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News Roundup: January 2026

Personal / Website News

This is my first News Roundup post for 2026. This is also my first post of moving to my new schedule of publishing these once a month at the end of each month.

2025 Accomplishment Recap

My recap of 2025 – writing I got done (published or reprinted), vidcasts, podcasts, conferences, etc. is now online.

Five books laid out on a table.
Works published physically in 2025: Three issues of NESS, 1 issue of Burroughs Bulletin, and Merry Creepmas.

Last year was a pretty good year! I did not get to everything I wanted to (Emmanuelle book), but I was pretty prolific! Feel free to read the recap here.

Panthans Journal #344 and #345

The newest issue of the National Capital Panthans Journal has been published. This issue contains a re-print of my review of issue five of of the adult/neo-jungle girl series Vanya: The Lost Warrior. The original version of my review can be read right here.

Cover is by Mark Wheatley and called "The Beasts". It is red hued. It shows Tarzan riding atop of an elephant. Below the elephant are two gorillas and a lion. Behind them is a tree and a setting sun.
National Capital Panthans Journal #344.

The February Panthans issue #345 came out a day earlier on January 31st. This issue has a reprint of my review of Vanya #7, and the original can be read here.

Cover by David Michael Beck. It's a drawing of Tarzan atop an elephant, with 2 axes in front.
National Capital Panthans Journal #345.

As a preview of things to come, the March issue of the National Capital Panthans Journal will contain a reprint of one of my short stories that has been OOP for a few years. Stay tuned!

Paraphrased from the zine: The National Capital Panthans Journalis a monthly publication issued as a .PDF file on the Saturday before the first Sunday of each month. Contribution of articles, artwork, photos, and letters are welcome. Send submissions to the editor: Laurence G. Dunn at laurencegdunn AT gmail.com in a Word document for consideration.

Sincere appreciation to Laurence for the opportunity to have my work published in the journal.

Fan2Fan Podcast Appearance

The cool kids at the Fan2Fan Podcast have been dropping episodes recently about collecting physical media (see below).

Square podcast thumbnail. It is black and orange. It shows a hand holding a music CD. It says: F2F New Fan2Fan Podcast Epiosode! CDs fanpodcast.com
Fan2Fan Podcast episode thumbnail for the episode about CD collecting.

They just dropped an episode about CD collecting and both Michele and I are on it. The episode can be streamed at this link here, via the embedded player below, or via your podcast app of preference.

The One Where We Talk About CDs Fan2Fan Podcast

Following that they have another episode about how Michele and I’s collection of movies, games, etc. and how we collect lots of media.

Thumbnail shows a stack of 4 TVs, one displaying a record, one a CD, one a video game contractor, and one a record. The thumbnail reads: F2F New Fan2Fan Podcast Episode! Physical Media - Movies & Music Special Editions Video Games. Fanpodcast.com
Fan2Fan episode thumbnail on Physical Media.

That episode can be heard here or in the player below.

Physical Media: Heavy Boxes, Special Editions, and Video Games Fan2Fan Podcast

Check out both episodes!

H. P. Lovecast Podcast

H. P. Lovecast Podcast will return in February! We’ve already recorded our discussion on the 80s creature feature classic, The Deadly Spawn, it just needs to be edited and published.

The New Peplum Citations

It has been a hot minute, but new citations for The New Peplum have just popped up!

Cover shows an actress wearing a purple peplum looking over her shoulder to a movie camera.
Audio-Visual Roman Women cover.

The open access collection, Audio-Visual Roman Women: Gender, History & Screen Media, contains two essays that reference The New Peplum. Martin M. Winkler’s essay “Caesar’s Daughter: Lucilla on Screen” while Panayiota Mini’s essay “British Women in a Roman World: Female Figures in Audio-Visual Works about the Ninth Legion” cites Kevin Wetmore’s essay. Always wonderful to see The New Peplum continue to be cited by others.

Audio-Visual Roman Women can be read online here.

Scholars from the Edge of Time

The last episode of Scholars from the Edge of Time in 2025 was on the David Carradine/Roger Corman 80s S&S classic, The Warrior and the Sorceress (1984).

Blu-ray cover shows a woman with 2 sets of breast (really) and a barbarian swinging a sword and the two are dragged by tentacles into a toothy maw.
Blu-Ray of The Warrior and the Sorceress.

