item called “Emanuelle’s Studio Magnetic Fashion Playset.” However that item seems to be held up by the manufacturer and will ship at a later date.

All in all this is a comprehensive boxset on all things Black Emanuelle. The ephemera really contextualizes the era these movies came out in and underscores the traveling and cosmopolitanism aspect aspects of them. A glorious and glamorous boxset that solidifies the Black Emanuelle legacy.

If you enjoyed this unboxing check out these related articles. Also, I still have a soft open on the Emmanuelle/Black Emanuelle CFP. If you have an essay idea, send it over! Details can be found here.