The cover promises a lady with four boobies and a Cthulhu and gosh darn it, the movie actually delivers four boobies and a Cthulhu. Our discussion of The Warrior and the Sorceress can be watched on YouTube. Check it out!

For January 2026 we kick of a new year of Scholars on the comedy side by discussing Hercules Returns (1993). An Australian movie that is essential a comedic redubbing of Samson and His Mighty Challenge (1964) with a thin plot of sorts that act as bookends. It’s a hilarious film.

DVD of Hercules Returns is blue. The title is being held up by Hercules on his back. The Blu-ray is a cardboard slipcase. It shows Hercules flexing, with the main character imposed in his toga top.
Personal copies of Hercules Returns on DVD and Blu-ray.

Our discussion of Hercules Returns can also be watched on YouTube.

Publishing Recap

Below is a recap of my external publishing endeavors so far in 2026.

Cover is by Mark Wheatley and called "The Beasts". It is red hued. It shows Tarzan riding atop of an elephant. Below the elephant are two gorillas and a lion. Behind them is a tree and a setting sun.
National Capital Panthans Journal #344.

“All E.T.’s Aren’t Nice: Vanya 06” reprinted in National Capital Panthans Journal #344, January 2026.

Original can be read here.

Cover by David Michael Beck. It's a drawing of Tarzan atop an elephant, with 2 axes in front.
National Capital Panthans Journal #345.

“The Prehistoric Purge: Vanya 07″ reprinted in National Capital Panthans Journal #345, February 2026.

Original can be read here.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my path or I am sharing on behalf of my colleagues. Links to these will also be in the CFP page on the navigation bar.

Werewolf Media Journal

Seeking paper abstracts for an upcoming WEREWOLF MEDIA-themed literary journal. Abstracts are open for critical theory papers discussing ANY MEDIA OR FRANCHISE WITH WEREWOLVES. The Horror Scholar Journal Vol 8 aims to be made available online in July 2026. This opportunity is paid 50 USD upon receipt of the final paper. Abstracts should be ~300 words briefly describing the scope and topic of your paper.

Final papers must be anywhere from 2000-5000 words. Not accepting reviews or previously published papers. This journal attempts to prioritize underserved or less published horror academics. Proposals and papers should be submitted in a readable, neutral size 12 font.

CUT OFF DATE FOR ABSTRACTS: FEB 3rd, 2026

CUT OFF DATE FOR FINISHED PAPERS: JUNE 1st, 2026

STEPS FOR APPLICATION:

  1. Submit your abstract via email to horrorscholar@gmail.com, along with your name, a 3-sentence bio, and social media links.
  2. Once your abstract is accepted, a finished paper can be submitted via email any time until the cutoff date above.
  3. Payment for your work will be sent upon reception of the first draft.
  4. Each paper will have 1 round of edits.

ABOUT HORROR SCHOLAR

HS is an independent horror research brand and one-woman publishing operation. It strives to make academic publishing more accessible and to celebrate both critical theory and fandom. @scholarhorror on Twitter or horrorscholar@gmail.com for questions.

Contemporary Indigenous Horror – Creative Writing

Contemporary Indigenous Horror (University Press of Mississippi, 2027) solicits original, unpublished short horror fiction, poetry, and experimental works by self-identifying Indigenous creatives. No work produced with AI will be accepted.

Honorarium: $250 (Canadian) per accepted piece

Deadline for submissions: July 14th, 2026

Name of organizer: Dr. Naomi Simon Borwein and Dr. Krista Collier-Jarvis

Contact email: Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca)

As a companion to analysis in Contemporary Indigenous Horror (contracted with University Press of Mississippi), we are looking for creative pieces to be published within this academic volume.

To acknowledge the various ways in which Indigenous scholarship may engage in an ongoing conversation with other forms of expression and writing, we welcome both traditional as well as more exploratory approaches to fiction, poetry, flash, and related hybrid, experimental intertexts that rupture settler-colonial categorizations of genre. Word/line count should be as follows:

  • Flash Fiction: about 500-1000 words
  • Short Stories: about 1000-4000 words
  • Poetry: maximum of about 110 lines
  • Experimental, hybrid words: some flexibility

Please send submissions and a 100 word bio to editors Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca) by July 14th, 2026.

Autographs from the Archive

Here are some autographed treasures I’ve shared on social media recently.

Student Bodies

Student Bodies (1981) is one of, if not the first, slasher comedy film. It is fairly rough around the edges if I recall, but still an important film in the early days of the genre. It would take a while to kind of juggle the two genres successfully, perhaps the first Scary Movie (2000)?

DVD shows a dead cheerleader, with a megaphone protruding from her mouth. She is laying on a school desk with a blackboard behind her.
Personal copy of Student Bodies on DVD.
Backside of the DVD. Shows images from the film. In the bottom left, in ball point pen, it is signed "Best - Robyn Flanery"
Student Bodies DVD signed by Robyn Flanery.

Way back in the 2000s, I was hooked on buying Mike Nelson commented movies from Legend Films, and they released Student Bodies, so of course I plucked it up. I sent my copy off to actress Robyn Flanery who graciously signed it.

The Strangeness

Two decades before The Descent (2005) there was The Strangeness (1985), though The Strangeness did come 5 years after Alien 2: On Earth (1980), when it comes to subterranean horror.

The Strangeness was one of those films I discovered during my Stephen Thrower/Nightmare USA phase in the 2000s. This movie was talked about in great detail in Thrower’s book, and I was tracking down all the movies I could. The only copy of The Strangeness I could find at the time was a British import from 23rd Century, a DVD label of dubious quality. I mean, look at that skull on the back. Generic much?

Shady looking, quasi bootleg DVD. The cover shells a skull and the inside of a well.
Personal copy of The Strangeness DVD.
Back of the DVD. It has a skull with swirls around it. In black ink it is signed "Best Wishes Nick! Mark Sawicki".
Strangeness DVD signed by Mark Sawicki.

Regardless, I plucked up this film to add to my growing Nightmare USA collection. I did reach out to Mark Sawicki, who worked on the film and asked if he could autograph it for me, and he said sure!

Years later Code Red released a much better version of this film. Time for a re-watch!

New Sword and Sandal Acquisitions

The ever growing peplum research library grows with these recent sword and sandal acquisitions.

The Last Legion and Seventh Son

Michele and I took our periodic trip to Zia Records the other weekend. I’m always on the lookout for some peplum and peplum-adjacent movies when we are out and about and this time I scored two!

DVD of The Last Legion shows Colin Firth is armor about to swing a sword. There is a battle behind him. The Blu-ray for Seventh Son its the standard characters face forward and is not particularly interesting.
Personal copies of The Last Legion and Seventh Son.

The first is The Last Legion (2007). I’ve been on the prowl for this one for a while, especially since it is mentioned in Dr. Wetmore’s essay in The New Peplum. That’s on the to watch pile for sure, and possible Peplum Ponderings article?

The second is Seventh Son (2014). I’ve never heard of this movie before and bought it because it looked like a post LOTR cash grab. Turns out I was wrong and it is based off a series of grim dark young children’s fantasy novels from the Spook’s series by Joseph Delaney. So, this is more of a post-Harry Potter cash grab as kids fantasy was in. Didn’t no one learn from Eragon (2006) a decade earlier? Regardless, it could be fun, so I look forward to checking it out.

News from Friends

Cool kids I know have been busy lately! Here are some signal boosts I’d like to give out.

New Ride the Stream Episodes

Michele Brittany and Travis Lakata have some brand new episodes of their Ride the Stream vidcast where they dive into season 2 of the cult television series Lost.

Here is their discussion of season two episode ten:

And season two episode eleven:

Their discussion on Season 2 Episode 12:

John 3:16 Remix

Philippe Gerber has a new remix that just dropped.

Black and white cover. It looks like a swipe of black paint with scratches in it.
Sobaki Tabaka Remixes cover art.

Under his John 3:16 moniker, Philippe has done a remix of the song “V Bezdne” by Sobaki Tabaka that appears on the remix album Sobaki Tabaka Remixes. The album is released by Industrial Complexx and is available at Bandcamp.

New Janet Joyce Holden Books

My friend Janet Joyce Holden has two books that are coming out at the very beginning of February.

Two book covers. Palladium's Resolution is white, with a symbol on the cover that looks like a bunch of music symbols. There are drops of blood next to it. Palladium's Insurrection is green. It has a symbol on the cover too that looks like a swirl of flames.
Palladium’s Resolution and Palladium’s Insurrection by Janet Joyce Holden.

They are titled Palladium’s Resolution and Palladium’s Insurrection. Blurb below for what these are all about.

Here is the Amazon link for all of the books in Holden’s Palladium series.

Press Blurb

Rogan is a troubled clairvoyant who can see more than most, but when he teams up with the monstrous Jake, a Khir’gham Guardian of the Void, it’s for an undeniably good cause. Keeping the hungry Void from invading Jake’s home of Palladium, and thereby saving Rogan’s own world from destruction.

Except a hitherto mysterious threat has now fully revealed itself. Carl Drake, visionary CEO of Stormquell and secretly one of Palladium’s mighty dragons, is not only hellbent on breaking his exile and reclaiming what he has lost, he has greedy ambitions regarding Rogan’s world, too.

The series reaches its climax in the final two novellas, Palladium’s Insurrection, and Palladium’s Resolution. The confrontation they always feared is now on the horizon, its arena shifting from the glossy mansions of Benedict Canyon, to the Southern California high desert, and finally into the fragile world of Palladium, and it’s up to Jake and Rogan to save the day. Except the task of killing dragons, not only seems impossible, its consequences will prove devastating and unforgivable. Perhaps Rogan and Jake will survive, but at what terrible cost?

Palladium is a series of high fantasy and dark adventure, containing monsters, dragons, interdimensional worlds, along with the all too human attributes of trust, courage, and family treachery.

Arriving on Tuesday 2nd February.

New Fan2Fan Episodes

Brand new episodes of the Fan2Fan podcast are now online. Aside from the CD collecting episode above, there’s a plethora of other episodes since the end of December. Check these all out:

First there is “2025 Horror: The Monkey, 28 Years Later, Good Boy & More“:

2025 Horror: The Monkey, 28 Years Later, Good Boy & More Fan2Fan Podcast

Then “Best of 2025: Movies, Music, and More“:

Best of 2025: Movies, Music, and More Fan2Fan Podcast

Followed by their first episode in their physical media series “The One Where We Talk About Physical Media“:

The One Where We Talk About Physical Media Fan2Fan Podcast

And “VHS Collecting with Cory Gorski“:

VHS Collecting with Cory Gorski Fan2Fan Podcast

And then “VHS Collecting with Jim Karl“:

VHS Collecting with Jim Karl Fan2Fan Podcast

Older episodes of Fan2Fan can be found at its Libsyn page or via your podcast app of preference.

Apocalypse Later Film Review: The Giant of Marathon

Hal A. F. Astell has a new film review up at his Apocalypse Later website, this one on the sword and sandal classic The Giant of Marathon (1959).

Black thick DVD case. The cover shows Hercules with a shoulder wound standing in an arena. Below shows Hercules walking with a lady and a crowd of people behind him.
Personal copy of the Clash of the Olympians DVD collection.
Back cover of the DVD. Shows a group of archers lined up. The text reads: A Colossal Collection of Epic Adventures! Take a mythological journey back in time with this Herculean compilation of lavish sword-and-sandal films filled with muscle-bound men, ravishing ladies, malicious monsters and awesome action. Movies: Ali Baba and the Seven Saracens (1964) The Avenger (1962) The Giant of Marathon (1959) The Giants of Rome (1964) The Giants of Thessaly (1960) Goliath and the Sins of Babylon (1963) Hercules and the Captive Women (1961) Hercules Against the Moon Men (1964) Hercules Against the Mongols (1963) Hercules and the Masked Rider (1963) Hercules and the Princess of Troy (1965) Hercules and the Tyrants of Babylon (1964) Hercules Unchained (1960) Herod the Great (1960) Kindar the Invulnerable (1964) Spartacus and the Ten Gladiators (1964)
Clash of the Olympians DVD collection, back cover.

Check out the review at the Apocalypse Later website.

Categories
News

News Roundup 2024-11-17

Personal / Website News

Scandalous Swords: Interview with J. Manfred Weichsel

A new interview article is up here at the website!

I interviewed J. Manfred Weichsel, editor of the sword and sorcery anthology Sword & Scandal.

Cover shows a Barbarian dude and a barbarian lady. The dude is holding a metal brassiere in his hand and a sword in the other. The lady is covering her breasts because the other barbarian stole her top. She is about to wack him with her sword.
Sword and Scandal cover.

Check it out here!

McFarland Holiday Sale

My publisher, McFarland books, is having a Holiday sale on all of their tiles! From November 15th to December 2nd, if you use code “HOLIDAY24” during checkout, you’ll get a 35% discount.

If you want to support me, consider buying a copy of The New Peplum or Horror Literature from Gothic to Post-Modern:

The New Peplum
Cover art for The New Peplum

McFarland Purchase link

Normal price: 39.99
35% = 13.99
Price after coupon: 25.99

Cover is black and red. The black is a spooky person in a hooded cloak surrounded by silhouettes of trees. Behind the figure is a red light.
Cover of Horror Literature from Gothic to Post-Modern: Critical Essays.

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

If you want to support Michele, consider buying James Bond and Popular Culture and Horror in Space: Critical Essays (I have essays in both):

Cover shows Sean Connery as Bond, holding his Walther PPK and a martini. Behind him is a swirl of the gun barrel.
Cover of James Bond and Popular Culture.

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

Cover is a frame from the movie Jason X where it shows Jason walking through a circular hallway on a space station.
Cover for Horror in Space.

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

If you’re interested in another book that I have an essay in, consider The Many Lives of the Twilight Zone and Uncovering Stranger Things:

Cover depicts a white door that is open and there is a swirl going on in it. The door stands by itself on a grassy area. Behind it is airspace with stars and planets.
Cover of The Many Lives of The Twilight Zone: Essays on the Television and Film Franchise.

McFarland Purchase Link

Normal Price: 29.95
35% = 10.48
Price after coupon: 19.47

Cover shows the silhouettes of four kids on bikes, with a dark and stormy road going to the horizon. Beneath them are x-mas lights.
Cover for Uncovering Stranger Things.

McFarland Purchase Link

Normal Price: 19.99
35% = 6.99
Price after coupon: 12.99

A Hero Will Endure Paperback Relese + Discount

Vernon Press, the publisher of A Hero Will Endure: Essays at the Twentieth Anniversary of Gladiator, has just released a cheaper, paperback version of the book, just in time for Gladiator 2!

Cover for A Hero Will Endure. It shows a ghostly blue arm running through an orange field of wheat (or some other agricultural plant).
A Hero Will Endure.

The paperback is at the much more friendly price of $57 compared to $96 for the hardcover and $107 for an electronic version. All editions of the book can be found at the Vernon Press product page.

In addition, the publisher is offering a coupon on purchases of the collection! From now until the end of January 2025, if you use code SLZM30 at check out, you’ll get 30% off the title. So, the $57 book now becomes $39.99. Nice!

ECOF 2025

In September of 2025 there will be an Edgar Rice Burroughs Chain of Friendship (ECOF) event down in Willcox, AZ. This event is to celebrate the 150th birthday of Burroughs while also honoring him with a plaque in the town due to his stationing with there the 7th U.S. Calvary in the 1890s. (Note: another ERB convention was held in Willcox back in 2019 and an event recap of that can be read at ERBZine #7059).

Here is a flyer for the 2025 event:

I’ll share more information about the event as I find out more on my website updates. There currently is a fundraiser going on to raise funds for the ERB plaque, and details for that can be found in the QR code in the above graphic, or by checking out the donation page at the Sulphur Springs Valley Valley Historical Society. 3.8K of 5K has been raised already. 

Michele and I will be in attendance for this convention, so I’ve added it to the appearances section of my website as well. 

Publishing Recap

Below is a recap of my publishing endeavors so far in 2024.

Cover of the journal portrays a scene from John Carter's Mars. There is a multi-armed green skinned alien holding a spear riding atop of a multi-legged blue mount that looks like a horse and a brontosaurus? Next to them is Woola, a puppy-like alien with 10 legs. They are on the martian landscape which is very orange.
National Capital Panthans Journal #326.

Comic Book Review: “Carson of Venus: The Flames Beyond#1″ reprinted in the National Capital Panthans Journal #326.

Cover shows a scene from a John Carter moment. There is a free multi-armed alien atop a blue steed. There are robots on spider legs firing weapons. There are round domed buildings that dot the rocky landscape.
National Capital Panthans Journal #327.

Comic Book Review: “Carson of Venus: The Flames Beyond#2″ reprinted in the National Capital Panthans Journal #327.

Cover art by Mark Wheatley. It shows Tarzan atop a barren tree trunk, pulling the string on a bow.
National Capital Panthans Journal #328.

Comic Book Review: “Carson of Venus: The Flames Beyond#3″ reprinted in the National Capital Panthans Journal #328.

Cover is called "Stand with Thoris" by Mark Wheatley. It shows Dejah Thoris wearing a dress and holding a long sword in her right hand. There is a domed building in the distance.
National Capital Panthans Journal #329.

Comic Book Review: “Carson of Venus / Warlord of Mars #1″ reprinted in the National Capital Panthans Journal #329.

Cover shows a sail boat, manned by three folks, on a green sea against a pink sky.
National Capital Panthans Journal #330.

“Wondercon 2019 Coverage: Tarzan, John Carter, and Edgar Rice Burroughs, Inc.: What’s New?” reprinted in the National Capital Panthans Journal #330.

Calls for Papers/Proposals

Here are some new pop culture CFPs that have crossed my paths. Links to these will also be in the CFP page on the navigation bar.

Contemporary Indigenous Horror

Deadline for Abstracts: May 30, 2025

Contact: nborwein@uwo.ca

Edited by Dr. Naomi Simone Borwein and Dr. Krista Collier-Jarvis

Building on discussions in the edited volume, Global Indigenous Horror (University Press of Mississippi, 2025), this is a call for chapter proposal submissions focused on the topic of Contemporary Indigenous Horror. Beautiful, luminous and resonant moments of horror exist in the work of writers like Shane Hawk, Kim Scott, Tiffany Morris, Waubgeshig Rice, or Ambelin Kwaymullina. But Indigenous horror tales thrive in many narrative or storying forms—from fiction, plays, and music, to graphic novels, art installations, or experimental films fortified by sonic and oral manifestations.

In response to the forthcoming inaugural essay collection, Global Indigenous Horror (2025)Judith Leggatt states, “Global Indigenous Horror is a timely and welcome addition to the growing field of Indigenous Horror studies.” Over the past decade, there has been a (re)surgence in Indigenous works focusing on tales of horror, such as Anoka: A Collection of Indigenous Horror (2011; Hawk); Ajjiit: Dark Dreams of the Ancient Arctic (2011; Tinsley and Qitsualik); Never Whistle at Night: An Indigenous Dark Anthology Collection (2023; Hawk and Van Alst Jr.); Whistle at Night and They Will Come: Indigenous Horror Stories (2023; Soop); Midnight Storm, Moonless Sky: Indigenous Horror Stories (2022; Soop); Taaqtumi: An Anthology of Arctic Horror Stories (2019), Moosebumpz: Scary Stories from the Rez, and The Land Has Spoken—Tales of Indigenous Horror (2024; Hawk and Rogers), and Zegaajimo: Indigenous Horror Fiction (2024; Akiwenzie and Adler), just to name a few.

Responding to the widening gap between Indigenous horror and academic responses to it, editors Naomi Simone Borwein and Krista Collier-Jarvis solicit contributions for Contemporary Indigenous Horror. Shane Hawk broadly defines horror as that which “prioritizes the fear factor, often using graphic depictions of violence, monstrous beings, or otherworldly threats to achieve its effect. The ultimate purpose of horror is to confront the reader with their deepest fears, creating an experience that is visceral and unsettling.” When taken up by Indigenous storytellers, horror often engages with a colonial past that has never really passed, and as such, it haunts contemporary Indigenous peoples and communities. Indigenous horror thus often blends traditional stories as well as Indigenous ways of knowing and being with contemporary issues. In many cases, Indigenous horror is about our lived experiences, not as the victim of ongoing coloniality, but as resistance. According to Elizabeth Edwards and Brenna Duperron, “Indigeneity is a resistance — in the usual sense of opposition, repudiation, and refusal to comply […but also] resistant to assimilation. Indigeneity is the lived and embodied experience of peoples who have participated in that resistance” (94). In many other cases, Indigenous horror is about what Scott Gordon calls “colonial whiplash,” where “white people who haven’t turned into zombies [or other monsters] are at the mercy of the oppressed”—their Indigenous saviours. And in other cases, what Indigenous horror is has yet to be revealed.

Chapters (6,000-8,000 words including bibliography) may examine modern, contemporary representations of Indigenous Horror from a variety of perspectives. With a focus on analysis of current horror (narrative) production by self-identifying artists, writers, and other creators, some areas of consideration include, but are not limited to:

  • the future of Indigenous Horror;
  • Indigenous futurisms;
  • Indigenous futurism in relation to Afrofuturism;
  • the post-apocalyptic;
  • after the Anthropocene (or other labels);
  • pre-contact/post-contact;
  • Indigenous “monsters”;
  • Indigenous identity/identities;
  • unsettling, activism;
  • love, reciprocity, and horror;
  • Indigenous horror and visual, digital, or textual sovereignty;
  • mixed media, experimental media;
  • virtual, embodied, extended, or augmented reality;
  • multisensory installation and the horror experience;
  • ecological discourses and horror manifestations in relation to speculative narratives;
  • interrogation of “rewilding” and alternatives;
  • decolonization of Indigenous stereotypes in mainstream Horror and their counterparts in Indigenous narratives;
  • authentic Indigenous horror images, visions, “metaphors” or “motifs”;
  • social media and h/Horror in relation to fiction marketization;
  • sonic landscapes of horror;
  • systems of Indigenous horror that move between fiction, film, music, and other media;
  • NDN and Horror media;
  • inter-tribal horror/Horror and trans-Indigeneity or pan-Indigeneity;
  • exploration of various land-based, place-based, sky-based, star-based, or water-based horrors in narratives by Indigenous creators;
  • blood, heredity, categorization, and holocaust/genocide narratives;
  • reconciliation;
  • virtue signalling, horror, media cultures and spaces;
  • metacommentary;
  • analysis of Indigenous Gothic and Horror;
  • Indigenous Horror fiction and ways of knowing;
  • reading (and teaching) Indigenous horror fiction;
  • horror systems as epistemologies;
  • Indigenous Horror fiction and scholarship;
  • and more.

This follow-up collection seeks contributions from self-identified Indigenous scholars in any stage of their academic journey. We also encourage submissions from allies to the community. To acknowledge the various ways in which Indigenous scholarship may emerge, we welcome both traditional as well as more exploratory approaches, including submissions of proposals for non-fiction works by self-identified Indigenous storytellers reflecting on the process of writing, or otherwise producing, horror.

Please send a 250-word abstract and a 100-word bio to editors Naomi Simone Borwein (nborwein@uwo.ca) and Krista Collier-Jarvis (Krista.Collier-Jarvis@msvu.ca) by May 30, 2025. Accepted chapters will be due June 30, 2026.

Miscellaneous Tidbits

Some fun things and shout outs from these past few weeks.

Gladiator 2 Cinemark Popcorn Bucket

Collectable popcorn buckets are becoming a big thing now. Gladiator 2 has one, of course. Thankfully this bucket could be ordered online instead of actually going to a Cinemark theater. So, of course I ordered a bucket:

Gladiator 2 popcorn bucket. Gold in colour. Looks like the colosseum. It says "Gladiator II" on the side.
Gladiator 2 Popcorn Bucket – Side View
Popcorn bucket that is in the shape of a colosseum. It is gold in color.
Gladiator 2 Popcorn Bucket – Top View

Sword and Sandal Blu-rays

Coinciding with the release of Gladiator 2 in November, there’s been a handful of older pepla getting new releases on UHD/Blu-ray. In mid November three came in the mail: Steelbook edition of the original Gladiator (2000), a new cut of Caligula (1979), and a new edition of Hercules Returns (1993).

Three movies, left to right are Gladiator, Hercules Returns, and Caligula. Gladiator shows Russell Crowe, squatted down, holding a sword and shield. Hercules Returns shows Hercules flexing. Caligula shows the coin with Caligula on it, blood as tears running down his cheek from his eye.
4K/Blu-ray releases of Gladiator, Hercules Returns, and Caligula.

Rest in Peplum Tony Todd

Tony Todd, horror actor extraordinaire best known for his portrayal as Candyman, passed away. He starred in a handful of pepla: Xena (1995-2001), Hercules (1995-1999), Beastmaster 3 (1996), and Minotaur (2006).

Michele and I had the honor to meet him way back in 2008 at a horror con in SeaTac. He autographed my Criterion Collection edition of The Rock (1996):

DVD of The Rock. It's all black, with a tiny Alcatraz at the bottom right. It says "The Criterion Collection" at the top. In silver pen it is signed "To Nick 'Where is the money?" Peace, Tony Todd."
Criterion Collection version of The Rock, autographed by Tony Todd.

When Candyman 2021 came out I did an article on bands that sample dialogue from the original Candyman (1992). Do check out that article to see some innovative ways that Todd lives on via textual sampling.

Art of Michele Brittany

Michele has started a Facebook Page devoted to her crafting and art. If you want to check out her projects or purchase some of her journals, give the page a like and follow!

https://www.facebook.com/profile.php?id=61565895377463

Screen capture of Michele Brittany's Facebook account/banner. It shows Michele in purple hair, and a collage of all her scrap books and other crafts.
Art of Michele Brittany Banner